---
_id: '55839'
author:
- first_name: Susanne
full_name: Cox, Susanne
last_name: Cox
- first_name: Johannes
full_name: Kepper, Johannes
id: '1684'
last_name: Kepper
orcid: 0000-0003-4891-260X
citation:
ama: 'Cox S, Kepper J. Encoding Genetic Processes II. In: Münnich S, Rizo D, eds.
Music Encoding Conference Proceedings 2021. Humanities Commons; 2022:85–95.
doi:https://doi.org/10.17613/q6y4-9139'
apa: Cox, S., & Kepper, J. (2022). Encoding Genetic Processes II. In S. Münnich
& D. Rizo (Eds.), Music Encoding Conference Proceedings 2021 (pp. 85–95).
Humanities Commons. https://doi.org/10.17613/q6y4-9139
bibtex: '@inproceedings{Cox_Kepper_2022, place={Alicante}, title={Encoding Genetic
Processes II}, DOI={https://doi.org/10.17613/q6y4-9139},
booktitle={Music Encoding Conference Proceedings 2021}, publisher={Humanities
Commons}, author={Cox, Susanne and Kepper, Johannes}, editor={Münnich, Stefan
and Rizo, David}, year={2022}, pages={85–95} }'
chicago: 'Cox, Susanne, and Johannes Kepper. “Encoding Genetic Processes II.” In
Music Encoding Conference Proceedings 2021, edited by Stefan Münnich and
David Rizo, 85–95. Alicante: Humanities Commons, 2022. https://doi.org/10.17613/q6y4-9139.'
ieee: 'S. Cox and J. Kepper, “Encoding Genetic Processes II,” in Music Encoding
Conference Proceedings 2021, 2022, pp. 85–95, doi: https://doi.org/10.17613/q6y4-9139.'
mla: Cox, Susanne, and Johannes Kepper. “Encoding Genetic Processes II.” Music
Encoding Conference Proceedings 2021, edited by Stefan Münnich and David Rizo,
Humanities Commons, 2022, pp. 85–95, doi:https://doi.org/10.17613/q6y4-9139.
short: 'S. Cox, J. Kepper, in: S. Münnich, D. Rizo (Eds.), Music Encoding Conference
Proceedings 2021, Humanities Commons, Alicante, 2022, pp. 85–95.'
date_created: 2024-08-28T11:45:05Z
date_updated: 2024-08-28T14:05:21Z
department:
- _id: '538'
- _id: '874'
doi: https://doi.org/10.17613/q6y4-9139
editor:
- first_name: Stefan
full_name: Münnich, Stefan
last_name: Münnich
- first_name: David
full_name: Rizo, David
last_name: Rizo
language:
- iso: eng
main_file_link:
- open_access: '1'
url: https://doi.org/10.17613/q6y4-9139
oa: '1'
page: 85–95
place: Alicante
project:
- _id: '743'
name: Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition
publication: Music Encoding Conference Proceedings 2021
publication_status: published
publisher: Humanities Commons
status: public
title: Encoding Genetic Processes II
type: conference
user_id: '1684'
year: '2022'
...
---
_id: '55841'
abstract:
- lang: eng
text: For musicologists, the collation of multiple sources of the same work is a
frequent task. By comparing different witnesses, they seek to identify variation,
describe dependencies, and ultimately understand the genesis and transmission
of (musical) works. Obviously, the need for such comparison is independent from
the medium in which a musical work is manifested. In computing, comparing files
for difference is a common task, and the well-known Unix utility diff is almost
46 years old. However, diff, like many other such tools, operates on plain text.
While many music encoding formats based on plain text exist, formats used in the
field of Digital Humanities are typically based on XML. There are dedicated algorithms
for comparing XML as well, but they only focus on the syntax of XML, but not the
semantic structures modelled into such standards as MEI. MEI seeks to describe
musical structures, and the XML syntax is just a means to express those structures.
