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It is a slight update on v1.0.0 in better organizing the release assets.","lang":"eng"}],"user_id":"1684","department":[{"_id":"874"}],"_id":"55835","keyword":["BitH","Dataset","Domestic Music Arrangements","Ludwig van Beethoven","MEI","Music Encoding Initiative"],"citation":{"bibtex":"@book{Rosendahl_2023, title={Beethoven in the House: Selective Encodings of Arrangements of Beethoven’s opp. 91, 92, and 93.}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.7875059\">10.5281/ZENODO.7875059</a>}, publisher={Zenodo}, author={Rosendahl, Lisa}, year={2023} }","mla":"Rosendahl, Lisa. <i>Beethoven in the House: Selective Encodings of Arrangements of Beethoven’s Opp. 91, 92, and 93.</i> Zenodo, 2023, doi:<a href=\"https://doi.org/10.5281/ZENODO.7875059\">10.5281/ZENODO.7875059</a>.","short":"L. Rosendahl, Beethoven in the House: Selective Encodings of Arrangements of Beethoven’s Opp. 91, 92, and 93., Zenodo, 2023.","apa":"Rosendahl, L. (2023). <i>Beethoven in the House: Selective Encodings of Arrangements of Beethoven’s opp. 91, 92, and 93.</i> Zenodo. <a href=\"https://doi.org/10.5281/ZENODO.7875059\">https://doi.org/10.5281/ZENODO.7875059</a>","chicago":"Rosendahl, Lisa. <i>Beethoven in the House: Selective Encodings of Arrangements of Beethoven’s Opp. 91, 92, and 93.</i> Zenodo, 2023. <a href=\"https://doi.org/10.5281/ZENODO.7875059\">https://doi.org/10.5281/ZENODO.7875059</a>.","ieee":"L. Rosendahl, <i>Beethoven in the House: Selective Encodings of Arrangements of Beethoven’s opp. 91, 92, and 93.</i> Zenodo, 2023.","ama":"Rosendahl L. <i>Beethoven in the House: Selective Encodings of Arrangements of Beethoven’s Opp. 91, 92, and 93.</i> Zenodo; 2023. doi:<a href=\"https://doi.org/10.5281/ZENODO.7875059\">10.5281/ZENODO.7875059</a>"},"year":"2023","author":[{"first_name":"Lisa","full_name":"Rosendahl, Lisa","last_name":"Rosendahl"}],"date_created":"2024-08-28T11:43:11Z","date_updated":"2024-08-28T14:09:28Z","publisher":"Zenodo","doi":"10.5281/ZENODO.7875059","title":"Beethoven in the House: Selective Encodings of Arrangements of Beethoven’s opp. 91, 92, and 93."},{"abstract":[{"text":"We present a new multi-layered, conceptual model for associating musical source materials to musicological arguments. We describe our proposal for operationalizing these concepts through a framework for musical annotation which we have implemented using RDF. Briefly stated, this model shows how portions of digitized data in various files and formats can be identified, selected, labelled, and compared.","lang":"eng"}],"publication":"Proceedings of the Music Encoding Conference 2022","language":[{"iso":"eng"}],"keyword":["BitH","Linked Data"],"year":"2023","title":"A New Conceptual Model for Musical Sources and Musicological Studies","date_created":"2024-08-28T11:41:59Z","status":"public","editor":[{"first_name":"David","full_name":"Weigl, David","last_name":"Weigl"},{"last_name":"Bain","full_name":"Bain, Jennifer","first_name":"Jennifer"},{"full_name":"Ang, Ailynn","last_name":"Ang","first_name":"Ailynn"}],"type":"conference","department":[{"_id":"874"}],"user_id":"1684","_id":"55833","page":"145–150","citation":{"chicago":"Shibata, Elisabete, David Lewis, Mark Saccomano, Johannes Kepper, and Kevin Page. “A New Conceptual Model for Musical Sources and Musicological Studies.” In <i>Proceedings of the Music Encoding Conference 2022</i>, edited by David Weigl, Jennifer Bain, and Ailynn Ang, 145–150. Halifax, Nova Scotia, Canada, 2023. <a href=\"https://doi.org/10.17613/8p2c-1q77\">https://doi.org/10.17613/8p2c-1q77</a>.","ieee":"E. Shibata, D. Lewis, M. Saccomano, J. Kepper, and K. Page, “A New Conceptual Model for Musical Sources and Musicological Studies,” in <i>Proceedings of the Music Encoding Conference 2022</i>, 2023, pp. 145–150, doi: <a href=\"https://doi.org/10.17613/8p2c-1q77\">https://doi.org/10.17613/8p2c-1q77</a>.","ama":"Shibata E, Lewis D, Saccomano M, Kepper J, Page K. A New Conceptual Model for Musical Sources and Musicological Studies. In: Weigl D, Bain J, Ang A, eds. <i>Proceedings of the Music Encoding Conference 2022</i>. ; 2023:145–150. doi:<a href=\"https://doi.org/10.17613/8p2c-1q77\">https://doi.org/10.17613/8p2c-1q77</a>","bibtex":"@inproceedings{Shibata_Lewis_Saccomano_Kepper_Page_2023, place={Halifax, Nova Scotia, Canada}, title={A New Conceptual Model for Musical Sources and Musicological Studies}, DOI={<a href=\"https://doi.org/10.17613/8p2c-1q77\">https://doi.org/10.17613/8p2c-1q77</a>}, booktitle={Proceedings of the Music Encoding Conference 2022}, author={Shibata, Elisabete and Lewis, David and Saccomano, Mark and Kepper, Johannes and Page, Kevin}, editor={Weigl, David and Bain, Jennifer and Ang, Ailynn}, year={2023}, pages={145–150} }","short":"E. Shibata, D. Lewis, M. Saccomano, J. Kepper, K. Page, in: D. Weigl, J. Bain, A. Ang (Eds.), Proceedings of the Music Encoding Conference 2022, Halifax, Nova Scotia, Canada, 2023, pp. 145–150.","mla":"Shibata, Elisabete, et al. “A New Conceptual Model for Musical Sources and Musicological Studies.” <i>Proceedings of the Music Encoding Conference 2022</i>, edited by David Weigl et al., 2023, pp. 145–150, doi:<a href=\"https://doi.org/10.17613/8p2c-1q77\">https://doi.org/10.17613/8p2c-1q77</a>.","apa":"Shibata, E., Lewis, D., Saccomano, M., Kepper, J., &#38; Page, K. (2023). A New Conceptual Model for Musical Sources and Musicological Studies. In D. Weigl, J. Bain, &#38; A. Ang (Eds.), <i>Proceedings of the Music Encoding Conference 2022</i> (pp. 145–150). <a href=\"https://doi.org/10.17613/8p2c-1q77\">https://doi.org/10.17613/8p2c-1q77</a>"},"place":"Halifax, Nova Scotia, Canada","publication_status":"published","doi":"https://doi.org/10.17613/8p2c-1q77","main_file_link":[{"open_access":"1","url":"https://hcommons.org/deposits/item/hc:59295/"}],"author":[{"first_name":"Elisabete","last_name":"Shibata","full_name":"Shibata, Elisabete"},{"first_name":"David","last_name":"Lewis","full_name":"Lewis, David"},{"full_name":"Saccomano, Mark","last_name":"Saccomano","first_name":"Mark"},{"orcid":"0000-0003-4891-260X","last_name":"Kepper","id":"1684","full_name":"Kepper, Johannes","first_name":"Johannes"},{"first_name":"Kevin","last_name":"Page","full_name":"Page, Kevin"}],"oa":"1","date_updated":"2024-08-28T14:12:33Z"},{"abstract":[{"lang":"eng","text":"Digital musicology research often proceeds by extending and enriching its evidence base as it progresses, rather than starting with a complete corpus of data and metadata, as a consequence of an emergent research need. In this paper, we consider a research workflow which assumes an incremental approach to data gathering and annotation. We describe tooling which implements parts of this workflow, developed to support the study of nineteenth-century music arrangements, and evaluate the applicability of our approach through interviews with musicologists and music editors who have used the tools. We conclude by considering extensions of this approach and the wider implications for digital musicology and music information retrieval."}],"status":"public","type":"conference","keyword":["BitH","Linked Data"],"language":[{"iso":"eng"}],"_id":"55832","user_id":"1684","department":[{"_id":"874"}],"year":"2023","citation":{"ama":"Lewis D, Shibata E, Hankinson A, et al. Supporting Musicological Investigations With Information Retrieval Tools: An Iterative Approach to Data Collection. In: ; 2023. doi:<a href=\"https://doi.org/10.5281/ZENODO.10265407\">10.5281/ZENODO.10265407</a>","chicago":"Lewis, David, Elisabete Shibata, Andrew Hankinson, Johannes Kepper, Kevin R. Page, Lisa Rosendahl, Mark Saccomano, and Christine Siegert. “Supporting Musicological Investigations With Information Retrieval Tools: An Iterative Approach to Data Collection,” 2023. <a href=\"https://doi.org/10.5281/ZENODO.10265407\">https://doi.org/10.5281/ZENODO.10265407</a>.","ieee":"D. Lewis <i>et al.