[{"title":"HenDi-Data (data package) v5.0.0","doi":"10.5281/ZENODO.13137419","date_updated":"2024-08-05T16:51:07Z","publisher":"Henze-Digital","date_created":"2024-08-05T16:50:00Z","author":[{"first_name":"Dennis","full_name":"Ried, Dennis","id":"90722","last_name":"Ried","orcid":"https://orcid.org/0000-0001-5545-2088"},{"first_name":"Elena","last_name":"Minetti","full_name":"Minetti, Elena","id":"90723"},{"first_name":"Irmlind","full_name":"Capelle, Irmlind","id":"21488","last_name":"Capelle"},{"last_name":"Tumat","id":"72268","full_name":"Tumat, Antje","first_name":"Antje"}],"year":"2024","citation":{"mla":"Ried, Dennis, et al. <i>HenDi-Data (Data Package) v5.0.0</i>. Henze-Digital, 2024, doi:<a href=\"https://doi.org/10.5281/ZENODO.13137419\">10.5281/ZENODO.13137419</a>.","bibtex":"@book{Ried_Minetti_Capelle_Tumat_2024, title={HenDi-Data (data package) v5.0.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.13137419\">10.5281/ZENODO.13137419</a>}, publisher={Henze-Digital}, author={Ried, Dennis and Minetti, Elena and Capelle, Irmlind and Tumat, Antje}, year={2024} }","short":"D. Ried, E. Minetti, I. Capelle, A. Tumat, HenDi-Data (Data Package) v5.0.0, Henze-Digital, 2024.","apa":"Ried, D., Minetti, E., Capelle, I., &#38; Tumat, A. (2024). <i>HenDi-Data (data package) v5.0.0</i>. Henze-Digital. <a href=\"https://doi.org/10.5281/ZENODO.13137419\">https://doi.org/10.5281/ZENODO.13137419</a>","ama":"Ried D, Minetti E, Capelle I, Tumat A. <i>HenDi-Data (Data Package) v5.0.0</i>. Henze-Digital; 2024. doi:<a href=\"https://doi.org/10.5281/ZENODO.13137419\">10.5281/ZENODO.13137419</a>","ieee":"D. Ried, E. Minetti, I. Capelle, and A. Tumat, <i>HenDi-Data (data package) v5.0.0</i>. Henze-Digital, 2024.","chicago":"Ried, Dennis, Elena Minetti, Irmlind Capelle, and Antje Tumat. <i>HenDi-Data (Data Package) v5.0.0</i>. Henze-Digital, 2024. <a href=\"https://doi.org/10.5281/ZENODO.13137419\">https://doi.org/10.5281/ZENODO.13137419</a>."},"project":[{"_id":"738","name":"HenDi: Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk","grant_number":"459602398"}],"_id":"55542","user_id":"90722","department":[{"_id":"233"},{"_id":"856"}],"abstract":[{"text":"This is the data set of the project Henze-Digital. It contains project specific authority files (e.g., persons, organizations, places) and editions (e.g., letters, documents).","lang":"eng"}],"status":"public","type":"research_data"},{"year":"2024","citation":{"chicago":"Ried, Dennis, Irmlind Capelle, and Elena Minetti. <i>HenDi-ODD v5.0.0</i>. Henze-Digital, 2024. <a href=\"https://doi.org/10.5281/ZENODO.13137422\">https://doi.org/10.5281/ZENODO.13137422</a>.","ieee":"D. Ried, I. Capelle, and E. Minetti, <i>HenDi-ODD v5.0.0</i>. Henze-Digital, 2024.","ama":"Ried D, Capelle I, Minetti E. <i>HenDi-ODD v5.0.0</i>. Henze-Digital; 2024. doi:<a href=\"https://doi.org/10.5281/ZENODO.13137422\">10.5281/ZENODO.13137422</a>","bibtex":"@book{Ried_Capelle_Minetti_2024, title={HenDi-ODD v5.0.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.13137422\">10.5281/ZENODO.13137422</a>}, publisher={Henze-Digital}, author={Ried, Dennis and Capelle, Irmlind and Minetti, Elena}, year={2024} }","mla":"Ried, Dennis, et al. <i>HenDi-ODD v5.0.0</i>. Henze-Digital, 2024, doi:<a href=\"https://doi.org/10.5281/ZENODO.13137422\">10.5281/ZENODO.13137422</a>.","short":"D. Ried, I. Capelle, E. Minetti, HenDi-ODD v5.0.0, Henze-Digital, 2024.","apa":"Ried, D., Capelle, I., &#38; Minetti, E. (2024). <i>HenDi-ODD v5.0.0</i>. Henze-Digital. <a href=\"https://doi.org/10.5281/ZENODO.13137422\">https://doi.org/10.5281/ZENODO.13137422</a>"},"title":"HenDi-ODD v5.0.0","doi":"10.5281/ZENODO.13137422","publisher":"Henze-Digital","date_updated":"2024-08-05T16:48:22Z","date_created":"2024-08-05T16:47:22Z","author":[{"first_name":"Dennis","last_name":"Ried","orcid":"https://orcid.org/0000-0001-5545-2088","full_name":"Ried, Dennis","id":"90722"},{"id":"21488","full_name":"Capelle, Irmlind","last_name":"Capelle","first_name":"Irmlind"},{"last_name":"Minetti","full_name":"Minetti, Elena","id":"90723","first_name":"Elena"}],"status":"public","type":"research_data","project":[{"name":"HenDi: Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk","_id":"738","grant_number":"459602398"}],"_id":"55540","user_id":"90722","department":[{"_id":"233"},{"_id":"856"}]},{"author":[{"full_name":"Ried, Dennis","id":"90722","last_name":"Ried","orcid":"https://orcid.org/0000-0001-5545-2088","first_name":"Dennis"}],"date_created":"2024-08-05T16:43:43Z","date_updated":"2024-08-05T16:46:01Z","publisher":"Henze-Digital","doi":"10.5281/ZENODO.13137427","title":"HenDi-WebApp v5.0.0","citation":{"ieee":"D. Ried, <i>HenDi-WebApp v5.0.0</i>. Henze-Digital, 2024.","chicago":"Ried, Dennis. <i>HenDi-WebApp v5.0.0</i>. Henze-Digital, 2024. <a href=\"https://doi.org/10.5281/ZENODO.13137427\">https://doi.org/10.5281/ZENODO.13137427</a>.","ama":"Ried D. <i>HenDi-WebApp v5.0.0</i>. Henze-Digital; 2024. doi:<a href=\"https://doi.org/10.5281/ZENODO.13137427\">10.5281/ZENODO.13137427</a>","apa":"Ried, D. (2024). <i>HenDi-WebApp v5.0.0</i>. Henze-Digital. <a href=\"https://doi.org/10.5281/ZENODO.13137427\">https://doi.org/10.5281/ZENODO.13137427</a>","mla":"Ried, Dennis. <i>HenDi-WebApp v5.0.0</i>. Henze-Digital, 2024, doi:<a href=\"https://doi.org/10.5281/ZENODO.13137427\">10.5281/ZENODO.13137427</a>.","bibtex":"@book{Ried_2024, title={HenDi-WebApp v5.0.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.13137427\">10.5281/ZENODO.13137427</a>}, publisher={Henze-Digital}, author={Ried, Dennis}, year={2024} }","short":"D. Ried, HenDi-WebApp v5.0.0, Henze-Digital, 2024."},"year":"2024","user_id":"90722","department":[{"_id":"233"},{"_id":"856"}],"project":[{"grant_number":"459602398","_id":"738","name":"HenDi: Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk"}],"_id":"55539","type":"research_data","status":"public"},{"year":"2024","citation":{"apa":"Höink, D. (2024). Die “Aktion Rom”. Bemühungen um Idealisierung Bruckners durch Papst Pius XII. <i>Musica sacra</i>, <i>144</i>(4), 226–229.","bibtex":"@article{Höink_2024, title={Die “Aktion Rom”. Bemühungen um Idealisierung Bruckners durch Papst Pius XII.