@article{6782,
  author       = {{Tönnies, Merle}},
  journal      = {{Journal for the Study of British Cultures}},
  number       = {{2}},
  pages        = {{115--124}},
  title        = {{{Northern Landscapes and Anti-Thatcherite Positioning}}},
  volume       = {{20}},
  year         = {{2013}},
}

@article{6783,
  author       = {{Tönnies, Merle}},
  journal      = {{International Journal of English Studies}},
  number       = {{1}},
  pages        = {{51--61}},
  title        = {{{Feminising a Classical Male Plot Model? Black British Women Writers and the 'Bildungsroman'}}},
  volume       = {{24}},
  year         = {{2013}},
}

@book{36099,
  editor       = {{Ehland, Christoph and Berensmeyer, Ingo}},
  isbn         = {{9789042037083}},
  pages        = {{233}},
  publisher    = {{Rodopi}},
  title        = {{{Perspectives on Mobility}}},
  volume       = {{Volume 17}},
  year         = {{2013}},
}

@phdthesis{46140,
  abstract     = {{This thesis is situated in the field of contrastive pragmatics and compares the syntactic realizations of equivalent directive speech acts in English and German. The term directive speech act is being used in a more narrow sense than intended by Searle (1975).Dramatic plays are used as data source for the original language and the translation into the other language. The four texts are Brechts “Mutter Courage und Ihre Kinder“, Dürrenmatts „Die Physiker“, Osbornes „Look Back in Anger“, and Leighs „Abigail‘s Party“.The central questions of this study are: Which forms are available in each language? Which specific function does a form fulfill in the system of each language? How do forms correspond across languages?In general, realizations as regular sentences, irregular sentences and non-sentences are possible. In the case of regular sentences, the subcategories imperative, declarative, yes-no interrogative, and wh-interrogative are possible in both languages. German also offers the adhortative and the infinitive. There are remarkable differences in terms of frequencies for these types.In general, German and English behave rather similar in their use of the clause types. The detailed qualitative description of specific examples constitutes the main part of the analysis and answers the following questions: which forms occur as equivalences? Under which conditions can declaratives and interrogatives be used directively?Non-sentences also play an important role. Formal categories, however, are not helpful; hence the utterances were grouped according to functional aspects. These are: propositional content, relationship between speaker and hearer, and illocutionary force.}},
  author       = {{Freudinger, Markus}},
  pages        = {{230}},
  publisher    = {{Universitätsbibliothek Paderborn}},
  title        = {{{Syntactic perspectives on directive speech acts : a contrastive study}}},
  year         = {{2013}},
}

@inbook{9670,
  author       = {{Strauß, Sara}},
  booktitle    = {{anglistik & englischunterricht}},
  title        = {{{Victorian Values in Nineteenth- and Twenty-First-Century Advertising and Consumer Practices}}},
  year         = {{2012}},
}

@inbook{9699,
  author       = {{Strauß, Sara}},
  booktitle    = {{Who’s afraid of...? Facets of Fear in Anglophone Literature and Film}},
  editor       = {{Gymnich, Marion}},
  pages        = {{141--156}},
  publisher    = {{V&R Unipress Bonn}},
  title        = {{{Facets of Children’s Fears in Twentieth- and Twenty-First-Century Stream-of-Consciousness Fiction}}},
  year         = {{2012}},
}

@inbook{9700,
  author       = {{Strauß, Sara}},
  booktitle    = {{A Hundred Years of The Secret Garden – Frances Hodgson Burnett’s Children’s Classic Revisited}},
  editor       = {{Gymnich, Marion and Lichterfeld, Imke}},
  pages        = {{77--89}},
  publisher    = {{V&R Unipress Bonn}},
  title        = {{{Constructions of ‘Otherness’ in Frances Hodgson Burnett’s The Secret Garden}}},
  year         = {{2012}},
}