A diff tool for music should focus on comparing musical structures, but not the
specifics of their serialization into a file format. In {Beethovens Werkstatt},
a 16-year project focussed on exploring the concepts and requirements of digital
genetic editions of music, based on and arguing with examples from Ludwig van
Beethoven, a case-bound diff tool for music was developed. The following paper
discusses how that specific tool can be generalized, and which use cases such
a tool may support.
author:
- first_name: Kristin
full_name: Herold, Kristin
last_name: Herold
- first_name: Johannes
full_name: Kepper, Johannes
id: '1684'
last_name: Kepper
orcid: 0000-0003-4891-260X
- first_name: Ran
full_name: Mo, Ran
last_name: Mo
- first_name: Agnes Regina
full_name: Seipelt, Agnes Regina
id: '24239'
last_name: Seipelt
citation:
ama: 'Herold K, Kepper J, Mo R, Seipelt AR. MusicDiff – A Diff Tool for MEI. In:
De Luca E, Flanders J, eds. Music Encoding Conference Proceedings 2020.
Humanities Commons; 2020:59–66. doi:10.17613/ydbv-e158'
apa: Herold, K., Kepper, J., Mo, R., & Seipelt, A. R. (2020). MusicDiff – A
Diff Tool for MEI. In E. De Luca & J. Flanders (Eds.), Music Encoding Conference
Proceedings 2020 (pp. 59–66). Humanities Commons. https://doi.org/10.17613/ydbv-e158
bibtex: '@inproceedings{Herold_Kepper_Mo_Seipelt_2020, title={MusicDiff – A Diff
Tool for MEI}, DOI={10.17613/ydbv-e158},
booktitle={Music Encoding Conference Proceedings 2020}, publisher={Humanities
Commons}, author={Herold, Kristin and Kepper, Johannes and Mo, Ran and Seipelt,
Agnes Regina}, editor={De Luca, Elsa and Flanders, Julia}, year={2020}, pages={59–66}
}'
chicago: Herold, Kristin, Johannes Kepper, Ran Mo, and Agnes Regina Seipelt. “MusicDiff
– A Diff Tool for MEI.” In Music Encoding Conference Proceedings 2020,
edited by Elsa De Luca and Julia Flanders, 59–66. Humanities Commons, 2020. https://doi.org/10.17613/ydbv-e158.
ieee: 'K. Herold, J. Kepper, R. Mo, and A. R. Seipelt, “MusicDiff – A Diff Tool
for MEI,” in Music Encoding Conference Proceedings 2020, 2020, pp. 59–66,
doi: 10.17613/ydbv-e158.'
mla: Herold, Kristin, et al. “MusicDiff – A Diff Tool for MEI.” Music Encoding
Conference Proceedings 2020, edited by Elsa De Luca and Julia Flanders, Humanities
Commons, 2020, pp. 59–66, doi:10.17613/ydbv-e158.
short: 'K. Herold, J. Kepper, R. Mo, A.R. Seipelt, in: E. De Luca, J. Flanders (Eds.),
Music Encoding Conference Proceedings 2020, Humanities Commons, 2020, pp. 59–66.'
date_created: 2024-08-28T11:45:23Z
date_updated: 2024-08-28T14:04:19Z
department:
- _id: '874'
- _id: '538'
doi: 10.17613/ydbv-e158
editor:
- first_name: Elsa
full_name: De Luca, Elsa
last_name: De Luca
- first_name: Julia
full_name: Flanders, Julia
last_name: Flanders
keyword:
- mec-proceedings
- mec-proceedings-2020
language:
- iso: eng
main_file_link:
- open_access: '1'
url: https://hcommons.org/deposits/item/hc:31963/
oa: '1'
page: 59–66
project:
- _id: '743'
name: Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition
publication: Music Encoding Conference Proceedings 2020
publication_status: published
publisher: Humanities Commons
status: public
title: MusicDiff – A Diff Tool for MEI
type: conference
user_id: '1684'
year: '2020'
...
---
_id: '55849'
abstract:
- lang: eng
text: Conference proceedings of the Music Encoding Conferences 2015, 2016 and 2017
with Introduction by Giuliano Di Bacco
citation:
ama: Di Bacco G, Kepper J, Roland PD, eds. Music Encoding Conference Proceedings
2015, 2016 and 2017. Bavarian State Library (BSB); 2019. doi:10.15463/music-1
apa: Di Bacco, G., Kepper, J., & Roland, P. D. (Eds.). (2019). Music Encoding
Conference Proceedings 2015, 2016 and 2017. Bavarian State Library (BSB).