}, volume={144}, number={4}, journal={Musica sacra}, author={Höink, Dominik}, year={2024}, pages={226–229} }","mla":"Höink, Dominik. “Die ‘Aktion Rom’. Bemühungen um Idealisierung Bruckners durch Papst Pius XII.” <i>Musica sacra</i>, vol. 144, no. 4, 2024, pp. 226–29.","short":"D. Höink, Musica sacra 144 (2024) 226–229.","ama":"Höink D. Die “Aktion Rom”. Bemühungen um Idealisierung Bruckners durch Papst Pius XII. <i>Musica sacra</i>. 2024;144(4):226-229.","chicago":"Höink, Dominik. “Die ‘Aktion Rom’. Bemühungen um Idealisierung Bruckners durch Papst Pius XII.” <i>Musica sacra</i> 144, no. 4 (2024): 226–29.","ieee":"D. Höink, “Die ‘Aktion Rom’. Bemühungen um Idealisierung Bruckners durch Papst Pius XII.,” <i>Musica sacra</i>, vol. 144, no. 4, pp. 226–229, 2024."},"intvolume":"       144","page":"226-229","publication_status":"published","issue":"4","title":"Die \"Aktion Rom\". Bemühungen um Idealisierung Bruckners durch Papst Pius XII.","date_updated":"2024-08-13T11:02:52Z","date_created":"2024-08-13T11:02:41Z","author":[{"id":"90389","full_name":"Höink, Dominik","last_name":"Höink","first_name":"Dominik"}],"volume":144,"status":"public","type":"journal_article","publication":"Musica sacra","article_type":"original","language":[{"iso":"ger"}],"_id":"55585","user_id":"90389","department":[{"_id":"233"}]},{"abstract":[{"text":"This is the data set of the project Henze-Digital. It contains project specific authority files (e.g., persons, organizations, places) and editions (e.g., letters, documents).","lang":"eng"}],"status":"public","type":"research_data","_id":"55948","project":[{"grant_number":"459602398","name":"HenDi: Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk","_id":"738"}],"department":[{"_id":"233"},{"_id":"856"}],"user_id":"90722","year":"2024","citation":{"ama":"Capelle I, Ried D, Minetti E, Tumat A. <i>HenDi-Data (Data Package) v6.0.0</i>. Henze-Digital; 2024. doi:<a href=\"https://doi.org/10.5281/ZENODO.13381134\">10.5281/ZENODO.13381134</a>","chicago":"Capelle, Irmlind, Dennis Ried, Elena Minetti, and Antje Tumat. <i>HenDi-Data (Data Package) v6.0.0</i>. Henze-Digital, 2024. <a href=\"https://doi.org/10.5281/ZENODO.13381134\">https://doi.org/10.5281/ZENODO.13381134</a>.","ieee":"I. Capelle, D. Ried, E. Minetti, and A. Tumat, <i>HenDi-Data (data package) v6.0.0</i>. Henze-Digital, 2024.","short":"I. Capelle, D. Ried, E. Minetti, A. Tumat, HenDi-Data (Data Package) v6.0.0, Henze-Digital, 2024.","bibtex":"@book{Capelle_Ried_Minetti_Tumat_2024, title={HenDi-Data (data package) v6.0.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.13381134\">10.5281/ZENODO.13381134</a>}, publisher={Henze-Digital}, author={Capelle, Irmlind and Ried, Dennis and Minetti, Elena and Tumat, Antje}, year={2024} }","mla":"Capelle, Irmlind, et al. <i>HenDi-Data (Data Package) v6.0.0</i>. Henze-Digital, 2024, doi:<a href=\"https://doi.org/10.5281/ZENODO.13381134\">10.5281/ZENODO.13381134</a>.","apa":"Capelle, I., Ried, D., Minetti, E., &#38; Tumat, A. (2024). <i>HenDi-Data (data package) v6.0.0</i>. Henze-Digital. <a href=\"https://doi.org/10.5281/ZENODO.13381134\">https://doi.org/10.5281/ZENODO.13381134</a>"},"title":"HenDi-Data (data package) v6.0.0","doi":"10.5281/ZENODO.13381134","publisher":"Henze-Digital","date_updated":"2024-08-31T05:59:02Z","date_created":"2024-08-31T05:57:59Z","author":[{"first_name":"Irmlind","id":"21488","full_name":"Capelle, Irmlind","last_name":"Capelle"},{"id":"90722","full_name":"Ried, Dennis","orcid":"https://orcid.org/0000-0001-5545-2088","last_name":"Ried","first_name":"Dennis"},{"last_name":"Minetti","id":"90723","full_name":"Minetti, Elena","first_name":"Elena"},{"first_name":"Antje","last_name":"Tumat","full_name":"Tumat, Antje","id":"72268"}]},{"title":"HenDi-ODD","doi":"10.5281/ZENODO.13381127","publisher":"Henze-Digital","date_updated":"2024-08-31T05:44:29Z","date_created":"2024-08-31T05:43:33Z","author":[{"first_name":"Dennis","last_name":"Ried","orcid":"https://orcid.org/0000-0001-5545-2088","full_name":"Ried, Dennis","id":"90722"},{"first_name":"Irmlind","id":"21488","full_name":"Capelle, Irmlind","last_name":"Capelle"},{"last_name":"Minetti","full_name":"Minetti, Elena","id":"90723","first_name":"Elena"}],"year":"2024","citation":{"ama":"Ried D, Capelle I, Minetti E. <i>HenDi-ODD</i>. Henze-Digital; 2024. doi:<a href=\"https://doi.org/10.5281/ZENODO.13381127\">10.5281/ZENODO.13381127</a>","chicago":"Ried, Dennis, Irmlind Capelle, and Elena Minetti. <i>HenDi-ODD</i>. Henze-Digital, 2024. <a href=\"https://doi.org/10.5281/ZENODO.13381127\">https://doi.org/10.5281/ZENODO.13381127</a>.","ieee":"D. Ried, I. Capelle, and E. Minetti, <i>HenDi-ODD</i>. Henze-Digital, 2024.","bibtex":"@book{Ried_Capelle_Minetti_2024, title={HenDi-ODD}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.13381127\">10.5281/ZENODO.13381127</a>}, publisher={Henze-Digital}, author={Ried, Dennis and Capelle, Irmlind and Minetti, Elena}, year={2024} }","mla":"Ried, Dennis, et al. <i>HenDi-ODD</i>. Henze-Digital, 2024, doi:<a href=\"https://doi.org/10.5281/ZENODO.13381127\">10.5281/ZENODO.13381127</a>.","short":"D. Ried, I. Capelle, E. Minetti, HenDi-ODD, Henze-Digital, 2024.","apa":"Ried, D., Capelle, I., &#38; Minetti, E. (2024). <i>HenDi-ODD</i>. Henze-Digital. <a href=\"https://doi.org/10.5281/ZENODO.13381127\">https://doi.org/10.5281/ZENODO.13381127</a>"},"_id":"55946","project":[{"grant_number":"459602398","_id":"738","name":"HenDi: Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk"}],"department":[{"_id":"233"},{"_id":"856"}],"user_id":"90722","status":"public","type":"research_data"},{"project":[{"_id":"738","name":"HenDi: Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk","grant_number":"459602398"}],"_id":"55947","user_id":"90722","department":[{"_id":"233"},{"_id":"856"}],"type":"research_data","status":"public","publisher":"Henze-Digital","date_updated":"2024-08-31T05:51:08Z","author":[{"orcid":"https://orcid.org/0000-0001-5545-2088","last_name":"Ried","id":"90722","full_name":"Ried, Dennis","first_name":"Dennis"}],"date_created":"2024-08-31T05:50:33Z","title":"HenDi-WebApp v6.0.0","doi":"10.5281/ZENODO.13381135","year":"2024","citation":{"apa":"Ried, D. (2024). <i>HenDi-WebApp v6.0.0</i>. Henze-Digital. <a href=\"https://doi.org/10.5281/ZENODO.13381135\">https://doi.org/10.5281/ZENODO.13381135</a>","mla":"Ried, Dennis. <i>HenDi-WebApp v6.0.0</i>. Henze-Digital, 2024, doi:<a href=\"https://doi.org/10.5281/ZENODO.13381135\">10.5281/ZENODO.13381135</a>.","short":"D. Ried, HenDi-WebApp v6.0.0, Henze-Digital, 2024.","bibtex":"@book{Ried_2024, title={HenDi-WebApp v6.0.