@inbook{41483,
  author       = {{Jacke, Christoph}},
  booktitle    = {{Gehört „deutsche“ Popmusik ins Museum? Materialien zu und von der Fünften Pop-Dekadentagung}},
  editor       = {{Jogschies, Rainer}},
  title        = {{{‚Deutsche’ Pop-Rezeption – zwischen journalistischen Trivialitäten und nationalen Eigenarten? }}},
  year         = {{2021}},
}

@inbook{45275,
  author       = {{Eikermann, Larissa}},
  booktitle    = {{Das Erbe der Kinder: Provenienzforschung und Sammlungsgeschichte von Kinder- und Jugendzeichnungen: Museen, Archive, private Kollektionen und "verschwundene Sammlungen" = The children's heritage: provenance research and the history of children's and youth drawings collections: museums, archives, private holdings and "lost collections"}},
  editor       = {{Ströter-Bender, Jutta}},
  isbn         = {{9783828876668}},
  pages        = {{103--112}},
  publisher    = {{Tectum Verlag}},
  title        = {{{"Ein altes Familientalent" - Kinderzeichnungen aus der Familie der Brüder Grimm (1. Hälfte 19. Jh.) in der Grimm-Sammlung der Stadt Kassel. Germany}}},
  doi          = {{10.5771/9783828876668}},
  volume       = {{Bd. 30}},
  year         = {{2021}},
}

@inbook{45276,
  author       = {{Eikermann, Larissa}},
  booktitle    = {{Das Erbe der Kinder: Provenienzforschung und Sammlungsgeschichte von Kinder- und Jugendzeichnungen: Museen, Archive, private Kollektionen und "verschwundene Sammlungen" = The children's heritage: provenance research and the history of children's and youth drawings collections: museums, archives, private holdings and "lost collections"}},
  editor       = {{Ströter-Bender, Jutta}},
  isbn         = {{9783828876668}},
  pages        = {{171--179}},
  publisher    = {{Tectum Verlag}},
  title        = {{{Children´s drawings on Pippi & Co. - A visit to the Astrid Lindgren Archive in the Royal Library of Stockholm. Sweden}}},
  doi          = {{10.5771/9783828876668}},
  volume       = {{Bd. 30}},
  year         = {{2021}},
}

@article{40978,
  abstract     = {{<jats:sec><jats:title content-type="abstract-subheading">Purpose</jats:title><jats:p>The purpose of this article is to illuminate the relations of work-related practices of local managers of live music events in Ostwestfalen-Lippe (OWL) and barriers and needs of vulnerable customers (VC) in order to explore possibilities to increase cultural participation of VC.</jats:p></jats:sec><jats:sec><jats:title content-type="abstract-subheading">Design/methodology/approach</jats:title><jats:p>This article explores work-related practices of managers of live music events in OWL and asks if and to what extent these practices have an influence on the cultural participation of “vulnerable customers” (VC). It combines the findings of two studies: a) an explorative investigation on the work-related self-conceptions of managers of live music events in OWL (Study 1), and b) a sub-project on cultural participation of VC, which is part of the research project “kulturPreis. Increasing cultural participation through innovative and economically sustainable pricing concepts”, funded by the German Federal Ministry of Education and Research (Study 2).</jats:p></jats:sec><jats:sec><jats:title content-type="abstract-subheading">Findings</jats:title><jats:p>It can be stated that there is an imbalance of knowledge: while VC tend to have a clear understanding of which barriers are the responsibility of managers of live music events, managers tend to lack knowledge regarding the needs of VC, and regarding the interrelationships between financial and social barriers facing them. Whether this knowledge and understanding can be developed in the future depends on the possibilities of exchanges between managers of live music events, cultural institutions, welfare organisations, political institutions and not least VC.</jats:p></jats:sec><jats:sec><jats:title content-type="abstract-subheading">Originality/value</jats:title><jats:p>Based on these studies, this article combines different approaches by linking work-related practices of managers of live music events with cultural participation of VC.</jats:p></jats:sec>}},
  author       = {{Flath, Beate and Momen Pour Tafreshi, Maryam}},
  issn         = {{2056-4945}},
  journal      = {{Arts and the Market}},
  number       = {{2}},
  pages        = {{109--122}},
  publisher    = {{Emerald}},
  title        = {{{Work-related practices of local managers of live music events in Ostwestfalen-Lippe (OWL) and their impact on cultural participation}}},
  doi          = {{10.1108/aam-09-2020-0040}},
  volume       = {{11}},
  year         = {{2021}},
}