</i>, “Supporting Musicological Investigations With Information Retrieval Tools: An Iterative Approach to Data Collection,” 2023, doi: <a href=\"https://doi.org/10.5281/ZENODO.10265407\">10.5281/ZENODO.10265407</a>.","apa":"Lewis, D., Shibata, E., Hankinson, A., Kepper, J., Page, K. R., Rosendahl, L., Saccomano, M., &#38; Siegert, C. (2023). <i>Supporting Musicological Investigations With Information Retrieval Tools: An Iterative Approach to Data Collection</i>. <a href=\"https://doi.org/10.5281/ZENODO.10265407\">https://doi.org/10.5281/ZENODO.10265407</a>","short":"D. Lewis, E. Shibata, A. Hankinson, J. Kepper, K.R. Page, L. Rosendahl, M. Saccomano, C. Siegert, in: 2023.","mla":"Lewis, David, et al. <i>Supporting Musicological Investigations With Information Retrieval Tools: An Iterative Approach to Data Collection</i>. 2023, doi:<a href=\"https://doi.org/10.5281/ZENODO.10265407\">10.5281/ZENODO.10265407</a>.","bibtex":"@inproceedings{Lewis_Shibata_Hankinson_Kepper_Page_Rosendahl_Saccomano_Siegert_2023, title={Supporting Musicological Investigations With Information Retrieval Tools: An Iterative Approach to Data Collection}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.10265407\">10.5281/ZENODO.10265407</a>}, author={Lewis, David and Shibata, Elisabete and Hankinson, Andrew and Kepper, Johannes and Page, Kevin R. and Rosendahl, Lisa and Saccomano, Mark and Siegert, Christine}, year={2023} }"},"publication_status":"published","title":"Supporting Musicological Investigations With Information Retrieval Tools: An Iterative Approach to Data Collection","main_file_link":[{"open_access":"1","url":"https://zenodo.org/records/10265407/files/000094.pdf?download=1"}],"doi":"10.5281/ZENODO.10265407","oa":"1","date_updated":"2024-08-28T14:14:55Z","author":[{"first_name":"David","last_name":"Lewis","full_name":"Lewis, David"},{"last_name":"Shibata","full_name":"Shibata, Elisabete","first_name":"Elisabete"},{"last_name":"Hankinson","full_name":"Hankinson, Andrew","first_name":"Andrew"},{"first_name":"Johannes","full_name":"Kepper, Johannes","id":"1684","orcid":"0000-0003-4891-260X","last_name":"Kepper"},{"first_name":"Kevin R.","full_name":"Page, Kevin R.","last_name":"Page"},{"full_name":"Rosendahl, Lisa","last_name":"Rosendahl","first_name":"Lisa"},{"full_name":"Saccomano, Mark","last_name":"Saccomano","first_name":"Mark"},{"last_name":"Siegert","full_name":"Siegert, Christine","first_name":"Christine"}],"date_created":"2024-08-28T11:41:41Z"},{"publication":"Musik und Internet. Aktuelle Phänomene populärer Kulturen","type":"book_chapter","editor":[{"last_name":"Moormann","full_name":"Moormann, Peter","first_name":"Peter"},{"last_name":"Ruth","full_name":"Ruth, Nicolas","first_name":"Nicolas"}],"abstract":[{"text":"Dieser Beitrag bietet verschiedene professionelle Perspektiven auf den popmusikalischen Kommunikationsprozesses innerhalb postdigitaler Popmusikjournalismuskulturen. Neben einer wissenschaftlichen Rahmung, Übersicht und Strukturierung des Untersuchungsfelds und des Forschungsstands versammelt der Beitrag multiperspektivische Thesen, die journalistische Praktiken und ihre Reflexionen von Produktion über Distribution und Rezeption/Nutzung bis zur Weiterverarbeitung inklusive Archivierung/Institutionalisierung/Musealisierung aufgreifen und herausstellen. Die aufgestellten Thesen gelten als Aufschlag für die zukünftige Analyse des so fundamentalen und doch auch immer wieder übersehenen Berufsfeldes und seiner Rezeption zwischen Faszination und Exploitation.","lang":"ger"}],"status":"public","_id":"46475","department":[{"_id":"607"}],"user_id":"33226","language":[{"iso":"eng"}],"publication_identifier":{"isbn":["9783658391447","9783658391454"],"issn":["2626-6199","2626-6202"]},"publication_status":"published","year":"2023","place":"Wiesbaden","citation":{"apa":"Godlewsky, T., Jacke, C., Roenneke, S., &#38; Venker, T. (2023). Pop(musik)journalismen zwischen Printmagazin-Krise und postdigitaler Realität – Forschungsüberblick und multiperspektivische Thesen. In P. Moormann &#38; N. Ruth (Eds.), <i>Musik und Internet. Aktuelle Phänomene populärer Kulturen</i>. Springer Fachmedien Wiesbaden. <a href=\"https://doi.org/10.1007/978-3-658-39145-4_11\">https://doi.org/10.1007/978-3-658-39145-4_11</a>","short":"T. Godlewsky, C. Jacke, S. Roenneke, T. Venker, in: P. Moormann, N. Ruth (Eds.), Musik Und Internet. Aktuelle Phänomene Populärer Kulturen, Springer Fachmedien Wiesbaden, Wiesbaden, 2023.","bibtex":"@inbook{Godlewsky_Jacke_Roenneke_Venker_2023, place={Wiesbaden}, title={Pop(musik)journalismen zwischen Printmagazin-Krise und postdigitaler Realität – Forschungsüberblick und multiperspektivische Thesen}, DOI={<a href=\"https://doi.org/10.1007/978-3-658-39145-4_11\">10.1007/978-3-658-39145-4_11</a>}, booktitle={Musik und Internet. Aktuelle Phänomene populärer Kulturen}, publisher={Springer Fachmedien Wiesbaden}, author={Godlewsky, Tanja and Jacke, Christoph and Roenneke, Stefanie and Venker, Thomas}, editor={Moormann, Peter and Ruth, Nicolas}, year={2023} }","mla":"Godlewsky, Tanja, et al. “Pop(Musik)Journalismen Zwischen Printmagazin-Krise Und Postdigitaler Realität – Forschungsüberblick Und Multiperspektivische Thesen.” <i>Musik Und Internet. Aktuelle Phänomene Populärer Kulturen</i>, edited by Peter Moormann and Nicolas Ruth, Springer Fachmedien Wiesbaden, 2023, doi:<a href=\"https://doi.org/10.1007/978-3-658-39145-4_11\">10.1007/978-3-658-39145-4_11</a>.","chicago":"Godlewsky, Tanja, Christoph Jacke, Stefanie Roenneke, and Thomas Venker. “Pop(Musik)Journalismen Zwischen Printmagazin-Krise Und Postdigitaler Realität – Forschungsüberblick Und Multiperspektivische Thesen.” In <i>Musik Und Internet. Aktuelle Phänomene Populärer Kulturen</i>, edited by Peter Moormann and Nicolas Ruth. Wiesbaden: Springer Fachmedien Wiesbaden, 2023. <a href=\"https://doi.org/10.1007/978-3-658-39145-4_11\">https://doi.org/10.1007/978-3-658-39145-4_11</a>.","ieee":"T. Godlewsky, C. Jacke, S. Roenneke, and T. Venker, “Pop(musik)journalismen zwischen Printmagazin-Krise und postdigitaler Realität – Forschungsüberblick und multiperspektivische Thesen,” in <i>Musik und Internet. Aktuelle Phänomene populärer Kulturen</i>, P. Moormann and N. Ruth, Eds. Wiesbaden: Springer Fachmedien Wiesbaden, 2023.","ama":"Godlewsky T, Jacke C, Roenneke S, Venker T. Pop(musik)journalismen zwischen Printmagazin-Krise und postdigitaler Realität – Forschungsüberblick und multiperspektivische Thesen. In: Moormann P, Ruth N, eds. <i>Musik Und Internet. Aktuelle Phänomene Populärer Kulturen</i>. Springer Fachmedien Wiesbaden; 2023. doi:<a href=\"https://doi.org/10.1007/978-3-658-39145-4_11\">10.1007/978-3-658-39145-4_11</a>"},"date_updated":"2023-08-10T10:13:18Z","publisher":"Springer Fachmedien Wiesbaden","date_created":"2023-08-10T10:11:20Z","author":[{"last_name":"Godlewsky","full_name":"Godlewsky, Tanja","first_name":"Tanja"},{"first_name":"Christoph","last_name":"Jacke","id":"20747","full_name":"Jacke, Christoph"},{"last_name":"Roenneke","full_name":"Roenneke, Stefanie","first_name":"Stefanie"},{"last_name":"Venker","full_name":"Venker, Thomas","first_name":"Thomas"}],"title":"Pop(musik)journalismen zwischen Printmagazin-Krise und postdigitaler Realität – Forschungsüberblick und multiperspektivische Thesen","doi":"10.1007/978-3-658-39145-4_11"},{"publication":"BMU Magazin","type":"journal_article","status":"public","_id":"53628","department":[{"_id":"540"},{"_id":"868"}],"user_id":"99991","language":[{"iso":"ger"}],"year":"2023","page":"8-13","intvolume":"        16","citation":{"bibtex":"@article{Weidner_Hermann_Godau_2023, title={Write Your Song. Songwriting im Musikunterricht – ein Kartenspiel als Planungstool}, volume={16}, journal={BMU Magazin}, author={Weidner, Verena and Hermann, Katharina and Godau, Marc}, year={2023}, pages={8–13} }","mla":"Weidner, Verena, et al. “Write Your Song. Songwriting im Musikunterricht – ein Kartenspiel als Planungstool.” <i>BMU Magazin</i>, vol. 16, 2023, pp. 8–13.","short":"V. Weidner, K. Hermann, M. Godau, BMU Magazin 16 (2023) 8–13.","apa":"Weidner, V., Hermann, K., &#38; Godau, M. (2023). Write Your Song. Songwriting im Musikunterricht – ein Kartenspiel als Planungstool. <i>BMU Magazin</i>, <i>16</i>, 8–13.","chicago":"Weidner, Verena, Katharina Hermann, and Marc Godau. “Write Your Song. Songwriting im Musikunterricht – ein Kartenspiel als Planungstool.” <i>BMU Magazin</i> 16 (2023): 8–13.","ieee":"V. Weidner, K. Hermann, and M. Godau, “Write Your Song. Songwriting im Musikunterricht – ein Kartenspiel als Planungstool,” <i>BMU Magazin</i>, vol. 16, pp. 8–13, 2023.","ama":"Weidner V, Hermann K, Godau M. Write Your Song. Songwriting im Musikunterricht – ein Kartenspiel als Planungstool. <i>BMU Magazin</i>. 2023;16:8-13."},"date_updated":"2024-11-27T11:58:52Z","volume":16,"author":[{"last_name":"Weidner","full_name":"Weidner, Verena","first_name":"Verena"},{"last_name":"Hermann","full_name":"Hermann, Katharina","first_name":"Katharina"},{"first_name":"Marc","full_name":"Godau, Marc","id":"98877","last_name":"Godau"}],"date_created":"2024-04-23T13:46:29Z","title":"Write Your Song. Songwriting im Musikunterricht – ein Kartenspiel als Planungstool"},{"year":"2023","citation":{"chicago":"Flath, Beate. “Ästhetik digitaler Medien. Aktuelle Perspektiven .” <i>mediendiskurs 17</i>, 2023.","ieee":"B. Flath, “Ästhetik digitaler Medien. Aktuelle Perspektiven ,” <i>mediendiskurs 17</i>, vol. 106. 2023.","ama":"Flath B. Ästhetik digitaler Medien. Aktuelle Perspektiven . <i>mediendiskurs 17</i>. 2023;106.","apa":"Flath, B. (2023). Ästhetik digitaler Medien. Aktuelle Perspektiven . In <i>mediendiskurs 17</i> (Vol. 106).","bibtex":"@article{Flath_2023, title={Ästhetik digitaler Medien. Aktuelle Perspektiven }, volume={106}, journal={mediendiskurs 17}, author={Flath, Beate}, year={2023} }","short":"B. Flath, mediendiskurs 17 106 (2023).","mla":"Flath, Beate. “Ästhetik digitaler Medien. Aktuelle Perspektiven .” <i>mediendiskurs 17</i>, vol. 106, 2023."},"intvolume":"       106","publication_status":"published","title":"Ästhetik digitaler Medien. Aktuelle Perspektiven ","main_file_link":[{"url":"https://mediendiskurs.online/beitrag/aesthetik-digitaler-medien-beitrag-1181/","open_access":"1"}],"date_updated":"2024-12-11T17:38:52Z","oa":"1","author":[{"first_name":"Beate","last_name":"Flath","orcid":"https://orcid.org/0000-0002-1648-0796","id":"58896","full_name":"Flath, Beate"}],"date_created":"2023-11-26T15:59:28Z","volume":106,"status":"public","type":"review","publication":"mediendiskurs 17","language":[{"iso":"ger"}],"_id":"49206","user_id":"58896","department":[{"_id":"735"}]},{"file_date_updated":"2023-12-18T16:17:17Z","department":[{"_id":"540"},{"_id":"868"}],"user_id":"99991","series_title":"Musikpädagogische Forschung","_id":"49807","status":"public","editor":[{"last_name":"Göllner","full_name":"Göllner, Matthias","first_name":"Matthias"},{"full_name":"Honnens, Johann","last_name":"Honnens","first_name":"Johann"},{"first_name":"Valerie","last_name":"Krupp","full_name":"Krupp, Valerie"},{"first_name":"Lina","full_name":"Oravec, Lina","last_name":"Oravec"},{"first_name":"Silke","full_name":"Schmid, Silke","last_name":"Schmid"}],"type":"book_chapter","doi":"10.31244/9783830997641.18","main_file_link":[{"url":"https://www.waxmann.com/?eID=texte&pdf=4764OpenAccess18.pdf&typ=zusatztext","open_access":"1"}],"volume":44,"author":[{"full_name":"Haenisch, Matthias","last_name":"Haenisch","first_name":"Matthias"},{"id":"98877","full_name":"Godau, Marc","last_name":"Godau","first_name":"Marc"},{"full_name":"Barreiro, Julia","last_name":"Barreiro","first_name":"Julia"},{"last_name":"Maxelon","full_name":"Maxelon, Dominik","first_name":"Dominik"},{"first_name":"Timo","orcid":"0000-0002-8262-767X","last_name":"Neuhausen","id":"99991","full_name":"Neuhausen, Timo"}],"date_updated":"2025-02-06T10:50:13Z","oa":"1","intvolume":"        44","page":"305-322","citation":{"chicago":"Haenisch, Matthias, Marc Godau, Julia Barreiro, Dominik Maxelon, and Timo Neuhausen. “Die Plattformisierung des Songwritings. Musik erfinden unter Bedingungen des short video turn am Beispiel von TikTok.” In <i>44. Jahresband des Arbeitskreises Musikpädagogische Forschung / 44th Yearbook of the German Association for Research in Music Education</i>, edited by Matthias Göllner, Johann Honnens, Valerie Krupp, Lina Oravec, and Silke Schmid, 44:305–22. Musikpädagogische Forschung. Waxmann Verlag GmbH, 2023. <a href=\"https://doi.org/10.31244/9783830997641.18\">https://doi.org/10.31244/9783830997641.18</a>.","ieee":"M. Haenisch, M. Godau, J. Barreiro, D. Maxelon, and T. Neuhausen, “Die Plattformisierung des Songwritings. Musik erfinden unter Bedingungen des short video turn am Beispiel von TikTok,” in <i>44. Jahresband des Arbeitskreises Musikpädagogische Forschung / 44th Yearbook of the German Association for Research in Music Education</i>, vol. 44, M. Göllner, J. Honnens, V. Krupp, L. Oravec, and S. Schmid, Eds. Waxmann Verlag GmbH, 2023, pp. 305–322.","ama":"Haenisch M, Godau M, Barreiro J, Maxelon D, Neuhausen T. Die Plattformisierung des Songwritings. Musik erfinden unter Bedingungen des short video turn am Beispiel von TikTok. In: Göllner M, Honnens J, Krupp V, Oravec L, Schmid S, eds. <i>44. Jahresband des Arbeitskreises Musikpädagogische Forschung / 44th Yearbook of the German Association for Research in Music Education</i>. Vol 44. Musikpädagogische Forschung. Waxmann Verlag GmbH; 2023:305-322. doi:<a href=\"https://doi.org/10.31244/9783830997641.18\">10.31244/9783830997641.18</a>","mla":"Haenisch, Matthias, et al. “Die Plattformisierung des Songwritings. Musik erfinden unter Bedingungen des short video turn am Beispiel von TikTok.” <i>44. Jahresband des Arbeitskreises Musikpädagogische Forschung / 44th Yearbook of the German Association for Research in Music Education</i>, edited by Matthias Göllner et al., vol. 44, Waxmann Verlag GmbH, 2023, pp. 305–22, doi:<a href=\"https://doi.org/10.31244/9783830997641.18\">10.31244/9783830997641.18</a>.","short":"M. Haenisch, M. Godau, J. Barreiro, D. Maxelon, T. Neuhausen, in: M. Göllner, J. Honnens, V. Krupp, L. Oravec, S. Schmid (Eds.), 44. Jahresband des Arbeitskreises Musikpädagogische Forschung / 44th Yearbook of the German Association for Research in Music Education, Waxmann Verlag GmbH, 2023, pp. 305–322.","bibtex":"@inbook{Haenisch_Godau_Barreiro_Maxelon_Neuhausen_2023, series={Musikpädagogische Forschung}, title={Die Plattformisierung des Songwritings. Musik erfinden unter Bedingungen des short video turn am Beispiel von TikTok}, volume={44}, DOI={<a href=\"https://doi.org/10.31244/9783830997641.18\">10.31244/9783830997641.18</a>}, booktitle={44. Jahresband des Arbeitskreises Musikpädagogische Forschung / 44th Yearbook of the German Association for Research in Music