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.13381135\">10.5281/ZENODO.13381135</a>}, publisher={Henze-Digital}, author={Ried, Dennis}, year={2024} }","chicago":"Ried, Dennis. <i>HenDi-WebApp v6.0.0</i>. Henze-Digital, 2024. <a href=\"https://doi.org/10.5281/ZENODO.13381135\">https://doi.org/10.5281/ZENODO.13381135</a>.","ieee":"D. Ried, <i>HenDi-WebApp v6.0.0</i>. Henze-Digital, 2024.","ama":"Ried D. <i>HenDi-WebApp v6.0.0</i>. Henze-Digital; 2024. doi:<a href=\"https://doi.org/10.5281/ZENODO.13381135\">10.5281/ZENODO.13381135</a>"}},{"language":[{"iso":"ger"}],"keyword":["Musikwissenschaft","Digitale Edition","Musikphilologie"],"department":[{"_id":"233"},{"_id":"856"}],"user_id":"90722","_id":"56153","status":"public","abstract":[{"text":"Vor etwa 20 Jahren haben hybride Editionen in der Musikwissenschaft Einzug gehalten. Es sind in erster Linie Langzeitprojekte mit Laufzeiten von über 15 Jahren (z. ,B. OPERA, RWA, EWK, BAZ-GA) die diese Form der Edition verwenden. Dennoch gibt es kaum Forschungsliteratur zu diesem Thema. Auch die immer wieder verwendete Forschungssoftware \"Edirom\" hat bislang weder eine ausreichende Dokumentation erfahren noch ist sie ausgiebig diskutiert worden. Zudem fehlt eine kritische Betrachtung des Phänomens Önline-Portal\", welches gerade in der Musikphilologie immer häufiger in Erscheinung tritt. Von der Frage ausgehend, ob die hybride Edition ein Kompromiss aus traditioneller und digitaler Edition darstellt, unternimmt Dennis Ried erstmals den Versuch, den Status quo hybrider (Musik-)Editionen zu eruieren, zu dokumentieren und kritisch zu hinterfragen. \"Hybrid\" wird dabei stets als Zusammenspiel von Änalogem\" und \"Digitalem\" betrachtet.\r\n\r\nAnders als traditionelle Dissertationsschriften ist diese Arbeit in zwei Teile gegliedert, wovon der erste aus einer exemplarisch angeführten und quasi eigenständigen wissenschaftlich-kritischen Edition besteht. Im zweiten Teil wird diese dann aktiv in die Theoriebildung eingebunden, um methodische Fragen gezielt erörtern zu können.\r\nErgänzt wird die Dissertationsschrift durch eine auf Zenodo publizierte digitale Datensammlung.","lang":"ger"}],"type":"book","doi":"10.30819/5730","main_file_link":[{"url":"https://www.logos-verlag.de/ebooks/OA/978-3-8325-5730-0.pdf","open_access":"1"}],"title":"„halb und halb“ – Hybride Edition als Kompromiss? Eine Studie zu Methodik, Möglichkeiten und Grenzen in der hybriden Musikedition am Beispiel der Edition von Ludwig Baumanns „Kantate. Den Gefallenen zum Gedächtnis, den Trauernden zum Trost“","date_created":"2024-09-16T16:52:59Z","author":[{"first_name":"Dennis","orcid":"https://orcid.org/0000-0001-5545-2088","last_name":"Ried","full_name":"Ried, Dennis","id":"90722"}],"date_updated":"2024-09-20T08:16:04Z","oa":"1","publisher":"Logos-Verlag","page":"407","citation":{"apa":"Ried, D. (2024). <i>„halb und halb“ – Hybride Edition als Kompromiss? Eine Studie zu Methodik, Möglichkeiten und Grenzen in der hybriden Musikedition am Beispiel der Edition von Ludwig Baumanns „Kantate. Den Gefallenen zum Gedächtnis, den Trauernden zum Trost“</i>. Logos-Verlag. <a href=\"https://doi.org/10.30819/5730\">https://doi.org/10.30819/5730</a>","mla":"Ried, Dennis. <i>„halb und halb“ – Hybride Edition als Kompromiss? Eine Studie zu Methodik, Möglichkeiten und Grenzen in der hybriden Musikedition am Beispiel der Edition von Ludwig Baumanns „Kantate. Den Gefallenen zum Gedächtnis, den Trauernden zum Trost“</i>. Logos-Verlag, 2024, doi:<a href=\"https://doi.org/10.30819/5730\">10.30819/5730</a>.","bibtex":"@book{Ried_2024, place={Berlin}, title={„halb und halb“ – Hybride Edition als Kompromiss? Eine Studie zu Methodik, Möglichkeiten und Grenzen in der hybriden Musikedition am Beispiel der Edition von Ludwig Baumanns „Kantate. Den Gefallenen zum Gedächtnis, den Trauernden zum Trost“}, DOI={<a href=\"https://doi.org/10.30819/5730\">10.30819/5730</a>}, publisher={Logos-Verlag}, author={Ried, Dennis}, year={2024} }","short":"D. Ried, „halb und halb“ – Hybride Edition als Kompromiss? Eine Studie zu Methodik, Möglichkeiten und Grenzen in der hybriden Musikedition am Beispiel der Edition von Ludwig Baumanns „Kantate. Den Gefallenen zum Gedächtnis, den Trauernden zum Trost“, Logos-Verlag, Berlin, 2024.","ama":"Ried D. <i>„halb und halb“ – Hybride Edition als Kompromiss? Eine Studie zu Methodik, Möglichkeiten und Grenzen in der hybriden Musikedition am Beispiel der Edition von Ludwig Baumanns „Kantate. Den Gefallenen zum Gedächtnis, den Trauernden zum Trost“</i>. Logos-Verlag; 2024. doi:<a href=\"https://doi.org/10.30819/5730\">10.30819/5730</a>","ieee":"D. Ried, <i>„halb und halb“ – Hybride Edition als Kompromiss? Eine Studie zu Methodik, Möglichkeiten und Grenzen in der hybriden Musikedition am Beispiel der Edition von Ludwig Baumanns „Kantate. Den Gefallenen zum Gedächtnis, den Trauernden zum Trost“</i>. Berlin: Logos-Verlag, 2024.","chicago":"Ried, Dennis. <i>„halb und halb“ – Hybride Edition als Kompromiss? Eine Studie zu Methodik, Möglichkeiten und Grenzen in der hybriden Musikedition am Beispiel der Edition von Ludwig Baumanns „Kantate. Den Gefallenen zum Gedächtnis, den Trauernden zum Trost“</i>. Berlin: Logos-Verlag, 2024. <a href=\"https://doi.org/10.30819/5730\">https://doi.org/10.30819/5730</a>."