@inbook{8845,
  author       = {{Tönnies, Merle}},
  booktitle    = {{anglistik & englischunterricht}},
  pages        = {{57--82}},
  title        = {{{A New Self-Conscious Turn at the Turn of the Centruy?}}},
  volume       = {{66}},
  year         = {{2005}},
}

@article{8847,
  author       = {{Tönnies, Merle}},
  journal      = {{Eine Kulturgeschichte der englischen Literatur: Von der Renaissance bis zur Gegenwart}},
  pages        = {{158--170}},
  title        = {{{Das viktorianische Theater als Populärkultur}}},
  year         = {{2005}},
}

@misc{9647,
  author       = {{Tönnies, Merle}},
  booktitle    = {{Anglistik}},
  number       = {{2}},
  pages        = {{201--203}},
  title        = {{{Hooper, B.: Voices in the Heart. Postcolonialism and Identity in Hong Kong Literature, 2003}}},
  volume       = {{16}},
  year         = {{2005}},
}

@article{8848,
  author       = {{Tönnies, Merle}},
  journal      = {{Journal for the Study of British Cultures}},
  number       = {{2}},
  pages        = {{117--128}},
  title        = {{{New Britain as Consumer Country and Commodity}}},
  volume       = {{11}},
  year         = {{2004}},
}

@misc{9657,
  author       = {{Tönnies, Merle}},
  booktitle    = {{Anglia}},
  number       = {{4}},
  pages        = {{758--761}},
  title        = {{{Mergenthal, S.: A Fast-Forward Version of England, 2003}}},
  volume       = {{122}},
  year         = {{2004}},
}

@article{8849,
  author       = {{Tönnies, Merle}},
  journal      = {{The Beckett Circle}},
  number       = {{2}},
  pages        = {{1--3}},
  title        = {{{Peter Brook's Glückliche Tage}}},
  volume       = {{26}},
  year         = {{2003}},
}

@inbook{8850,
  author       = {{Tönnies, Merle}},
  booktitle    = {{anglistik & englischunterricht}},
  pages        = {{169--191}},
  title        = {{{'New Lingo - New Theatre'?}}},
  volume       = {{65}},
  year         = {{2003}},
}

@article{8851,
  author       = {{Tönnies, Merle}},
  journal      = {{Xenophobic Memories: Otherness in Postcolonial Constructions of the Past}},
  pages        = {{13--37}},
  publisher    = {{Winter}},
  title        = {{{The 'Postcolonial University Novel' in Britain.}}},
  year         = {{2003}},
}

@article{8852,
  author       = {{Tönnies, Merle and Annette, Pankratz and Alyce, von Rothkirch and Kathleen, Stark}},
  journal      = {{Global Challenges and Regional Responses in Contemporary Drama in English}},
  pages        = {{247--264}},
  publisher    = {{WVT}},
  title        = {{{Making Play-texts Live: Teaching Drama as Experience}}},
  volume       = {{10}},
  year         = {{2003}},
}

@misc{9658,
  author       = {{Tönnies, Merle}},
  booktitle    = {{Journal for the Study of British Cultures}},
  number       = {{2}},
  title        = {{{Sager, P.: Oxford & Cambridge. Eine Kulturgeschichte}}},
  volume       = {{10}},
  year         = {{2003}},
}

@misc{9659,
  author       = {{Tönnies, Merle}},
  booktitle    = {{The Beckett Circle}},
  number       = {{2}},
  pages        = {{18}},
  title        = {{{Veit, C.: Ich-Konzept und Körper in Becketts dualen Konstruktionen, 2002}}},
  volume       = {{26}},
  year         = {{2003}},
}

@misc{9660,
  author       = {{Tönnies, Merle}},
  booktitle    = {{Anglia}},
  number       = {{2}},
  pages        = {{323--325}},
  title        = {{{Logan, T.: The Victorian Parlour, 2001}}},
  volume       = {{121}},
  year         = {{2003}},
}

@misc{9661,
  author       = {{Tönnies, Merle}},
  booktitle    = {{Archiv für das Studium der neueren Sprachen und Literaturen}},
  number       = {{1}},
  pages        = {{141--144}},
  title        = {{{Keipert, H.: Pope, Popovskij und die Popen, 2001}}},
  volume       = {{240}},
  year         = {{2003}},
}

@misc{9662,
  author       = {{Tönnies, Merle}},
  booktitle    = {{The Beckett Circle}},
  number       = {{1}},
  pages        = {{20}},
  title        = {{{Heinemann, P.: Potenzierte Subjekte – Potenzierte Fiktionen. Ich-Figurationen und ästhetische Konstruktion bei Jean Paul und Samuel Beckett, 2001}}},
  volume       = {{26}},
  year         = {{2003}},
}

@misc{9663,
  author       = {{Tönnies, Merle}},
  booktitle    = {{The Beckett Circle}},
  number       = {{1}},
  pages        = {{15--16}},
  title        = {{{Beckett, S.: Dante und der Hummer. Gesammelte Prosa, 2000}}},
  volume       = {{26}},
  year         = {{2003}},
}

@article{8853,
  author       = {{Tönnies, Merle}},
  journal      = {{Journal for the Study of British Cultures}},
  number       = {{2}},
  pages        = {{185--195}},
  title        = {{{Good/Bad Girls and their Fathers}}},
  volume       = {{9}},
  year         = {{2002}},
}

@inbook{8862,
  author       = {{Tönnies, Merle}},
  booktitle    = {{Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft}},
  editor       = {{Pfister, Manfred}},
  pages        = {{99--119}},
  publisher    = {{Rodopi}},
  title        = {{{Laughter in Nineteenth-Century British Theatre: From Genial Blending to Harsh Distinctions}}},
  volume       = {{57}},
  year         = {{2002}},
}

@article{8863,
  author       = {{Tönnies, Merle}},
  journal      = {{Contemporary Drama in English}},
  pages        = {{57--71}},
  publisher    = {{WVT}},
  title        = {{{The 'Sensationalist Theatre of Cruelty' in 1990s Britain, its 1960s Forebears and the Beginning of the 21st Century }}},
  volume       = {{9}},
  year         = {{2002}},
}

@misc{9664,
  author       = {{Tönnies, Merle}},
  booktitle    = {{Forum Modernes Theater}},
  number       = {{1}},
  pages        = {{95--98}},
  title        = {{{Voigts-Virchow, E. (Hg.): Mediated Drama. Dramatized Media, 2000}}},
  volume       = {{17}},
  year         = {{2002}},
}

@article{8864,
  author       = {{Tönnies, Merle}},
  journal      = {{Samuel Beckett Today / Aujourd'hui: Endlessness in the Year 2000 / Fin sans fin en l'an 2000}},
  pages        = {{194--201}},
  title        = {{{Players, Playthings and Patterns: Three Stages of Heteronomy in Beckett's Mature Drama}}},
  volume       = {{11}},
  year         = {{2001}},
}