Education}, publisher={Waxmann Verlag GmbH}, author={Haenisch, Matthias and Godau, Marc and Barreiro, Julia and Maxelon, Dominik and Neuhausen, Timo}, editor={Göllner, Matthias and Honnens, Johann and Krupp, Valerie and Oravec, Lina and Schmid, Silke}, year={2023}, pages={305–322}, collection={Musikpädagogische Forschung} }","apa":"Haenisch, M., Godau, M., Barreiro, J., Maxelon, D., &#38; Neuhausen, T. (2023). Die Plattformisierung des Songwritings. Musik erfinden unter Bedingungen des short video turn am Beispiel von TikTok. In M. Göllner, J. Honnens, V. Krupp, L. Oravec, &#38; S. Schmid (Eds.), <i>44. Jahresband des Arbeitskreises Musikpädagogische Forschung / 44th Yearbook of the German Association for Research in Music Education</i> (Vol. 44, pp. 305–322). Waxmann Verlag GmbH. <a href=\"https://doi.org/10.31244/9783830997641.18\">https://doi.org/10.31244/9783830997641.18</a>"},"publication_identifier":{"isbn":["9783830947646"]},"has_accepted_license":"1","publication_status":"published","language":[{"iso":"ger"}],"ddc":["780"],"file":[{"creator":"moneuh","date_created":"2023-12-18T16:17:17Z","date_updated":"2023-12-18T16:17:17Z","file_id":"49811","access_level":"closed","file_name":"Haenischetal2023DiePlattformisierungdesSongwritings.pdf","file_size":2157201,"content_type":"application/pdf","relation":"main_file","success":1}],"publication":"44. Jahresband des Arbeitskreises Musikpädagogische Forschung / 44th Yearbook of the German Association for Research in Music Education","title":"Die Plattformisierung des Songwritings. Musik erfinden unter Bedingungen des short video turn am Beispiel von TikTok","date_created":"2023-12-18T16:11:14Z","publisher":"Waxmann Verlag GmbH","year":"2023","quality_controlled":"1"},{"date_created":"2025-07-08T08:19:57Z","author":[{"id":"22433","full_name":"Kraft, Kerstin","last_name":"Kraft","first_name":"Kerstin"},{"full_name":"Haller, Melanie","last_name":"Haller","first_name":"Melanie"}],"volume":"S. 29-40","date_updated":"2025-07-08T08:27:13Z","publisher":"Netzwerk Mode Textil ","title":"Couture von Frauen für Frauen","citation":{"ama":"Kraft K, Haller M. <i>Couture von Frauen für Frauen</i>. Vol S. 29-40. Netzwerk Mode Textil ; 2023.","chicago":"Kraft, Kerstin, and Melanie Haller. <i>Couture von Frauen für Frauen</i>. Vol. S. 29-40. Jahrbuch nmt 2023. Augsburg: Netzwerk Mode Textil , 2023.","ieee":"K. Kraft and M. Haller, <i>Couture von Frauen für Frauen</i>, vol. S. 29-40. Augsburg: Netzwerk Mode Textil , 2023.","apa":"Kraft, K., &#38; Haller, M. (2023). <i>Couture von Frauen für Frauen: Vol. S. 29-40</i>. Netzwerk Mode Textil .","mla":"Kraft, Kerstin, and Melanie Haller. <i>Couture von Frauen für Frauen</i>. Netzwerk Mode Textil , 2023.","bibtex":"@book{Kraft_Haller_2023, place={Augsburg}, series={Jahrbuch nmt 2023}, title={Couture von Frauen für Frauen}, volume={S. 29-40}, publisher={Netzwerk Mode Textil }, author={Kraft, Kerstin and Haller, Melanie}, year={2023}, collection={Jahrbuch nmt 2023} }","short":"K. Kraft, M. Haller, Couture von Frauen für Frauen, Netzwerk Mode Textil , Augsburg, 2023."},"page":"11","place":"Augsburg","year":"2023","user_id":"79820","series_title":"Jahrbuch nmt 2023","department":[{"_id":"18"},{"_id":"434"}],"_id":"60540","language":[{"iso":"ger"}],"type":"misc","status":"public"},{"abstract":[{"text":"Virtual fashion, meaning clothes that exist not as physical textile objects but rather as files is gaining popularity.\r\nThe Fabricant, a digital-only fashion label from Amsterdam is particularly famous for its creations. Within the fashion industry, virtual fashion is taken as a pioneering innovation that can solve problems such as lacking sustainability and unrealistic bodily ideals precisely because it is understood as immaterial. In contrast, this paper argues that virtual fashion is in fact a material phenomenon. For example, to be perceptible to humans in the first place, virtual fashion\r\ndepends upon various technologies and devices. These devices are themselves subject to specific non-sustainable\r\nproduction processes. Virtual fashion can further be understood as material insofar that it is almost indistinguishable from other mediatized representations of physical fashion. Lastly, just like its physical counterpart, virtual fashion is bound to human bodies and largely adheres to existing bodily ideals.","lang":"eng"},{"text":"Virtuelle Mode – also Kleider, die als Datei und nicht als physisch-textiles Objekt existieren – gewinnen zunehmend an Popularität. Besonders das Amsterdamer Modelabel The Fabricant ist für seine virtuellen Entwürfe bekannt. In der Modeindustrie wird virtuelle Mode dabei als Innovation gehandelt, die qua ihrer vermeintlichen Immaterialität Probleme wie mangelnde Nachhaltigkeit oder normative Schönheitsideale zu lösen vermag. Dieser Beitrag hingegen argumentiert, dass es sich auch bei virtueller Mode um ein materielles Phänomen handelt. Um überhaupt erst zur Erscheinung zu kommen, ist virtuelle Mode beispielsweise auf technisch-mediale Dispositive angewiesen. Die hier verwendeten Geräte unterliegen ihrerseits spezifischen Produktionsbedingungen, die meist nicht weniger umweltbelastend sind. Virtuelle Mode kann außerdem insofern materiell verstanden werden, als dass sie sich in ihrer ästhetischen Wahrnehmung kaum von medialisierten Darstellungen physischer Mode unterscheiden lässt. Schließlich ist virtuelle Mode – genau wie ihr physisches Gegenstück – an menschliche Körperlichkeit gebunden und bedient oftmals bestehende Körperideale.","lang":"ger"}],"file":[{"date_updated":"2025-05-10T17:58:48Z","date_created":"2025-05-10T17:58:48Z","creator":"chbr8","file_size":560791,"access_level":"closed","file_id":"59857","file_name":"nmt-22_09_Behrmann-Brachem-Brachtendorf.pdf","content_type":"application/pdf","success":1,"relation":"main_file"}],"publication":"Jahrbuch Netzwerk Mode Textil","ddc":["770"],"language":[{"iso":"ger"}],"year":"2023","title":"Materialitäten virtueller Mode: das Fallbeispiel The Fabricant","date_created":"2023-10-25T07:22:13Z","status":"public","type":"journal_article","article_type":"original","file_date_updated":"2025-05-10T17:58:48Z","extern":"1","_id":"48440","user_id":"95414","department":[{"_id":"434"}],"citation":{"apa":"Brachtendorf, C., Behrmann, H., &#38; Brachem, J. (2023). Materialitäten virtueller Mode: das Fallbeispiel The Fabricant. <i>Jahrbuch Netzwerk Mode Textil</i>, <i>2022</i>, 95–103. <a href=\"https://doi.org/10.53193/221421485G\">https://doi.org/10.53193/221421485G</a>","short":"C. Brachtendorf, H. Behrmann, J. Brachem, Jahrbuch Netzwerk Mode Textil 2022 (2023) 95–103.","bibtex":"@article{Brachtendorf_Behrmann_Brachem_2023, title={Materialitäten virtueller Mode: das Fallbeispiel The Fabricant}, volume={2022}, DOI={<a href=\"https://doi.org/10.53193/221421485G\">https://doi.org/10.53193/221421485G</a>}, journal={Jahrbuch Netzwerk Mode Textil}, author={Brachtendorf, Charlotte and Behrmann, Helga and Brachem, Judith}, year={2023}, pages={95–103} }","mla":"Brachtendorf, Charlotte, et al. “Materialitäten virtueller Mode: das Fallbeispiel The Fabricant.” <i>Jahrbuch Netzwerk Mode Textil</i>, vol. 2022, 2023, pp. 95–103, doi:<a href=\"https://doi.org/10.53193/221421485G\">https://doi.org/10.53193/221421485G</a>.","chicago":"Brachtendorf, Charlotte, Helga Behrmann, and Judith Brachem. “Materialitäten virtueller Mode: das Fallbeispiel The Fabricant.” <i>Jahrbuch Netzwerk Mode Textil</i> 2022 (2023): 95–103. <a href=\"https://doi.org/10.53193/221421485G\">https://doi.org/10.53193/221421485G</a>.","ieee":"C. Brachtendorf, H. Behrmann, and J. Brachem, “Materialitäten virtueller Mode: das Fallbeispiel The Fabricant,” <i>Jahrbuch Netzwerk Mode Textil</i>, vol. 2022, pp. 95–103, 2023, doi: <a href=\"https://doi.org/10.53193/221421485G\">https://doi.org/10.53193/221421485G</a>.","ama":"Brachtendorf C, Behrmann H, Brachem J. Materialitäten virtueller Mode: das Fallbeispiel The Fabricant. <i>Jahrbuch Netzwerk Mode Textil</i>. 