https://doi.org/10.15463/music-1
bibtex: '@book{Di Bacco_Kepper_Roland_2019, title={Music Encoding Conference Proceedings
2015, 2016 and 2017}, DOI={10.15463/music-1},
publisher={Bavarian State Library (BSB)}, year={2019} }'
chicago: Di Bacco, Giuliano, Johannes Kepper, and Perry D. Roland, eds. Music
Encoding Conference Proceedings 2015, 2016 and 2017. Bavarian State Library
(BSB), 2019. https://doi.org/10.15463/music-1.
ieee: G. Di Bacco, J. Kepper, and P. D. Roland, Eds., Music Encoding Conference
Proceedings 2015, 2016 and 2017. Bavarian State Library (BSB), 2019.
mla: Di Bacco, Giuliano, et al., editors. Music Encoding Conference Proceedings
2015, 2016 and 2017. Bavarian State Library (BSB), 2019, doi:10.15463/music-1.
short: G. Di Bacco, J. Kepper, P.D. Roland, eds., Music Encoding Conference Proceedings
2015, 2016 and 2017, Bavarian State Library (BSB), 2019.
date_created: 2024-08-28T11:48:09Z
date_updated: 2024-08-28T13:58:21Z
department:
- _id: '538'
- _id: '874'
doi: 10.15463/music-1
editor:
- first_name: Giuliano
full_name: Di Bacco, Giuliano
last_name: Di Bacco
- first_name: Johannes
full_name: Kepper, Johannes
id: '1684'
last_name: Kepper
orcid: 0000-0003-4891-260X
- first_name: Perry D.
full_name: Roland, Perry D.
last_name: Roland
keyword:
- mec-proceedings
- mec-proceedings-2016
- mec-proceedings-2015
- mec-proceedings-2017
language:
- iso: eng
main_file_link:
- open_access: '1'
url: https://doi.org/10.15463/music-1
oa: '1'
publication_status: published
publisher: Bavarian State Library (BSB)
status: public
title: Music Encoding Conference Proceedings 2015, 2016 and 2017
type: book_editor
user_id: '1684'
year: '2019'
...
---
_id: '55837'
abstract:
- lang: eng
text: The Freischütz Digital project (FreiDi) was one of the pioneer projects employing
MEI in large scale. It did not only try to encode a huge quantity of music material,
it also sought to capture as many aspects of the available sources as possible,
effectively creating data of almost unrivaled richness. This paper discusses the
outcomes of and experiences made in the FreiDi project.
author:
- first_name: Johannes
full_name: Kepper, Johannes
id: '1684'
last_name: Kepper
orcid: 0000-0003-4891-260X
citation:
ama: 'Kepper J. Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital
Project. In: Di Bacco G, Kepper J, Roland P, eds. Music Encoding Conference
Proceedings 2015, 2016 and 2017. Bavarian State Library (BSB); 2019:95–105.
doi:10.15463/music-1'
apa: Kepper, J. (2019). Wie? Was? Entsetzen! Lessons Learned from the Freischütz
Digital Project. In G. Di Bacco, J. Kepper, & P. Roland (Eds.), Music Encoding
Conference Proceedings 2015, 2016 and 2017 (pp. 95–105). Bavarian State Library
(BSB). https://doi.org/10.15463/music-1
bibtex: '@inproceedings{Kepper_2019, title={Wie? Was? Entsetzen! Lessons Learned
from the Freischütz Digital Project}, DOI={10.15463/music-1},
booktitle={Music Encoding Conference Proceedings 2015, 2016 and 2017}, publisher={Bavarian
State Library (BSB)}, author={Kepper, Johannes}, editor={Di Bacco, Giuliano and
Kepper, Johannes and Roland, Perry}, year={2019}, pages={95–105} }'
chicago: Kepper, Johannes. “Wie? Was? Entsetzen! Lessons Learned from the Freischütz
Digital Project.” In Music Encoding Conference Proceedings 2015, 2016 and 2017,
edited by Giuliano Di Bacco, Johannes Kepper, and Perry Roland, 95–105. Bavarian
State Library (BSB), 2019. https://doi.org/10.15463/music-1.
ieee: 'J. Kepper, “Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital
Project,” in Music Encoding Conference Proceedings 2015, 2016 and 2017,
2019, pp. 95–105, doi: 10.15463/music-1.'
mla: Kepper, Johannes. “Wie? Was? Entsetzen! Lessons Learned from the Freischütz
Digital Project.” Music Encoding Conference Proceedings 2015, 2016 and 2017,
edited by Giuliano Di Bacco et al., Bavarian State Library (BSB), 2019, pp. 95–105,
doi:10.15463/music-1.
