@misc{60544,
  author       = {{Kraft, Kerstin and Haase, Birgit}},
  publisher    = {{De Gruyter}},
  title        = {{{Mode – Kleidung – Textil. Grundlegung und Methode}}},
  year         = {{2025}},
}

@inbook{60545,
  author       = {{Kraft, Kerstin}},
  booktitle    = {{Erzählte Mode. Transdisziplinäre Perspektiven auf Text- und Bildgewebe}},
  editor       = {{Schäfer, Iris and Karentzos, Alexandra and Wernli, Martina}},
  isbn         = {{978-3-8376-7395-1}},
  pages        = {{19--38}},
  publisher    = {{transcript Verlag}},
  title        = {{{Sich in Worte kleiden. Über das Verhältnis von Texten und Textilien}}},
  doi          = {{10.14361/9783839473955-003}},
  year         = {{2025}},
}

@misc{52529,
  author       = {{Kraft, Kerstin}},
  publisher    = {{Kraft, Kerstin, et al. “A Short Introduction to the Film Glove and Touch Studies.” Fashion Studies, vol. 5, no. 1, 2024, pp. 1-11, https://www.fashionstudies.ca/introduction-to-glove-and-touch-studies/, https://doi.org/10.38055/FS050108.}},
  title        = {{{“A Short Introduction to the Film Glove and Touch Studies.”}}},
  year         = {{2024}},
}

@misc{54278,
  author       = {{Kraft, Kerstin}},
  publisher    = {{Über das Forschen im Textildepot, in: DASA Arbeitswelt Ausstellung/Professur für Museologie der Universität Würzburg/Institut für Museumsforschung (Hg.): Besser ausstellen. Innovative Wege der Konzeption und Evaluation von Ausstellungen, Bielefeld: transcript 2024, S. 103-120}},
  title        = {{{Kraft, Kerstin und Regina Lösel: Forscherinnen und Kleidung in Bewegung. }}},
  year         = {{2024}},
}

@misc{60546,
  author       = {{Kraft, Kerstin}},
  pages        = {{16}},
  publisher    = {{Alltagskultur im Vormärz, Jahrbuch 2024, 30. Jg, Forum Vormärz Forschung}},
  title        = {{{Mit Kleidung lügen. Über Vestimentäres und Modisches im Vormärz}}},
  volume       = {{S. 89-105}},
  year         = {{2024}},
}

@misc{60547,
  author       = {{Kraft, Kerstin and Haase, Birgit}},
  title        = {{{Zur Mode im deutschen Kulturraum. Materialien, Textilien, Texte. }}},
  year         = {{2024}},
}

@misc{52527,
  author       = {{Kraft, Kerstin}},
  publisher    = {{Kraft K. & Schmitt S. 2023. Almost Fragrant Pseudobotany: A Bouquet of Encounters With Faux Flora Across Time – A Visual Essay. In: Philippopoulos-Mihalopoulos, A et al (eds.), SMELL. London: University of Westminster Press. DOI: https://doi.org/10.16997/book68.d}},
  title        = {{{A Bouquet of Encounters With Faux Flora Across Time – A Visual Essay.}}},
  year         = {{2023}},
}

@misc{60540,
  author       = {{Kraft, Kerstin and Haller, Melanie}},
  pages        = {{11}},
  publisher    = {{Netzwerk Mode Textil }},
  title        = {{{Couture von Frauen für Frauen}}},
  volume       = {{S. 29-40}},
  year         = {{2023}},
}

@article{48440,
  abstract     = {{Virtual fashion, meaning clothes that exist not as physical textile objects but rather as files is gaining popularity.
The Fabricant, a digital-only fashion label from Amsterdam is particularly famous for its creations. Within the fashion industry, virtual fashion is taken as a pioneering innovation that can solve problems such as lacking sustainability and unrealistic bodily ideals precisely because it is understood as immaterial. In contrast, this paper argues that virtual fashion is in fact a material phenomenon. For example, to be perceptible to humans in the first place, virtual fashion
depends upon various technologies and devices. These devices are themselves subject to specific non-sustainable
production processes. Virtual fashion can further be understood as material insofar that it is almost indistinguishable from other mediatized representations of physical fashion. Lastly, just like its physical counterpart, virtual fashion is bound to human bodies and largely adheres to existing bodily ideals.}},
  author       = {{Brachtendorf, Charlotte and Behrmann, Helga and Brachem, Judith}},
  journal      = {{Jahrbuch Netzwerk Mode Textil}},
  pages        = {{95--103}},
  title        = {{{Materialitäten virtueller Mode: das Fallbeispiel The Fabricant}}},
  doi          = {{https://doi.org/10.53193/221421485G}},
  volume       = {{2022}},
  year         = {{2023}},
}

@misc{48728,
  author       = {{Brachtendorf, Charlotte}},
  title        = {{{Auf Tuchfühlung mit dem Tod.}}},
  year         = {{2023}},
}

@article{48429,
  author       = {{Brachtendorf, Charlotte}},
  issn         = {{2050-0734}},
  journal      = {{Fashion, Style & Popular Culture 9}},
  pages        = {{483--499}},
  title        = {{{Lil Miquela in the Folds of Fashion: (Ad-)Dressing Virtual Influencers}}},
  doi          = {{10.1386/fspc_00157_1}},
  volume       = {{4}},
  year         = {{2022}},
}

@book{39422,
  editor       = {{Haller, Melanie and Mallon, Stefanie and Helmers, Traute }},
  publisher    = {{Waxmann-Verlag}},
  title        = {{{Der Tod und das Ding. Textilien und Vergänglichkeiten}}},
  year         = {{2020}},
}

@book{39391,
  author       = {{Haller, Melanie}},
  publisher    = {{Transcript}},
  title        = {{{Abstimmung in Bewegung. Intersubjektivität im Tango Argentino}}},
  year         = {{2013}},
}