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Flath, Kulturpolitische Mitteilungen 182 (2023) 84–85.","mla":"Jacke, Christoph, and Beate Flath. “Popmusik- und Medienkulturen verstehen, erforschen und reflektieren. Studiengang ‘Populäre Musik und Medien’ und Gründung des Forschungszentrums ‘C:POP’.” <i>Kulturpolitische Mitteilungen</i>, vol. 182, no. Nr. III/2023, 2023, pp. 84–85.","apa":"Jacke, C., &#38; Flath, B. (2023). Popmusik- und Medienkulturen verstehen, erforschen und reflektieren. Studiengang “Populäre Musik und Medien” und Gründung des Forschungszentrums “C:POP”. <i>Kulturpolitische Mitteilungen</i>, <i>182</i>(Nr. III/2023), 84–85.","chicago":"Jacke, Christoph, and Beate Flath. “Popmusik- und Medienkulturen verstehen, erforschen und reflektieren. Studiengang ‘Populäre Musik und Medien’ und Gründung des Forschungszentrums ‘C:POP’.” <i>Kulturpolitische Mitteilungen</i> 182, no. Nr. III/2023 (2023): 84–85.","ieee":"C. Jacke and B. Flath, “Popmusik- und Medienkulturen verstehen, erforschen und reflektieren. 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Magazin für Insolvenz & Pop.","type":"journal_article","language":[{"iso":"ger"}],"alternative_title":["Interview mit Schorsch Kamerun über „So viele Leute wie möglich“ von Raison."],"_id":"48458","department":[{"_id":"607"}],"user_id":"90934","year":"2022","citation":{"ama":"Jacke C. Schorsch Kamerun: „Extra Vages machen wir aus tiefer Überzeugung“. <i>Kaput Magazin für Insolvenz &#38; Pop</i>. Published online 2022.","chicago":"Jacke, Christoph. “Schorsch Kamerun: „Extra Vages machen wir aus tiefer Überzeugung“.” <i>Kaput. Magazin für Insolvenz &#38; Pop.</i>, 2022.","ieee":"C. Jacke, “Schorsch Kamerun: „Extra Vages machen wir aus tiefer Überzeugung“.,” <i>Kaput. Magazin für Insolvenz &#38; Pop.</i>, 2022.","short":"C. Jacke, Kaput. Magazin für Insolvenz &#38; Pop. (2022).","bibtex":"@article{Jacke_2022, title={Schorsch Kamerun: „Extra Vages machen wir aus tiefer Überzeugung“.}, journal={Kaput. 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Matejovski (Eds.), <i>Jugend, Musik und Film.</i> (pp. 581–612). dup.","bibtex":"@inbook{Jacke_Reynolds_2022, place={Düsseldorf}, title={Forward &#38; Rewind: Retromania in Music Documentary.}, booktitle={Jugend, Musik und Film.}, publisher={dup}, author={Jacke, Christoph and Reynolds, Simon}, editor={Dreckmann, Kathrin and Heinze, Carsten and Hoffmann, Dagmar and Matejovski, Dirk}, year={2022}, pages={581–612} }","mla":"Jacke, Christoph, and Simon Reynolds. “Forward &#38; Rewind: Retromania in Music Documentary.” <i>Jugend, Musik Und Film.</i>, edited by Kathrin Dreckmann et al., dup, 2022, pp. 581–612.","short":"C. Jacke, S. Reynolds, in: K. Dreckmann, C. Heinze, D. Hoffmann, D. Matejovski (Eds.), Jugend, Musik Und Film., dup, Düsseldorf, 2022, pp. 581–612."}},{"status":"public","publication":"Fashion, Style & Popular Culture 9","type":"journal_article","extern":"1","language":[{"iso":"eng"}],"department":[{"_id":"434"}],"user_id":"14931","_id":"48429","intvolume":"         4","page":"483-499","citation":{"ama":"Brachtendorf C. Lil Miquela in the Folds of Fashion: (Ad-)Dressing Virtual Influencers. <i>Fashion, Style &#38; Popular Culture 9</i>. 2022;4:483-499. doi:<a href=\"https://doi.org/10.1386/fspc_00157_1\">10.1386/fspc_00157_1</a>","ieee":"C. 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Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik.}, publisher={transcript}, author={Klingmann, Heinrich}, editor={Flath, Beate and Heinrich, Ina and Jacke, Christoph and Klingmann, Heinrich and Momen Pour Tafreshi, Maryam}, year={2022}, pages={65–82} }","apa":"Klingmann, H. (2022). POPulismus, POPkultur und Pop-Didaktik. In B. Flath, I. Heinrich, C. Jacke, H. Klingmann, &#38; M. Momen Pour Tafreshi (Eds.), <i>Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik.</i> (pp. 65–82). transcript.","ieee":"H. Klingmann, “POPulismus, POPkultur und Pop-Didaktik.,” in <i>Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik.</i>, B. Flath, I. Heinrich, C. Jacke, H. Klingmann, and M. Momen Pour Tafreshi, Eds. Bielefeld: transcript, 2022, pp. 65–82.","chicago":"Klingmann, Heinrich. “POPulismus, POPkultur und Pop-Didaktik.” In <i>Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik.</i>, edited by Beate Flath, Ina Heinrich, Christoph Jacke, Heinrich Klingmann, and Maryam Momen Pour Tafreshi, 65–82. Bielefeld: transcript, 2022.","ama":"Klingmann H. POPulismus, POPkultur und Pop-Didaktik. In: Flath B, Heinrich I, Jacke C, Klingmann H, Momen Pour Tafreshi M, eds. <i>Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik.</i> transcript; 2022:65-82."},"place":"Bielefeld","year":"2022","title":"POPulismus, POPkultur und Pop-Didaktik.","date_created":"2024-01-30T20:16:57Z","author":[{"first_name":"Heinrich","id":"55566","full_name":"Klingmann, Heinrich","last_name":"Klingmann"}],"date_updated":"2024-05-07T10:16:11Z","publisher":"transcript"},{"status":"public","type":"journal_article","publication":"Transformational  POP: Transitions, Breaks, and Crises in Popular Music (Studies) (Vibes - The IASPM D-A-CH Series 2)","language":[{"iso":"ger"}],"project":[{"grant_number":"01UG1917","_id":"95","name":"kulturPreis: Steigerung der kulturellen Teilhabe mittels innovativer und ökonomisch nachhaltiger Preiskonzepte"}],"_id":"41282","user_id":"14931","department":[{"_id":"735"}],"year":"2022","citation":{"ama":"Flath B, Momen Pour Tafreshi  M. Zwischen teilhaben und Teil sein. Ein Gespräch über kulturelle Teilhabe im Kontext transdisziplinärer Forschung. <i>Transformational  POP: Transitions, Breaks, and Crises in Popular Music (Studies) (Vibes - The IASPM D-A-CH Series 2)</i>. 2022;2:19-32.","ieee":"B. Flath and M. Momen Pour Tafreshi , “Zwischen teilhaben und Teil sein. Ein Gespräch über kulturelle Teilhabe im Kontext transdisziplinärer Forschung,” <i>Transformational  POP: Transitions, Breaks, and Crises in Popular Music (Studies) (Vibes - The IASPM D-A-CH Series 2)</i>, vol. 2, pp. 19–32, 2022.","chicago":"Flath, Beate, and Maryam  Momen Pour Tafreshi . “Zwischen teilhaben und Teil sein. Ein Gespräch über kulturelle Teilhabe im Kontext transdisziplinärer Forschung.” <i>Transformational  POP: Transitions, Breaks, and Crises in Popular Music (Studies) (Vibes - The IASPM D-A-CH Series 2)</i> 2 (2022): 19–32.","mla":"Flath, Beate, and Maryam Momen Pour Tafreshi . “Zwischen teilhaben und Teil sein. Ein Gespräch über kulturelle Teilhabe im Kontext transdisziplinärer Forschung.” <i>Transformational  POP: Transitions, Breaks, and Crises in Popular Music (Studies) (Vibes - The IASPM D-A-CH Series 2)</i>, vol. 2, 2022, pp. 19–32.","short":"B. Flath, M. Momen Pour Tafreshi , Transformational  POP: Transitions, Breaks, and Crises in Popular Music (Studies) (Vibes - The IASPM D-A-CH Series 2) 2 (2022) 19–32.","bibtex":"@article{Flath_Momen Pour Tafreshi _2022, title={Zwischen teilhaben und Teil sein. Ein Gespräch über kulturelle Teilhabe im Kontext transdisziplinärer Forschung}, volume={2}, journal={Transformational  POP: Transitions, Breaks, and Crises in Popular Music (Studies) (Vibes - The IASPM D-A-CH Series 2)}, author={Flath, Beate and Momen Pour Tafreshi , Maryam }, year={2022}, pages={19–32} }","apa":"Flath, B., &#38; Momen Pour Tafreshi , M. (2022). Zwischen teilhaben und Teil sein. Ein Gespräch über kulturelle Teilhabe im Kontext transdisziplinärer Forschung. <i>Transformational  POP: Transitions, Breaks, and Crises in Popular Music (Studies) (Vibes - The IASPM D-A-CH Series 2)</i>, <i>2</i>, 19–32."