[{"language":[{"iso":"eng"}],"department":[{"_id":"538"},{"_id":"874"}],"user_id":"1684","_id":"55839","project":[{"name":"Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition","_id":"743"}],"status":"public","editor":[{"full_name":"Münnich, Stefan","last_name":"Münnich","first_name":"Stefan"},{"first_name":"David","full_name":"Rizo, David","last_name":"Rizo"}],"publication":"Music Encoding Conference Proceedings 2021","type":"conference","doi":"https://doi.org/10.17613/q6y4-9139","main_file_link":[{"open_access":"1","url":"https://doi.org/10.17613/q6y4-9139"}],"title":"Encoding Genetic Processes II","author":[{"last_name":"Cox","full_name":"Cox, Susanne","first_name":"Susanne"},{"full_name":"Kepper, Johannes","id":"1684","last_name":"Kepper","orcid":"0000-0003-4891-260X","first_name":"Johannes"}],"date_created":"2024-08-28T11:45:05Z","date_updated":"2024-08-28T14:05:21Z","publisher":"Humanities Commons","oa":"1","page":"85–95","citation":{"ama":"Cox S, Kepper J. Encoding Genetic Processes II. In: Münnich S, Rizo D, eds. <i>Music Encoding Conference Proceedings 2021</i>. Humanities Commons; 2022:85–95. doi:<a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>","chicago":"Cox, Susanne, and Johannes Kepper. “Encoding Genetic Processes II.” In <i>Music Encoding Conference Proceedings 2021</i>, edited by Stefan Münnich and David Rizo, 85–95. Alicante: Humanities Commons, 2022. <a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>.","ieee":"S. Cox and J. Kepper, “Encoding Genetic Processes II,” in <i>Music Encoding Conference Proceedings 2021</i>, 2022, pp. 85–95, doi: <a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>.","apa":"Cox, S., &#38; Kepper, J. (2022). Encoding Genetic Processes II. In S. Münnich &#38; D. Rizo (Eds.), <i>Music Encoding Conference Proceedings 2021</i> (pp. 85–95). Humanities Commons. <a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>","short":"S. Cox, J. Kepper, in: S. Münnich, D. Rizo (Eds.), Music Encoding Conference Proceedings 2021, Humanities Commons, Alicante, 2022, pp. 85–95.","mla":"Cox, Susanne, and Johannes Kepper. “Encoding Genetic Processes II.” <i>Music Encoding Conference Proceedings 2021</i>, edited by Stefan Münnich and David Rizo, Humanities Commons, 2022, pp. 85–95, doi:<a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>.","bibtex":"@inproceedings{Cox_Kepper_2022, place={Alicante}, title={Encoding Genetic Processes II}, DOI={<a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>}, booktitle={Music Encoding Conference Proceedings 2021}, publisher={Humanities Commons}, author={Cox, Susanne and Kepper, Johannes}, editor={Münnich, Stefan and Rizo, David}, year={2022}, pages={85–95} }"},"place":"Alicante","year":"2022","publication_status":"published"},{"author":[{"last_name":"Herold","full_name":"Herold, Kristin","first_name":"Kristin"},{"first_name":"Johannes","last_name":"Kepper","orcid":"0000-0003-4891-260X","full_name":"Kepper, Johannes","id":"1684"},{"first_name":"Ran","full_name":"Mo, Ran","last_name":"Mo"},{"last_name":"Seipelt","full_name":"Seipelt, Agnes Regina","id":"24239","first_name":"Agnes Regina"}],"date_created":"2024-08-28T11:45:23Z","publisher":"Humanities Commons","oa":"1","date_updated":"2024-08-28T14:04:19Z","main_file_link":[{"url":"https://hcommons.org/deposits/item/hc:31963/","open_access":"1"}],"doi":"10.17613/ydbv-e158","title":"MusicDiff – A Diff Tool for MEI","publication_status":"published","citation":{"chicago":"Herold, Kristin, Johannes Kepper, Ran Mo, and Agnes Regina Seipelt. “MusicDiff – A Diff Tool for MEI.” In <i>Music Encoding Conference Proceedings 2020</i>, edited by Elsa De Luca and Julia Flanders, 59–66. Humanities Commons, 2020. <a href=\"https://doi.org/10.17613/ydbv-e158\">https://doi.org/10.17613/ydbv-e158</a>.","ieee":"K. Herold, J. Kepper, R. Mo, and A. R. Seipelt, “MusicDiff – A Diff Tool for MEI,” in <i>Music Encoding Conference Proceedings 2020</i>, 2020, pp. 59–66, doi: <a href=\"https://doi.org/10.17613/ydbv-e158\">10.17613/ydbv-e158</a>.","ama":"Herold K, Kepper J, Mo R, Seipelt AR. MusicDiff – A Diff Tool for MEI. In: De Luca E, Flanders J, eds. <i>Music Encoding Conference Proceedings 2020</i>. Humanities Commons; 2020:59–66. doi:<a href=\"https://doi.org/10.17613/ydbv-e158\">10.17613/ydbv-e158</a>","apa":"Herold, K., Kepper, J., Mo, R., &#38; Seipelt, A. R. (2020). MusicDiff – A Diff Tool for MEI. In E. De Luca &#38; J. Flanders (Eds.), <i>Music Encoding Conference Proceedings 2020</i> (pp. 59–66). Humanities Commons. <a href=\"https://doi.org/10.17613/ydbv-e158\">https://doi.org/10.17613/ydbv-e158</a>","bibtex":"@inproceedings{Herold_Kepper_Mo_Seipelt_2020, title={MusicDiff – A Diff Tool for MEI}, DOI={<a href=\"https://doi.org/10.17613/ydbv-e158\">10.17613/ydbv-e158</a>}, booktitle={Music Encoding Conference Proceedings 2020}, publisher={Humanities Commons}, author={Herold, Kristin and Kepper, Johannes and Mo, Ran and Seipelt, Agnes Regina}, editor={De Luca, Elsa and Flanders, Julia}, year={2020}, pages={59–66} }","short":"K. Herold, J. Kepper, R. Mo, A.R. Seipelt, in: E. De Luca, J. Flanders (Eds.), Music Encoding Conference Proceedings 2020, Humanities Commons, 2020, pp. 59–66.","mla":"Herold, Kristin, et al. “MusicDiff – A Diff Tool for MEI.” <i>Music Encoding Conference Proceedings 2020</i>, edited by Elsa De Luca and Julia Flanders, Humanities Commons, 2020, pp. 59–66, doi:<a href=\"https://doi.org/10.17613/ydbv-e158\">10.17613/ydbv-e158</a>."