2023;2022:95-103. doi:<a href=\"https://doi.org/10.53193/221421485G\">https://doi.org/10.53193/221421485G</a>"},"page":"95-103","intvolume":"      2022","publication_status":"published","has_accepted_license":"1","main_file_link":[{"open_access":"1"}],"doi":"https://doi.org/10.53193/221421485G","date_updated":"2025-11-15T19:35:57Z","oa":"1","author":[{"full_name":"Brachtendorf, Charlotte","id":"95414","orcid":"0000-0001-5739-933X","last_name":"Brachtendorf","first_name":"Charlotte"},{"first_name":"Helga","last_name":"Behrmann","full_name":"Behrmann, Helga"},{"first_name":"Judith","last_name":"Brachem","full_name":"Brachem, Judith"}],"volume":2022},{"year":"2023","citation":{"ama":"Brachtendorf C. <i>Auf Tuchfühlung Mit Dem Tod.</i>; 2023.","ieee":"C. Brachtendorf, <i>Auf Tuchfühlung mit dem Tod.</i> 2023.","chicago":"Brachtendorf, Charlotte. <i>Auf Tuchfühlung Mit Dem Tod.</i>, 2023.","apa":"Brachtendorf, C. (2023). <i>Auf Tuchfühlung mit dem Tod.</i>","mla":"Brachtendorf, Charlotte. <i>Auf Tuchfühlung Mit Dem Tod.</i> 2023.","bibtex":"@book{Brachtendorf_2023, title={Auf Tuchfühlung mit dem Tod.}, author={Brachtendorf, Charlotte}, year={2023} }","short":"C. Brachtendorf, Auf Tuchfühlung Mit Dem Tod., 2023."},"oa":"1","date_updated":"2025-11-15T19:35:43Z","author":[{"id":"95414","full_name":"Brachtendorf, Charlotte","last_name":"Brachtendorf","orcid":"0000-0001-5739-933X","first_name":"Charlotte"}],"date_created":"2023-11-09T08:02:12Z","title":"Auf Tuchfühlung mit dem Tod.","main_file_link":[{"open_access":"1"}],"type":"misc","status":"public","_id":"48728","user_id":"95414","department":[{"_id":"434"}],"alternative_title":["Rezension zu: M. Haller/T. Helmers/S. Mallon (Hg.) (2020): Der Tod und das Ding. Textile Materialitäten im Kontext von Vergänglichkeit, Jahrbuch für Tod und Gesellschaft 2023: 187-190."],"language":[{"iso":"eng"}]},{"year":"2023","page":"84-85","intvolume":"       182","citation":{"ama":"Jacke C, Flath B. Popmusik- und Medienkulturen verstehen, erforschen und reflektieren. Studiengang “Populäre Musik und Medien” und Gründung des Forschungszentrums “C:POP”. <i>Kulturpolitische Mitteilungen</i>. 2023;182(Nr. III/2023):84-85.","ieee":"C. Jacke and B. Flath, “Popmusik- und Medienkulturen verstehen, erforschen und reflektieren. Studiengang ‘Populäre Musik und Medien’ und Gründung des Forschungszentrums ‘C:POP’.,” <i>Kulturpolitische Mitteilungen</i>, vol. 182, no. Nr. III/2023, pp. 84–85, 2023.","chicago":"Jacke, Christoph, and Beate Flath. “Popmusik- und Medienkulturen verstehen, erforschen und reflektieren. Studiengang ‘Populäre Musik und Medien’ und Gründung des Forschungszentrums ‘C:POP’.” <i>Kulturpolitische Mitteilungen</i> 182, no. Nr. III/2023 (2023): 84–85.","apa":"Jacke, C., &#38; Flath, B. (2023). Popmusik- und Medienkulturen verstehen, erforschen und reflektieren. Studiengang “Populäre Musik und Medien” und Gründung des Forschungszentrums “C:POP”. <i>Kulturpolitische Mitteilungen</i>, <i>182</i>(Nr. III/2023), 84–85.","short":"C. Jacke, B. Flath, Kulturpolitische Mitteilungen 182 (2023) 84–85.","bibtex":"@article{Jacke_Flath_2023, title={Popmusik- und Medienkulturen verstehen, erforschen und reflektieren. Studiengang “Populäre Musik und Medien” und Gründung des Forschungszentrums “C:POP”.}, volume={182}, number={Nr. III/2023}, journal={Kulturpolitische Mitteilungen}, author={Jacke, Christoph and Flath, Beate}, year={2023}, pages={84–85} }","mla":"Jacke, Christoph, and Beate Flath. “Popmusik- und Medienkulturen verstehen, erforschen und reflektieren. Studiengang ‘Populäre Musik und Medien’ und Gründung des Forschungszentrums ‘C:POP’.” <i>Kulturpolitische Mitteilungen</i>, vol. 182, no. Nr. III/2023, 2023, pp. 84–85."},"issue":"Nr. III/2023","title":"Popmusik- und Medienkulturen verstehen, erforschen und reflektieren. Studiengang \"Populäre Musik und Medien\" und Gründung des Forschungszentrums \"C:POP\".","date_updated":"2026-03-14T16:16:16Z","volume":182,"author":[{"first_name":"Christoph","id":"20747","full_name":"Jacke, Christoph","last_name":"Jacke"},{"first_name":"Beate","id":"58896","full_name":"Flath, Beate","orcid":"https://orcid.org/0000-0002-1648-0796","last_name":"Flath"}],"date_created":"2023-10-18T09:32:02Z","status":"public","publication":"Kulturpolitische Mitteilungen","type":"journal_article","language":[{"iso":"ger"}],"_id":"48262","department":[{"_id":"817"},{"_id":"607"},{"_id":"735"}],"user_id":"20747"},{"publication_status":"inpress","issue":"013","year":"2022","citation":{"ieee":"M. Diester, “Oddly satisfying und die Genugtuung der Anschaulichkeit,” <i>Rabbit Eye - Zeitschrift für Filmforschung, 013</i>, no. 013.","chicago":"Diester, Michel. “Oddly satisfying und die Genugtuung der Anschaulichkeit.” <i>Rabbit Eye - Zeitschrift für Filmforschung, 013</i>, no. 013 (n.d.).","ama":"Diester M. Oddly satisfying und die Genugtuung der Anschaulichkeit. <i>Rabbit Eye - Zeitschrift für Filmforschung, 013</i>. (013).","apa":"Diester, M. (n.d.). Oddly satisfying und die Genugtuung der Anschaulichkeit. <i>Rabbit Eye - Zeitschrift für Filmforschung, 013</i>, <i>013</i>.","bibtex":"@article{Diester, title={Oddly satisfying und die Genugtuung der Anschaulichkeit}, number={013}, journal={Rabbit Eye - Zeitschrift für Filmforschung, 013}, author={Diester, Michel} }","mla":"Diester, Michel. “Oddly satisfying und die Genugtuung der Anschaulichkeit.” <i>Rabbit Eye - Zeitschrift für Filmforschung, 013</i>, no. 013.","short":"M. Diester, Rabbit Eye - Zeitschrift für Filmforschung, 013 (n.d.)."},"date_updated":"2022-12-23T06:24:33Z","date_created":"2022-12-23T06:24:28Z","author":[{"last_name":"Diester","id":"70313","full_name":"Diester, Michel","first_name":"Michel"}],"title":"Oddly satisfying und die Genugtuung der Anschaulichkeit","type":"journal_article","publication":"Rabbit Eye - Zeitschrift für Filmforschung, 013","status":"public","_id":"34883","user_id":"14932","department":[{"_id":"439"}],"language":[{"iso":"ger"}]},{"_id":"48458","user_id":"90934","department":[{"_id":"607"}],"alternative_title":["Interview mit Schorsch Kamerun über „So viele Leute wie möglich“ von Raison."],"language":[{"iso":"ger"}],"type":"journal_article","publication":"Kaput. Magazin für Insolvenz & Pop.","status":"public","oa":"1","date_updated":"2023-10-25T09:20:13Z","date_created":"2023-10-25T09:20:04Z","author":[{"first_name":"Christoph","last_name":"Jacke","id":"20747","full_name":"Jacke, Christoph"}],"title":"Schorsch Kamerun: „Extra Vages machen wir aus tiefer Überzeugung“.","main_file_link":[{"url":"https://kaput-mag.com/stories-de/raison_schorsch-kamerun-extra-vages-machen-wir-aus-tiefer-ueberzeugung/","open_access":"1"}],"year":"2022","citation":{"ama":"Jacke C. Schorsch Kamerun: „Extra Vages machen wir aus tiefer Überzeugung“. <i>Kaput Magazin für Insolvenz &#38; Pop</i>. Published online 2022.","ieee":"C. Jacke, “Schorsch Kamerun: „Extra Vages machen wir aus tiefer Überzeugung“.,” <i>Kaput. Magazin für Insolvenz &#38; Pop.</i>, 2022.","chicago":"Jacke, Christoph. “Schorsch Kamerun: „Extra Vages machen wir aus tiefer Überzeugung“.” <i>Kaput. Magazin für Insolvenz &#38; Pop.</i>, 2022.","apa":"Jacke, C. (2022). Schorsch Kamerun: „Extra Vages machen wir aus tiefer Überzeugung“. <i>Kaput. Magazin für Insolvenz &#38; Pop.