},"page":"19-32","intvolume":"         2","publication_status":"published","publication_identifier":{"unknown":["2748-6389"]},"title":"Zwischen teilhaben und Teil sein. Ein Gespräch über kulturelle Teilhabe im Kontext transdisziplinärer Forschung","main_file_link":[{"url":"http://vibes-theseries.org/kulturelle-teilhabe-flath-momen-pour-tafreshi/"}],"date_updated":"2024-05-07T11:48:57Z","date_created":"2023-01-31T15:12:26Z","author":[{"full_name":"Flath, Beate","id":"58896","orcid":"https://orcid.org/0000-0002-1648-0796","last_name":"Flath","first_name":"Beate"},{"first_name":"Maryam ","full_name":"Momen Pour Tafreshi , Maryam ","last_name":"Momen Pour Tafreshi "}],"volume":2},{"abstract":[{"lang":"eng","text":"<jats:p>Popevents in ihren unterschiedlichsten Ausprägungen stehen in vielfältigen Wechselbeziehungen mit ihrem jeweiligen Umfeld. Insbesondere Strukturen, Prozesse, Mechanismen und Dynamiken des Managements sowie der Politiken dieser besonderen Eventkulturen - ebenso wie die darin eingeschriebenen Normen, Normierungen, Werte und Wertbildungsprozesse - prägen das Beziehungsgefüge, in dem sich »PopEventKulturen« konstituieren. Die Beiträger*innen des Bandes thematisieren transdisziplinär Gravitationsfelder dieser spezifischen Kulturen und analysieren u.a. Wertschöpfungsnetzwerke, Ausbildungswege und Rollenbilder, kulturpolitische Selbstverständnisse und demokratiepolitische Herausforderungen.</jats:p>"}],"editor":[{"first_name":"Beate","id":"58896","full_name":"Flath, Beate","last_name":"Flath","orcid":"https://orcid.org/0000-0002-1648-0796"},{"first_name":"Christoph","last_name":"Jacke","full_name":"Jacke, Christoph","id":"20747"}],"status":"public","type":"book_editor","alternative_title":["Transdisziplinäre Perspektiven"],"language":[{"iso":"ger"}],"_id":"40253","user_id":"14931","department":[{"_id":"607"},{"_id":"735"}],"place":"Bielefeld, Germany","year":"2022","citation":{"ama":"Flath B, Jacke C, eds. <i>PopEventKulturen an den Schnittstellen von Management und Politik</i>. transcript Verlag; 2022. doi:<a href=\"https://doi.org/10.14361/9783839453247\">10.14361/9783839453247</a>","ieee":"B. Flath and C. Jacke, Eds., <i>PopEventKulturen an den Schnittstellen von Management und Politik</i>. Bielefeld, Germany: transcript Verlag, 2022.","chicago":"Flath, Beate, and Christoph Jacke, eds. <i>PopEventKulturen an den Schnittstellen von Management und Politik</i>. Bielefeld, Germany: transcript Verlag, 2022. <a href=\"https://doi.org/10.14361/9783839453247\">https://doi.org/10.14361/9783839453247</a>.","apa":"Flath, B., &#38; Jacke, C. (Eds.). (2022). <i>PopEventKulturen an den Schnittstellen von Management und Politik</i>. transcript Verlag. <a href=\"https://doi.org/10.14361/9783839453247\">https://doi.org/10.14361/9783839453247</a>","mla":"Flath, Beate, and Christoph Jacke, editors. <i>PopEventKulturen an den Schnittstellen von Management und Politik</i>. transcript Verlag, 2022, doi:<a href=\"https://doi.org/10.14361/9783839453247\">10.14361/9783839453247</a>.","bibtex":"@book{Flath_Jacke_2022, place={Bielefeld, Germany}, title={PopEventKulturen an den Schnittstellen von Management und Politik}, DOI={<a href=\"https://doi.org/10.14361/9783839453247\">10.14361/9783839453247</a>}, publisher={transcript Verlag}, year={2022} }","short":"B. Flath, C. Jacke, eds., PopEventKulturen an den Schnittstellen von Management und Politik, transcript Verlag, Bielefeld, Germany, 2022."},"page":"214","publication_status":"published","publication_identifier":{"issn":["2702-4342","2747-3554"],"isbn":["9783837653243","9783839453247"]},"related_material":{"link":[{"url":"https://www.transcript-verlag.de/978-3-8376-5324-3/popeventkulturen-an-den-schnittstellen-von-management-und-politik/","relation":"confirmation"}]},"title":"PopEventKulturen an den Schnittstellen von Management und Politik","doi":"10.14361/9783839453247","date_updated":"2024-05-07T11:55:27Z","publisher":"transcript Verlag","date_created":"2023-01-26T09:55:03Z"},{"related_material":{"link":[{"url":"https://www.transcript-verlag.de/978-3-8376-5324-3/popeventkulturen-an-den-schnittstellen-von-management-und-politik/","relation":"confirmation"}]},"publication_status":"published","publication_identifier":{"issn":["2702-4342","2747-3554"]},"citation":{"short":"B. Flath, C. Jacke, in: Transdisziplinäre Popkulturstudien, transcript Verlag, Bielefeld, Germany, 2022, pp. 9–17.","mla":"Flath, Beate, and Christoph Jacke. “PopEventKulturen an den Schnittstellen von Management und Politik.” <i>Transdisziplinäre Popkulturstudien</i>, vol. 2, transcript Verlag, 2022, pp. 9–17, doi:<a href=\"https://doi.org/10.14361/9783839453247-001\">10.14361/9783839453247-001</a>.","bibtex":"@inbook{Flath_Jacke_2022, place={Bielefeld, Germany}, series={Transdisziplinäre Popkulturstudien }, title={PopEventKulturen an den Schnittstellen von Management und Politik}, volume={2}, DOI={<a href=\"https://doi.org/10.14361/9783839453247-001\">10.14361/9783839453247-001</a>}, booktitle={Transdisziplinäre Popkulturstudien}, publisher={transcript Verlag}, author={Flath, Beate and Jacke, Christoph}, year={2022}, pages={9–17}, collection={Transdisziplinäre Popkulturstudien } }","apa":"Flath, B., &#38; Jacke, C. (2022). PopEventKulturen an den Schnittstellen von Management und Politik. 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Jacke, “PopEventKulturen an den Schnittstellen von Management und Politik,” in <i>Transdisziplinäre Popkulturstudien</i>, vol. 2, Bielefeld, Germany: transcript Verlag, 2022, pp. 9–17."