short: 'J. Kepper, in: G. Di Bacco, J. Kepper, P. Roland (Eds.), Music Encoding
Conference Proceedings 2015, 2016 and 2017, Bavarian State Library (BSB), 2019,
pp. 95–105.'
date_created: 2024-08-28T11:44:28Z
date_updated: 2024-08-28T14:06:38Z
department:
- _id: '538'
- _id: '874'
doi: 10.15463/music-1
editor:
- first_name: Giuliano
full_name: Di Bacco, Giuliano
last_name: Di Bacco
- first_name: Johannes
full_name: Kepper, Johannes
last_name: Kepper
- first_name: Perry
full_name: Roland, Perry
last_name: Roland
keyword:
- mec-proceedings
- mec-proceedings-2016
language:
- iso: eng
page: 95–105
publication: Music Encoding Conference Proceedings 2015, 2016 and 2017
publication_status: published
publisher: Bavarian State Library (BSB)
status: public
title: Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project
type: conference
user_id: '1684'
year: '2019'
...
---
_id: '55843'
abstract:
- lang: eng
text: This report summarizes technical concepts of the Beethovens Werkstatt project,
discussing various prototypes and the technical architectures used. The original
version at https://beethovens-werkstatt.de/softwareentwicklung-2017/ includes
videos not available in the PDF version published on Zenodo.
author:
- first_name: Johannes
full_name: Kepper, Johannes
id: '1684'
last_name: Kepper
orcid: 0000-0003-4891-260X
citation:
ama: 'Kepper J. Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens
Werkstatt: Dokumentation und Zwischenbilanz (2014–2017).; 2017. doi:10.5281/ZENODO.13289742'
apa: 'Kepper, J. (2017). Zu den Herausforderungen der Softwareentwicklung im
Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017).
https://doi.org/10.5281/ZENODO.13289742'
bibtex: '@book{Kepper_2017, title={Zu den Herausforderungen der Softwareentwicklung
im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017)},
DOI={10.5281/ZENODO.13289742},
author={Kepper, Johannes}, year={2017} }'
chicago: 'Kepper, Johannes. Zu den Herausforderungen der Softwareentwicklung
im Projekt Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017),
2017. https://doi.org/10.5281/ZENODO.13289742.'
ieee: 'J. Kepper, Zu den Herausforderungen der Softwareentwicklung im Projekt
Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017). 2017.'
mla: 'Kepper, Johannes. Zu den Herausforderungen der Softwareentwicklung im Projekt
Beethovens Werkstatt: Dokumentation und Zwischenbilanz (2014–2017). 2017,
doi:10.5281/ZENODO.13289742.'
short: 'J. Kepper, Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens
Werkstatt: Dokumentation und Zwischenbilanz (2014–2017), 2017.'
date_created: 2024-08-28T11:46:04Z
date_updated: 2024-08-28T13:36:41Z
department:
- _id: '874'
- _id: '538'
doi: 10.5281/ZENODO.13289742
keyword:
- Musicology
- Digital humanities
language:
- iso: ger
project:
- _id: '743'
name: Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition
publication_status: published
status: public
title: 'Zu den Herausforderungen der Softwareentwicklung im Projekt Beethovens Werkstatt:
Dokumentation und Zwischenbilanz (2014–2017)'
type: report
user_id: '1684'
year: '2017'
...
---
_id: '55828'
author:
- first_name: Johannes
full_name: Kepper, Johannes
id: '1684'
last_name: Kepper
orcid: 0000-0003-4891-260X
- first_name: Laurent
full_name: Pugin, Laurent
last_name: Pugin
citation:
ama: Kepper J, Pugin L. Was ist eine Digitale Edition? Versuch einer Positionsbestimmung
zum Stand der Musikphilologie im Jahr 2017. Musiktheorie (Zeitschrift für Musikwissenschaft).