</i>","short":"C. Jacke, Kaput. Magazin für Insolvenz &#38; Pop. (2022).","bibtex":"@article{Jacke_2022, title={Schorsch Kamerun: „Extra Vages machen wir aus tiefer Überzeugung“.}, journal={Kaput. Magazin für Insolvenz &#38; Pop.}, author={Jacke, Christoph}, year={2022} }","mla":"Jacke, Christoph. “Schorsch Kamerun: „Extra Vages machen wir aus tiefer Überzeugung“.” <i>Kaput. Magazin für Insolvenz &#38; Pop.</i>, 2022."}},{"publication":"Jugend, Musik und Film.","type":"book_chapter","editor":[{"full_name":"Dreckmann, Kathrin","last_name":"Dreckmann","first_name":"Kathrin"},{"last_name":"Heinze","full_name":"Heinze, Carsten","first_name":"Carsten"},{"last_name":"Hoffmann","full_name":"Hoffmann, Dagmar","first_name":"Dagmar"},{"first_name":"Dirk","last_name":"Matejovski","full_name":"Matejovski, Dirk"}],"status":"public","_id":"48459","department":[{"_id":"607"}],"user_id":"90934","language":[{"iso":"eng"}],"year":"2022","place":"Düsseldorf","page":"581-612","citation":{"mla":"Jacke, Christoph, and Simon Reynolds. “Forward &#38; Rewind: Retromania in Music Documentary.” <i>Jugend, Musik Und Film.</i>, edited by Kathrin Dreckmann et al., dup, 2022, pp. 581–612.","bibtex":"@inbook{Jacke_Reynolds_2022, place={Düsseldorf}, title={Forward &#38; Rewind: Retromania in Music Documentary.}, booktitle={Jugend, Musik und Film.}, publisher={dup}, author={Jacke, Christoph and Reynolds, Simon}, editor={Dreckmann, Kathrin and Heinze, Carsten and Hoffmann, Dagmar and Matejovski, Dirk}, year={2022}, pages={581–612} }","short":"C. Jacke, S. Reynolds, in: K. Dreckmann, C. Heinze, D. Hoffmann, D. Matejovski (Eds.), Jugend, Musik Und Film., dup, Düsseldorf, 2022, pp. 581–612.","apa":"Jacke, C., &#38; Reynolds, S. (2022). Forward &#38; Rewind: Retromania in Music Documentary. In K. Dreckmann, C. Heinze, D. Hoffmann, &#38; D. Matejovski (Eds.), <i>Jugend, Musik und Film.</i> (pp. 581–612). dup.","ama":"Jacke C, Reynolds S. Forward &#38; Rewind: Retromania in Music Documentary. In: Dreckmann K, Heinze C, Hoffmann D, Matejovski D, eds. <i>Jugend, Musik Und Film.</i> dup; 2022:581-612.","chicago":"Jacke, Christoph, and Simon Reynolds. “Forward &#38; Rewind: Retromania in Music Documentary.” In <i>Jugend, Musik Und Film.</i>, edited by Kathrin Dreckmann, Carsten Heinze, Dagmar Hoffmann, and Dirk Matejovski, 581–612. Düsseldorf: dup, 2022.","ieee":"C. Jacke and S. Reynolds, “Forward &#38; Rewind: Retromania in Music Documentary.,” in <i>Jugend, Musik und Film.</i>, K. Dreckmann, C. Heinze, D. Hoffmann, and D. Matejovski, Eds. Düsseldorf: dup, 2022, pp. 581–612."},"publisher":"dup","date_updated":"2023-10-25T09:40:26Z","date_created":"2023-10-25T09:40:08Z","author":[{"full_name":"Jacke, Christoph","id":"20747","last_name":"Jacke","first_name":"Christoph"},{"last_name":"Reynolds","full_name":"Reynolds, Simon","first_name":"Simon"}],"title":"Forward & Rewind: Retromania in Music Documentary."},{"doi":"10.1386/fspc_00157_1","title":"Lil Miquela in the Folds of Fashion: (Ad-)Dressing Virtual Influencers","date_created":"2023-10-24T13:15:19Z","author":[{"full_name":"Brachtendorf, Charlotte","id":"95414","last_name":"Brachtendorf","first_name":"Charlotte"}],"volume":4,"date_updated":"2023-11-08T15:21:04Z","citation":{"apa":"Brachtendorf, C. (2022). Lil Miquela in the Folds of Fashion: (Ad-)Dressing Virtual Influencers. <i>Fashion, Style &#38; Popular Culture 9</i>, <i>4</i>, 483–499. <a href=\"https://doi.org/10.1386/fspc_00157_1\">https://doi.org/10.1386/fspc_00157_1</a>","short":"C. Brachtendorf, Fashion, Style &#38; Popular Culture 9 4 (2022) 483–499.","bibtex":"@article{Brachtendorf_2022, title={Lil Miquela in the Folds of Fashion: (Ad-)Dressing Virtual Influencers}, volume={4}, DOI={<a href=\"https://doi.org/10.1386/fspc_00157_1\">10.1386/fspc_00157_1</a>}, journal={Fashion, Style &#38; Popular Culture 9}, author={Brachtendorf, Charlotte}, year={2022}, pages={483–499} }","mla":"Brachtendorf, Charlotte. “Lil Miquela in the Folds of Fashion: (Ad-)Dressing Virtual Influencers.” <i>Fashion, Style &#38; Popular Culture 9</i>, vol. 4, 2022, pp. 483–99, doi:<a href=\"https://doi.org/10.1386/fspc_00157_1\">10.1386/fspc_00157_1</a>.","chicago":"Brachtendorf, Charlotte. “Lil Miquela in the Folds of Fashion: (Ad-)Dressing Virtual Influencers.” <i>Fashion, Style &#38; Popular Culture 9</i> 4 (2022): 483–99. <a href=\"https://doi.org/10.1386/fspc_00157_1\">https://doi.org/10.1386/fspc_00157_1</a>.","ieee":"C. Brachtendorf, “Lil Miquela in the Folds of Fashion: (Ad-)Dressing Virtual Influencers,” <i>Fashion, Style &#38; Popular Culture 9</i>, vol. 4, pp. 483–499, 2022, doi: <a href=\"https://doi.org/10.1386/fspc_00157_1\">10.1386/fspc_00157_1</a>.","ama":"Brachtendorf C. Lil Miquela in the Folds of Fashion: (Ad-)Dressing Virtual Influencers. <i>Fashion, Style &#38; Popular Culture 9</i>. 2022;4:483-499. doi:<a href=\"https://doi.org/10.1386/fspc_00157_1\">10.1386/fspc_00157_1</a>"},"intvolume":"         4","page":"483-499","year":"2022","publication_identifier":{"eissn":["2050-0734"]},"language":[{"iso":"eng"}],"extern":"1","user_id":"14931","department":[{"_id":"434"}],"_id":"48429","status":"public","type":"journal_article","publication":"Fashion, Style & Popular Culture 9"},{"_id":"51060","department":[{"_id":"753"}],"user_id":"14931","language":[{"iso":"ger"}],"publication":"Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik.","type":"book_chapter","editor":[{"first_name":"Beate","full_name":"Flath, Beate","last_name":"Flath"},{"full_name":"Heinrich, Ina","last_name":"Heinrich","first_name":"Ina"},{"full_name":"Jacke, Christoph","last_name":"Jacke","first_name":"Christoph"},{"first_name":"Heinrich","last_name":"Klingmann","full_name":"Klingmann, Heinrich"},{"last_name":"Momen Pour Tafreshi","full_name":"Momen Pour Tafreshi, Maryam","first_name":"Maryam"}],"status":"public","date_updated":"2024-05-07T10:16:11Z","publisher":"transcript","author":[{"first_name":"Heinrich","last_name":"Klingmann","full_name":"Klingmann, Heinrich","id":"55566"}],"date_created":"2024-01-30T20:16:57Z","title":"POPulismus, POPkultur und Pop-Didaktik.","year":"2022","place":"Bielefeld","page":"65 - 82","citation":{"ieee":"H. Klingmann, “POPulismus, POPkultur und Pop-Didaktik.,” in <i>Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik.</i>, B. Flath, I. Heinrich, C. Jacke, H. Klingmann, and M. Momen Pour Tafreshi, Eds. Bielefeld: transcript, 2022, pp. 65–82.","chicago":"Klingmann, Heinrich. “POPulismus, POPkultur und Pop-Didaktik.” In <i>Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik.</i>, edited by Beate Flath, Ina Heinrich, Christoph Jacke, Heinrich Klingmann, and Maryam Momen Pour Tafreshi, 65–82. Bielefeld: transcript, 2022.","ama":"Klingmann H. POPulismus, POPkultur und Pop-Didaktik. In: Flath B, Heinrich I, Jacke C, Klingmann H, Momen Pour Tafreshi M, eds. <i>Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik.</i> transcript; 2022:65-82.","mla":"Klingmann, Heinrich. “POPulismus, POPkultur und Pop-Didaktik.” <i>Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik.</i>, edited by Beate Flath et al., transcript, 2022, pp. 65–82.","bibtex":"@inbook{Klingmann_2022, place={Bielefeld}, title={POPulismus, POPkultur und Pop-Didaktik.}, booktitle={Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik.}, publisher={transcript}, author={Klingmann, Heinrich}, editor={Flath, Beate and Heinrich, Ina and Jacke, Christoph and Klingmann, Heinrich and Momen Pour Tafreshi, Maryam}, year={2022}, pages={65–82} }","short":"H. Klingmann, in: B. Flath, I. Heinrich, C. Jacke, H. Klingmann, M. Momen Pour Tafreshi (Eds.), Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik., transcript, Bielefeld, 2022, pp. 65–82.","apa":"Klingmann, H. (2022). POPulismus, POPkultur und Pop-Didaktik. In B. Flath, I. Heinrich, C. Jacke, H. Klingmann, &#38; M. Momen Pour Tafreshi (Eds.), <i>Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik.</i> (pp. 65–82). transcript."}},{"page":"19-32","intvolume":"         2","citation":{"ama":"Flath B, Momen Pour Tafreshi  M. Zwischen teilhaben und Teil sein. Ein Gespräch über kulturelle Teilhabe im Kontext transdisziplinärer Forschung. <i>Transformational  POP: Transitions, Breaks, and Crises in Popular Music (Studies) (Vibes - The IASPM D-A-CH Series 2)</i>. 2022;2:19-32.","chicago":"Flath, Beate, and Maryam  Momen Pour Tafreshi . “Zwischen teilhaben und Teil sein. Ein Gespräch über kulturelle Teilhabe im Kontext transdisziplinärer Forschung.” <i>Transformational  POP: Transitions, Breaks, and Crises in Popular Music (Studies) (Vibes - The IASPM D-A-CH Series 2)</i> 2 (2022): 19–32.","ieee":"B. Flath and M. Momen Pour Tafreshi , “Zwischen teilhaben und Teil sein. Ein Gespräch über kulturelle Teilhabe im Kontext transdisziplinärer Forschung,” <i>Transformational  POP: Transitions, Breaks, and Crises in Popular Music (Studies) (Vibes - The IASPM D-A-CH Series 2)</i>, vol. 2, pp. 19–32, 2022.","mla":"Flath, Beate, and Maryam Momen Pour Tafreshi . “Zwischen teilhaben und Teil sein. Ein Gespräch über kulturelle Teilhabe im Kontext transdisziplinärer Forschung.” <i>Transformational  POP: Transitions, Breaks, and Crises in Popular Music (Studies) (Vibes - The IASPM D-A-CH Series 2)</i>, vol. 2, 2022, pp. 19–32.","bibtex":"@article{Flath_Momen Pour Tafreshi _2022, title={Zwischen teilhaben und Teil sein. Ein Gespräch über kulturelle Teilhabe im Kontext transdisziplinärer Forschung}, volume={2}, journal={Transformational  POP: Transitions, Breaks, and Crises in Popular Music (Studies) (Vibes - The IASPM D-A-CH Series 2)}, author={Flath, Beate and Momen Pour Tafreshi , Maryam }, year={2022}, pages={19–32} }","short":"B. Flath, M. Momen Pour Tafreshi , Transformational  POP: Transitions, Breaks, and Crises in Popular Music (Studies) (Vibes - The IASPM D-A-CH Series 2) 2 (2022) 19–32.","apa":"Flath, B., &#38; Momen Pour Tafreshi , M. (2022). Zwischen teilhaben und Teil sein. Ein Gespräch über kulturelle Teilhabe im Kontext transdisziplinärer Forschung. <i>Transformational  POP: Transitions, Breaks, and Crises in Popular Music (Studies) (Vibes - The IASPM D-A-CH Series 2)</i>, <i>2</i>, 19–32."},"year":"2022","publication_identifier":{"unknown":["2748-6389"]},"publication_status":"published","main_file_link":[{"url":"http://vibes-theseries.org/kulturelle-teilhabe-flath-momen-pour-tafreshi/"}],"title":"Zwischen teilhaben und Teil sein. Ein Gespräch über kulturelle Teilhabe im Kontext transdisziplinärer Forschung","volume":2,"author":[{"first_name":"Beate","full_name":"Flath, Beate","id":"58896","orcid":"https://orcid.org/0000-0002-1648-0796","last_name":"Flath"},{"first_name":"Maryam ","last_name":"Momen Pour Tafreshi ","full_name":"Momen Pour Tafreshi , Maryam "}],"date_created":"2023-01-31T15:12:26Z","date_updated":"2024-05-07T11:48:57Z","status":"public","publication":"Transformational  POP: Transitions, Breaks, and Crises in Popular Music (Studies) (Vibes - The IASPM D-A-CH Series 2)","type":"journal_article","language":[{"iso":"ger"}],"department":[{"_id":"735"}],"user_id":"14931","_id":"41282","project":[{"grant_number":"01UG1917","_id":"95","name":"kulturPreis: Steigerung der kulturellen Teilhabe mittels innovativer und ökonomisch nachhaltiger Preiskonzepte"}]},{"date_created":"2023-01-26T09:55:03Z","date_updated":"2024-05-07T11:55:27Z","publisher":"transcript Verlag","doi":"10.14361/9783839453247","title":"PopEventKulturen an den Schnittstellen von Management und Politik","related_material":{"link":[{"url":"https://www.transcript-verlag.de/978-3-8376-5324-3/popeventkulturen-an-den-schnittstellen-von-management-und-politik/","relation":"confirmation"}]},"publication_status":"published","publication_identifier":{"issn":["2702-4342","2747-3554"],"isbn":["9783837653243","9783839453247"]},"citation":{"ama":"Flath B, Jacke C, eds. <i>PopEventKulturen an den Schnittstellen von Management und Politik</i>. transcript Verlag; 2022. doi:<a href=\"https://doi.org/10.14361/9783839453247\">10.14361/9783839453247</a>","ieee":"B. Flath and C. Jacke, Eds., <i>PopEventKulturen an den Schnittstellen von Management und Politik</i>. Bielefeld, Germany: transcript Verlag, 2022.","chicago":"Flath, Beate, and Christoph Jacke, eds. <i>PopEventKulturen an den Schnittstellen von Management und Politik</i>. Bielefeld, Germany: transcript Verlag, 2022. <a href=\"https://doi.org/10.14361/9783839453247\">https://doi.org/10.14361/9783839453247</a>.","apa":"Flath, B., &#38; Jacke, C. (Eds.). (2022). <i>PopEventKulturen an den Schnittstellen von Management und Politik</i>. transcript Verlag. <a href=\"https://doi.org/10.14361/9783839453247\">https://doi.org/10.14361/9783839453247</a>","mla":"Flath, Beate, and Christoph Jacke, editors. <i>PopEventKulturen an den Schnittstellen von Management und Politik</i>. transcript Verlag, 2022, doi:<a href=\"https://doi.org/10.14361/9783839453247\">10.14361/9783839453247</a>.","bibtex":"@book{Flath_Jacke_2022, place={Bielefeld, Germany}, title={PopEventKulturen an den Schnittstellen von Management und Politik}, DOI={<a href=\"https://doi.org/10.14361/9783839453247\">10.14361/9783839453247</a>}, publisher={transcript Verlag}, year={2022} }","short":"B. Flath, C. Jacke, eds., PopEventKulturen an den Schnittstellen von Management und Politik, transcript Verlag, Bielefeld, Germany, 2022."},"page":"214","year":"2022","place":"Bielefeld, Germany","user_id":"14931","department":[{"_id":"607"},{"_id":"735"}],"_id":"40253","alternative_title":["Transdisziplinäre Perspektiven"],"language":[{"iso":"ger"}],"type":"book_editor","status":"public","abstract":[{"lang":"eng","text":"<jats:p>Popevents in ihren unterschiedlichsten Ausprägungen stehen in vielfältigen Wechselbeziehungen mit ihrem jeweiligen Umfeld. Insbesondere Strukturen, Prozesse, Mechanismen und Dynamiken des Managements sowie der Politiken dieser besonderen Eventkulturen - ebenso wie die darin eingeschriebenen Normen, Normierungen, Werte und Wertbildungsprozesse - prägen das Beziehungsgefüge, in dem sich »PopEventKulturen« konstituieren. Die Beiträger*innen des Bandes thematisieren transdisziplinär Gravitationsfelder dieser spezifischen Kulturen und analysieren u.a. Wertschöpfungsnetzwerke, Ausbildungswege und Rollenbilder, kulturpolitische Selbstverständnisse und demokratiepolitische Herausforderungen.