},"page":"59–66","year":"2020","user_id":"1684","department":[{"_id":"874"},{"_id":"538"}],"project":[{"name":"Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition","_id":"743"}],"_id":"55841","language":[{"iso":"eng"}],"keyword":["mec-proceedings","mec-proceedings-2020"],"type":"conference","publication":"Music Encoding Conference Proceedings 2020","status":"public","editor":[{"first_name":"Elsa","last_name":"De Luca","full_name":"De Luca, Elsa"},{"full_name":"Flanders, Julia","last_name":"Flanders","first_name":"Julia"}],"abstract":[{"lang":"eng","text":"For musicologists, the collation of multiple sources of the same work is a frequent task. By comparing different witnesses, they seek to identify variation, describe dependencies, and ultimately understand the genesis and transmission of (musical) works. Obviously, the need for such comparison is independent from the medium in which a musical work is manifested. In computing, comparing files for difference is a common task, and the well-known Unix utility diff is almost 46 years old. However, diff, like many other such tools, operates on plain text. While many music encoding formats based on plain text exist, formats used in the field of Digital Humanities are typically based on XML. There are dedicated algorithms for comparing XML as well, but they only focus on the syntax of XML, but not the semantic structures modelled into such standards as MEI. MEI seeks to describe musical structures, and the XML syntax is just a means to express those structures. A diff tool for music should focus on comparing musical structures, but not the specifics of their serialization into a file format. In {Beethovens Werkstatt}, a 16-year project focussed on exploring the concepts and requirements of digital genetic editions of music, based on and arguing with examples from Ludwig van Beethoven, a case-bound diff tool for music was developed. The following paper discusses how that specific tool can be generalized, and which use cases such a tool may support."}]},{"type":"book_editor","editor":[{"first_name":"Giuliano","last_name":"Di Bacco","full_name":"Di Bacco, Giuliano"},{"first_name":"Johannes","orcid":"0000-0003-4891-260X","last_name":"Kepper","id":"1684","full_name":"Kepper, Johannes"},{"last_name":"Roland","full_name":"Roland, Perry D.","first_name":"Perry D."}],"abstract":[{"lang":"eng","text":"Conference proceedings of the Music Encoding Conferences 2015, 2016 and 2017 with Introduction by Giuliano Di Bacco"}],"status":"public","_id":"55849","department":[{"_id":"538"},{"_id":"874"}],"user_id":"1684","keyword":["mec-proceedings","mec-proceedings-2016","mec-proceedings-2015","mec-proceedings-2017"],"language":[{"iso":"eng"}],"publication_status":"published","year":"2019","citation":{"ieee":"G. Di Bacco, J. Kepper, and P. D. Roland, Eds., <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>. Bavarian State Library (BSB), 2019.","chicago":"Di Bacco, Giuliano, Johannes Kepper, and Perry D. Roland, eds. <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>. Bavarian State Library (BSB), 2019. <a href=\"https://doi.org/10.15463/music-1\">https://doi.org/10.15463/music-1</a>.","ama":"Di Bacco G, Kepper J, Roland PD, eds. <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>. Bavarian State Library (BSB); 2019. doi:<a href=\"https://doi.org/10.15463/music-1\">10.15463/music-1</a>","mla":"Di Bacco, Giuliano, et al., editors. <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>. Bavarian State Library (BSB), 2019, doi:<a href=\"https://doi.org/10.15463/music-1\">10.15463/music-1</a>.","bibtex":"@book{Di Bacco_Kepper_Roland_2019, title={Music Encoding Conference Proceedings 2015, 2016 and 2017}, DOI={<a href=\"https://doi.org/10.15463/music-1\">10.15463/music-1</a>}, publisher={Bavarian State Library (BSB)}, year={2019} }","short":"G. Di Bacco, J. Kepper, P.D. Roland, eds., Music Encoding Conference Proceedings 2015, 2016 and 2017, Bavarian State Library (BSB), 2019.","apa":"Di Bacco, G., Kepper, J., &#38; Roland, P. D. (Eds.). (2019). <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>. Bavarian State Library (BSB). <a href=\"https://doi.org/10.15463/music-1\">https://doi.org/10.15463/music-1</a>"},"oa":"1","publisher":"Bavarian State Library (BSB)","date_updated":"2024-08-28T13:58:21Z","date_created":"2024-08-28T11:48:09Z","title":"Music Encoding Conference Proceedings 2015, 2016 and 2017","doi":"10.15463/music-1","main_file_link":[{"url":"https://doi.org/10.15463/music-1","open_access":"1"}]},{"publication":"Music Encoding Conference Proceedings 2015, 2016 and 2017","type":"conference","status":"public","abstract":[{"lang":"eng","text":"The Freischütz Digital project (FreiDi) was one of the pioneer projects employing MEI in large scale. It did not only try to encode a huge quantity of music material, it also sought to capture as many aspects of the available sources as possible, effectively creating data of almost unrivaled richness. This paper discusses the outcomes of and experiences made in the FreiDi project."