@misc{9701,
  booktitle    = {{Critical Engagements: A Journal of Criticism and Theory: Special Section: Eva Figes}},
  editor       = {{Strauß, Sara}},
  number       = {{2}},
  pages        = {{95--108}},
  title        = {{{The Persistence of Modernism in Light}}},
  volume       = {{5}},
  year         = {{2012}},
}

@misc{9733,
  abstract     = {{Interview
11 Oct. 2012}},
  author       = {{Flotmann, Christina}},
  publisher    = {{Deutschlandfunk}},
  title        = {{{Der Zauber Magischer Welten}}},
  year         = {{2012}},
}

@book{6753,
  editor       = {{Tönnies, Merle and Buschmann, Heike}},
  publisher    = {{Winter}},
  title        = {{{Spatial Representations of British Identities}}},
  year         = {{2012}},
}

@article{6784,
  author       = {{Tönnies, Merle}},
  journal      = {{Facteurs d'Identité / Faktoren der Identität}},
  pages        = {{301--323}},
  publisher    = {{Peter Lang}},
  title        = {{{A Bricolage of Identities in Crisis. Colour Photography Documenting Northern England under Thatcher}}},
  year         = {{2012}},
}

@book{36103,
  editor       = {{Ehland, Christoph and Berensmeyer, Ingo and Grabes, Herbert}},
  isbn         = {{9783823341833}},
  pages        = {{341}},
  publisher    = {{Narr}},
  title        = {{{Mobility in Literature and Culture, 1500-1900}}},
  volume       = {{Volume 28}},
  year         = {{2012}},
}

@inbook{9726,
  author       = {{Flotmann, Christina and Tönnies, Merle}},
  booktitle    = {{Narrative in Drama: CDE Studies 18}},
  editor       = {{Tönnies, Merle and Flotmann-Scholz, Christina}},
  pages        = {{9--17}},
  publisher    = {{WVT}},
  title        = {{{Introducing Narrative in Drama}}},
  volume       = {{18}},
  year         = {{2011}},
}

@book{9918,
  editor       = {{Tönnies, Merle and Flotmann, Christina}},
  publisher    = {{WVT}},
  title        = {{{Narrative in Drama}}},
  year         = {{2011}},
}

@book{6755,
  editor       = {{Tönnies, Merle and Flotmann, Christina}},
  publisher    = {{WVT}},
  title        = {{{Narrative in Drama}}},
  year         = {{2011}},
}

@book{6756,
  editor       = {{Tönnies, Merle and Grimm, Ina}},
  publisher    = {{Narr}},
  title        = {{{Reading British Spaces}}},
  year         = {{2010}},
}

@book{6757,
  editor       = {{Tönnies, Merle}},
  publisher    = {{WVT}},
  title        = {{{Das englische Drama der Gegenwart: Kategorien-Entwicklungen-Modellnterpretationen}}},
  year         = {{2010}},
}

@article{6785,
  author       = {{Tönnies, Merle and Sand, Andrea}},
  journal      = {{Anglistentag 2009 Klagenfurt. Proceedings}},
  pages        = {{105--114}},
  publisher    = {{WVT}},
  title        = {{{The Features of Meanings of Orality in Black British Performance Poetry}}},
  year         = {{2010}},
}

@article{6863,
  author       = {{Tönnies, Merle}},
  journal      = {{Victorian Highways - Victorian Byways. New Approaches to Nineteenth-Century British Literature and Culture}},
  pages        = {{157--180}},
  title        = {{{Transgressive Melodrama. The 'Sensational' 1860s and their After-Effects}}},
  year         = {{2010}},
}

@misc{9636,
  author       = {{Tönnies, Merle}},
  booktitle    = {{Anglistik. International Journal of English Studies}},
  number       = {{1}},
  pages        = {{198--200}},
  title        = {{{Assmann, A.: Einführung in die Kulturwissenschaft}}},
  volume       = {{20}},
  year         = {{2009}},
}