@article{6091, abstract = {{In the present article, the role of endogenous feature-specific orienting for conscious and unconscious vision is reviewed. We start with an overview of orienting. We proceed with a review of masking research, and the definition of the criteria of experimental protocols that demonstrate endogenous and exogenous orienting, respectively. Against this background of criteria, we assess studies of unconscious orienting and come to the conclusion that so far studies of unconscious orienting demonstrated endogenous feature-specific orienting. The review closes with a discussion of the role of unconscious orienting in action control. (PsycINFO Database Record (c) 2016 APA, all rights reserved)}}, author = {{Ansorge, Ulrich and Horstmann, Gernot and Scharlau, Ingrid}}, issn = {{1895-1171}}, journal = {{Advances in Cognitive Psychology}}, keywords = {{visual input, awareness, conscious, orientation, visual perception, Awareness, Consciousness States, Perceptual Orientation, Visual Perception, Blindsight}}, number = {{2}}, pages = {{108 -- 119}}, title = {{{Top-down contingent feature-specific orienting with and without awareness of the visual input.}}}, volume = {{7}}, year = {{2011}}, } @article{6082, abstract = {{When two targets are presented in rapid succession, the first target (T1) is usually identified, but the second target (T2) is often missed. A remarkable exception to this 'attentional blink' occurs when T2 immediately follows the first T1, at lag 1. It is then often spared but reported in the wrong order—that is, before T1. These order reversals have led to the hypothesis that 'lag 1 sparing' occurs because the two targets merge into a single episodic representation. Here, we report evidence consistent with an alternative theory: T2 receives more attention than T1, leading to prior entry into working memory. Two experiments showed that the more T2 performance exceeded that for T1, the more order reversals were made. Furthermore, precuing T1 led to a shift in performance benefits from T2 to T1 and to an equivalent reduction in order reversals. We conclude that it is not necessary to assume episodic integration to explain lag 1 sparing or the accompanying order reversals. (PsycINFO Dat}}, author = {{Olivers, Christian N. L. and Hilkenmeier, Frederic and Scharlau, Ingrid}}, issn = {{1943-3921}}, journal = {{Attention, Perception, & Psychophysics}}, keywords = {{attentional blink, order reversals, prior entry, working memory, visual attention, attentional performance, Adolescent, Adult, Attention, Attentional Blink, Color Perception, Cues, Discrimination (Psychology), Female, Humans, Male, Memory, Short-Term, Pattern Recognition, Visual, Psychophysics, Reaction Time, Reversal Learning, Sensory Gating, Serial Learning, Young Adult, Eyeblink Reflex, Stimulus Change, Stimulus Parameters, Visual Attention, Attentional Blink, Short Term Memory}}, number = {{1}}, pages = {{53 -- 67}}, title = {{{Prior entry explains order reversals in the attentional blink.}}}, volume = {{73}}, year = {{2011}}, } @article{6084, abstract = {{Attended stimuli are perceived as occurring earlier than unattended stimuli. This phenomenon of prior entry is usually identified by a shift in the point of subjective simultaneity (PSS) in temporal order judgements (TOJs). According to its traditional psychophysical interpretation, the PSS coincides with the perception of simultaneity. This assumption is, however, questionable. Technically, the PSS represents the temporal interval between two stimuli at which the two alternative TOJs are equally likely. Thus it also seems possible that observers perceive not simultaneity, but uncertainty of temporal order. This possibility is supported by prior-entry studies, which find that perception of simultaneity is not very likely at the PSS. The present study tested the percept at the PSS in prior entry, using peripheral cues to orient attention. We found that manipulating attention caused varying temporal perceptions around the PSS. On some occasions observers perceived the two stimuli as sim}}, author = {{Weiß, Katharina and Scharlau, Ingrid}}, issn = {{1747-0218}}, journal = {{The Quarterly Journal of Experimental Psychology}}, keywords = {{temporal order perception, simultaneity, temporal order judgment, attention, visual perception, Adolescent, Adult, Attention, Cues, Discrimination (Psychology), Female, Humans, Judgment, Male, Models, Psychological, Photic Stimulation, Reaction Time, Time Factors, Uncertainty, Visual Perception, Young Adult, Attention, Judgment, Stimulus Similarity, Time Perception, Visual Discrimination, Temporal Order (Judgment)}}, number = {{2}}, pages = {{394 -- 416}}, title = {{{Simultaneity and temporal order perception: Different sides of the same coin? Evidence from a visual prior-entry study.