}],"editor":[{"first_name":"Giuliano","last_name":"Di Bacco","full_name":"Di Bacco, Giuliano"},{"full_name":"Kepper, Johannes","last_name":"Kepper","first_name":"Johannes"},{"last_name":"Roland","full_name":"Roland, Perry","first_name":"Perry"}],"department":[{"_id":"538"},{"_id":"874"}],"user_id":"1684","_id":"55837","language":[{"iso":"eng"}],"keyword":["mec-proceedings","mec-proceedings-2016"],"publication_status":"published","page":"95–105","citation":{"chicago":"Kepper, Johannes. “Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project.” In <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, edited by Giuliano Di Bacco, Johannes Kepper, and Perry Roland, 95–105. Bavarian State Library (BSB), 2019. <a href=\"https://doi.org/10.15463/music-1\">https://doi.org/10.15463/music-1</a>.","ieee":"J. Kepper, “Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project,” in <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, 2019, pp. 95–105, doi: <a href=\"https://doi.org/10.15463/music-1\">10.15463/music-1</a>.","ama":"Kepper J. Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project. In: Di Bacco G, Kepper J, Roland P, eds. <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>. Bavarian State Library (BSB); 2019:95–105. doi:<a href=\"https://doi.org/10.15463/music-1\">10.15463/music-1</a>","apa":"Kepper, J. (2019). Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project. In G. Di Bacco, J. Kepper, &#38; P. Roland (Eds.), <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i> (pp. 95–105). Bavarian State Library (BSB). <a href=\"https://doi.org/10.15463/music-1\">https://doi.org/10.15463/music-1</a>","short":"J. Kepper, in: G. Di Bacco, J. Kepper, P. Roland (Eds.), Music Encoding Conference Proceedings 2015, 2016 and 2017, Bavarian State Library (BSB), 2019, pp. 95–105.","bibtex":"@inproceedings{Kepper_2019, title={Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project}, DOI={<a href=\"https://doi.org/10.15463/music-1\">10.15463/music-1</a>}, booktitle={Music Encoding Conference Proceedings 2015, 2016 and 2017}, publisher={Bavarian State Library (BSB)}, author={Kepper, Johannes}, editor={Di Bacco, Giuliano and Kepper, Johannes and Roland, Perry}, year={2019}, pages={95–105} }","mla":"Kepper, Johannes. “Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project.” <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, edited by Giuliano Di Bacco et al., Bavarian State Library (BSB), 2019, pp. 95–105, doi:<a href=\"https://doi.org/10.15463/music-1\">10.15463/music-1</a>."},"year":"2019","author":[{"last_name":"Kepper","orcid":"0000-0003-4891-260X","full_name":"Kepper, Johannes","id":"1684","first_name":"Johannes"}],"date_created":"2024-08-28T11:44:28Z","date_updated":"2024-08-28T14:06:38Z","publisher":"Bavarian State Library (BSB)","doi":"10.15463/music-1","title":"Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project"},{"year":"2017","citation":{"apa":"Kepper, J. (2017). <i>Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017)</i>. <a href=\"https://doi.org/10.5281/ZENODO.13289742\">https://doi.org/10.5281/ZENODO.13289742</a>","mla":"Kepper, Johannes. <i>Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017)</i>. 2017, doi:<a href=\"https://doi.org/10.5281/ZENODO.13289742\">10.5281/ZENODO.13289742</a>.","short":"J. Kepper, Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017), 2017.","bibtex":"@book{Kepper_2017, title={Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017)}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.13289742\">10.5281/ZENODO.13289742</a>}, author={Kepper, Johannes}, year={2017} }","ama":"Kepper J. <i>Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017)</i>.; 2017. doi:<a href=\"https://doi.org/10.5281/ZENODO.13289742\">10.5281/ZENODO.13289742</a>","chicago":"Kepper, Johannes. <i>Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017)</i>, 2017. <a href=\"https://doi.org/10.5281/ZENODO.13289742\">https://doi.org/10.5281/ZENODO.13289742</a>.","ieee":"J. Kepper, <i>Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017)</i>. 2017."