@article{18127,
  author       = {{Mildorf, Jarmila}},
  issn         = {{2056-4406}},
  journal      = {{CounterText}},
  number       = {{3}},
  pages        = {{294--311}},
  publisher    = {{Edinburgh University Press}},
  title        = {{{Can Sounds Narrate? Prosody in Sound Poetry Performance}}},
  volume       = {{5}},
  year         = {{2019}},
}

@article{9623,
  author       = {{Hyvärinen, Matti and Hatavara, Mari and Mildorf, Jarmila}},
  journal      = {{Partial Answers}},
  number       = {{1}},
  title        = {{{Narrating Selves from the Bible to Social Media: Introduction to the Forum}}},
  volume       = {{17}},
  year         = {{2019}},
}

@article{9622,
  author       = {{Mildorf, Jarmila}},
  journal      = {{Partial Answers}},
  number       = {{1}},
  title        = {{{Autobiography, the Literary and the Everyday in Paul Auster's 'Report from the Interior'}}},
  volume       = {{17}},
  year         = {{2019}},
}

@article{18126,
  author       = {{Mildorf, Jarmila}},
  issn         = {{2056-4406}},
  journal      = {{CounterText}},
  number       = {{3}},
  pages        = {{290--293}},
  publisher    = {{Edinburgh University Press}},
  title        = {{{Aural Worldmaking: An Introduction}}},
  volume       = {{5}},
  year         = {{2019}},
}

@inbook{18131,
  author       = {{Mildorf, Jarmila and Ketteler, Daniel}},
  booktitle    = {{Jahrbuch Literatur und Medizin}},
  editor       = {{Steger, Florian}},
  isbn         = {{ 978-3-8253-6938-5}},
  pages        = {{43--58}},
  publisher    = {{Universitätsverlag Winter}},
  title        = {{{Ressourcenorientiertes Schreiben. Tagebücher, Skizzen und Notate in der sozio-therapeutischen Praxis. Mit einem Exkurs zum Tagebuch der Trauer von Roland Barthes}}},
  year         = {{2019}},
}

@inbook{26840,
  author       = {{Mildorf, Jarmila}},
  booktitle    = {{Lyrik und Medizin}},
  editor       = {{Steger, Florian and Fürholzer, Katharina}},
  isbn         = {{978-3-8253-4645-4}},
  pages        = {{199--212}},
  publisher    = {{Universitätsverlag Winter}},
  title        = {{{Why Poetry Matters: Defamiliarization and Perspective in Poetry}}},
  year         = {{2019}},
}

@misc{9621,
  booktitle    = {{Partial Answers}},
  editor       = {{Hatavara, Mari and Hyvärinen, Matti and Mildorf, Jarmila}},
  issn         = {{1565-3668}},
  number       = {{1}},
  publisher    = {{Partial Answers 17(1)}},
  title        = {{{Narrating Selves and the Literary from the Bible to Social Media}}},
  volume       = {{17}},
  year         = {{2019}},
}

@misc{18130,
  booktitle    = {{CounterText}},
  editor       = {{Mildorf, Jarmila}},
  issn         = {{2056-4406}},
  number       = {{3}},
  publisher    = {{CounterText 5,}},
  title        = {{{Aural Worldmaking: Audionarratological Approaches to Sound and Narrative}}},
  volume       = {{5}},
  year         = {{2019}},
}

@article{18128,
  author       = {{Mildorf, Jarmila}},
  issn         = {{0016-8904}},
  journal      = {{Germanisch-Romanische Monatsschrift }},
  number       = {{4}},
  pages        = {{1--18}},
  publisher    = {{Universitätsverlag Winter}},
  title        = {{{Dance, Text and Philosophy in Gertrude Stein’s ‘One Dancing’ and Roger Scruton’s Perictione in Colophon}}},
  volume       = {{69}},
  year         = {{2019}},
}

@article{55247,
  author       = {{Milkov, Nikolay}},
  journal      = {{Notre Dame Philosophical Reviews}},
  number       = {{2}},
  title        = {{{Russell Wahl (ed.), The Bloomsbury Companion to Bertrand Russell}}},
  volume       = {{12}},
  year         = {{2019}},
}

@inbook{34968,
  author       = {{Süßmann, Johannes}},
  booktitle    = {{Kolossale Miniaturen. Festschrift für Gerrit Walther}},
  editor       = {{Chihaia, Matei and Eckert, Georg}},
  isbn         = {{978-3-402-13411-5}},
  keywords     = {{Aschaffenburg Ludwig I. König von Bayern Gartenkunst Main Residenzschloß Villen Gärtner, Friedrich von Antikenrezeption Museen Herrschaftslegitimation Bildungsbürger}},
  pages        = {{388–399}},
  publisher    = {{Aschendorff}},
  title        = {{{Das Mainufer von Aschaffenburg: Romantische Geschichtsinszenierung und Herrschaftslegitimation}}},
  year         = {{2019}},
}