2017;Jahrgang 32(4):347–363.
apa: Kepper, J., & Pugin, L. (2017). Was ist eine Digitale Edition? Versuch
einer Positionsbestimmung zum Stand der Musikphilologie im Jahr 2017. Musiktheorie
(Zeitschrift für Musikwissenschaft), Jahrgang 32(4), 347–363.
bibtex: '@article{Kepper_Pugin_2017, title={Was ist eine Digitale Edition? Versuch
einer Positionsbestimmung zum Stand der Musikphilologie im Jahr 2017}, volume={Jahrgang
32}, number={4}, journal={Musiktheorie (Zeitschrift für Musikwissenschaft)}, author={Kepper,
Johannes and Pugin, Laurent}, year={2017}, pages={347–363} }'
chicago: 'Kepper, Johannes, and Laurent Pugin. “Was ist eine Digitale Edition? Versuch
einer Positionsbestimmung zum Stand der Musikphilologie im Jahr 2017.” Musiktheorie
(Zeitschrift für Musikwissenschaft) Jahrgang 32, no. 4 (2017): 347–363.'
ieee: J. Kepper and L. Pugin, “Was ist eine Digitale Edition? Versuch einer Positionsbestimmung
zum Stand der Musikphilologie im Jahr 2017,” Musiktheorie (Zeitschrift für
Musikwissenschaft), vol. Jahrgang 32, no. 4, pp. 347–363, 2017.
mla: Kepper, Johannes, and Laurent Pugin. “Was ist eine Digitale Edition? Versuch
einer Positionsbestimmung zum Stand der Musikphilologie im Jahr 2017.” Musiktheorie
(Zeitschrift für Musikwissenschaft), vol. Jahrgang 32, no. 4, 2017, pp. 347–363.
short: J. Kepper, L. Pugin, Musiktheorie (Zeitschrift für Musikwissenschaft) Jahrgang
32 (2017) 347–363.
date_created: 2024-08-28T11:40:03Z
date_updated: 2024-08-28T13:34:30Z
department:
- _id: '874'
- _id: '538'
issue: '4'
language:
- iso: ger
page: 347–363
publication: Musiktheorie (Zeitschrift für Musikwissenschaft)
publication_status: published
status: public
title: Was ist eine Digitale Edition? Versuch einer Positionsbestimmung zum Stand
der Musikphilologie im Jahr 2017
type: journal_article
user_id: '1684'
volume: Jahrgang 32
year: '2017'
...
---
_id: '55844'
abstract:
- lang: eng
text: This is a copy of the Freischütz Digital/data-music repository, which is meant
for long-term preservation. A description of the dataset can be found in the readme.md
file.
author:
- first_name: Johannes
full_name: Kepper, Johannes
id: '1684'
last_name: Kepper
orcid: 0000-0003-4891-260X
citation:
ama: 'Kepper J. Freischütz Digital: Data-Music, The Academy 2017 Release.
Zenodo; 2017. doi:10.5281/ZENODO.13310669'
apa: 'Kepper, J. (2017). Freischütz Digital: data-music, The Academy 2017 Release.
Zenodo. https://doi.org/10.5281/ZENODO.13310669'
bibtex: '@book{Kepper_2017, title={Freischütz Digital: data-music, The Academy 2017
Release}, DOI={10.5281/ZENODO.13310669},
publisher={Zenodo}, author={Kepper, Johannes}, year={2017} }'
chicago: 'Kepper, Johannes. Freischütz Digital: Data-Music, The Academy 2017
Release. Zenodo, 2017. https://doi.org/10.5281/ZENODO.13310669.'
ieee: 'J. Kepper, Freischütz Digital: data-music, The Academy 2017 Release.
Zenodo, 2017.'
mla: 'Kepper, Johannes. Freischütz Digital: Data-Music, The Academy 2017 Release.
Zenodo, 2017, doi:10.5281/ZENODO.13310669.'
short: 'J. Kepper, Freischütz Digital: Data-Music, The Academy 2017 Release, Zenodo,
2017.'
date_created: 2024-08-28T11:46:28Z
date_updated: 2024-08-28T13:38:26Z
department:
- _id: '538'
- _id: '874'
doi: 10.5281/ZENODO.13310669
publisher: Zenodo
status: public
title: 'Freischütz Digital: data-music, The Academy 2017 Release'
type: research_data
user_id: '1684'
year: '2017'
...