},"publication_status":"published","title":"Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017)","doi":"10.5281/ZENODO.13289742","date_updated":"2024-08-28T13:36:41Z","date_created":"2024-08-28T11:46:04Z","author":[{"first_name":"Johannes","id":"1684","full_name":"Kepper, Johannes","orcid":"0000-0003-4891-260X","last_name":"Kepper"}],"abstract":[{"text":"This report summarizes technical concepts of the Beethovens Werkstatt project, discussing various prototypes and the technical architectures used. The original version at https://beethovens-werkstatt.de/softwareentwicklung-2017/ includes videos not available in the PDF version published on Zenodo.","lang":"eng"}],"status":"public","type":"report","keyword":["Musicology","Digital humanities"],"language":[{"iso":"ger"}],"_id":"55843","project":[{"_id":"743","name":"Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition"}],"department":[{"_id":"874"},{"_id":"538"}],"user_id":"1684"},{"page":"347–363","citation":{"ieee":"J. Kepper and L. Pugin, “Was ist eine Digitale Edition? Versuch einer Positionsbestimmung zum Stand der Musikphilologie im Jahr 2017,” <i>Musiktheorie (Zeitschrift für Musikwissenschaft)</i>, vol. Jahrgang 32, no. 4, pp. 347–363, 2017.","chicago":"Kepper, Johannes, and Laurent Pugin. “Was ist eine Digitale Edition? Versuch einer Positionsbestimmung zum Stand der Musikphilologie im Jahr 2017.” <i>Musiktheorie (Zeitschrift für Musikwissenschaft)</i> Jahrgang 32, no. 4 (2017): 347–363.","ama":"Kepper J, Pugin L. Was ist eine Digitale Edition? Versuch einer Positionsbestimmung zum Stand der Musikphilologie im Jahr 2017. <i>Musiktheorie (Zeitschrift für Musikwissenschaft)</i>. 2017;Jahrgang 32(4):347–363.","bibtex":"@article{Kepper_Pugin_2017, title={Was ist eine Digitale Edition? Versuch einer Positionsbestimmung zum Stand der Musikphilologie im Jahr 2017}, volume={Jahrgang 32}, number={4}, journal={Musiktheorie (Zeitschrift für Musikwissenschaft)}, author={Kepper, Johannes and Pugin, Laurent}, year={2017}, pages={347–363} }","mla":"Kepper, Johannes, and Laurent Pugin. “Was ist eine Digitale Edition? Versuch einer Positionsbestimmung zum Stand der Musikphilologie im Jahr 2017.” <i>Musiktheorie (Zeitschrift für Musikwissenschaft)</i>, vol. Jahrgang 32, no. 4, 2017, pp. 347–363.","short":"J. Kepper, L. Pugin, Musiktheorie (Zeitschrift für Musikwissenschaft) Jahrgang 32 (2017) 347–363.","apa":"Kepper, J., &#38; Pugin, L. (2017). Was ist eine Digitale Edition? Versuch einer Positionsbestimmung zum Stand der Musikphilologie im Jahr 2017. <i>Musiktheorie (Zeitschrift für Musikwissenschaft)</i>, <i>Jahrgang 32</i>(4), 347–363."},"year":"2017","issue":"4","publication_status":"published","title":"Was ist eine Digitale Edition? Versuch einer Positionsbestimmung zum Stand der Musikphilologie im Jahr 2017","volume":"Jahrgang 32","author":[{"first_name":"Johannes","id":"1684","full_name":"Kepper, Johannes","last_name":"Kepper","orcid":"0000-0003-4891-260X"},{"first_name":"Laurent","last_name":"Pugin","full_name":"Pugin, Laurent"}],"date_created":"2024-08-28T11:40:03Z","date_updated":"2024-08-28T13:34:30Z","status":"public","publication":"Musiktheorie (Zeitschrift für Musikwissenschaft)","type":"journal_article","language":[{"iso":"ger"}],"department":[{"_id":"874"},{"_id":"538"}],"user_id":"1684","_id":"55828"},{"_id":"55844","department":[{"_id":"538"},{"_id":"874"}],"user_id":"1684","abstract":[{"lang":"eng","text":"This is a copy of the Freischütz Digital/data-music repository, which is meant for long-term preservation. A description of the dataset can be found in the readme.md file."}],"status":"public","type":"research_data","title":"Freischütz Digital: data-music, The Academy 2017 Release","doi":"10.5281/ZENODO.13310669","publisher":"Zenodo","date_updated":"2024-08-28T13:38:26Z","date_created":"2024-08-28T11:46:28Z","author":[{"last_name":"Kepper","orcid":"0000-0003-4891-260X","full_name":"Kepper, Johannes","id":"1684","first_name":"Johannes"}],"year":"2017","citation":{"ama":"Kepper J. <i>Freischütz Digital: Data-Music, The Academy 2017 Release</i>. Zenodo; 2017. doi:<a href=\"https://doi.org/10.5281/ZENODO.13310669\">10.5281/ZENODO.13310669</a>","chicago":"Kepper, Johannes. <i>Freischütz Digital: Data-Music, The Academy 2017 Release</i>. Zenodo, 2017. <a href=\"https://doi.org/10.5281/ZENODO.13310669\">https://doi.org/10.5281/ZENODO.13310669</a>.","ieee":"J. Kepper, <i>Freischütz Digital: data-music, The Academy 2017 Release</i>. Zenodo, 2017.","apa":"Kepper, J. (2017). <i>Freischütz Digital: data-music, The Academy 2017 Release</i>. Zenodo. <a href=\"https://doi.org/10.5281/ZENODO.13310669\">https://doi.org/10.5281/ZENODO.13310669</a>","mla":"Kepper, Johannes. <i>Freischütz Digital: Data-Music, The Academy 2017 Release</i>. Zenodo, 2017, doi:<a href=\"https://doi.org/10.5281/ZENODO.13310669\">10.5281/ZENODO.13310669</a>.","short":"J. Kepper, Freischütz Digital: Data-Music, The Academy 2017 Release, Zenodo, 2017.","bibtex":"@book{Kepper_2017, title={Freischütz Digital: data-music, The Academy 2017 