@book{35055,
  author       = {{Süßmann, Johannes}},
  pages        = {{37 S.}},
  publisher    = {{Bonifatius}},
  title        = {{{Die sprechende Stadt. Stadtumbau in Paderborn um 1600 und in der Gegenwart}}},
  volume       = {{152}},
  year         = {{2019}},
}

@article{55547,
  author       = {{Büter, Mara Samira}},
  journal      = {{Zeitschrift für Romanische Sprachen und ihre Didaktik }},
  number       = {{13.1}},
  pages        = {{187--192}},
  title        = {{{Zeitschriftenschau Der fremdsprachliche Unterricht Spanisch 62/2018 und 63/2018}}},
  year         = {{2019}},
}

@article{55546,
  author       = {{Büter, Mara Samira}},
  journal      = {{Zeitschrift für Romanische Sprachen und ihre Didaktik }},
  number       = {{13.2}},
  title        = {{{Zeitschriftenschau Der fremdsprachliche Unterricht Spanisch 64/2019 und 65/2019}}},
  year         = {{2019}},
}

@article{55609,
  author       = {{Steigerwald, Jörn}},
  journal      = {{Georges de Scudéry et le théâtre. Papers on French Seventeenth Cenrury Literature }},
  number       = {{91}},
  pages        = {{255--270}},
  title        = {{{Un combat d’amour en pastoral: la tragi-comédie "Ligdamen et Lidias ou La ressemblance"}}},
  volume       = {{XLVI}},
  year         = {{2019}},
}

@book{55688,
  editor       = {{Priesching, Nicole and Fleckenstein, Gisela}},
  publisher    = {{Brill | Schöningh}},
  title        = {{{Lorenz Jaeger als Theologe}}},
  doi          = {{10.30965/9783657701483}},
  volume       = {{1}},
  year         = {{2019}},
}

@inbook{55694,
  author       = {{Priesching, Nicole}},
  booktitle    = {{Lorenz Jaeger als Theologe}},
  editor       = {{Priesching, Nicole and Fleckenstein, Gisela}},
  isbn         = {{9783657701483}},
  pages        = {{127 -- 156 }},
  publisher    = {{Brill | Schöningh}},
  title        = {{{Die Entwicklung der theologischen Ausbildungsstätten in Paderborn}}},
  doi          = {{10.30965/9783657701483_006}},
  volume       = {{1}},
  year         = {{2019}},
}

@inbook{55689,
  author       = {{Priesching, Nicole}},
  booktitle    = {{Lorenz Jaeger als Theologe}},
  editor       = {{Priesching, Nicole and Fleckenstein, Gisela}},
  isbn         = {{9783657701483}},
  pages        = {{228 -- 242 }},
  publisher    = {{Brill | Schöningh}},
  title        = {{{Die Klage über die „Laisierung der Theologie“}}},
  doi          = {{10.30965/9783657701483_010}},
  volume       = {{1}},
  year         = {{2019}},
}

@book{55849,
  abstract     = {{Conference proceedings of the Music Encoding Conferences 2015, 2016 and 2017 with Introduction by Giuliano Di Bacco}},
  editor       = {{Di Bacco, Giuliano and Kepper, Johannes and Roland, Perry D.}},
  keywords     = {{mec-proceedings, mec-proceedings-2016, mec-proceedings-2015, mec-proceedings-2017}},
  publisher    = {{Bavarian State Library (BSB)}},
  title        = {{{Music Encoding Conference Proceedings 2015, 2016 and 2017}}},
  doi          = {{10.15463/music-1}},
  year         = {{2019}},
}

@inproceedings{55837,
  abstract     = {{The Freischütz Digital project (FreiDi) was one of the pioneer projects employing MEI in large scale. It did not only try to encode a huge quantity of music material, it also sought to capture as many aspects of the available sources as possible, effectively creating data of almost unrivaled richness. This paper discusses the outcomes of and experiences made in the FreiDi project.}},
  author       = {{Kepper, Johannes}},
  booktitle    = {{Music Encoding Conference Proceedings 2015, 2016 and 2017}},
  editor       = {{Di Bacco, Giuliano and Kepper, Johannes and Roland, Perry}},
  keywords     = {{mec-proceedings, mec-proceedings-2016}},
  pages        = {{95–105}},
  publisher    = {{Bavarian State Library (BSB)}},
  title        = {{{Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project}}},
  doi          = {{10.15463/music-1}},
  year         = {{2019}},
}