},"intvolume":"         2","page":"9-17","year":"2022","place":"Bielefeld, Germany","date_created":"2023-01-26T09:41:09Z","author":[{"first_name":"Beate","full_name":"Flath, Beate","id":"58896","last_name":"Flath","orcid":"https://orcid.org/0000-0002-1648-0796"},{"full_name":"Jacke, Christoph","id":"20747","last_name":"Jacke","first_name":"Christoph"}],"volume":2,"date_updated":"2024-05-07T11:55:42Z","publisher":"transcript Verlag","doi":"10.14361/9783839453247-001","title":"PopEventKulturen an den Schnittstellen von Management und Politik","type":"book_chapter","publication":"Transdisziplinäre Popkulturstudien","status":"public","series_title":"Transdisziplinäre Popkulturstudien ","user_id":"14931","department":[{"_id":"607"},{"_id":"735"}],"_id":"40241","alternative_title":["Transdisziplinäre Perspektiven: Einleitung"],"language":[{"iso":"ger"}]},{"year":"2022","quality_controlled":"1","title":"Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies)","date_created":"2023-01-18T08:12:57Z","publisher":"International Association for the Study of Popular Music Deutschland-Austria-Confoederation Helvetica","abstract":[{"text":"Transformations of various kinds have always shaped societies and especially its cultures and research – triggered, for example, by wars, revolutions, shifts in social orders, pandemics, etc. They have led to uncertainty and social upheaval, but also to innovation and change. As pop music cultures, in their entire breadth, can be described as seismographs of social, political, economic, ecological, media, artistic, and technological transformations, in and through them, fields of tensions, disruptions, and lines of conflict become not only visible, audible, and perceptible, but also communicable and thus, negotiable. Volume No. 2 of ~Vibes – The IASPM D-A-CH Series, which is based on the 4th Biennial IASPM D-A-CH conference at Paderborn University/online, takes a closer look at the transformative moments of pop music cultures by theorizing, empiricizing, historicizing, and, finally, politicizing them.","lang":"eng"},{"lang":"ger","text":"Transformationen verschiedenster Art haben Gesellschaften und insbesondere ihre Kulturen und Wissenschaften schon immer geprägt – beispielsweise ausgelöst durch Kriege, Revolutionen, Verschiebungen der Gesellschaftsordnungen, Pandemien usw. Sie haben zu Verunsicherungen und sozialen Verwerfungen geführt, aber auch zu Innovation und Veränderung. Da Popmusikkulturen in ihrer ganzen Breite als Seismographen sozialer, politischer, ökonomischer, ökologischer, medialer, künstlerischer und technologischer Transformationen beschrieben werden können, werden in und durch sie Spannungsfelder, Brüche und Konfliktlinien nicht nur sichtbar, hörbar und spürbar, sondern auch kommunizierbar und damit verhandelbar. Band Nr. 2 von ~Vibes – The IASPM D-A-CH Series, der auf der 4. IASPM D-A-CH-Tagung basiert, die von der Universität Paderborn online ausgerichtet wurde, nimmt die transformativen Momente von Popmusikkulturen theoretisierend, empirisierend, historisierend und schließlich politisierend in den Blick. "}],"language":[{"iso":"eng"},{"iso":"ger"}],"intvolume":"         2","page":"307","citation":{"bibtex":"@book{Flath_Jacke_Troike_2022, place={Berlin}, series={~Vibes – The IASPM D-A-CH Series}, title={Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies)}, volume={2}, publisher={International Association for the Study of Popular Music Deutschland-Austria-Confoederation Helvetica}, year={2022}, collection={~Vibes – The IASPM D-A-CH Series} }","mla":"Flath, Beate, et al., editors. <i>Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies)</i>. International Association for the Study of Popular Music Deutschland-Austria-Confoederation Helvetica, 2022.","short":"B. Flath, C. Jacke, M. Troike, eds., Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies), International Association for the Study of Popular Music Deutschland-Austria-Confoederation Helvetica, Berlin, 2022.","apa":"Flath, B., Jacke, C., &#38; Troike, M. (Eds.). (2022). <i>Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies)</i> (Vol. 2). International Association for the Study of Popular Music Deutschland-Austria-Confoederation Helvetica.","chicago":"Flath, Beate, Christoph Jacke, and Manuel Troike, eds. <i>Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies)</i>. Vol. 2. ~Vibes – The IASPM D-A-CH Series. Berlin: International Association for the Study of Popular Music Deutschland-Austria-Confoederation Helvetica, 2022.","ieee":"B. Flath, C. Jacke, and M. Troike, Eds., <i>Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies)</i>, vol. 2. Berlin: International Association for the Study of Popular Music Deutschland-Austria-Confoederation Helvetica, 2022.","ama":"Flath B, Jacke C, Troike M, eds. <i>Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies)</i>. Vol 2. International Association for the Study of Popular Music Deutschland-Austria-Confoederation Helvetica; 2022."},"place":"Berlin","related_material":{"record":[{"status":"public","id":"37246","relation":"published_in"}]},"publication_identifier":{"issn":["2748-6389"]},"publication_status":"published","main_file_link":[{"url":"http://vibes-theseries.org/02-2022/","open_access":"1"}],"volume":2,"date_updated":"2024-05-07T12:05:20Z","oa":"1","status":"public","editor":[{"first_name":"Beate","last_name":"Flath","orcid":"https://orcid.org/0000-0002-1648-0796","full_name":"Flath, Beate","id":"58896"},{"id":"20747","full_name":"Jacke, Christoph","last_name":"Jacke","first_name":"Christoph"},{"first_name":"Manuel","full_name":"Troike, Manuel","id":"33226","orcid":"0009-0002-8606-3864","last_name":"Troike"}],"type":"book_editor","department":[{"_id":"607"},{"_id":"735"}],"user_id":"14931","series_title":"~Vibes – The IASPM D-A-CH Series","_id":"37244"},{"language":[{"iso":"eng"}],"abstract":[{"text":"Manuel Troike talks to the Swiss ethnomusicologist Dr. Thomas Burkhalter about his music documentary Contradict – Ideas for a New World. Together with Peter Guyer, Burkhalter gives six musicians from Ghana a chance to speak, to look at the changing values of our time from the African continent, and to show how trends, ideas and visions are increasingly decentralised in a globalised world.","lang":"eng"}],"publication":"Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies)","title":"Contradict – Ideas for a New World. A Talk between Thomas Burkhalter and Manuel Troike about the documentary film Contradict.","date_created":"2023-01-18T08:18:25Z","publisher":"International Association for the Study of Popular Music Deutschland-Austria-Confoederation Helvetica","year":"2022","quality_controlled":"1","department":[{"_id":"607"}],"user_id":"33226","series_title":" ~Vibes – The IASPM D-A-CH Series","_id":"37246","status":"public","editor":[{"first_name":"Beate","last_name":"Flath","full_name":"Flath, Beate"},{"first_name":"Christoph","full_name":"Jacke, Christoph","last_name":"Jacke"},{"last_name":"Troike","full_name":"Troike, Manuel","first_name":"Manuel"}],"type":"book_chapter","main_file_link":[{"url":"http://vibes-theseries.org/burkhalter-troike-contradict/","open_access":"1"}],"volume":2,"author":[{"first_name":"Thomas","last_name":"Burkhalter","full_name":"Burkhalter, Thomas"},{"last_name":"Troike","orcid":"0009-0002-8606-3864","full_name":"Troike, Manuel","id":"33226","first_name":"Manuel"}],"oa":"1","date_updated":"2024-05-07T12:05:20Z","intvolume":"         2","page":"225-230","citation":{"apa":"Burkhalter, T., &#38; Troike, M. (2022). Contradict – Ideas for a New World. A Talk between Thomas Burkhalter and Manuel Troike about the documentary film Contradict. In B. Flath, C. Jacke, &#38; M. Troike (Eds.), <i>Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies)</i> (Vol. 2, pp. 225–230). International Association for the Study of Popular Music Deutschland-Austria-Confoederation Helvetica.","bibtex":"@inbook{Burkhalter_Troike_2022, series={ ~Vibes – The IASPM D-A-CH Series}, title={Contradict – Ideas for a New World. A Talk between Thomas Burkhalter and Manuel Troike about the documentary film Contradict.