},"place":"Berlin","year":"2024","publication_identifier":{"isbn":["978-3-8325-5730-0"]},"publication_status":"published"},{"user_id":"97150","department":[{"_id":"233"}],"_id":"49913","language":[{"iso":"eng"}],"type":"misc","status":"public","author":[{"first_name":"Tobias","full_name":"Bachmann, Tobias","last_name":"Bachmann"},{"first_name":"Antje","last_name":"Tumat","id":"72268","full_name":"Tumat, Antje"},{"first_name":"Lena","last_name":"Frömmel","full_name":"Frömmel, Lena"},{"first_name":"Andreas","last_name":"Münzmay","full_name":"Münzmay, Andreas"}],"date_created":"2023-12-20T13:43:57Z","date_updated":"2025-01-22T16:06:59Z","title":"Peter von Lindpaintner, Johann Wolfgang von Goethe, Carl Seydelmann, Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann (1832)","citation":{"short":"T. Bachmann, A. Tumat, L. Frömmel, A. Münzmay, Peter von Lindpaintner, Johann Wolfgang von Goethe, Carl Seydelmann, Ouverture, Entreacte, Chöre Und Lieder Zu Goethes Faust Nach Der Szenischen Einrichtung von Carl Seydelmann (1832), Online, 2024.","bibtex":"@book{Bachmann_Tumat_Frömmel_Münzmay_2024, place={Online}, title={Peter von Lindpaintner, Johann Wolfgang von Goethe, Carl Seydelmann, Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann (1832)}, author={Bachmann, Tobias and Tumat, Antje and Frömmel, Lena and Münzmay, Andreas}, year={2024} }","mla":"Bachmann, Tobias, et al. <i>Peter von Lindpaintner, Johann Wolfgang von Goethe, Carl Seydelmann, Ouverture, Entreacte, Chöre Und Lieder Zu Goethes Faust Nach Der Szenischen Einrichtung von Carl Seydelmann (1832)</i>. 2024.","apa":"Bachmann, T., Tumat, A., Frömmel, L., &#38; Münzmay, A. (2024). <i>Peter von Lindpaintner, Johann Wolfgang von Goethe, Carl Seydelmann, Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann (1832)</i>.","chicago":"Bachmann, Tobias, Antje Tumat, Lena Frömmel, and Andreas Münzmay. <i>Peter von Lindpaintner, Johann Wolfgang von Goethe, Carl Seydelmann, Ouverture, Entreacte, Chöre Und Lieder Zu Goethes Faust Nach Der Szenischen Einrichtung von Carl Seydelmann (1832)</i>. Online, 2024.","ieee":"T. Bachmann, A. Tumat, L. Frömmel, and A. Münzmay, <i>Peter von Lindpaintner, Johann Wolfgang von Goethe, Carl Seydelmann, Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann (1832)</i>. Online, 2024.","ama":"Bachmann T, Tumat A, Frömmel L, Münzmay A. <i>Peter von Lindpaintner, Johann Wolfgang von Goethe, Carl Seydelmann, Ouverture, Entreacte, Chöre Und Lieder Zu Goethes Faust Nach Der Szenischen Einrichtung von Carl Seydelmann (1832)</i>.; 2024."},"place":"Online","year":"2024"},{"date_updated":"2025-01-27T09:33:11Z","volume":1,"author":[{"first_name":"Luise","orcid":"0009-0002-0150-2638","last_name":"Adler","full_name":"Adler, Luise","id":"93940"}],"doi":"10.5771/9783828851214 ","publication_identifier":{"eisbn":["978-3-8288-5121-4"],"isbn":["978-3-8288-4979-2"]},"publication_status":"published","place":"Baden-Baden","intvolume":"         1","page":"73 - 82","citation":{"ieee":"L. Adler, “Searching for Traces of the Work of the Holy Spirit: Interview with Mark Andre,” in <i>Music and Religions in the 21st Century</i>, vol. 1, D. Höink and M. Andreas, Eds. Baden-Baden: Tectum, 2024, pp. 73–82.","chicago":"Adler, Luise. “Searching for Traces of the Work of the Holy Spirit: Interview with Mark Andre.” In <i>Music and Religions in the 21st Century</i>, edited by Dominik Höink and Meyer Andreas, 1:73–82. Musik Und Religion. Baden-Baden: Tectum, 2024. <a href=\"https://doi.org/10.5771/9783828851214 \">https://doi.org/10.5771/9783828851214 </a>.","ama":"Adler L. Searching for Traces of the Work of the Holy Spirit: Interview with Mark Andre. In: Höink D, Andreas M, eds. <i>Music and Religions in the 21st Century</i>. Vol 1. Musik und Religion. Tectum; 2024:73-82. doi:<a href=\"https://doi.org/10.5771/9783828851214 \">10.5771/9783828851214 </a>","short":"L. Adler, in: D. Höink, M. Andreas (Eds.), Music and Religions in the 21st Century, Tectum, Baden-Baden, 2024, pp. 73–82.","bibtex":"@inbook{Adler_2024, place={Baden-Baden}, series={Musik und Religion}, title={Searching for Traces of the Work of the Holy Spirit: Interview with Mark Andre}, volume={1}, DOI={<a href=\"https://doi.org/10.5771/9783828851214 \">10.5771/9783828851214 </a>}, booktitle={Music and Religions in the 21st Century}, publisher={Tectum}, author={Adler, Luise}, editor={Höink, Dominik and Andreas, Meyer}, year={2024}, pages={73–82}, collection={Musik und Religion} }","mla":"Adler, Luise. “Searching for Traces of the Work of the Holy Spirit: Interview with Mark Andre.” <i>Music and Religions in the 21st Century</i>, edited by Dominik Höink and Meyer Andreas, vol. 1, Tectum, 2024, pp. 73–82, doi:<a href=\"https://doi.org/10.5771/9783828851214 \">10.5771/9783828851214 </a>.","apa":"Adler, L. (2024). Searching for Traces of the Work of the Holy Spirit: Interview with Mark Andre. In D. Höink &#38; M. Andreas (Eds.), <i>Music and Religions in the 21st Century</i> (Vol. 1, pp. 73–82). Tectum. <a href=\"https://doi.org/10.5771/9783828851214 \">https://doi.org/10.5771/9783828851214 </a>"},"_id":"58363","department":[{"_id":"233"}],"series_title":"Musik und Religion","user_id":"93940","type":"book_chapter","editor":[{"last_name":"Höink","full_name":"Höink, Dominik","first_name":"Dominik"},{"first_name":"Meyer","full_name":"Andreas, Meyer","last_name":"Andreas"}],"status":"public","publisher":"Tectum","date_created":"2025-01-27T08:34:09Z","title":"Searching for Traces of the Work of the Holy Spirit: Interview with Mark Andre","year":"2024","language":[{"iso":"eng"}],"publication":"Music and Religions in the 21st Century"},{"publication":"Musikwissenschaftliche und musikalische „Schulen“. Strukturen, Analyse, Dynamiken. 