</jats:p>"}],"editor":[{"id":"58896","full_name":"Flath, Beate","last_name":"Flath","orcid":"https://orcid.org/0000-0002-1648-0796","first_name":"Beate"},{"first_name":"Christoph","full_name":"Jacke, Christoph","id":"20747","last_name":"Jacke"}]},{"doi":"10.14361/9783839453247-001","title":"PopEventKulturen an den Schnittstellen von Management und Politik","date_created":"2023-01-26T09:41:09Z","author":[{"first_name":"Beate","last_name":"Flath","orcid":"https://orcid.org/0000-0002-1648-0796","full_name":"Flath, Beate","id":"58896"},{"first_name":"Christoph","id":"20747","full_name":"Jacke, Christoph","last_name":"Jacke"}],"volume":2,"date_updated":"2024-05-07T11:55:42Z","publisher":"transcript Verlag","citation":{"short":"B. Flath, C. Jacke, in: Transdisziplinäre Popkulturstudien, transcript Verlag, Bielefeld, Germany, 2022, pp. 9–17.","bibtex":"@inbook{Flath_Jacke_2022, place={Bielefeld, Germany}, series={Transdisziplinäre Popkulturstudien }, title={PopEventKulturen an den Schnittstellen von Management und Politik}, volume={2}, DOI={<a href=\"https://doi.org/10.14361/9783839453247-001\">10.14361/9783839453247-001</a>}, booktitle={Transdisziplinäre Popkulturstudien}, publisher={transcript Verlag}, author={Flath, Beate and Jacke, Christoph}, year={2022}, pages={9–17}, collection={Transdisziplinäre Popkulturstudien } }","mla":"Flath, Beate, and Christoph Jacke. “PopEventKulturen an den Schnittstellen von Management und Politik.” <i>Transdisziplinäre Popkulturstudien</i>, vol. 2, transcript Verlag, 2022, pp. 9–17, doi:<a href=\"https://doi.org/10.14361/9783839453247-001\">10.14361/9783839453247-001</a>.","apa":"Flath, B., &#38; Jacke, C. (2022). PopEventKulturen an den Schnittstellen von Management und Politik. In <i>Transdisziplinäre Popkulturstudien</i> (Vol. 2, pp. 9–17). transcript Verlag. <a href=\"https://doi.org/10.14361/9783839453247-001\">https://doi.org/10.14361/9783839453247-001</a>","ieee":"B. Flath and C. Jacke, “PopEventKulturen an den Schnittstellen von Management und Politik,” in <i>Transdisziplinäre Popkulturstudien</i>, vol. 2, Bielefeld, Germany: transcript Verlag, 2022, pp. 9–17.","chicago":"Flath, Beate, and Christoph Jacke. “PopEventKulturen an den Schnittstellen von Management und Politik.” In <i>Transdisziplinäre Popkulturstudien</i>, 2:9–17. Transdisziplinäre Popkulturstudien . Bielefeld, Germany: transcript Verlag, 2022. <a href=\"https://doi.org/10.14361/9783839453247-001\">https://doi.org/10.14361/9783839453247-001</a>.","ama":"Flath B, Jacke C. PopEventKulturen an den Schnittstellen von Management und Politik. In: <i>Transdisziplinäre Popkulturstudien</i>. Vol 2. Transdisziplinäre Popkulturstudien . transcript Verlag; 2022:9-17. doi:<a href=\"https://doi.org/10.14361/9783839453247-001\">10.14361/9783839453247-001</a>"},"page":"9-17","intvolume":"         2","place":"Bielefeld, Germany","year":"2022","related_material":{"link":[{"relation":"confirmation","url":"https://www.transcript-verlag.de/978-3-8376-5324-3/popeventkulturen-an-den-schnittstellen-von-management-und-politik/"}]},"publication_status":"published","publication_identifier":{"issn":["2702-4342","2747-3554"]},"alternative_title":["Transdisziplinäre Perspektiven: Einleitung"],"language":[{"iso":"ger"}],"user_id":"14931","series_title":"Transdisziplinäre Popkulturstudien ","department":[{"_id":"607"},{"_id":"735"}],"_id":"40241","status":"public","type":"book_chapter","publication":"Transdisziplinäre Popkulturstudien"},{"main_file_link":[{"url":"http://vibes-theseries.org/02-2022/","open_access":"1"}],"date_updated":"2024-05-07T12:05:20Z","oa":"1","volume":2,"place":"Berlin","page":"307","intvolume":"         2","citation":{"chicago":"Flath, Beate, Christoph Jacke, and Manuel Troike, eds. <i>Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies)</i>. Vol. 2. ~Vibes – The IASPM D-A-CH Series. Berlin: International Association for the Study of Popular Music Deutschland-Austria-Confoederation Helvetica, 2022.","ieee":"B. Flath, C. Jacke, and M. Troike, Eds., <i>Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies)</i>, vol. 2. Berlin: International Association for the Study of Popular Music Deutschland-Austria-Confoederation Helvetica, 2022.","ama":"Flath B, Jacke C, Troike M, eds. <i>Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies)</i>. Vol 2. International Association for the Study of Popular Music Deutschland-Austria-Confoederation Helvetica; 2022.","apa":"Flath, B., Jacke, C., &#38; Troike, M. (Eds.). (2022). <i>Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies)</i> (Vol. 2). International Association for the Study of Popular Music Deutschland-Austria-Confoederation Helvetica.","mla":"Flath, Beate, et al., editors. <i>Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies)</i>. International Association for the Study of Popular Music Deutschland-Austria-Confoederation Helvetica, 2022.","bibtex":"@book{Flath_Jacke_Troike_2022, place={Berlin}, series={~Vibes – The IASPM D-A-CH Series}, title={Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies)}, volume={2}, publisher={International Association for the Study of Popular Music Deutschland-Austria-Confoederation Helvetica}, year={2022}, collection={~Vibes – The IASPM D-A-CH Series} }","short":"B. Flath, C. Jacke, M. Troike, eds., Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies), International Association for the Study of Popular Music Deutschland-Austria-Confoederation Helvetica, Berlin, 2022."},"publication_identifier":{"issn":["2748-6389"]},"publication_status":"published","related_material":{"record":[{"id":"37246","relation":"published_in","status":"public"}]},"_id":"37244","department":[{"_id":"607"},{"_id":"735"}],"user_id":"14931","series_title":"~Vibes – The IASPM D-A-CH Series","editor":[{"orcid":"https://orcid.org/0000-0002-1648-0796","last_name":"Flath","id":"58896","full_name":"Flath, Beate","first_name":"Beate"},{"first_name":"Christoph","last_name":"Jacke","id":"20747","full_name":"Jacke, Christoph"},{"first_name":"Manuel","full_name":"Troike, Manuel","id":"33226","orcid":"0009-0002-8606-3864","last_name":"Troike"}],"status":"public","type":"book_editor","title":"Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies)","publisher":"International Association for the Study of Popular Music Deutschland-Austria-Confoederation Helvetica","date_created":"2023-01-18T08:12:57Z","year":"2022","quality_controlled":"1","language":[{"iso":"eng"},{"iso":"ger"}],"abstract":[{"lang":"eng","text":"Transformations of various kinds have always shaped societies and especially its cultures and research – triggered, for example, by wars, revolutions, shifts in social orders, pandemics, etc. They have led to uncertainty and social upheaval, but also to innovation and change. As pop music cultures, in their entire breadth, can be described as seismographs of social, political, economic, ecological, media, artistic, and technological transformations, in and through them, fields of tensions, disruptions, and lines of conflict become not only visible, audible, and perceptible, but also communicable and thus, negotiable. Volume No. 2 of ~Vibes – The IASPM D-A-CH Series, which is based on the 4th Biennial IASPM D-A-CH conference at Paderborn University/online, takes a closer look at the transformative moments of pop music cultures by theorizing, empiricizing, historicizing, and, finally, politicizing them."},{"lang":"ger","text":"Transformationen verschiedenster Art haben Gesellschaften und insbesondere ihre Kulturen und Wissenschaften schon immer geprägt – beispielsweise ausgelöst durch Kriege, Revolutionen, Verschiebungen der Gesellschaftsordnungen, Pandemien usw. Sie haben zu Verunsicherungen und sozialen Verwerfungen geführt, aber auch zu Innovation und Veränderung. Da Popmusikkulturen in ihrer ganzen Breite als Seismographen sozialer, politischer, ökonomischer, ökologischer, medialer, künstlerischer und technologischer Transformationen beschrieben werden können, werden in und durch sie Spannungsfelder, Brüche und Konfliktlinien nicht nur sichtbar, hörbar und spürbar, sondern auch kommunizierbar und damit verhandelbar. Band Nr. 2 von ~Vibes – The IASPM D-A-CH Series, der auf der 4. IASPM D-A-CH-Tagung basiert, die von der Universität Paderborn online ausgerichtet wurde, nimmt die transformativen Momente von Popmusikkulturen theoretisierend, empirisierend, historisierend und schließlich politisierend in den Blick. "}]}]