}, volume={2}, booktitle={Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies)}, publisher={International Association for the Study of Popular Music Deutschland-Austria-Confoederation Helvetica}, author={Burkhalter, Thomas and Troike, Manuel}, editor={Flath, Beate and Jacke, Christoph and Troike, Manuel}, year={2022}, pages={225–230}, collection={ ~Vibes – The IASPM D-A-CH Series} }","short":"T. Burkhalter, M. Troike, in: B. Flath, C. Jacke, M. Troike (Eds.), Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies), International Association for the Study of Popular Music Deutschland-Austria-Confoederation Helvetica, 2022, pp. 225–230.","mla":"Burkhalter, Thomas, and Manuel Troike. “Contradict – Ideas for a New World. A Talk between Thomas Burkhalter and Manuel Troike about the Documentary Film Contradict.” <i>Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies)</i>, edited by Beate Flath et al., vol. 2, International Association for the Study of Popular Music Deutschland-Austria-Confoederation Helvetica, 2022, pp. 225–30.","ama":"Burkhalter T, Troike M. Contradict – Ideas for a New World. A Talk between Thomas Burkhalter and Manuel Troike about the documentary film Contradict. In: Flath B, Jacke C, Troike M, eds. <i>Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies)</i>. Vol 2.  ~Vibes – The IASPM D-A-CH Series. International Association for the Study of Popular Music Deutschland-Austria-Confoederation Helvetica; 2022:225-230.","ieee":"T. Burkhalter and M. Troike, “Contradict – Ideas for a New World. A Talk between Thomas Burkhalter and Manuel Troike about the documentary film Contradict.,” in <i>Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies)</i>, vol. 2, B. Flath, C. Jacke, and M. Troike, Eds. International Association for the Study of Popular Music Deutschland-Austria-Confoederation Helvetica, 2022, pp. 225–230.","chicago":"Burkhalter, Thomas, and Manuel Troike. “Contradict – Ideas for a New World. A Talk between Thomas Burkhalter and Manuel Troike about the Documentary Film Contradict.” In <i>Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies)</i>, edited by Beate Flath, Christoph Jacke, and Manuel Troike, 2:225–30.  ~Vibes – The IASPM D-A-CH Series. International Association for the Study of Popular Music Deutschland-Austria-Confoederation Helvetica, 2022."},"related_material":{"record":[{"status":"public","id":"37244","relation":"contains"}]},"publication_identifier":{"issn":["2748-6389"]},"publication_status":"published"},{"year":"2022","place":"Bielefeld, Germany","citation":{"ama":"Flath B, Heinrich I, Jacke C, Klingmann H, Momen Pour Tafreshi M, eds. <i>Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik</i>. transcript Verlag; 2022. doi:<a href=\"https://doi.org/10.14361/9783839453230\">10.14361/9783839453230</a>","chicago":"Flath, Beate, Ina Heinrich, Christoph Jacke, Heinrich Klingmann, and Maryam Momen Pour Tafreshi, eds. <i>Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik</i>. Bielefeld, Germany: transcript Verlag, 2022. <a href=\"https://doi.org/10.14361/9783839453230\">https://doi.org/10.14361/9783839453230</a>.","ieee":"B. Flath, I. Heinrich, C. Jacke, H. Klingmann, and M. Momen Pour Tafreshi, Eds., <i>Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik</i>. Bielefeld, Germany: transcript Verlag, 2022.","mla":"Flath, Beate, et al., editors. <i>Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik</i>. transcript Verlag, 2022, doi:<a href=\"https://doi.org/10.14361/9783839453230\">10.14361/9783839453230</a>.","short":"B. Flath, I. Heinrich, C. Jacke, H. Klingmann, M. Momen Pour Tafreshi, eds., Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik, transcript Verlag, Bielefeld, Germany, 2022.","bibtex":"@book{Flath_Heinrich_Jacke_Klingmann_Momen Pour Tafreshi_2022, place={Bielefeld, Germany}, title={Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik}, DOI={<a href=\"https://doi.org/10.14361/9783839453230\">10.14361/9783839453230</a>}, publisher={transcript Verlag}, year={2022} }","apa":"Flath, B., Heinrich, I., Jacke, C., Klingmann, H., &#38; Momen Pour Tafreshi, M. (Eds.). (2022). <i>Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik</i>. transcript Verlag. <a href=\"https://doi.org/10.14361/9783839453230\">https://doi.org/10.14361/9783839453230</a>"},"page":"236","publication_status":"published","publication_identifier":{"isbn":["9783837653236","9783839453230"],"issn":["2702-4342","2747-3554"]},"title":"Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik","doi":"10.14361/9783839453230","date_updated":"2024-05-07T12:10:20Z","publisher":"transcript Verlag","date_created":"2023-01-26T09:49:31Z","editor":[{"first_name":"Beate","orcid":"https://orcid.org/0000-0002-1648-0796","last_name":"Flath","id":"58896","full_name":"Flath, Beate"},{"full_name":"Heinrich, Ina","last_name":"Heinrich","first_name":"Ina"},{"full_name":"Jacke, Christoph","id":"20747","last_name":"Jacke","first_name":"Christoph"},{"first_name":"Heinrich","last_name":"Klingmann","id":"55566","full_name":"Klingmann, Heinrich"},{"last_name":"Momen Pour Tafreshi","full_name":"Momen Pour Tafreshi, Maryam","first_name":"Maryam"}],"abstract":[{"lang":"eng","text":"<jats:p>Von der Weltpolitik eines Trump, Orban und Erdogan über Popmusik von Rammstein und Frei.Wild bis hin zu Hate Speech in sozialen Medien — das Provozieren, das Brechen von Tabus, das Relativieren von bislang gültigen Werten sowie erhitzte öffentliche Debatten prägen längst unseren medialen Alltag.  Pop(musik)kulturelle Phänomene und mittlerweile auch medialisierte Politik(er*innen) bewegen sich dabei zwischen bewusstem Tabubruch, dosierter Provokation und medienwirksamen Spielen mit Grenzüberschreitungen und -verschiebungen — mal progressiv, mal regressiv, mal schwer einzuordnen. Die Herausgeber*innen und Autor*innen des Bandes möchten einen Beitrag zu gelassener Analyse und Reflexion leisten.