33. Internationales Online-DVSM Nachwuchssymposium","type":"book_chapter","status":"public","editor":[{"last_name":"Hennig","full_name":"Hennig, Flavia","first_name":"Flavia"},{"last_name":"Elizaveta","full_name":"Elizaveta, Willert","first_name":"Willert"}],"department":[{"_id":"233"}],"user_id":"93940","_id":"56822","language":[{"iso":"eng"}],"page":"35 - 49","citation":{"apa":"Adler, L. (2024). Die „Darmstädter Avantgarde“ und die „Postmoderne\". Tradition und Fortschritt in der Musik nach 1945. In F. Hennig &#38; W. Elizaveta (Eds.), <i>Musikwissenschaftliche und musikalische „Schulen“. Strukturen, Analyse, Dynamiken. 33. Internationales Online-DVSM Nachwuchssymposium</i> (pp. 35–49). musiconn.publish. <a href=\"https://doi.org/10.25366/2024.92\">https://doi.org/10.25366/2024.92</a>","bibtex":"@inbook{Adler_2024, title={Die „Darmstädter Avantgarde“ und die „Postmoderne\". Tradition und Fortschritt in der Musik nach 1945}, DOI={<a href=\"https://doi.org/10.25366/2024.92\">10.25366/2024.92</a>}, booktitle={Musikwissenschaftliche und musikalische „Schulen“. Strukturen, Analyse, Dynamiken. 33. Internationales Online-DVSM Nachwuchssymposium}, publisher={musiconn.publish}, author={Adler, Luise}, editor={Hennig, Flavia and Elizaveta, Willert}, year={2024}, pages={35–49} }","short":"L. Adler, in: F. Hennig, W. Elizaveta (Eds.), Musikwissenschaftliche Und Musikalische „Schulen“. Strukturen, Analyse, Dynamiken. 33. Internationales Online-DVSM Nachwuchssymposium, musiconn.publish, 2024, pp. 35–49.","mla":"Adler, Luise. “Die „Darmstädter Avantgarde“ Und Die „Postmoderne\". Tradition Und Fortschritt in Der Musik Nach 1945.” <i>Musikwissenschaftliche Und Musikalische „Schulen“. Strukturen, Analyse, Dynamiken. 33. Internationales Online-DVSM Nachwuchssymposium</i>, edited by Flavia Hennig and Willert Elizaveta, musiconn.publish, 2024, pp. 35–49, doi:<a href=\"https://doi.org/10.25366/2024.92\">10.25366/2024.92</a>.","ama":"Adler L. Die „Darmstädter Avantgarde“ und die „Postmoderne\". Tradition und Fortschritt in der Musik nach 1945. In: Hennig F, Elizaveta W, eds. <i>Musikwissenschaftliche Und Musikalische „Schulen“. Strukturen, Analyse, Dynamiken. 33. Internationales Online-DVSM Nachwuchssymposium</i>. musiconn.publish; 2024:35-49. doi:<a href=\"https://doi.org/10.25366/2024.92\">10.25366/2024.92</a>","chicago":"Adler, Luise. “Die „Darmstädter Avantgarde“ Und Die „Postmoderne\". Tradition Und Fortschritt in Der Musik Nach 1945.” In <i>Musikwissenschaftliche Und Musikalische „Schulen“. Strukturen, Analyse, Dynamiken. 33. Internationales Online-DVSM Nachwuchssymposium</i>, edited by Flavia Hennig and Willert Elizaveta, 35–49. musiconn.publish, 2024. <a href=\"https://doi.org/10.25366/2024.92\">https://doi.org/10.25366/2024.92</a>.","ieee":"L. Adler, “Die „Darmstädter Avantgarde“ und die „Postmoderne\". Tradition und Fortschritt in der Musik nach 1945,” in <i>Musikwissenschaftliche und musikalische „Schulen“. Strukturen, Analyse, Dynamiken. 33. Internationales Online-DVSM Nachwuchssymposium</i>, F. Hennig and W. Elizaveta, Eds. musiconn.publish, 2024, pp. 35–49."},"year":"2024","date_created":"2024-10-30T11:14:24Z","author":[{"orcid":"0009-0002-0150-2638","last_name":"Adler","full_name":"Adler, Luise","id":"93940","first_name":"Luise"}],"oa":"1","publisher":"musiconn.publish","date_updated":"2025-01-27T08:42:03Z","doi":"10.25366/2024.92","main_file_link":[{"url":"https://musiconn.qucosa.de/landing-page/?tx_dlf[id]=https%3A%2F%2Fmusiconn.qucosa.de%2Fapi%2Fqucosa%253A93917%2Fmets","open_access":"1"}],"title":"Die „Darmstädter Avantgarde“ und die „Postmoderne\". Tradition und Fortschritt in der Musik nach 1945"},{"abstract":[{"text":"Abschlussbericht \r\n\r\nVom 13. bis 17. Mai 2024 fand in der Villa Vigoni ein internationales Kolloquium mit dem Titel Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle statt: 21 Expert*innen aus verschiedenen musikhistorischen Fachgebieten (Komponisten; Regionen) wurden im Rahmen eines neuen Dialogformats zusammengebracht, um die Möglichkeiten einer gemeinsamen Terminologie für musikalische Schaffensprozesse zu erörtern.  \r\n\r\nDie Diskussionen, die in italienischer und deutscher und englischer Sprache geführt wurden, bekräftigten die Notwendigkeit, den eingeschlagenen Weg fortzusetzen und legten den Grundstein sowohl für den Aufbau eines internationalen Netzwerks von Wissenschaftlern als auch für eine synergetische Zusammenarbeit zwischen verschiedenen Forschungsinstituten","lang":"ger"},{"lang":"ita","text":"Dal 13 al 17 maggio 2024 Villa Vigoni ha ospitato un Colloquio internazionale dal titolo Per un approccio comparativo negli studi sul processo creativo in musica: terminologia comune e modelli filologico-digitali: 21 esperti, specializzati in diversi campi della ricerca musicologica (attinenti a compositori e/o regioni geografiche differenti), si sono confrontati in un dialogo dal formato innovativo, finalizzato alla creazione di una terminologia comune adatta agli studi sul processo creativo in musica. \r\nLe discussioni, che si sono tenute in italiano, tedesco e inglese, hanno dimostrato la necessità di continuare sulla strada intrapresa, ponendo le basi tanto per la fondazione di una rete internazionale di studiosi, quanto per una cooperazione sinergica tra diversi istituti di ricerca."}],"status":"public","type":"working_paper","alternative_title":["Relazione finale: Per un approccio comparativo negli studi sul processo creativo in musica: terminologia comune e modelli filologico-digitali "],"language":[{"iso":"ita"},{"iso":"ger"}],"project":[{"name":"Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition","_id":"743"}],"_id":"56716","user_id":"61139","department":[{"_id":"233"},{"_id":"856"},{"_id":"36"}],"year":"2024","citation":{"short":"A. Münzmay, E. Novara, F. Rovelli, Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle, 2024.","bibtex":"@book{Münzmay_Novara_Rovelli_2024, title={Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.13946152\">10.5281/ZENODO.13946152</a>}, author={Münzmay, Andreas and Novara, Elisa and Rovelli, Federica }, year={2024} }","mla":"Münzmay, Andreas, et al. <i>Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle</i>. 