---
_id: '55827'
author:
- first_name: Johannes
full_name: Kepper, Johannes
id: '1684'
last_name: Kepper
orcid: 0000-0003-4891-260X
- first_name: Maja
full_name: Hartwig, Maja
last_name: Hartwig
citation:
ama: 'Kepper J, Hartwig M. Die Spuren des Digitalen. Über die Nachnutzbarkeit digitaler
Inhalte. In: Richts K, Stadler P, eds. „Ei, dem alten Herrn zoll’ ich Achtung
gern’“. Festschrift für Joachim Veit zum 60. Geburtstag. Allitera Verlag;
2016:319–330.'
apa: Kepper, J., & Hartwig, M. (2016). Die Spuren des Digitalen. Über die Nachnutzbarkeit
digitaler Inhalte. In K. Richts & P. Stadler (Eds.), „Ei, dem alten Herrn
zoll’ ich Achtung gern’“. Festschrift für Joachim Veit zum 60. Geburtstag
(pp. 319–330). Allitera Verlag.
bibtex: '@inbook{Kepper_Hartwig_2016, place={München}, title={Die Spuren des Digitalen.
Über die Nachnutzbarkeit digitaler Inhalte}, booktitle={„Ei, dem alten Herrn zoll’
ich Achtung gern’“. Festschrift für Joachim Veit zum 60. Geburtstag}, publisher={Allitera
Verlag}, author={Kepper, Johannes and Hartwig, Maja}, editor={Richts, Kristina
and Stadler, Peter}, year={2016}, pages={319–330} }'
chicago: 'Kepper, Johannes, and Maja Hartwig. “Die Spuren des Digitalen. Über die
Nachnutzbarkeit digitaler Inhalte.” In „Ei, dem alten Herrn zoll’ ich Achtung
gern’“. Festschrift für Joachim Veit zum 60. Geburtstag, edited by Kristina
Richts and Peter Stadler, 319–330. München: Allitera Verlag, 2016.'
ieee: 'J. Kepper and M. Hartwig, “Die Spuren des Digitalen. Über die Nachnutzbarkeit
digitaler Inhalte,” in „Ei, dem alten Herrn zoll’ ich Achtung gern’“. Festschrift
für Joachim Veit zum 60. Geburtstag, K. Richts and P. Stadler, Eds. München:
Allitera Verlag, 2016, pp. 319–330.'
mla: Kepper, Johannes, and Maja Hartwig. “Die Spuren des Digitalen. Über die Nachnutzbarkeit
digitaler Inhalte.” „Ei, dem alten Herrn zoll’ ich Achtung gern’“. Festschrift
für Joachim Veit zum 60. Geburtstag, edited by Kristina Richts and Peter Stadler,
Allitera Verlag, 2016, pp. 319–330.
short: 'J. Kepper, M. Hartwig, in: K. Richts, P. Stadler (Eds.), „Ei, dem alten
Herrn zoll’ ich Achtung gern’“. Festschrift für Joachim Veit zum 60. Geburtstag,
Allitera Verlag, München, 2016, pp. 319–330.'
date_created: 2024-08-28T11:39:46Z
date_updated: 2024-08-28T13:32:58Z
department:
- _id: '874'
- _id: '538'
editor:
- first_name: Kristina
full_name: Richts, Kristina
last_name: Richts
- first_name: Peter
full_name: Stadler, Peter
last_name: Stadler
language:
- iso: ger
page: 319–330
place: München
publication: „Ei, dem alten Herrn zoll’ ich Achtung gern’“. Festschrift für Joachim
Veit zum 60. Geburtstag
publication_identifier:
isbn:
- 978-3-86906-842-8
publication_status: published
publisher: Allitera Verlag
status: public
title: Die Spuren des Digitalen. Über die Nachnutzbarkeit digitaler Inhalte
type: book_chapter
user_id: '1684'
year: '2016'
...
---
_id: '55845'
author:
- first_name: Johannes
full_name: Kepper, Johannes
id: '1684'
last_name: Kepper
orcid: 0000-0003-4891-260X
- first_name: Kristina
full_name: Richts, Kristina
last_name: Richts
citation:
ama: 'Kepper J, Richts K. Expression beyond Scope: How FRBR and MEI fit together.
In: IAML Congress Programme with Abstracts. ; 2016:59–60.'
apa: 'Kepper, J., & Richts, K. (2016). Expression beyond Scope: How FRBR and
MEI fit together. IAML Congress Programme with Abstracts, 59–60.'
bibtex: '@inproceedings{Kepper_Richts_2016, place={Rome}, title={Expression beyond
Scope: How FRBR and MEI fit together}, booktitle={IAML Congress Programme with
abstracts}, author={Kepper, Johannes and Richts, Kristina}, year={2016}, pages={59–60}
}'
chicago: 'Kepper, Johannes, and Kristina Richts. “Expression beyond Scope: How FRBR
and MEI Fit Together.” In IAML Congress Programme with Abstracts, 59–60.