</jats:p>"}],"status":"public","type":"book_editor","language":[{"iso":"ger"}],"_id":"40249","user_id":"14931","department":[{"_id":"607"},{"_id":"735"},{"_id":"753"}]},{"publication":"Transdisziplinäre Popkulturstudien","type":"book_chapter","status":"public","_id":"40272","department":[{"_id":"607"},{"_id":"735"},{"_id":"753"}],"user_id":"14931","language":[{"iso":"ger"}],"alternative_title":["Einleitung"],"publication_identifier":{"issn":["2702-4342","2747-3554"]},"publication_status":"published","related_material":{"link":[{"relation":"confirmation","url":"https://www.transcript-verlag.de/978-3-8376-5323-6/druckwellen/"}]},"place":"Bielefeld, Germany","year":"2022","page":"13-18","citation":{"ieee":"B. Flath, I. Heinrich, C. Jacke, H. Klingmann, and M. Momen Pour Tafreshi, “Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik,” in <i>Transdisziplinäre Popkulturstudien</i>, Bielefeld, Germany: transcript Verlag, 2022, pp. 13–18.","chicago":"Flath, Beate, Ina Heinrich, Christoph Jacke, Heinrich Klingmann, and Maryam Momen Pour Tafreshi. “Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik.” In <i>Transdisziplinäre Popkulturstudien</i>, 13–18. Bielefeld, Germany: transcript Verlag, 2022. <a href=\"https://doi.org/10.14361/9783839453230-002\">https://doi.org/10.14361/9783839453230-002</a>.","ama":"Flath B, Heinrich I, Jacke C, Klingmann H, Momen Pour Tafreshi M. Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik. In: <i>Transdisziplinäre Popkulturstudien</i>. transcript Verlag; 2022:13-18. doi:<a href=\"https://doi.org/10.14361/9783839453230-002\">10.14361/9783839453230-002</a>","apa":"Flath, B., Heinrich, I., Jacke, C., Klingmann, H., &#38; Momen Pour Tafreshi, M. (2022). Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik. In <i>Transdisziplinäre Popkulturstudien</i> (pp. 13–18). transcript Verlag. <a href=\"https://doi.org/10.14361/9783839453230-002\">https://doi.org/10.14361/9783839453230-002</a>","short":"B. Flath, I. Heinrich, C. Jacke, H. Klingmann, M. Momen Pour Tafreshi, in: Transdisziplinäre Popkulturstudien, transcript Verlag, Bielefeld, Germany, 2022, pp. 13–18.","mla":"Flath, Beate, et al. “Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik.” <i>Transdisziplinäre Popkulturstudien</i>, transcript Verlag, 2022, pp. 13–18, doi:<a href=\"https://doi.org/10.14361/9783839453230-002\">10.14361/9783839453230-002</a>.","bibtex":"@inbook{Flath_Heinrich_Jacke_Klingmann_Momen Pour Tafreshi_2022, place={Bielefeld, Germany}, title={Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik}, DOI={<a href=\"https://doi.org/10.14361/9783839453230-002\">10.14361/9783839453230-002</a>}, booktitle={Transdisziplinäre Popkulturstudien}, publisher={transcript Verlag}, author={Flath, Beate and Heinrich, Ina and Jacke, Christoph and Klingmann, Heinrich and Momen Pour Tafreshi, Maryam}, year={2022}, pages={13–18} }"},"date_updated":"2024-05-07T12:10:03Z","publisher":"transcript Verlag","date_created":"2023-01-26T10:20:49Z","author":[{"full_name":"Flath, Beate","id":"58896","orcid":"https://orcid.org/0000-0002-1648-0796","last_name":"Flath","first_name":"Beate"},{"first_name":"Ina","last_name":"Heinrich","full_name":"Heinrich, Ina"},{"first_name":"Christoph","full_name":"Jacke, Christoph","id":"20747","last_name":"Jacke"},{"last_name":"Klingmann","id":"55566","full_name":"Klingmann, Heinrich","first_name":"Heinrich"},{"last_name":"Momen Pour Tafreshi","full_name":"Momen Pour Tafreshi, Maryam","first_name":"Maryam"}],"title":"Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik","doi":"10.14361/9783839453230-002"},{"status":"public","editor":[{"last_name":"Klingmann","full_name":"Klingmann, Heinrich","id":"55566","first_name":"Heinrich"},{"first_name":"Beate","last_name":"Flath","orcid":"https://orcid.org/0000-0002-1648-0796","full_name":"Flath, Beate","id":"58896"},{"full_name":"Heinrich, Ina","last_name":"Heinrich","first_name":"Ina"},{"first_name":"Christoph","last_name":"Jacke","full_name":"Jacke, Christoph","id":"20747"},{"first_name":"Maryam ","last_name":"Momen Pour Tafreshi","full_name":"Momen Pour Tafreshi, Maryam "}],"abstract":[{"text":"Von der Weltpolitik eines Trump, Orban und Erdogan über Popmusik von Rammstein und Frei.Wild bis hin zu Hate Speech in sozialen Medien — das Provozieren, das Brechen von Tabus, das Relativieren von bislang gültigen Werten sowie erhitzte öffentliche Debatten prägen längst unseren medialen Alltag.\r\n\r\nPop(musik)kulturelle Phänomene und mittlerweile auch medialisierte Politik(er*innen) bewegen sich dabei zwischen bewusstem Tabubruch, dosierter Provokation und medienwirksamen Spielen mit Grenzüberschreitungen und -verschiebungen — mal progressiv, mal regressiv, mal schwer einzuordnen. Die Herausgeber*innen und Autor*innen des Bandes möchten einen Beitrag zu gelassener Analyse und Reflexion leisten.","lang":"ger"}],"type":"book_editor","language":[{"iso":"ger"}],"user_id":"14931","department":[{"_id":"607"},{"_id":"735"},{"_id":"753"}],"_id":"51056","citation":{"apa":"Klingmann, H., Flath, B., Heinrich, I., Jacke, C., &#38; Momen Pour Tafreshi, M. (Eds.). (2022). <i>Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik.</i> transcript.","short":"H. Klingmann, B. Flath, I. Heinrich, C. Jacke, M. Momen Pour Tafreshi, eds., Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik., transcript, Bielefeld, 2022.","mla":"Klingmann, Heinrich, et al., editors. <i>Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik.</i> transcript, 2022.","bibtex":"@book{Klingmann_Flath_Heinrich_Jacke_Momen Pour Tafreshi_2022, place={Bielefeld}, title={Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik.}, publisher={transcript}, year={2022} }","ama":"Klingmann H, Flath B, Heinrich I, Jacke C, Momen Pour Tafreshi M, eds. <i>Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik.</i> transcript; 2022.","chicago":"Klingmann, Heinrich, Beate Flath, Ina Heinrich, Christoph Jacke, and Maryam  Momen Pour Tafreshi, eds. <i>Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik.</i> Bielefeld: transcript, 2022.","ieee":"H. Klingmann, B. Flath, I. Heinrich, C. Jacke, and M. Momen Pour Tafreshi, Eds., <i>Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik.</i> Bielefeld: transcript, 2022."},"page":"238","year":"2022","place":"Bielefeld","main_file_link":[{"url":"https://bit.ly/3LqW7z5"}],"title":"Druckwellen. Eskalationskulturen und Kultureskalationen in Pop, Gesellschaft und Politik.","date_created":"2024-01-30T20:02:53Z","date_updated":"2024-05-07T12:10:39Z","publisher":"transcript"},{"title":"4 Minuten 33 Sekunden - Klangvignetten","date_updated":"2024-05-07T12:04:19Z","publisher":"LIT-Verlag","author":[{"first_name":"Beate","last_name":"Flath","orcid":"https://orcid.org/0000-0002-1648-0796","full_name":"Flath, Beate","id":"58896"}],"date_created":"2023-01-31T15:18:56Z","year":"2022","citation":{"mla":"Flath, Beate. “4 Minuten 33 Sekunden - Klangvignetten.” <i>Musik als Lebensmittel. Kulturwissenschaftlich-theologische Rationen für ein Jahr. Festschrift zum 60. Geburtstag von Prof. Dr. Harald Schroeter-Wittke</i>, edited by Richard  Janus  and Marion  Keuchen, LIT-Verlag, 2022, pp. 62–65.","short":"B. Flath, in: R. Janus , M. Keuchen (Eds.), Musik als Lebensmittel. Kulturwissenschaftlich-theologische Rationen für ein Jahr. Festschrift zum 60. Geburtstag von Prof. Dr. Harald Schroeter-Wittke, LIT-Verlag, 2022, pp. 62–65.","bibtex":"@inbook{Flath_2022, title={4 Minuten 33 Sekunden - Klangvignetten}, booktitle={Musik als Lebensmittel. Kulturwissenschaftlich-theologische Rationen für ein Jahr. Festschrift zum 60. Geburtstag von Prof. Dr. Harald Schroeter-Wittke}, publisher={LIT-Verlag}, author={Flath, Beate}, editor={Janus , Richard  and Keuchen, Marion }, year={2022}, pages={62–65} }","apa":"Flath, B. (2022). 