2024, doi:<a href=\"https://doi.org/10.5281/ZENODO.13946152\">10.5281/ZENODO.13946152</a>.","apa":"Münzmay, A., Novara, E., &#38; Rovelli, F. (2024). <i>Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle</i>. <a href=\"https://doi.org/10.5281/ZENODO.13946152\">https://doi.org/10.5281/ZENODO.13946152</a>","ama":"Münzmay A, Novara E, Rovelli F. <i>Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle</i>.; 2024. doi:<a href=\"https://doi.org/10.5281/ZENODO.13946152\">10.5281/ZENODO.13946152</a>","ieee":"A. Münzmay, E. Novara, and F. Rovelli, <i>Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle</i>. 2024.","chicago":"Münzmay, Andreas, Elisa Novara, and Federica  Rovelli. <i>Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle</i>, 2024. <a href=\"https://doi.org/10.5281/ZENODO.13946152\">https://doi.org/10.5281/ZENODO.13946152</a>."},"title":"Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle","main_file_link":[{"open_access":"1","url":"https://zenodo.org/records/13946152"}],"doi":"10.5281/ZENODO.13946152","oa":"1","date_updated":"2025-04-07T09:38:41Z","author":[{"first_name":"Andreas","last_name":"Münzmay","orcid":"0000-0002-8373-4055","id":"61139","full_name":"Münzmay, Andreas"},{"last_name":"Novara","full_name":"Novara, Elisa","first_name":"Elisa"},{"full_name":"Rovelli, Federica ","last_name":"Rovelli","first_name":"Federica "}],"date_created":"2024-10-22T09:22:39Z"},{"publication":"{Forschungskolloquium zur Audiokommunikation}","type":"conference","status":"public","_id":"58550","department":[{"_id":"36"},{"_id":"233"},{"_id":"870"}],"user_id":"55565","language":[{"iso":"eng"}],"place":"Berlin, Germany","year":"2024","citation":{"apa":"Berndt, A. (2024). Auditory Pointers: Spatial Navigation with Sounds. <i>{Forschungskolloquium Zur Audiokommunikation}</i>.","short":"A. Berndt, in: {Forschungskolloquium Zur Audiokommunikation}, Berlin, Germany, 2024.","bibtex":"@inproceedings{Berndt_2024, place={Berlin, Germany}, title={Auditory Pointers: Spatial Navigation with Sounds}, booktitle={{Forschungskolloquium zur Audiokommunikation}}, author={Berndt, Axel}, year={2024} }","mla":"Berndt, Axel. “Auditory Pointers: Spatial Navigation with Sounds.” <i>{Forschungskolloquium Zur Audiokommunikation}</i>, 2024.","chicago":"Berndt, Axel. “Auditory Pointers: Spatial Navigation with Sounds.” In <i>{Forschungskolloquium Zur Audiokommunikation}</i>. Berlin, Germany, 2024.","ieee":"A. Berndt, “Auditory Pointers: Spatial Navigation with Sounds,” 2024.","ama":"Berndt A. Auditory Pointers: Spatial Navigation with Sounds. In: <i>{Forschungskolloquium Zur Audiokommunikation}</i>. ; 2024."},"date_updated":"2025-05-23T15:15:16Z","author":[{"first_name":"Axel","id":"55565","full_name":"Berndt, Axel","last_name":"Berndt"}],"date_created":"2025-02-10T14:11:18Z","title":"Auditory Pointers: Spatial Navigation with Sounds"},{"citation":{"ieee":"A. Berndt and S. Waloschek, “FlowScore: MEI Streaming to Digital Music Stands,” 2024.","chicago":"Berndt, Axel, and S. Waloschek. “FlowScore: MEI Streaming to Digital Music Stands.” In <i>{Edirom Summer School 2024}</i>. Paderborn, Germany, 2024.","ama":"Berndt A, Waloschek S. FlowScore: MEI Streaming to Digital Music Stands. In: <i>{Edirom Summer School 2024}</i>. ; 2024.","bibtex":"@inproceedings{Berndt_Waloschek_2024, place={Paderborn, Germany}, title={FlowScore: MEI Streaming to Digital Music Stands}, booktitle={{Edirom Summer School 2024}}, author={Berndt, Axel and Waloschek, S.}, year={2024} }","short":"A. Berndt, S. Waloschek, in: {Edirom Summer School 2024}, Paderborn, Germany, 2024.","mla":"Berndt, Axel, and S. Waloschek. “FlowScore: MEI Streaming to Digital Music Stands.” <i>{Edirom Summer School 2024}</i>, 2024.","apa":"Berndt, A., &#38; Waloschek, S. (2024). FlowScore: MEI Streaming to Digital Music Stands. <i>{Edirom Summer School 2024}</i>."},"year":"2024","place":"Paderborn, Germany","author":[{"id":"55565","full_name":"Berndt, Axel","last_name":"Berndt","first_name":"Axel"},{"last_name":"Waloschek","full_name":"Waloschek, S.","first_name":"S."}],"date_created":"2025-02-10T14:12:09Z","date_updated":"2025-05-23T15:15:35Z","title":"FlowScore: MEI Streaming to Digital Music Stands","type":"conference","publication":"{Edirom Summer School 2024}","status":"public","user_id":"55565","department":[{"_id":"36"},{"_id":"233"},{"_id":"870"}],"_id":"58553","language":[{"iso":"eng"}]},{"language":[{"iso":"eng"}],"user_id":"14972","department":[{"_id":"233"}],"_id":"54247","status":"public","type":"conference","publication":"Proceedings of the Sound and Music Computing Conference (SMC) 2024","title":"Arpeggiatorum: An audio controllable MIDI arpeggiator","date_created":"2024-05-13T14:56:18Z","author":[{"last_name":"Berndt","full_name":"Berndt, Axel","id":"55565","first_name":"Axel"},{"first_name":"Dario A.","last_name":"Mauro","full_name":"Mauro, Dario A."}],"publisher":"Sound and Music Computing Network / Universidade do Porto","date_updated":"2026-03-09T13:00:08Z","citation":{"ieee":"A. Berndt and D. A. Mauro, “Arpeggiatorum: An audio controllable MIDI arpeggiator,” 2024.","chicago":"Berndt, Axel, and Dario A. Mauro. “Arpeggiatorum: An Audio Controllable MIDI Arpeggiator.” In <i>Proceedings of the Sound and Music Computing Conference (SMC) 2024</i>. Porto, Porugal: Sound and Music Computing Network / Universidade do Porto, 2024.","bibtex":"@inproceedings{Berndt_Mauro_2024, place={Porto, Porugal}, title={Arpeggiatorum: An audio controllable MIDI arpeggiator}, booktitle={Proceedings of the Sound and Music Computing Conference (SMC) 2024}, publisher={Sound and Music Computing Network / Universidade do Porto}, author={Berndt, Axel and Mauro, Dario A.}, year={2024} }","short":"A. Berndt, D.A. Mauro, in: Proceedings of the Sound and Music Computing Conference (SMC) 2024, Sound and Music Computing Network / Universidade do Porto, Porto, Porugal, 2024.","mla":"Berndt, Axel, and Dario A. Mauro. “Arpeggiatorum: An Audio Controllable MIDI Arpeggiator.” <i>Proceedings of the Sound and Music Computing Conference (SMC) 2024</i>, Sound and Music Computing Network / Universidade do Porto, 2024.","apa":"Berndt, A., &#38; Mauro, D. A. (2024). Arpeggiatorum: An audio controllable MIDI arpeggiator. <i>Proceedings of the Sound and Music Computing Conference (SMC) 2024</i>.","ama":"Berndt A, Mauro DA. Arpeggiatorum: An audio controllable MIDI arpeggiator. In: <i>Proceedings of the Sound and Music Computing Conference (SMC) 2024</i>. Sound and Music Computing Network / Universidade do Porto; 2024."