Release}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.13310669\">10.5281/ZENODO.13310669</a>}, publisher={Zenodo}, author={Kepper, Johannes}, year={2017} }"}},{"title":"Die Spuren des Digitalen. Über die Nachnutzbarkeit digitaler Inhalte","author":[{"last_name":"Kepper","orcid":"0000-0003-4891-260X","full_name":"Kepper, Johannes","id":"1684","first_name":"Johannes"},{"first_name":"Maja","last_name":"Hartwig","full_name":"Hartwig, Maja"}],"date_created":"2024-08-28T11:39:46Z","publisher":"Allitera Verlag","date_updated":"2024-08-28T13:32:58Z","citation":{"chicago":"Kepper, Johannes, and Maja Hartwig. “Die Spuren des Digitalen. Über die Nachnutzbarkeit digitaler Inhalte.” In <i>„Ei, dem alten Herrn zoll’ ich Achtung gern’“. Festschrift für Joachim Veit zum 60. Geburtstag</i>, edited by Kristina Richts and Peter Stadler, 319–330. München: Allitera Verlag, 2016.","ieee":"J. Kepper and M. Hartwig, “Die Spuren des Digitalen. Über die Nachnutzbarkeit digitaler Inhalte,” in <i>„Ei, dem alten Herrn zoll’ ich Achtung gern’“. Festschrift für Joachim Veit zum 60. Geburtstag</i>, K. Richts and P. Stadler, Eds. München: Allitera Verlag, 2016, pp. 319–330.","ama":"Kepper J, Hartwig M. Die Spuren des Digitalen. Über die Nachnutzbarkeit digitaler Inhalte. In: Richts K, Stadler P, eds. <i>„Ei, dem alten Herrn zoll’ ich Achtung gern’“. Festschrift für Joachim Veit zum 60. Geburtstag</i>. Allitera Verlag; 2016:319–330.","mla":"Kepper, Johannes, and Maja Hartwig. “Die Spuren des Digitalen. Über die Nachnutzbarkeit digitaler Inhalte.” <i>„Ei, dem alten Herrn zoll’ ich Achtung gern’“. Festschrift für Joachim Veit zum 60. Geburtstag</i>, edited by Kristina Richts and Peter Stadler, Allitera Verlag, 2016, pp. 319–330.","bibtex":"@inbook{Kepper_Hartwig_2016, place={München}, title={Die Spuren des Digitalen. Über die Nachnutzbarkeit digitaler Inhalte}, booktitle={„Ei, dem alten Herrn zoll’ ich Achtung gern’“. Festschrift für Joachim Veit zum 60. Geburtstag}, publisher={Allitera Verlag}, author={Kepper, Johannes and Hartwig, Maja}, editor={Richts, Kristina and Stadler, Peter}, year={2016}, pages={319–330} }","short":"J. Kepper, M. Hartwig, in: K. Richts, P. Stadler (Eds.), „Ei, dem alten Herrn zoll’ ich Achtung gern’“. Festschrift für Joachim Veit zum 60. Geburtstag, Allitera Verlag, München, 2016, pp. 319–330.","apa":"Kepper, J., &#38; Hartwig, M. (2016). Die Spuren des Digitalen. Über die Nachnutzbarkeit digitaler Inhalte. In K. Richts &#38; P. Stadler (Eds.), <i>„Ei, dem alten Herrn zoll’ ich Achtung gern’“. Festschrift für Joachim Veit zum 60. Geburtstag</i> (pp. 319–330). Allitera Verlag."},"page":"319–330","year":"2016","place":"München","publication_status":"published","publication_identifier":{"isbn":["978-3-86906-842-8"]},"language":[{"iso":"ger"}],"user_id":"1684","department":[{"_id":"874"},{"_id":"538"}],"_id":"55827","status":"public","editor":[{"first_name":"Kristina","last_name":"Richts","full_name":"Richts, Kristina"},{"first_name":"Peter","full_name":"Stadler, Peter","last_name":"Stadler"}],"type":"book_chapter","publication":"„Ei, dem alten Herrn zoll’ ich Achtung gern’“. Festschrift für Joachim Veit zum 60. Geburtstag"},{"title":"Expression beyond Scope: How FRBR and MEI fit together","conference":{"name":"2016 IAML Congress","start_date":"2016-07-03","end_date":"2016-07-08","location":"Rom"},"date_updated":"2024-08-28T13:50:20Z","author":[{"first_name":"Johannes","orcid":"0000-0003-4891-260X","last_name":"Kepper","full_name":"Kepper, Johannes","id":"1684"},{"full_name":"Richts, Kristina","last_name":"Richts","first_name":"Kristina"}],"date_created":"2024-08-28T11:46:50Z","year":"2016","place":"Rome","page":"59–60","citation":{"ama":"Kepper J, Richts K. Expression beyond Scope: How FRBR and MEI fit together. In: <i>IAML Congress Programme with Abstracts</i>. ; 2016:59–60.","ieee":"J. Kepper and K. Richts, “Expression beyond Scope: How FRBR and MEI fit together,” in <i>IAML Congress Programme with abstracts</i>, Rom, 2016, pp. 59–60.","chicago":"Kepper, Johannes, and Kristina Richts. “Expression beyond Scope: How FRBR and MEI Fit Together.” In <i>IAML Congress Programme with Abstracts</i>, 59–60. Rome, 2016.","apa":"Kepper, J., &#38; Richts, K. (2016). Expression beyond Scope: How FRBR and MEI fit together. <i>IAML Congress Programme with Abstracts</i>, 59–60.","short":"J. Kepper, K. Richts, in: IAML Congress Programme with Abstracts, Rome, 2016, pp. 59–60.","bibtex":"@inproceedings{Kepper_Richts_2016, place={Rome}, title={Expression beyond Scope: How FRBR and MEI fit together}, booktitle={IAML Congress Programme with abstracts}, author={Kepper, Johannes and Richts, Kristina}, year={2016}, pages={59–60} }","mla":"Kepper, Johannes, and Kristina Richts. “Expression beyond Scope: How FRBR and MEI Fit Together.” <i>IAML Congress Programme with Abstracts</i>, 2016, pp. 59–60."