@inbook{57884,
  abstract     = {{Although music apps are becoming increasingly popular, there has been little research on informal music practices with apps. This article presents findings of an ongoing study on learning processes and aesthetic experiences with informal appmusic practices. In particular, it discusses the aesthetic practices (Reckwitz, 2008b) of using specific places for making music. In our grounded theory study (Charmaz, 2014) we collected data using interviews, participant observation and videography. As exemplary cases, this article presents two analyses of the use of ‘inspiring places’ and ‘safe places’. The results suggest that perceiving the atmosphere is a fundamental prerequisite for both places. Additionally, the results shed light on aesthetic aspects of mobile music making. (DIPF/Orig.)}},
  author       = {{Eusterbrock, Linus and Godau, Marc and Haenisch, Matthias and Krebs, Matthias and Rolle, Christian}},
  booktitle    = {{Musikpädagogik im Spannungsfeld von Reflexion und Intervention}},
  editor       = {{Hasselhorn, Johannes and Kautny, Oliver and Platz, Friedrich}},
  keywords     = {{Education, Ästhetik, Schul- und Bildungswesen, Informal learning, Informelles Lernen, Musical education, Musikpädagogik, Anwendung, Ästhetische Erfahrung, Grounded Theory, Längsschnittuntersuchung, Learning process, Lernprozess, Longitudinal analysis, Longitudinal study, Mobiles Gerät, Music reading, Musizieren, Erziehung}},
  pages        = {{155–172}},
  publisher    = {{Waxmann}},
  title        = {{{Von ’inspirierenden Orten’ und ’Safe Places’. Die ästhetische Nutzung von Orten in der Appmusikpraxis}}},
  volume       = {{41}},
  year         = {{2021}},
}

@inbook{57885,
  abstract     = {{Although music apps are becoming increasingly popular, there has been little re- search on informal music practices with apps. This article presents findings of an ongoing study on learning processes and aesthetic experiences in informal app- music practices. In particular, it discusses the experience of playfulness in aesthetic experiences with music apps. In our grounded-theory study, we collected data us- ing narrative interviews, video-stimulated recall interviews, and participant ob- servation. The article presents two different kinds of ludic aesthetic experiences in app-music practices: the experience of playful exploration and the experience of game-like music making. Results shed light on aesthetic aspects of mobile music making in the context of a ludic digital culture.}},
  author       = {{Eusterbrock, Linus and Godau, Marc and Haenisch, Matthias and Rolle, Christian}},
  booktitle    = {{Wege und Perspektiven in der musikpädagogischen Forschung. Ways and perspectives in music education research}},
  isbn         = {{978-3-8309-4428-7}},
  keywords     = {{Lernprozesse, ästhetische Erfahrungen, informelle Musikpraktiken, Musik-Apps, Spielhaftigkeit}},
  pages        = {{199–216}},
  publisher    = {{Waxmann Verlag}},
  title        = {{{Spielwiese und Spielzeug: ludische Qualitäten ästhetischer Erfahrung in der Appmusikpraxis}}},
  volume       = {{Musikpädagogische Forschung}},
  year         = {{2021}},
}

@article{34882,
  author       = {{Diester, Michel}},
  journal      = {{ffk Journal, Nr. 5}},
  number       = {{5}},
  pages        = {{316--328}},
  title        = {{{Weltenübergänge in Fargo}}},
  year         = {{2020}},
}

@article{48466,
  author       = {{Jacke, Christoph}},
  journal      = {{Die Aufhebung}},
  title        = {{{So Far...From Now On # 6. }}},
  year         = {{2020}},
}

@article{51063,
  author       = {{Klingmann, Heinrich}},
  journal      = {{Neue Musikzeitung}},
  number       = {{2}},
  publisher    = {{ConBrio}},
  title        = {{{Grundlagenwerk zu einer zentralen Thematik. Irmgard Merkt legt ihre "Musikdidaktik für die eine Schule" vor.}}},
  year         = {{2020}},
}

@inbook{41076,
  author       = {{Schroeter-Wittke, Harald and Flath, Beate and König, Bernhard and Venus, Viktoria}},
  booktitle    = {{Deutscher Evangelischer Kirchentag Dortmund 2019. Dokumente}},
  editor       = {{Helmke, Julia and Rentsch, Stefanie}},
  isbn         = {{9783579082134 }},
  pages        = {{101--106}},
  publisher    = {{Gütersloher Verlagshaus}},
  title        = {{{Hiob und das Leiden: Vertrauensfrage - Hiob 2,7-13. Bibelarbeit auf dem Weg am Donnerstag, 20. Juni 2019}}},
  year         = {{2020}},
}