},"place":"Porto, Porugal","year":"2024"},{"title":"Concert à Stuttgart? Réflexions sur le rapport entre l’opéra comique de Scribe et d’Auber et la cour de Wurtemberg","date_updated":"2024-11-28T10:54:47Z","publisher":"Hermann Editeurs","author":[{"full_name":"Münzmay, Andreas","id":"61139","last_name":"Münzmay","orcid":"0000-0002-8373-4055","first_name":"Andreas"}],"date_created":"2024-09-24T11:15:54Z","year":"2024","place":"Paris","page":"101-110","citation":{"chicago":"Münzmay, Andreas. “Concert à Stuttgart? Réflexions sur le rapport entre l’opéra comique de Scribe et d’Auber et la cour de Wurtemberg.” In <i>Auber et Scribe, un patrimoine lyrique vivant. Le Concert à la cour (1824). Actéon (1836)</i>, edited by Jean-Cloude Yon and Cécile  Reynaud, 101–10. Paris: Hermann Editeurs, 2024.","ieee":"A. Münzmay, “Concert à Stuttgart? Réflexions sur le rapport entre l’opéra comique de Scribe et d’Auber et la cour de Wurtemberg,” in <i>Auber et Scribe, un patrimoine lyrique vivant. Le Concert à la cour (1824). Actéon (1836)</i>, J.-C. Yon and C. Reynaud, Eds. Paris: Hermann Editeurs, 2024, pp. 101–110.","ama":"Münzmay A. Concert à Stuttgart? Réflexions sur le rapport entre l’opéra comique de Scribe et d’Auber et la cour de Wurtemberg. In: Yon J-C, Reynaud C, eds. <i>Auber et Scribe, un patrimoine lyrique vivant. Le Concert à la cour (1824). Actéon (1836)</i>. Hermann Editeurs; 2024:101-110.","bibtex":"@inbook{Münzmay_2024, place={Paris}, title={Concert à Stuttgart? Réflexions sur le rapport entre l’opéra comique de Scribe et d’Auber et la cour de Wurtemberg}, booktitle={Auber et Scribe, un patrimoine lyrique vivant. Le Concert à la cour (1824). Actéon (1836)}, publisher={Hermann Editeurs}, author={Münzmay, Andreas}, editor={Yon, Jean-Cloude and Reynaud, Cécile }, year={2024}, pages={101–110} }","mla":"Münzmay, Andreas. “Concert à Stuttgart? Réflexions sur le rapport entre l’opéra comique de Scribe et d’Auber et la cour de Wurtemberg.” <i>Auber et Scribe, un patrimoine lyrique vivant. Le Concert à la cour (1824). Actéon (1836)</i>, edited by Jean-Cloude Yon and Cécile  Reynaud, Hermann Editeurs, 2024, pp. 101–10.","short":"A. Münzmay, in: J.-C. Yon, C. Reynaud (Eds.), Auber et Scribe, un patrimoine lyrique vivant. Le Concert à la cour (1824). Actéon (1836), Hermann Editeurs, Paris, 2024, pp. 101–110.","apa":"Münzmay, A. (2024). Concert à Stuttgart? Réflexions sur le rapport entre l’opéra comique de Scribe et d’Auber et la cour de Wurtemberg. In J.-C. Yon &#38; C. Reynaud (Eds.), <i>Auber et Scribe, un patrimoine lyrique vivant. Le Concert à la cour (1824). Actéon (1836)</i> (pp. 101–110). Hermann Editeurs."},"quality_controlled":"1","publication_identifier":{"isbn":["9791037039446"]},"publication_status":"published","language":[{"iso":"fre"}],"_id":"56223","department":[{"_id":"233"},{"_id":"36"}],"user_id":"61139","editor":[{"full_name":"Yon, Jean-Cloude","last_name":"Yon","first_name":"Jean-Cloude"},{"full_name":"Reynaud, Cécile ","last_name":"Reynaud","first_name":"Cécile "}],"status":"public","publication":"Auber et Scribe, un patrimoine lyrique vivant. Le Concert à la cour (1824). Actéon (1836)","type":"book_chapter"},{"user_id":"90722","department":[{"_id":"233"},{"_id":"856"}],"project":[{"grant_number":"459602398","name":"HenDi: Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk","_id":"738"}],"_id":"57562","extern":"1","type":"research_data","status":"public","abstract":[{"text":"This is the data set of the project Henze-Digital. It contains project specific authority files (e.g., persons, organizations, places) and editions (e.g., letters, documents).","lang":"eng"}],"author":[{"last_name":"Minetti","full_name":"Minetti, Elena","id":"90723","first_name":"Elena"},{"last_name":"Capelle","full_name":"Capelle, Irmlind","id":"21488","first_name":"Irmlind"},{"id":"90722","full_name":"Ried, Dennis","orcid":"https://orcid.org/0000-0001-5545-2088","last_name":"Ried","first_name":"Dennis"},{"first_name":"Antje","last_name":"Tumat","id":"72268","full_name":"Tumat, Antje"}],"date_created":"2024-12-04T11:23:48Z","date_updated":"2024-12-04T11:31:29Z","publisher":"Zenodo","doi":"10.5281/ZENODO.14227711","title":"HenDi-Data (data package) v6.1.0","citation":{"ama":"Minetti E, Capelle I, Ried D, Tumat A. <i>HenDi-Data (Data Package) v6.1.0</i>. Zenodo; 2024. doi:<a href=\"https://doi.org/10.5281/ZENODO.14227711\">10.5281/ZENODO.14227711</a>","ieee":"E. Minetti, I. Capelle, D. Ried, and A. Tumat, <i>HenDi-Data (data package) v6.1.0</i>. Zenodo, 2024.","chicago":"Minetti, Elena, Irmlind Capelle, Dennis Ried, and Antje Tumat. <i>HenDi-Data (Data Package) v6.1.0</i>. Zenodo, 2024. <a href=\"https://doi.org/10.5281/ZENODO.14227711\">https://doi.org/10.5281/ZENODO.14227711</a>.","apa":"Minetti, E., Capelle, I., Ried, D., &#38; Tumat, A. (2024). <i>HenDi-Data (data package) v6.1.0</i>. Zenodo. <a href=\"https://doi.org/10.5281/ZENODO.14227711\">https://doi.org/10.5281/ZENODO.14227711</a>","mla":"Minetti, Elena, et al. <i>HenDi-Data (Data Package) v6.1.0</i>. Zenodo, 2024, doi:<a href=\"https://doi.org/10.5281/ZENODO.14227711\">10.5281/ZENODO.14227711</a>.","short":"E. Minetti, I. Capelle, D. Ried, A. Tumat, HenDi-Data (Data Package) v6.1.0, Zenodo, 2024.","bibtex":"@book{Minetti_Capelle_Ried_Tumat_2024, title={HenDi-Data (data package) v6.1.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.14227711\">10.5281/ZENODO.14227711</a>}, publisher={Zenodo}, author={Minetti, Elena and Capelle, Irmlind and Ried, Dennis and Tumat, Antje}, year={2024} }"},"year":"2024"},{"citation":{"mla":"Ried, Dennis, et al. <i>HenDi-ODD v6.1.0</i>. LibreCat University, 2024, doi:<a href=\"https://doi.org/10.5281/ZENODO.14227688\">10.5281/ZENODO.14227688</a>.","short":"D. Ried, I. Capelle, E. Minetti, HenDi-ODD v6.1.0, LibreCat University, 2024.","bibtex":"@book{Ried_Capelle_Minetti_2024, title={HenDi-ODD v6.1.