4 Minuten 33 Sekunden - Klangvignetten. In R. Janus  &#38; M. Keuchen (Eds.), <i>Musik als Lebensmittel. Kulturwissenschaftlich-theologische Rationen für ein Jahr. Festschrift zum 60. Geburtstag von Prof. Dr. Harald Schroeter-Wittke</i> (pp. 62–65). LIT-Verlag.","ama":"Flath B. 4 Minuten 33 Sekunden - Klangvignetten. In: Janus  R, Keuchen M, eds. <i>Musik als Lebensmittel. Kulturwissenschaftlich-theologische Rationen für ein Jahr. Festschrift zum 60. Geburtstag von Prof. Dr. Harald Schroeter-Wittke</i>. LIT-Verlag; 2022:62-65.","chicago":"Flath, Beate. “4 Minuten 33 Sekunden - Klangvignetten.” In <i>Musik als Lebensmittel. Kulturwissenschaftlich-theologische Rationen für ein Jahr. Festschrift zum 60. Geburtstag von Prof. Dr. Harald Schroeter-Wittke</i>, edited by Richard  Janus  and Marion  Keuchen, 62–65. LIT-Verlag, 2022.","ieee":"B. Flath, “4 Minuten 33 Sekunden - Klangvignetten,” in <i>Musik als Lebensmittel. Kulturwissenschaftlich-theologische Rationen für ein Jahr. Festschrift zum 60. Geburtstag von Prof. Dr. Harald Schroeter-Wittke</i>, R. Janus  and M. Keuchen, Eds. LIT-Verlag, 2022, pp. 62–65."},"page":"62-65","publication_status":"published","language":[{"iso":"ger"}],"_id":"41292","user_id":"14931","department":[{"_id":"735"}],"editor":[{"full_name":"Janus , Richard ","last_name":"Janus ","first_name":"Richard "},{"last_name":"Keuchen","full_name":"Keuchen, Marion ","first_name":"Marion "}],"status":"public","type":"book_chapter","publication":"Musik als Lebensmittel. Kulturwissenschaftlich-theologische Rationen für ein Jahr. Festschrift zum 60. Geburtstag von Prof. Dr. Harald Schroeter-Wittke"},{"type":"book_editor","status":"public","abstract":[{"text":"Spätestens seit der Übernahme der Konvention über die Rechte von Menschen mit Behinderungen (UN-BRK) von Bund und Ländern im Jahre 2009 ist Inklusion im öffentlichen Bewusstsein zu einer zentralen Entwicklungsaufgabe geworden. Der aus dem englischen inclusive education hervorgegangene Begriff, der oft mit der Pädagogik der Vielfalt in Verbindung gebracht wird, hat inzwischen seinen festen Platz in der Schullandschaft gefunden – und somit auch im Musikunterricht.\r\n\r\nDer vorliegende Sammelband erörtert in 24 Beiträgen namhafter Autorinnen und Autoren verschiedene Aspekte inklusiven Denkens und Handelns im Zusammenhang mit musikalischer Bildung. Die Beiträge handeln u. a. von allgemeinen bildungswissenschaftlichen Grundlagen, von institutioneller Schulentwicklung, von Heterogenität im Klassenzimmer und den Möglichkeiten digitaler Medien. Sie sprechen von Inklusion aus der Sicht der Förderpädagogik und der Elementaren Pädagogik sowie aus der Sicht der Musiktherapie und der inklusiven Jugendarbeit. Sie nehmen Bezug auf Migration, musikkulturelle Vielfalt sowie Community Music und werfen Fragen nach der Bedeutung gendersensiblen Unterrichtens auf.\r\n\r\nEin besonderer Fokus liegt auf konkreten Handlungsfeldern des Musikunterrichts aus inklusivem Blickwinkel, wie z. B. Singen, Musikmachen, Improvisieren, Musikhören, Tanz und Bewegung, Ästhetisches Erleben und Kooperatives Lernen.\r\n\r\nEin umfangreiches Literaturverzeichnis gibt einen fundierten Überblick über die relevanten Veröffentlichungen der letzten Jahre.\r\n\r\nEine unverzichtbare Lektüre für alle, die sich für Voraussetzung, Bedingungen und Umsetzungsmöglichkeiten eines partizipativen, demokratischen und somit alle Menschen einschließenden Musikunterrichts interessieren. Ein Begleitbuch für Schule, Studium und Lehrerinnen- und Lehrerbildung.","lang":"ger"}],"editor":[{"first_name":"Heinrich","full_name":"Klingmann, Heinrich","id":"55566","last_name":"Klingmann"},{"first_name":"Katharina","full_name":"Schilling-Sandvoß, Katharina","last_name":"Schilling-Sandvoß"}],"department":[{"_id":"753"}],"user_id":"14931","_id":"51055","language":[{"iso":"ger"}],"page":"408","citation":{"ieee":"H. Klingmann and K. Schilling-Sandvoß, Eds., <i>Musikunterricht und Inklusion. Grundlagen, Themen- und Handlungsfelder.</i> Innsbruck: Helbling, 2022.","chicago":"Klingmann, Heinrich, and Katharina Schilling-Sandvoß, eds. <i>Musikunterricht und Inklusion. Grundlagen, Themen- und Handlungsfelder.</i> Innsbruck: Helbling, 2022.","ama":"Klingmann H, Schilling-Sandvoß K, eds. <i>Musikunterricht und Inklusion. Grundlagen, Themen- und Handlungsfelder.</i> Helbling; 2022.","apa":"Klingmann, H., &#38; Schilling-Sandvoß, K. (Eds.). (2022). <i>Musikunterricht und Inklusion. Grundlagen, Themen- und Handlungsfelder.</i> Helbling.","mla":"Klingmann, Heinrich, and Katharina Schilling-Sandvoß, editors. <i>Musikunterricht und Inklusion. Grundlagen, Themen- und Handlungsfelder.</i> Helbling, 2022.","bibtex":"@book{Klingmann_Schilling-Sandvoß_2022, place={Innsbruck}, title={Musikunterricht und Inklusion. Grundlagen, Themen- und Handlungsfelder.}, publisher={Helbling}, year={2022} }","short":"H. Klingmann, K. Schilling-Sandvoß, eds., Musikunterricht und Inklusion. Grundlagen, Themen- und Handlungsfelder., Helbling, Innsbruck, 2022."},"year":"2022","place":"Innsbruck","date_created":"2024-01-30T19:52:29Z","date_updated":"2024-05-07T12:13:41Z","publisher":"Helbling","main_file_link":[{"url":"https://www.helbling.com/de/de/product/musikunterricht-und-inklusion-386227512"}],"title":"Musikunterricht und Inklusion. Grundlagen, Themen- und Handlungsfelder."},{"publisher":"Helbling","date_updated":"2024-05-07T12:13:55Z","author":[{"first_name":"Heinrich","last_name":"Klingmann","full_name":"Klingmann, Heinrich","id":"55566"}],"date_created":"2024-01-30T20:14:18Z","title":"Heterogenität und Musikunterricht - Ungleichheitskritische und konzeptionelle Aspekte.","year":"2022","place":"Innsbruck","citation":{"ieee":"H. Klingmann, “Heterogenität und Musikunterricht - Ungleichheitskritische und konzeptionelle Aspekte.,” in <i>Musikunterricht und Inklusion. Grundlagen, Themen- und Handlungsfelder.</i>, H. Klingmann and K. Schilling-Sandvoß, Eds. Innsbruck: Helbling, 2022, pp. 109–135.","chicago":"Klingmann, Heinrich. “Heterogenität und Musikunterricht - Ungleichheitskritische und konzeptionelle Aspekte.” In <i>Musikunterricht und Inklusion. Grundlagen, Themen- und Handlungsfelder.