}}}, volume = {{64}}, year = {{2011}}, } @book{32581, author = {{Steigerwald, Jörn}}, publisher = {{Winter Verlag}}, title = {{{Galanterie. Die Fabrikation einer natürlichen Ethik der höfischen Gesellschaft 1650-1710}}}, year = {{2011}}, } @article{32615, author = {{Steigerwald, Jörn}}, journal = {{ Papers on French Seventeenth Century Literature XXXVIII, 75}}, title = {{{La cour et la ville}}}, year = {{2011}}, } @inbook{33145, author = {{Schlieper, Hendrik}}, booktitle = {{Calderón y su escuela: variaciones e innovación de un modelo teatral, (Archivum Calderonianum, 12)}}, editor = {{Tietz, Manfred and Arnscheidt , Gero }}, pages = {{461--481}}, publisher = {{Steiner}}, title = {{{Matasanos y Salvador. El médico y la medicina como variaciones teatrales en Calderón}}}, year = {{2011}}, } @inbook{33146, author = {{Schlieper, Hendrik and Arnscheidt, Gero }}, booktitle = {{Die spanische Lyrik der Gegenwart. 1980-2005}}, editor = {{Ballesta, Juan Cano and Tietz, Manfred}}, pages = {{353--369}}, publisher = {{Vervuert}}, title = {{{Ana Rosseti. A Sebastián, virgen}}}, year = {{2011}}, } @article{32667, author = {{Steigerwald, Jörn}}, journal = {{Comparatio. Zeitschrift für Vergleichende Literaturwissenschaft 3 / 2 }}, pages = {{209--239}}, title = {{{Beatrices Lachen und Adams Zeichen. Dantes Begründung einer literarischen ‚anthropolo- gia christiana' in der „Divina Commedia“ (Paradiso I-XXVII)}}}, year = {{2011}}, } @inbook{32929, author = {{Öhlschläger, Claudia}}, booktitle = {{Figurationen der Moderne. Mode, Sport, Pornographie}}, editor = {{Nübel, Birgit and Fleig, Anne}}, pages = {{102--126}}, publisher = {{Fink}}, title = {{{Figurationen der Krise: Robert Walsers Feuilleton im Kontext der Unterhaltungs- und Konsumkultur zwischen 1927 und 1932: Das Beispiel Sport im Bild: Kultur, Gesellschaft, Mode}}}, year = {{2011}}, } @inbook{32920, author = {{Öhlschläger, Claudia}}, booktitle = {{Musil- Forum. Studien zur Literatur der klassischen Moderne 32 (2011/12)}}, editor = {{Christian, Norbert and Zeller, Wolf and Zeller, Rosmarie}}, pages = {{ 147--161}}, title = {{{Komplexität im Kleinen. Polychrone Zeiterfahrung und Medialität bei Ernst Jünger, Robert Musil, Undine Gruenter und Alexander Kluge}}}, year = {{2011}}, } @inbook{32930, author = {{Öhlschläger, Claudia}}, booktitle = {{Handbuch der Kunstzitate}}, editor = {{Fliedl, Konstanze}}, pages = {{719--722}}, publisher = {{de Gruyter}}, title = {{{W.G. Sebald}}}, volume = {{2}}, year = {{2011}}, } @inbook{32753, author = {{Steigerwald, Jörn}}, booktitle = {{Welche Antiken? Konkurrierende Rezeptionen des Altertums im Barock}}, editor = {{Heinen, Ulrich}}, pages = {{835--848}}, publisher = {{Harrassowitz}}, title = {{{Urbanitas: Ausfaltungen einer höfischen Ethik zwischen Guez de Balzac und Christian Thomasius}}}, year = {{2011}}, } @article{32666, author = {{Steigerwald, Jörn}}, journal = {{Das Achtzehnte Jahrhundert 35.1}}, pages = {{73--89}}, title = {{{Komische Geständnisse. Carlo Gozzis „Re cervo“}}}, year = {{2011}}, } @article{32650, author = {{Steigerwald, Jörn}}, journal = {{ La cour et la ville. Papers on French Seventeenth Century Literature, Vol. XXXVIII, 75}}, pages = {{273--287}}, title = {{{La cour et la ville : Esquisse de la relation historique entre pratique sociale et esthétique au XVIIe siècle}}}, year = {{2011}}, } @inbook{32704, author = {{Steigerwald, Jörn}}, booktitle = {{Legenden der Berufung}}, editor = {{Oster-Stierle, Patricia and Stierle, Karlheinz}}, pages = {{151--171}}, title = {{{Stendhals Legenden der Berufung („Vie de Henry Brulard“ / „Le Rouge et le Noir“)}}}, year = {{2011}}, } @article{32649, author = {{Steigerwald, Jörn}}, journal = {{La cour et la ville. Papers on French Seventeenth Century Literature XXXVIII, 75}}, pages = {{391--407}}, title = {{{« J’ai suivi le goût de mon siècle »: „Les amours de Psyché et de Cupidon“ de La Fontaine entre self-fashioning et interprétation littéraire de la réalité}}}, year = {{2011}}, } @article{32646, author = {{Steigerwald, Jörn and Komorowska, Agnieszka }}, journal = {{Lendemains 142/143, Michel Houellebecq: Questions du réalisme d'aujourd'hui}}, pages = {{50--69}}, title = {{{Histoires d'outre-tombe: „Plateforme“ de Michel Houellebecq}}}, year = {{2011}}, } @article{32647, author = {{Steigerwald, Jörn and Komorowska, Agnieszka}}, journal = {{Lendemains 142/143 , Michel Houellebecq: Questions du réalisme d'aujourd'hui}}, pages = {{6--17}}, title = {{{Introduction}}}, year = {{2011}}, } @inbook{33635, author = {{Rezat, Sara and Jost, Jörg and Lehnen, Katrin and Schindler, Kirsten}}, booktitle = {{Schreibarrangements für Schule, Hochschule, Beruf}}, editor = {{Bräuer, Gerd and Schindler, Kirsten}}, pages = {{221--239}}, publisher = {{Filibach}}, title = {{{Schriftliches Beurteilen lernen}}}, year = {{2011}}, } @article{33636, author = {{Rezat, Sara}}, journal = {{Grundschulunterricht Deutsch 3}}, pages = {{8--12}}, title = {{{Argumentierendes Schreiben – Lernförderliche Schreibaufgaben für die Grundschule}}}, year = {{2011}}, }