@article{49583,
  author       = {{Jacke, Christoph}},
  journal      = {{Die Aufhebung}},
  title        = {{{So Far...From Now On # 2. Kolumne.}}},
  year         = {{2014}},
}

@article{49588,
  author       = {{Jacke, Christoph}},
  journal      = {{Die Aufhebung}},
  title        = {{{So Far...From Now On # 1. Kolumne.}}},
  year         = {{2014}},
}

@inbook{49671,
  author       = {{Jacke, Christoph}},
  booktitle    = {{Gravitationsfeld POP. Was kann Pop? Was will Popkulturwirtschaft? Konstellationen in Berlin und anderswo.}},
  editor       = {{Breitenborn, Uwe and Düllo, Thomas and Birke, Sören}},
  pages        = {{201--219}},
  publisher    = {{Transcript}},
  title        = {{{Alright or Not? The Kids Have Grown up. Reflexion zwischen Pop, Journalismus und Wissenschaft in Spex.}}},
  year         = {{2014}},
}

@book{46825,
  editor       = {{Flath, Beate and Klein , Eva }},
  isbn         = {{978-3-8376-2348-2}},
  pages        = {{231}},
  publisher    = {{transcript }},
  title        = {{{Advertising and Design. Interdisciplinary Perspectives on a Cultural Field }}},
  year         = {{2014}},
}

@inbook{46843,
  author       = {{Flath, Beate}},
  booktitle    = {{Advertising and Design. Interdisciplinary Perspectives on a Cultural Field }},
  editor       = {{Flath, Beate  and Klein , Eva}},
  isbn         = {{978-3-8376-2348-2}},
  pages        = {{29--43}},
  publisher    = {{transcript }},
  title        = {{{The Sound of Image. Sound-Design within the Digital Mediamorphosis}}},
  year         = {{2014}},
}

@inbook{51071,
  author       = {{Klingmann, Heinrich}},
  booktitle    = {{Das große Buch der Schlagzeugpraxis.}},
  editor       = {{Racz, Gyula}},
  pages        = {{187 -- 218}},
  publisher    = {{ConBrio}},
  title        = {{{Latin Percussion.}}},
  year         = {{2014}},
}

@article{51072,
  author       = {{Klingmann, Heinrich}},
  journal      = {{Musik und Bildung}},
  number       = {{3}},
  pages        = {{64 -- 69}},
  title        = {{{Percussionklasse. Vielfältiges Musiklernen und Musizieren.}}},
  year         = {{2014}},
}

@article{55825,
  author       = {{Kepper, Johannes and Schreiter, Solveig and Veit, Joachim}},
  journal      = {{editio. Internationales Jahrbuch für Editionswissenschaft}},
  pages        = {{127–150}},
  title        = {{{‚Freischütz‘ analog oder digital – Editionsformen im Spannungsfeld von Wissenschaft und Praxis}}},
  doi          = {{https://doi.org/10.1515/editio-2014-009}},
  volume       = {{28}},
  year         = {{2014}},
}

@book{48022,
  editor       = {{Jacke, Christoph and Goer, Charis and Greif, Stefan}},
  isbn         = {{978-3-15-019035-7}},
  pages        = {{294}},
  publisher    = {{Reclam}},
  title        = {{{Texte zur Theorie des Pop}}},
  year         = {{2013}},
}

@book{48023,
  editor       = {{Jacke, Christoph and Mania, Thomas and Eismann, Sonja  and Bloss, Monika  and Binas-Preisendörfer, Susanne}},
  pages        = {{289}},
  publisher    = {{Telos}},
  title        = {{{ShePOP - Frauen. Macht. Musik!}}},
  year         = {{2013}},
}

@inbook{49672,
  author       = {{Jacke, Christoph}},
  booktitle    = {{Punk in Deutschland. Sozial- und kulturwissenschaftliche Perspektiven.}},
  editor       = {{Meinert, Philipp and Seeliger, Martin}},
  pages        = {{189--208}},
  publisher    = {{Transcript}},
  title        = {{{„Lies (through the 80s)". Immer gleich und besser. Popkultur und -musik zwischen Trash und Innovation am Beispiel der Neuen Deutschen Welle (NDW).}}},
  year         = {{2013}},
}