</i>, edited by Heinrich Klingmann and Katharina Schilling-Sandvoß, 109–35. Innsbruck: Helbling, 2022.","ama":"Klingmann H. Heterogenität und Musikunterricht - Ungleichheitskritische und konzeptionelle Aspekte. In: Klingmann H, Schilling-Sandvoß K, eds. <i>Musikunterricht und Inklusion. Grundlagen, Themen- und Handlungsfelder.</i> Helbling; 2022:109-135.","apa":"Klingmann, H. (2022). Heterogenität und Musikunterricht - Ungleichheitskritische und konzeptionelle Aspekte. In H. Klingmann &#38; K. Schilling-Sandvoß (Eds.), <i>Musikunterricht und Inklusion. Grundlagen, Themen- und Handlungsfelder.</i> (pp. 109–135). Helbling.","bibtex":"@inbook{Klingmann_2022, place={Innsbruck}, title={Heterogenität und Musikunterricht - Ungleichheitskritische und konzeptionelle Aspekte.}, booktitle={Musikunterricht und Inklusion. Grundlagen, Themen- und Handlungsfelder.}, publisher={Helbling}, author={Klingmann, Heinrich}, editor={Klingmann, Heinrich and Schilling-Sandvoß, Katharina}, year={2022}, pages={109–135} }","mla":"Klingmann, Heinrich. “Heterogenität und Musikunterricht - Ungleichheitskritische und konzeptionelle Aspekte.” <i>Musikunterricht und Inklusion. Grundlagen, Themen- und Handlungsfelder.</i>, edited by Heinrich Klingmann and Katharina Schilling-Sandvoß, Helbling, 2022, pp. 109–35.","short":"H. Klingmann, in: H. Klingmann, K. Schilling-Sandvoß (Eds.), Musikunterricht und Inklusion. Grundlagen, Themen- und Handlungsfelder., Helbling, Innsbruck, 2022, pp. 109–135."},"page":"109 - 135","_id":"51059","user_id":"14931","department":[{"_id":"753"}],"language":[{"iso":"ger"}],"type":"book_chapter","publication":"Musikunterricht und Inklusion. Grundlagen, Themen- und Handlungsfelder.","editor":[{"full_name":"Klingmann, Heinrich","last_name":"Klingmann","first_name":"Heinrich"},{"full_name":"Schilling-Sandvoß, Katharina","last_name":"Schilling-Sandvoß","first_name":"Katharina"}],"status":"public"},{"language":[{"iso":"eng"}],"keyword":["BitH","mec-proceedings","mec-proceedings-2021"],"user_id":"1684","department":[{"_id":"874"}],"_id":"55834","status":"public","editor":[{"last_name":"Münnich","full_name":"Münnich, Stefan","first_name":"Stefan"},{"full_name":"Rizo, David","last_name":"Rizo","first_name":"David"}],"abstract":[{"lang":"eng","text":"Performance of music in the home was the means by which most works were received before the advent of audio recordings and broadcasts, yet the notation sources that form our primary record of this culture have not been the subject of comprehensive or methodical study. Choices made by arrangers adapting music for domestic consumption – of instrumentation, abbreviation, or simplification – reflect the musical life of the 19th century, and can inform our understanding alongside contemporary accounts such as newspapers, adverts, and diaries. This position paper gives the background, motivation, and proposed approach of research currently being undertaken within the Beethoven in the House project. This will include a study of Steiner editions of Beethoven’s 7th and 8th Symphonies and Wellingtons Sieg, making a detailed comparison between arrangements, systematically identifying a core common to multiple versions, and asking if this reflects the stated values of the publisher. A second survey will look for patterns across a larger sample of lesser-known and poorly catalogued scores, collating emergent indicators of arrangers’ motivations within a narrative of the domestic market – the music industry of its day. Both studies will innovate digital methods which characterise arrangements as music encodings, including ‘sparse’ approaches to notation and annotation."}],"type":"conference","publication":"Music Encoding Conference Proceedings 2021","main_file_link":[{"open_access":"1","url":"https://hcommons.org/deposits/item/hc:45995/"}],"doi":"10.17613/389b-xx73","title":"Beethoven in the House: Digital Studies of Domestic Music Arrangements","author":[{"first_name":"Kevin R.","last_name":"Page","full_name":"Page, Kevin R."},{"first_name":"Johannes","full_name":"Kepper, Johannes","id":"1684","last_name":"Kepper","orcid":"0000-0003-4891-260X"},{"full_name":"Siegert, Christine","last_name":"Siegert","first_name":"Christine"},{"last_name":"Hankinson","full_name":"Hankinson, Andrew","first_name":"Andrew"},{"full_name":"Lewis, David","last_name":"Lewis","first_name":"David"}],"date_created":"2024-08-28T11:42:27Z","oa":"1","publisher":"Humanities Commons","date_updated":"2024-08-28T14:10:51Z","citation":{"ama":"Page KR, Kepper J, Siegert C, Hankinson A, Lewis D. Beethoven in the House: Digital Studies of Domestic Music Arrangements. In: Münnich S, Rizo D, eds. <i>Music Encoding Conference Proceedings 2021</i>. Humanities Commons; 2022:117–123. doi:<a href=\"https://doi.org/10.17613/389b-xx73\">10.17613/389b-xx73</a>","chicago":"Page, Kevin R., Johannes Kepper, Christine Siegert, Andrew Hankinson, and David Lewis. “Beethoven in the House: Digital Studies of Domestic Music Arrangements.” In <i>Music Encoding Conference Proceedings 2021</i>, edited by Stefan Münnich and David Rizo, 117–123. Humanities Commons, 2022. <a href=\"https://doi.org/10.17613/389b-xx73\">https://doi.org/10.17613/389b-xx73</a>.","ieee":"K. R. Page, J. Kepper, C. Siegert, A. Hankinson, and D. Lewis, “Beethoven in the House: Digital Studies of Domestic Music Arrangements,” in <i>Music Encoding Conference Proceedings 2021</i>, 2022, pp. 117–123, doi: <a href=\"https://doi.org/10.17613/389b-xx73\">10.17613/389b-xx73</a>.","apa":"Page, K. R., Kepper, J., Siegert, C., Hankinson, A., &#38; Lewis, D. (2022). Beethoven in the House: Digital Studies of Domestic Music Arrangements. In S. Münnich &#38; D. Rizo (Eds.), <i>Music Encoding Conference Proceedings 2021</i> (pp. 117–123). Humanities Commons. <a href=\"https://doi.org/10.17613/389b-xx73\">https://doi.org/10.17613/389b-xx73</a>","short":"K.R. Page, J. Kepper, C. Siegert, A. Hankinson, D. Lewis, in: S. Münnich, D. Rizo (Eds.), Music Encoding Conference Proceedings 2021, Humanities Commons, 2022, pp. 117–123.","bibtex":"@inproceedings{Page_Kepper_Siegert_Hankinson_Lewis_2022, title={Beethoven in the House: Digital Studies of Domestic Music Arrangements}, DOI={<a href=\"https://doi.org/10.17613/389b-xx73\">10.17613/389b-xx73</a>}, booktitle={Music Encoding Conference Proceedings 2021}, publisher={Humanities Commons}, author={Page, Kevin R. and Kepper, Johannes and Siegert, Christine and Hankinson, Andrew and Lewis, David}, editor={Münnich, Stefan and Rizo, David}, year={2022}, pages={117–123} }","mla":"Page, Kevin R., et al. “Beethoven in the House: Digital Studies of Domestic Music Arrangements.” <i>Music Encoding Conference Proceedings 2021</i>, edited by Stefan Münnich and David Rizo, Humanities Commons, 2022, pp. 117–123, doi:<a href=\"https://doi.org/10.17613/389b-xx73\">10.17613/389b-xx73</a>."