},"publication_status":"published","language":[{"iso":"eng"}],"_id":"55845","department":[{"_id":"538"},{"_id":"874"}],"user_id":"1684","status":"public","publication":"IAML Congress Programme with abstracts","type":"conference_abstract"},{"language":[{"iso":"eng"}],"_id":"55826","department":[{"_id":"538"},{"_id":"874"}],"user_id":"1684","editor":[{"full_name":"Roland, Perry D.","last_name":"Roland","first_name":"Perry D."},{"first_name":"Johannes","full_name":"Kepper, Johannes","last_name":"Kepper"}],"status":"public","publication":"Music Encoding Conference Proceedings 2013 and 2014","type":"book_chapter","title":"The Impact of the Digital. How Digital Editions will change Editing itself, and what can be learned from the History of Editing","date_updated":"2024-08-28T13:30:22Z","date_created":"2024-08-28T11:39:23Z","author":[{"id":"1684","full_name":"Kepper, Johannes","last_name":"Kepper","orcid":"0000-0003-4891-260X","first_name":"Johannes"}],"place":"Charlottesville und Detmold","year":"2015","page":"162–167","citation":{"ama":"Kepper J. The Impact of the Digital. How Digital Editions will change Editing itself, and what can be learned from the History of Editing. In: Roland PD, Kepper J, eds. <i>Music Encoding Conference Proceedings 2013 and 2014</i>. ; 2015:162–167.","chicago":"Kepper, Johannes. “The Impact of the Digital. How Digital Editions Will Change Editing Itself, and What Can Be Learned from the History of Editing.” In <i>Music Encoding Conference Proceedings 2013 and 2014</i>, edited by Perry D. Roland and Johannes Kepper, 162–167. Charlottesville und Detmold, 2015.","ieee":"J. Kepper, “The Impact of the Digital. How Digital Editions will change Editing itself, and what can be learned from the History of Editing,” in <i>Music Encoding Conference Proceedings 2013 and 2014</i>, P. D. Roland and J. Kepper, Eds. Charlottesville und Detmold, 2015, pp. 162–167.","mla":"Kepper, Johannes. “The Impact of the Digital. How Digital Editions Will Change Editing Itself, and What Can Be Learned from the History of Editing.” <i>Music Encoding Conference Proceedings 2013 and 2014</i>, edited by Perry D. Roland and Johannes Kepper, 2015, pp. 162–167.","short":"J. Kepper, in: P.D. Roland, J. Kepper (Eds.), Music Encoding Conference Proceedings 2013 and 2014, Charlottesville und Detmold, 2015, pp. 162–167.","bibtex":"@inbook{Kepper_2015, place={Charlottesville und Detmold}, title={The Impact of the Digital. 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Kepper (Eds.), <i>Music Encoding Conference Proceedings 2013 and 2014</i> (pp. 162–167)."},"publication_status":"published"},{"page":"127–150","intvolume":"        28","citation":{"ama":"Kepper J, Schreiter S, Veit J. ‚Freischütz‘ analog oder digital – Editionsformen im Spannungsfeld von Wissenschaft und Praxis. <i>editio Internationales Jahrbuch für Editionswissenschaft</i>. 2014;28:127–150. doi:<a href=\"https://doi.org/10.1515/editio-2014-009\">https://doi.org/10.1515/editio-2014-009</a>","chicago":"Kepper, Johannes, Solveig Schreiter, and Joachim Veit. “‚Freischütz‘ analog oder digital – Editionsformen im Spannungsfeld von Wissenschaft und Praxis.” <i>editio. Internationales Jahrbuch für Editionswissenschaft</i> 28 (2014): 127–150. <a href=\"https://doi.org/10.1515/editio-2014-009\">https://doi.org/10.1515/editio-2014-009</a>.","ieee":"J. Kepper, S. Schreiter, and J. Veit, “‚Freischütz‘ analog oder digital – Editionsformen im Spannungsfeld von Wissenschaft und Praxis,” <i>editio. Internationales Jahrbuch für Editionswissenschaft</i>, vol. 28, pp. 127–150, 2014, doi: <a href=\"https://doi.org/10.1515/editio-2014-009\">https://doi.org/10.1515/editio-2014-009</a>.","apa":"Kepper, J., Schreiter, S., &#38; Veit, J. (2014). ‚Freischütz‘ analog oder digital – Editionsformen im Spannungsfeld von Wissenschaft und Praxis. <i>editio. Internationales Jahrbuch für Editionswissenschaft</i>, <i>28</i>, 127–150. <a href=\"https://doi.org/10.1515/editio-2014-009\">https://doi.org/10.1515/editio-2014-009</a>","mla":"Kepper, Johannes, et al. “‚Freischütz‘ analog oder digital – Editionsformen im Spannungsfeld von Wissenschaft und Praxis.” <i>editio. Internationales Jahrbuch für Editionswissenschaft</i>, vol. 28, 2014, pp. 127–150, doi:<a href=\"https://doi.org/10.1515/editio-2014-009\">https://doi.org/10.1515/editio-2014-009</a>.","short":"J. Kepper, S. Schreiter, J. Veit, editio. 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Internationales Jahrbuch für Editionswissenschaft}, author={Kepper, Johannes and Schreiter, Solveig and Veit, Joachim}, year={2014}, pages={127–150} }"},"year":"2014","publication_status":"published","doi":"https://doi.org/10.1515/editio-2014-009","title":"‚Freischütz‘ analog oder digital – Editionsformen im Spannungsfeld von Wissenschaft und Praxis","volume":28,"author":[{"full_name":"Kepper, Johannes","id":"1684","orcid":"0000-0003-4891-260X","last_name":"Kepper","first_name":"Johannes"},{"full_name":"Schreiter, Solveig","last_name":"Schreiter","first_name":"Solveig"},{"first_name":"Joachim","last_name":"Veit","id":"14948","full_name":"Veit, Joachim"}],"date_created":"2024-08-28T11:39:03Z","date_updated":"2024-08-28T13:19:17Z","status":"public","publication":"editio. 