@inproceedings{55841,
  abstract     = {{For musicologists, the collation of multiple sources of the same work is a frequent task. By comparing different witnesses, they seek to identify variation, describe dependencies, and ultimately understand the genesis and transmission of (musical) works. Obviously, the need for such comparison is independent from the medium in which a musical work is manifested. In computing, comparing files for difference is a common task, and the well-known Unix utility diff is almost 46 years old. However, diff, like many other such tools, operates on plain text. While many music encoding formats based on plain text exist, formats used in the field of Digital Humanities are typically based on XML. There are dedicated algorithms for comparing XML as well, but they only focus on the syntax of XML, but not the semantic structures modelled into such standards as MEI. MEI seeks to describe musical structures, and the XML syntax is just a means to express those structures. A diff tool for music should focus on comparing musical structures, but not the specifics of their serialization into a file format. In {Beethovens Werkstatt}, a 16-year project focussed on exploring the concepts and requirements of digital genetic editions of music, based on and arguing with examples from Ludwig van Beethoven, a case-bound diff tool for music was developed. The following paper discusses how that specific tool can be generalized, and which use cases such a tool may support.}},
  author       = {{Herold, Kristin and Kepper, Johannes and Mo, Ran and Seipelt, Agnes Regina}},
  booktitle    = {{Music Encoding Conference Proceedings 2020}},
  editor       = {{De Luca, Elsa and Flanders, Julia}},
  keywords     = {{mec-proceedings, mec-proceedings-2020}},
  pages        = {{59–66}},
  publisher    = {{Humanities Commons}},
  title        = {{{MusicDiff – A Diff Tool for MEI}}},
  doi          = {{10.17613/ydbv-e158}},
  year         = {{2020}},
}

@book{39422,
  editor       = {{Haller, Melanie and Mallon, Stefanie and Helmers, Traute }},
  publisher    = {{Waxmann-Verlag}},
  title        = {{{Der Tod und das Ding. Textilien und Vergänglichkeiten}}},
  year         = {{2020}},
}

@inbook{41478,
  author       = {{Jacke, Christoph}},
  booktitle    = {{Texturen. Nr. 7 - Wandeln.}},
  editor       = {{Haensch, Konstantin D. and Kuka, Daniela and Dellasega, Elena and Düllo, Eva}},
  title        = {{{"Nous sommes embarqués" oder "Wie wir wurden, was wir sind, indem wir hörten, was die Tonträger uns zutrugen" - Kurze Anmerkungen zu Musik, Kultur und Wissenschaft.}}},
  year         = {{2020}},
}

@inbook{41484,
  author       = {{Jacke, Christoph}},
  booktitle    = {{Festschrift für Siegfried J. Schmidt zum 80. Geburtstag. Private Festschrift.}},
  editor       = {{Scheffer, Bernd and Viehoff, Reinhold}},
  title        = {{{SJS80CJ - Perspektiven und Perspektiven auf Perspektiven auf/in/aus Kulturen.}}},
  year         = {{2020}},
}

@article{41479,
  author       = {{Jacke, Christoph}},
  journal      = {{Kaput - Magazin für Insolvenz & Pop.}},
  title        = {{{„I Am Just A Broken Heart” – Zum Tod von Dave Kusworth}}},
  year         = {{2020}},
}

@misc{41298,
  author       = {{Flath, Beate}},
  booktitle    = {{Politik & Kultur }},
  pages        = {{15}},
  title        = {{{Kulturelle Teilhabe durch innovative Preiskonzepte steigern. Projekt an der Universität Paderborn}}},
  year         = {{2020}},
}

@inbook{34881,
  author       = {{Diester, Michel}},
  booktitle    = {{Filmische Moderne. 60 Fragmente}},
  editor       = {{Fahle, Oliver and Gotto, Lisa  and Neitzel, Britta and Nowak, Lars and Wagner, Hedwig and Wendler,  André and Wentz, Daniela}},
  pages        = {{357--364}},
  publisher    = {{Transcript}},
  title        = {{{Primer}}},
  year         = {{2019}},
}

@inbook{48472,
  author       = {{Jacke, Christoph and Mendívil, Julio}},
  booktitle    = {{Heimatgedanken. Theologische und kulturwissenschaftliche Beiträge}},
  editor       = {{Brinkmann, Frank Thomas and Hammann, Johanna}},
  pages        = {{45--66}},
  publisher    = {{Springer VS}},
  title        = {{{Heimat 2.0. Über Konstruktionen und Imaginationen von Beheimatung in der deutschsprachigen Schlagermusik.}}},
  year         = {{2019}},
}

@inbook{48467,
  author       = {{Jacke, Christoph}},
  booktitle    = {{Die Sterne: Anfang verpasst. 1992-1999.}},
  publisher    = {{Tapete Records}},
  title        = {{{Politik, Coolness und Tanzbarkeit müssen kein Widerspruch sein: Eine Ent-Täuschung zur Bedeutung der Sterne.}}},
  year         = {{2019}},
}

@article{48473,
  author       = {{Jacke, Christoph}},
  journal      = {{Spex. Magazin für Popkultur.}},
  pages        = {{106}},
  title        = {{{Spex. Ausgaben 7/1995 und 8/1995.}}},
  volume       = {{384}},
  year         = {{2019}},
}