},"page":"117–123","year":"2022","publication_status":"published","publication_identifier":{"isbn":["978-84-13-02173-7"]}},{"project":[{"name":"Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition","_id":"743"}],"_id":"55839","user_id":"1684","department":[{"_id":"538"},{"_id":"874"}],"language":[{"iso":"eng"}],"type":"conference","publication":"Music Encoding Conference Proceedings 2021","editor":[{"last_name":"Münnich","full_name":"Münnich, Stefan","first_name":"Stefan"},{"full_name":"Rizo, David","last_name":"Rizo","first_name":"David"}],"status":"public","oa":"1","date_updated":"2024-08-28T14:05:21Z","publisher":"Humanities Commons","date_created":"2024-08-28T11:45:05Z","author":[{"first_name":"Susanne","last_name":"Cox","full_name":"Cox, Susanne"},{"last_name":"Kepper","orcid":"0000-0003-4891-260X","id":"1684","full_name":"Kepper, Johannes","first_name":"Johannes"}],"title":"Encoding Genetic Processes II","main_file_link":[{"open_access":"1","url":"https://doi.org/10.17613/q6y4-9139"}],"doi":"https://doi.org/10.17613/q6y4-9139","publication_status":"published","place":"Alicante","year":"2022","citation":{"apa":"Cox, S., &#38; Kepper, J. (2022). Encoding Genetic Processes II. In S. Münnich &#38; D. Rizo (Eds.), <i>Music Encoding Conference Proceedings 2021</i> (pp. 85–95). Humanities Commons. <a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>","short":"S. Cox, J. Kepper, in: S. Münnich, D. Rizo (Eds.), Music Encoding Conference Proceedings 2021, Humanities Commons, Alicante, 2022, pp. 85–95.","mla":"Cox, Susanne, and Johannes Kepper. “Encoding Genetic Processes II.” <i>Music Encoding Conference Proceedings 2021</i>, edited by Stefan Münnich and David Rizo, Humanities Commons, 2022, pp. 85–95, doi:<a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>.","bibtex":"@inproceedings{Cox_Kepper_2022, place={Alicante}, title={Encoding Genetic Processes II}, DOI={<a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>}, booktitle={Music Encoding Conference Proceedings 2021}, publisher={Humanities Commons}, author={Cox, Susanne and Kepper, Johannes}, editor={Münnich, Stefan and Rizo, David}, year={2022}, pages={85–95} }","ama":"Cox S, Kepper J. Encoding Genetic Processes II. In: Münnich S, Rizo D, eds. <i>Music Encoding Conference Proceedings 2021</i>. Humanities Commons; 2022:85–95. doi:<a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>","ieee":"S. Cox and J. Kepper, “Encoding Genetic Processes II,” in <i>Music Encoding Conference Proceedings 2021</i>, 2022, pp. 85–95, doi: <a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>.","chicago":"Cox, Susanne, and Johannes Kepper. “Encoding Genetic Processes II.” In <i>Music Encoding Conference Proceedings 2021</i>, edited by Stefan Münnich and David Rizo, 85–95. Alicante: Humanities Commons, 2022. <a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>."},"page":"85–95"},{"publication":"9th International Conference on Digital Libraries for Musicology","type":"conference","status":"public","_id":"55830","department":[{"_id":"874"}],"user_id":"1684","keyword":["BitH"],"language":[{"iso":"eng"}],"publication_identifier":{"isbn":["978-1-4503-9668-4"]},"publication_status":"published","year":"2022","place":"Prague Czech Republic","page":"10–18","citation":{"short":"D. Lewis, E. Shibata, M. Saccomano, L. Rosendahl, J. Kepper, A. Hankinson, C. Siegert, K. Page, in: 9th International Conference on Digital Libraries for Musicology, ACM, Prague Czech Republic, 2022, pp. 10–18.","mla":"Lewis, David, et al. “A Model for Annotating Musical Versions and Arrangements across Multiple Documents and Media.” <i>9th International Conference on Digital Libraries for Musicology</i>, ACM, 2022, pp. 10–18, doi:<a href=\"https://doi.org/10.1145/3543882.3543891\">10.1145/3543882.3543891</a>.","bibtex":"@inproceedings{Lewis_Shibata_Saccomano_Rosendahl_Kepper_Hankinson_Siegert_Page_2022, place={Prague Czech Republic}, title={A model for annotating musical versions and arrangements across multiple documents and media}, DOI={<a href=\"https://doi.org/10.1145/3543882.3543891\">10.1145/3543882.3543891</a>}, booktitle={9th International Conference on Digital Libraries for Musicology}, publisher={ACM}, author={Lewis, David and Shibata, Elisabete and Saccomano, Mark and Rosendahl, Lisa and Kepper, Johannes and Hankinson, Andrew and Siegert, Christine and Page, Kevin}, year={2022}, pages={10–18} }","apa":"Lewis, D., Shibata, E., Saccomano, M., Rosendahl, L., Kepper, J., Hankinson, A., Siegert, C., &#38; Page, K. (2022). A model for annotating musical versions and arrangements across multiple documents and media. <i>9th International Conference on Digital Libraries for Musicology</i>, 10–18. <a href=\"https://doi.org/10.1145/3543882.3543891\">https://doi.org/10.1145/3543882.3543891</a>","ama":"Lewis D, Shibata E, Saccomano M, et al. A model for annotating musical versions and arrangements across multiple documents and media. In: <i>9th International Conference on Digital Libraries for Musicology</i>. ACM; 2022:10–18. doi:<a href=\"https://doi.org/10.1145/3543882.3543891\">10.1145/3543882.3543891</a>","ieee":"D. Lewis <i>et al.</i>, “A model for annotating musical versions and arrangements across multiple documents and media,” in <i>9th International Conference on Digital Libraries for Musicology</i>, 2022, pp. 10–18, doi: <a href=\"https://doi.org/10.1145/3543882.3543891\">10.1145/3543882.3543891</a>.","chicago":"Lewis, David, Elisabete Shibata, Mark Saccomano, Lisa Rosendahl, Johannes Kepper, Andrew Hankinson, Christine Siegert, and Kevin Page. “A Model for Annotating Musical Versions and Arrangements across Multiple Documents and Media.” In <i>9th International Conference on Digital Libraries for Musicology</i>, 10–18. Prague Czech Republic: ACM, 2022. <a href=\"https://doi.org/10.1145/3543882.3543891\">https://doi.org/10.1145/3543882.3543891</a>."},"publisher":"ACM","date_updated":"2024-08-28T14:17:00Z","author":[{"full_name":"Lewis, David","last_name":"Lewis","first_name":"David"},{"last_name":"Shibata","full_name":"Shibata, Elisabete","first_name":"Elisabete"},{"full_name":"Saccomano, Mark","last_name":"Saccomano","first_name":"Mark"},{"full_name":"Rosendahl, Lisa","last_name":"Rosendahl","first_name":"Lisa"},{"last_name":"Kepper","orcid":"0000-0003-4891-260X","id":"1684","full_name":"Kepper, Johannes","first_name":"Johannes"},{"full_name":"Hankinson, Andrew","last_name":"Hankinson","first_name":"Andrew"},{"first_name":"Christine","last_name":"Siegert","full_name":"Siegert, Christine"},{"first_name":"Kevin","full_name":"Page, Kevin","last_name":"Page"}],"date_created":"2024-08-28T11:40:54Z","title":"A model for annotating musical versions and arrangements across multiple documents and media","doi":"10.1145/3543882.3543891"}]