@inbook{49677,
  author       = {{Jacke, Christoph}},
  booktitle    = {{Texte zur Theorie des Pop.}},
  editor       = {{Goer, Charis and Greif, Stefan and Jacke, Christoph}},
  pages        = {{S. 220--223}},
  publisher    = {{Philipp Reclam jun.}},
  title        = {{{Einleitung „Tom Holert/Mark Terkessidis – Einführung in den Mainstream der Minderheiten (1996)“.}}},
  year         = {{2013}},
}

@inbook{49674,
  author       = {{Jacke, Christoph}},
  booktitle    = {{Celebrity Culture. Stars in der Mediengesellschaft.}},
  editor       = {{Robertson-von Trotha, Caroline Y.}},
  pages        = {{73--101}},
  publisher    = {{Nomos}},
  title        = {{{Meta-Stars: Ausdifferenzierung und Reflexivisierung von prominenten Medienfiguren als Stars in der Popmusik.}}},
  year         = {{2013}},
}

@inbook{49675,
  author       = {{Jacke, Christoph}},
  booktitle    = {{Texte zur Theorie des Pop.}},
  editor       = {{Goer, Charis and Greif, Stefan and Jacke, Christoph}},
  pages        = {{270--272}},
  publisher    = {{Philipp Reclam jun.}},
  title        = {{{Einleitung „Peter Wicke – Popmusik in der Theorie. Aspekte einer problematischen Beziehung (2002)“.}}},
  year         = {{2013}},
}

@inbook{49681,
  author       = {{Jacke, Christoph}},
  booktitle    = {{Texte zur Theorie des Pop.}},
  editor       = {{Goer, Charis and Greif, Stefan and Jacke, Christoph}},
  pages        = {{166--168}},
  publisher    = {{Philipp Reclam jun.}},
  title        = {{{Einleitung „John Fiske – Populäre Texte, Sprache und Alltagskultur (1989)“.}}},
  year         = {{2013}},
}

@inbook{49682,
  author       = {{Jacke, Christoph}},
  booktitle    = {{Texte zur Theorie des Pop.}},
  editor       = {{Goer, Charis and Greif, Stefan and Jacke, Chri}},
  pages        = {{125--127}},
  publisher    = {{Philipp Reclam jun.}},
  title        = {{{Einleitung „Dick Hebdige – Wie Subkulturen vereinnahmt werden (1979)“.}}},
  year         = {{2013}},
}

@inbook{49678,
  author       = {{Jacke, Christoph}},
  booktitle    = {{Texte zur Theorie des Pop.}},
  editor       = {{Goer, Charis and Greif, Stefan and Jacke, Christoph}},
  pages        = {{196--198}},
  publisher    = {{Philipp Reclam jun.}},
  title        = {{{Einleitung „Simon Frith – Musik und Identität (1996)“.}}},
  year         = {{2013}},
}

@inbook{49673,
  author       = {{Jacke, Christoph}},
  booktitle    = {{Frontiers of Literary Studies in China.}},
  pages        = {{271--286}},
  title        = {{{German Popular Music Studies as Part of (International) Media Cultural Studies.}}},
  volume       = {{Volume 7, Number 2}},
  year         = {{2013}},
}

@inbook{49689,
  author       = {{Jacke, Christoph}},
  booktitle    = {{Ware Inszenierungen. Performance, Vermarktung und Authentizität in der populären Musik.}},
  editor       = {{Helms, Dietrich and Phleps, Thomas}},
  pages        = {{71--95}},
  publisher    = {{Transcript}},
  title        = {{{Inszenierte Authentizität versus authentische Inszenierung: ein Ordnungsversuch zum Konzept Authentizität in Medienkultur und Popmusik.}}},
  volume       = {{39}},
  year         = {{2013}},
}

@inbook{49683,
  author       = {{Jacke, Christoph}},
  booktitle    = {{Texte zur Theorie des Pop.}},
  editor       = {{Goer, Charis and Greif, Stefan and Jacke, Christoph}},
  pages        = {{110--112}},
  publisher    = {{Philipp Reclam jun.}},
  title        = {{{Einleitung „Umberto Eco – Gespräch mit Umberto Eco über die Theorie des Pop (1974)“.}}},
  year         = {{2013}},
}