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Oper multimedial – Zur Ausgabe von Haydns Arienbearbeitungen. In: Bohnenkamp-Renken A, ed. <i>Medienwandel / Medienwechsel in der Editionswissenschaft</i>. Vol 35. Beihefte zu editio. ; 2012:141–150. doi:<a href=\"https://doi.org/10.1515/9783110300437.141\">10.1515/9783110300437.141</a>","ieee":"C. Siegert and J. Kepper, “Oper multimedial – Zur Ausgabe von Haydns Arienbearbeitungen,” in <i>Medienwandel / Medienwechsel in der Editionswissenschaft</i>, vol. 35, A. Bohnenkamp-Renken, Ed. Berlin, 2012, pp. 141–150.","chicago":"Siegert, Christine, and Johannes Kepper. “Oper multimedial – Zur Ausgabe von Haydns Arienbearbeitungen.” In <i>Medienwandel / Medienwechsel in der Editionswissenschaft</i>, edited by Annette Bohnenkamp-Renken, 35:141–150. Beihefte zu editio. Berlin, 2012. <a href=\"https://doi.org/10.1515/9783110300437.141\">https://doi.org/10.1515/9783110300437.141</a>.","short":"C. Siegert, J. Kepper, in: A. 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Oper multimedial – Zur Ausgabe von Haydns Arienbearbeitungen. In A. Bohnenkamp-Renken (Ed.), <i>Medienwandel / Medienwechsel in der Editionswissenschaft</i> (Vol. 35, pp. 141–150). <a href=\"https://doi.org/10.1515/9783110300437.141\">https://doi.org/10.1515/9783110300437.141</a>"},"page":"141–150","intvolume":"        35","date_updated":"2024-08-28T13:15:02Z","date_created":"2024-08-28T11:38:13Z","author":[{"full_name":"Siegert, Christine","last_name":"Siegert","first_name":"Christine"},{"first_name":"Johannes","full_name":"Kepper, Johannes","id":"1684","last_name":"Kepper","orcid":"0000-0003-4891-260X"}],"volume":35,"title":"Oper multimedial – Zur Ausgabe von Haydns Arienbearbeitungen","doi":"10.1515/9783110300437.141"},{"user_id":"1684","department":[{"_id":"538"},{"_id":"874"}],"_id":"55848","language":[{"iso":"eng"}],"type":"conference","publication":"Proceedings of the 13th International Society for Music Information Retrieval Conference, ISMIR 2012, Mosteiro S.Bento Da Vitória, Porto, Portugal, October 8-12, 2012","status":"public","editor":[{"full_name":"Gouyon, Fabien","last_name":"Gouyon","first_name":"Fabien"},{"first_name":"Perfecto","full_name":"Herrera, Perfecto","last_name":"Herrera"},{"first_name":"Luis Gustavo","last_name":"Martins","full_name":"Martins, Luis Gustavo"},{"full_name":"Müller, Meinard","last_name":"Müller","first_name":"Meinard"}],"author":[{"first_name":"Laurent","full_name":"Pugin, Laurent","last_name":"Pugin"},{"first_name":"Johannes","orcid":"0000-0003-4891-260X","last_name":"Kepper","id":"1684","full_name":"Kepper, Johannes"},{"last_name":"Roland","full_name":"Roland, Perry","first_name":"Perry"},{"full_name":"Hartwig, Maja","last_name":"Hartwig","first_name":"Maja"},{"full_name":"Hankinson, Andrew","last_name":"Hankinson","first_name":"Andrew"}],"date_created":"2024-08-28T11:47:49Z","publisher":"FEUP Edições","date_updated":"2024-08-28T13:55:20Z","oa":"1","main_file_link":[{"url":"https://ismir2012.ismir.net/event/papers/505_ISMIR_2012.pdf","open_access":"1"}],"title":"Separating Presentation and Content in MEI","publication_status":"published","citation":{"chicago":"Pugin, Laurent, Johannes Kepper, Perry Roland, Maja Hartwig, and Andrew Hankinson. “Separating Presentation and Content in MEI.” In <i>Proceedings of the 13th International Society for Music Information Retrieval Conference, ISMIR 2012, Mosteiro S.Bento Da Vitória, Porto, Portugal, October 8-12, 2012</i>, edited by Fabien Gouyon, Perfecto Herrera, Luis Gustavo Martins, and Meinard Müller, 505–510. FEUP Edições, 2012.","ieee":"L. Pugin, J. Kepper, P. Roland, M. Hartwig, and A. Hankinson, “Separating Presentation and Content in MEI,” in <i>Proceedings of the 13th International Society for Music Information Retrieval Conference, ISMIR 2012, Mosteiro S.Bento Da Vitória, Porto, Portugal, October 8-12, 2012</i>, 2012, pp. 505–510.","ama":"Pugin L, Kepper J, Roland P, Hartwig M, Hankinson A. Separating Presentation and Content in MEI. In: Gouyon F, Herrera P, Martins LG, Müller M, eds. <i>Proceedings of the 13th International Society for Music Information Retrieval Conference, ISMIR 2012, Mosteiro S.Bento Da Vitória, Porto, Portugal, October 8-12, 2012</i>. FEUP Edições; 2012:505–510.","apa":"Pugin, L., Kepper, J., Roland, P., Hartwig, M., &#38; Hankinson, A. (2012). Separating Presentation and Content in MEI. In F. Gouyon, P. Herrera, L. G. Martins, &#38; M. Müller (Eds.), <i>Proceedings of the 13th International Society for Music Information Retrieval Conference, ISMIR 2012, Mosteiro S.Bento Da Vitória, Porto, Portugal, October 8-12, 2012</i> (pp. 505–510). FEUP Edições.","short":"L. Pugin, J. Kepper, P. Roland, M. Hartwig, A. Hankinson, in: F. Gouyon, P. Herrera, L.G. Martins, M. Müller (Eds.), Proceedings of the 13th International Society for Music Information Retrieval Conference, ISMIR 2012, Mosteiro S.Bento Da Vitória, Porto, Portugal, October 8-12, 2012, FEUP Edições, 2012, pp. 505–510.","bibtex":"@inproceedings{Pugin_Kepper_Roland_Hartwig_Hankinson_2012, title={Separating Presentation and Content in MEI}, booktitle={Proceedings of the 13th International Society for Music Information Retrieval Conference, ISMIR 2012, Mosteiro S.Bento Da Vitória, Porto, Portugal, October 8-12, 2012}, publisher={FEUP Edições}, author={Pugin, Laurent and Kepper, Johannes and Roland, Perry and Hartwig, Maja and Hankinson, Andrew}, editor={Gouyon, Fabien and Herrera, Perfecto and Martins, Luis Gustavo and Müller, Meinard}, year={2012}, pages={505–510} }","mla":"Pugin, Laurent, et al. “Separating Presentation and Content in MEI.” <i>Proceedings of the 13th International Society for Music Information Retrieval Conference, ISMIR 2012, Mosteiro S.Bento Da Vitória, Porto, Portugal, October 8-12, 2012</i>, edited by Fabien Gouyon et al., FEUP Edições, 2012, pp. 505–510."},"page":"505–510","year":"2012"},{"language":[{"iso":"ger"}],"_id":"55821","user_id":"1684","department":[{"_id":"538"},{"_id":"874"}],"status":"public","type":"journal_article","publication":"Die Tonkunst","title":"Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts","date_updated":"2024-08-28T13:12:06Z","date_created":"2024-08-28T11:37:31Z","author":[{"first_name":"Benjamin W.","last_name":"Bohl","full_name":"Bohl, Benjamin W."},{"first_name":"Johannes","orcid":"0000-0003-4891-260X","last_name":"Kepper","id":"1684","full_name":"Kepper, Johannes"},{"first_name":"Daniel","full_name":"Röwenstrunk, Daniel","id":"439","last_name":"Röwenstrunk","orcid":"https://orcid.org/0000-0001-6271-2095"}],"year":"2011","citation":{"apa":"Bohl, B. W., Kepper, J., &#38; Röwenstrunk, D. (2011). Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts. <i>Die Tonkunst</i>, <i>III</i>, 270–276.","bibtex":"@article{Bohl_Kepper_Röwenstrunk_2011, title={Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts}, number={III}, journal={Die Tonkunst}, author={Bohl, Benjamin W. and Kepper, Johannes and Röwenstrunk, Daniel}, year={2011}, pages={270–276} }","mla":"Bohl, Benjamin W., et al. “Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts.” <i>Die Tonkunst</i>, no. III, 2011, pp. 270–276.","short":"B.W. Bohl, J. Kepper, D. Röwenstrunk, Die Tonkunst (2011) 270–276.","ama":"Bohl BW, Kepper J, Röwenstrunk D. Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts. <i>Die Tonkunst</i>. 2011;(III):270–276.","chicago":"Bohl, Benjamin W., Johannes Kepper, and Daniel Röwenstrunk. “Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts.” <i>Die Tonkunst</i>, no. III (2011): 270–276.","ieee":"B. W. Bohl, J. Kepper, and D. Röwenstrunk, “Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts,” <i>Die Tonkunst</i>, no. III, pp. 270–276, 2011."},"page":"270–276","publication_status":"published","issue":"III"},{"keyword":["admin:website","Codierungsformate","DigitaleMusikedition","Glossar","Bibliografie online"],"language":[{"iso":"ger"}],"abstract":[{"text":"Die Keimzelle der Musikwissenschaft als geisteswissenschaftlicher Disziplin liegt in den Bemühungen des 19. Jahrhunderts, die Werke herausragender Komponisten zu konservieren und einer breiteren Öffentlichkeit zu erschließen. In diesem Umfeld erschien im Jahr 1851 der erste Band der Bach-Gesamtausgabe, herausgegeben von der Leipziger Bachgesellschaft. Alle nachfolgenden Musiker-Ausgaben entwickelten sich auf dieser Basis und reizten die Möglichkeiten des Buchmediums in zunehmenden Maße aus. Seit etwa zehn Jahren wird versucht, das Potential digitaler Medien für die Musikphilologie zu erschließen. Ausgehend von der Geschichte musikwissenschaftlicher Ausgaben und einer kritischen Reflektion des bisher Geleisteten, weist dieser Band mögliche neue Perspektiven für zukünftige, dem neuen Medium angemessene Editionsformen auf.","lang":"eng"}],"title":"Musikedition im Zeichen neuer Medien – Historische Entwicklung und gegenwärtige Perspektiven musikalischer Gesamtausgaben","publisher":"Books on Demand","date_created":"2024-08-28T11:40:24Z","year":"2011","_id":"55829","user_id":"1684","series_title":"Schriften des Instituts für Dokumentologie und Editorik","department":[{"_id":"538"},{"_id":"874"}],"status":"public","type":"book","main_file_link":[{"open_access":"1","url":"http://kups.ub.uni-koeln.de/id/eprint/6639"}],"date_updated":"2024-08-28T14:18:49Z","oa":"1","author":[{"id":"1684","full_name":"Kepper, Johannes","orcid":"0000-0003-4891-260X","last_name":"Kepper","first_name":"Johannes"}],"volume":5,"place":"Norderstedt","citation":{"ama":"Kepper J. <i>Musikedition im Zeichen neuer Medien – Historische Entwicklung und gegenwärtige Perspektiven musikalischer Gesamtausgaben</i>. 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