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.14227688\">10.5281/ZENODO.14227688</a>}, publisher={LibreCat University}, author={Ried, Dennis and Capelle, Irmlind and Minetti, Elena}, year={2024} }","apa":"Ried, D., Capelle, I., &#38; Minetti, E. (2024). <i>HenDi-ODD v6.1.0</i>. LibreCat University. <a href=\"https://doi.org/10.5281/ZENODO.14227688\">https://doi.org/10.5281/ZENODO.14227688</a>","chicago":"Ried, Dennis, Irmlind Capelle, and Elena Minetti. <i>HenDi-ODD v6.1.0</i>. LibreCat University, 2024. <a href=\"https://doi.org/10.5281/ZENODO.14227688\">https://doi.org/10.5281/ZENODO.14227688</a>.","ieee":"D. Ried, I. Capelle, and E. Minetti, <i>HenDi-ODD v6.1.0</i>. LibreCat University, 2024.","ama":"Ried D, Capelle I, Minetti E. <i>HenDi-ODD v6.1.0</i>. LibreCat University; 2024. doi:<a href=\"https://doi.org/10.5281/ZENODO.14227688\">10.5281/ZENODO.14227688</a>"},"year":"2024","doi":"10.5281/ZENODO.14227688","title":"HenDi-ODD v6.1.0","date_created":"2024-12-04T11:28:08Z","author":[{"first_name":"Dennis","orcid":"https://orcid.org/0000-0001-5545-2088","last_name":"Ried","full_name":"Ried, Dennis","id":"90722"},{"first_name":"Irmlind","last_name":"Capelle","full_name":"Capelle, Irmlind","id":"21488"},{"first_name":"Elena","last_name":"Minetti","full_name":"Minetti, Elena","id":"90723"}],"date_updated":"2024-12-04T11:28:55Z","publisher":"LibreCat University","status":"public","type":"research_data","extern":"1","user_id":"90722","department":[{"_id":"233"},{"_id":"856"}],"project":[{"name":"HenDi: Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk","_id":"738","grant_number":"459602398"}],"_id":"57564"},{"extern":"1","department":[{"_id":"233"},{"_id":"856"}],"user_id":"90722","_id":"57566","project":[{"name":"HenDi: Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk","_id":"738","grant_number":"459602398"}],"status":"public","type":"research_data","doi":"10.5281/ZENODO.14227708","title":"HenDi-WebApp v6.1.0","author":[{"first_name":"Dennis","full_name":"Ried, Dennis","last_name":"Ried"}],"date_created":"2024-12-04T11:32:03Z","date_updated":"2024-12-04T11:32:37Z","publisher":"LibreCat University","citation":{"ama":"Ried D. <i>HenDi-WebApp v6.1.0</i>. LibreCat University; 2024. doi:<a href=\"https://doi.org/10.5281/ZENODO.14227708\">10.5281/ZENODO.14227708</a>","chicago":"Ried, Dennis. <i>HenDi-WebApp v6.1.0</i>. LibreCat University, 2024. <a href=\"https://doi.org/10.5281/ZENODO.14227708\">https://doi.org/10.5281/ZENODO.14227708</a>.","ieee":"D. Ried, <i>HenDi-WebApp v6.1.0</i>. LibreCat University, 2024.","apa":"Ried, D. (2024). <i>HenDi-WebApp v6.1.0</i>. LibreCat University. <a href=\"https://doi.org/10.5281/ZENODO.14227708\">https://doi.org/10.5281/ZENODO.14227708</a>","bibtex":"@book{Ried_2024, title={HenDi-WebApp v6.1.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.14227708\">10.5281/ZENODO.14227708</a>}, publisher={LibreCat University}, author={Ried, Dennis}, year={2024} }","mla":"Ried, Dennis. <i>HenDi-WebApp v6.1.0</i>. LibreCat University, 2024, doi:<a href=\"https://doi.org/10.5281/ZENODO.14227708\">10.5281/ZENODO.14227708</a>.","short":"D. Ried, HenDi-WebApp v6.1.0, LibreCat University, 2024."},"year":"2024"},{"_id":"57579","user_id":"72268","department":[{"_id":"233"},{"_id":"856"}],"language":[{"iso":"ger"}],"type":"journal_article","publication":"Wagner-Spektrum","abstract":[{"text":"Richard Wagner is considered a prominent critic of incidental music, as he called for the abolition of randomly inserted music between acts in plays. However, he greatly appreciated music composed especially for a play, such as Beethoven's music for Goethe's Egmont. In the early 1830s, he himself wrote several pieces of music for plays that have not been fully preserved. The text analyses Wagner's theatre music aesthetics in the context of contemporary aesthetics and theatre practice and provides a general overview of the music that has been handed down. His surviving theatre overtures show a high level of musical sophistication in the early engagement with symphonic music, as well as an effort to shape instrumental music according to dramatic content. They point to role models such as Beethoven and Mendelssohn. A more practical theatrical view of Wagner's theatrical music could open up new perspectives for his theatrical music and insights into the theatrical practice of the time.","lang":"eng"}],"status":"public","date_updated":"2025-02-08T16:17:08Z","publisher":"Königshausen und Neumann","date_created":"2024-12-04T16:21:00Z","author":[{"last_name":"Tumat","id":"72268","full_name":"Tumat, Antje","first_name":"Antje"}],"volume":2,"title":"Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis","publication_status":"published","publication_identifier":{"isbn":["978-3-8260-8902-2"]},"year":"2024","citation":{"short":"A. Tumat, Wagner-Spektrum 2 (2024) 71–83.","bibtex":"@article{Tumat_2024, title={Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis}, volume={2}, journal={Wagner-Spektrum}, publisher={Königshausen und Neumann}, author={Tumat, Antje}, year={2024}, pages={71–83} }","mla":"Tumat, Antje. “Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis.” <i>Wagner-Spektrum</i>, vol. 2, Königshausen und Neumann, 2024, pp. 71–83.","apa":"Tumat, A. (2024). Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis. <i>Wagner-Spektrum</i>, <i>2</i>, 71–83.","ama":"Tumat A. Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis. <i>Wagner-Spektrum</i>. 2024;2:71-83.","chicago":"Tumat, Antje. “Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis.” <i>Wagner-Spektrum</i> 2 (2024): 71–83.","ieee":"A. Tumat, “Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis,” <i>Wagner-Spektrum</i>, vol. 2, pp. 71–83, 2024."},"page":"71-83","intvolume":"         2"}]