@book{57694, author = {{Jaitner, David and Gabriel, Lena and Zander, Benjamin}}, publisher = {{Frontiers in Education}}, title = {{{Review Writing as Part of the Doctoral Qualification Process in Theses-By-Publication. Results of an Interview Study With Ph.D. Students in German Sports Science}}}, doi = {{10.3389/feduc.2022.827631}}, year = {{2022}}, } @inproceedings{35838, author = {{Hörnlein, Madeleine and Kulgemeyer, Christoph}}, location = {{Aachen}}, title = {{{Wie können Erklärvideos zum Erwerb physikalischen Konzeptwissens beitragen? }}}, year = {{2022}}, } @article{35760, author = {{Kulgemeyer, Christoph and Hörnlein, Madeleine and Sterzing, Fabian Gabriel}}, issn = {{0950-0693}}, journal = {{International Journal of Science Education}}, keywords = {{Education}}, number = {{11}}, pages = {{1855--1875}}, publisher = {{Informa UK Limited}}, title = {{{Exploring the effects of physics explainer videos and written explanations on declarative knowledge and the illusion of understanding}}}, doi = {{10.1080/09500693.2022.2100507}}, volume = {{44}}, year = {{2022}}, } @inbook{57766, author = {{Flath, Beate and Jacke, Christoph and Troike, Manuel}}, booktitle = {{Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies)}}, editor = {{Flath, Beate and Jacke, Christoph and Troike , Manuel }}, pages = {{7--15}}, title = {{{Transformational POP: Transitions, Breaks, and Crises in Popular Music (Studies) – Introduction}}}, volume = {{2}}, year = {{2022}}, } @article{46660, author = {{Böhm, Eva and Eggert, A. and Garnefeld, I. and Holzmüller, H. and Schaefers, T and Steinhoff, Lena and Woisetschläger, D.}}, journal = {{SMR - Journal of Service Management Research}}, number = {{4}}, pages = {{216--231}}, title = {{{Exploring the customer journey of voice commerce: A research agenda}}}, volume = {{6}}, year = {{2022}}, } @inproceedings{57832, author = {{Jenert, Tobias and Büker, Ronja}}, booktitle = {{EARLI SIG1 & 4 Joint Conference}}, location = {{Cadiz, Spain}}, title = {{{A short intervention fostering first-year students’ self-efficacy during the COVID-pandemic}}}, year = {{2022}}, } @inproceedings{57825, author = {{Büker, Ronja and Jenert, Tobias}}, booktitle = {{Jahrestagung der Sektion Berufs- und Wirtschaftspädagogik der Deutschen Gesellschaft für Erziehungswissenschaft}}, location = {{Freiburg}}, title = {{{Unternehmer*innen und Selbstregulation - ein Widerspruch?}}}, year = {{2022}}, } @misc{32579, abstract = {{BloKK-Post für das ZeKK, 05.08.2022}}, author = {{Lebock, Sarah}}, title = {{{Blogpost "Und, was willst du später damit machen ...?"}}}, year = {{2022}}, } @inbook{57882, author = {{Godau, Marc}}, booktitle = {{MusikmachDinge im Kontext. Forschungszugänge zur Soziomaterialität von Musiktechnologie}}, editor = {{Ahlers, Michael and Jörissen, Benjamin and Donner, Martin and Wernicke, Carsten}}, pages = {{89–122}}, publisher = {{Olms}}, title = {{{Touch-Screen-Music. Eine postphänomenologische Perspektive auf ästhetische Lern- und Bildungspraxis mit Musikapps auf Smarttechnologien}}}, year = {{2022}}, } @article{57883, author = {{Godau, Marc}}, journal = {{üben & musizieren}}, pages = {{52–55}}, title = {{{Hacking Music Education. Über das Potenzial einer Kulturtechnik des Digitalzeitalters für musikpädagogisches Denken und Handeln}}}, volume = {{2}}, year = {{2022}}, } @article{58087, author = {{Akimov, Andrey V. and Barra-Burillo, María and Bayer, Manfred and Bradford, Jonathan and Gusev, Vitalyi E. and Hueso, Luis E. and Kent, Anthony and Kukhtaruk, Serhii and Nadzeyka, Achim and Patanè, Amalia and Rushforth, Andrew W. and Scherbakov, Alexey V. and Yaremkevich, Dmytro D. and Linnik, Tetiana L. }}, journal = {{Nano Letters}}, number = {{16}}, title = {{{Coherent Phononics of van der Waals Layers on Nanogratings}}}, doi = {{10.1021/acs.nanolett.2c01542}}, volume = {{22}}, year = {{2022}}, } @article{58089, author = {{Demenev, A.A. and Yaremkevich, D.D. and Scherbakov, A.V. and Gavrilov, S.S. and Yakovlev, D.R. and Kulakovskii, V.D. and Bayer, M. }}, journal = {{Physical Review Applied}}, title = {{{Ultrafast All-Optical Polarization Switch Controlled by Optically Excited Picosecond Acoustic Perturbation of Exciton Resonance in Planar Microcavities}}}, doi = {{10.1103/PhysRevApplied.18.044045}}, volume = {{18}}, year = {{2022}}, } @inbook{57880, abstract = {{Seit Jahrzehnten beschleunigen sich die Entwicklungsdynamiken digitaler Technologien und digitalisierter Kultur eher, als dass sie sich beruhigen. Forschung zur Digitalisierung, insbesondere in Feldern ästhetischer Praxen und kultureller Bildung, hat es mit einem ausgesprochen fluiden Gegenstandsbereich zu tun. Auf dem Markt werden immer neue MusikmachDinge angeboten, um eventuell kurz darauf wieder zu verschwinden. Gleichwohl prägen sie die Aneignungsvorgänge, Praxis und Ästhetik ganzer Musikkulturen. Die Herausforderungen für Forschung sind entsprechend nicht gering: In gegenstandsbezogener Perspektive muss der erkundende und forschende Blick sich immer wieder neu justieren – gerade in Bezug auf Künste und ästhetische Praxen, die selbst Digitalisierungsprozesse immer stärker thematisieren und in ihrer Form reflektieren. In methodologischer und methodischer Perspektive bedarf es der Entwicklung neuer, den (post-)digitalen Praxen angemessener Forschungsweisen. Die vorgestellten Studien zeigen auf, inwiefern erst die Kombination aus „Gegenständen“ oder Dingen, seien sie physischer, kultur-technischer, technologischer, konzeptioneller und/oder sozial-kultureller Natur, den Zugang und damit auch die Rolle menschlicher Akteur*innen in den jeweiligen Handlungszusammenhängen formt. Die im Buch versammelten Forschungszugänge reichen von symmetrisch-soziomateriellen Konstellationen bis hin zu dezentriertheitssensiblen, wissenssoziologisch fundierten Blickweisen auf (Sozio-)Materialität. Dabei geht es um inhaltliche Aspekte von Design und Produktion, Wissen und Bildung sowie Konsumtion, Prosumtion und Nutzung.}}, author = {{Weidner, Verena and Haenisch, Matthias and Stenzel, Maurice and Godau, Marc}}, booktitle = {{MusikmachDinge im Kontext. Forschungszugänge zur Soziomaterialität von Musiktechnologie}}, editor = {{Ahlers, Michael and Jörissen, Benjamin and Donner, Martin and Wernicke, Carsten}}, keywords = {{Postdigitalität, Musikunterricht, Ethnografie, Subjektivierung}}, pages = {{191–210}}, publisher = {{Olms}}, title = {{{Adressierungspraktiken in der Ableton Link-Community. Ein (cyber-)ethnographischer Zugang}}}, year = {{2022}}, } @inproceedings{34283, author = {{Gutt, Jana Kim and Thommes, Kirsten}}, booktitle = {{Academy of Management Proceedings}}, title = {{{Speaking of Performance: Evaluating Team Members’ Performance with Open-Ended Audio Comments}}}, doi = {{https://doi.org/10.5465/AMBPP.2022.16394abstract}}, year = {{2022}}, } @inbook{57881, author = {{Godau, Marc and Haenisch, Matthias}}, booktitle = {{(Populäre) Musik/Kultur in der Jugendarbeit. Dokumentation der Fachtagung 2021}}, editor = {{Pop), Landesarbeitsgemeinschaft Populäre Musik / Kultur Berlin e V. (LAG}}, pages = {{21–65}}, title = {{{Herausforderungen für eine Popularmusikpädagogik des 21. Jahrhunderts. Kritische Anfragen an das Feld vor dem Hintergrund der musikpädagogischen Diskussion.}}}, year = {{2022}}, } @article{58571, author = {{Dogan, Deniz and Ruthmann, Simon and Seewald, Oliver and Bremser, Wolfgang}}, issn = {{0300-9440}}, journal = {{Progress in Organic Coatings}}, publisher = {{Elsevier BV}}, title = {{{Tuning of antifouling active PDMS domains tethered to epoxy/amine surface}}}, doi = {{10.1016/j.porgcoat.2022.106977}}, volume = {{170}}, year = {{2022}}, } @inproceedings{33848, abstract = {{Impressive progress in neural network-based single-channel speech source separation has been made in recent years. But those improvements have been mostly reported on anechoic data, a situation that is hardly met in practice. Taking the SepFormer as a starting point, which achieves state-of-the-art performance on anechoic mixtures, we gradually modify it to optimize its performance on reverberant mixtures. Although this leads to a word error rate improvement by 7 percentage points compared to the standard SepFormer implementation, the system ends up with only marginally better performance than a PIT-BLSTM separation system, that is optimized with rather straightforward means. This is surprising and at the same time sobering, challenging the practical usefulness of many improvements reported in recent years for monaural source separation on nonreverberant data.}}, author = {{Cord-Landwehr, Tobias and Boeddeker, Christoph and von Neumann, Thilo and Zorila, Catalin and Doddipatla, Rama and Haeb-Umbach, Reinhold}}, booktitle = {{2022 International Workshop on Acoustic Signal Enhancement (IWAENC)}}, publisher = {{IEEE}}, title = {{{Monaural source separation: From anechoic to reverberant environments}}}, year = {{2022}}, } @inproceedings{33819, author = {{von Neumann, Thilo and Kinoshita, Keisuke and Boeddeker, Christoph and Delcroix, Marc and Haeb-Umbach, Reinhold}}, booktitle = {{ICASSP 2022 - 2022 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP)}}, publisher = {{IEEE}}, title = {{{SA-SDR: A Novel Loss Function for Separation of Meeting Style Data}}}, doi = {{10.1109/icassp43922.2022.9746757}}, year = {{2022}}, } @misc{33816, author = {{Gburrek, Tobias and Boeddeker, Christoph and von Neumann, Thilo and Cord-Landwehr, Tobias and Schmalenstroeer, Joerg and Haeb-Umbach, Reinhold}}, publisher = {{arXiv}}, title = {{{A Meeting Transcription System for an Ad-Hoc Acoustic Sensor Network}}}, doi = {{10.48550/ARXIV.2205.00944}}, year = {{2022}}, } @inproceedings{33954, author = {{Boeddeker, Christoph and Cord-Landwehr, Tobias and von Neumann, Thilo and Haeb-Umbach, Reinhold}}, booktitle = {{Interspeech 2022}}, publisher = {{ISCA}}, title = {{{An Initialization Scheme for Meeting Separation with Spatial Mixture Models}}}, doi = {{10.21437/interspeech.2022-10929}}, year = {{2022}}, }