Rome, 2016.'
ieee: 'J. Kepper and K. Richts, “Expression beyond Scope: How FRBR and MEI fit together,”
in IAML Congress Programme with abstracts, Rom, 2016, pp. 59–60.'
mla: 'Kepper, Johannes, and Kristina Richts. “Expression beyond Scope: How FRBR
and MEI Fit Together.” IAML Congress Programme with Abstracts, 2016, pp.
59–60.'
short: 'J. Kepper, K. Richts, in: IAML Congress Programme with Abstracts, Rome,
2016, pp. 59–60.'
conference:
end_date: 2016-07-08
location: Rom
name: 2016 IAML Congress
start_date: 2016-07-03
date_created: 2024-08-28T11:46:50Z
date_updated: 2024-08-28T13:50:20Z
department:
- _id: '538'
- _id: '874'
language:
- iso: eng
page: 59–60
place: Rome
publication: IAML Congress Programme with abstracts
publication_status: published
status: public
title: 'Expression beyond Scope: How FRBR and MEI fit together'
type: conference_abstract
user_id: '1684'
year: '2016'
...
---
_id: '55826'
author:
- first_name: Johannes
full_name: Kepper, Johannes
id: '1684'
last_name: Kepper
orcid: 0000-0003-4891-260X
citation:
ama: 'Kepper J. The Impact of the Digital. How Digital Editions will change Editing
itself, and what can be learned from the History of Editing. In: Roland PD, Kepper
J, eds. Music Encoding Conference Proceedings 2013 and 2014. ; 2015:162–167.'
apa: Kepper, J. (2015). The Impact of the Digital. How Digital Editions will change
Editing itself, and what can be learned from the History of Editing. In P. D.
Roland & J. Kepper (Eds.), Music Encoding Conference Proceedings 2013 and
2014 (pp. 162–167).
bibtex: '@inbook{Kepper_2015, place={Charlottesville und Detmold}, title={The Impact
of the Digital. How Digital Editions will change Editing itself, and what can
be learned from the History of Editing}, booktitle={Music Encoding Conference
Proceedings 2013 and 2014}, author={Kepper, Johannes}, editor={Roland, Perry D.
and Kepper, Johannes}, year={2015}, pages={162–167} }'
chicago: Kepper, Johannes. “The Impact of the Digital. How Digital Editions Will
Change Editing Itself, and What Can Be Learned from the History of Editing.” In
Music Encoding Conference Proceedings 2013 and 2014, edited by Perry D.
Roland and Johannes Kepper, 162–167. Charlottesville und Detmold, 2015.
ieee: J. Kepper, “The Impact of the Digital. How Digital Editions will change Editing
itself, and what can be learned from the History of Editing,” in Music Encoding
Conference Proceedings 2013 and 2014, P. D. Roland and J. Kepper, Eds. Charlottesville
und Detmold, 2015, pp. 162–167.
mla: Kepper, Johannes. “The Impact of the Digital. How Digital Editions Will Change
Editing Itself, and What Can Be Learned from the History of Editing.” Music
Encoding Conference Proceedings 2013 and 2014, edited by Perry D. Roland and
Johannes Kepper, 2015, pp. 162–167.
short: 'J. Kepper, in: P.D. Roland, J. Kepper (Eds.), Music Encoding Conference
Proceedings 2013 and 2014, Charlottesville und Detmold, 2015, pp. 162–167.'
date_created: 2024-08-28T11:39:23Z
date_updated: 2024-08-28T13:30:22Z
department:
- _id: '538'
- _id: '874'
editor:
- first_name: Perry D.
full_name: Roland, Perry D.
last_name: Roland
- first_name: Johannes
full_name: Kepper, Johannes
last_name: Kepper
language:
- iso: eng
page: 162–167
place: Charlottesville und Detmold
publication: Music Encoding Conference Proceedings 2013 and 2014
publication_status: published
status: public
title: The Impact of the Digital. How Digital Editions will change Editing itself,
and what can be learned from the History of Editing
type: book_chapter
user_id: '1684'
year: '2015'
...
---
_id: '55825'
author:
- first_name: Johannes
full_name: Kepper, Johannes
id: '1684'
last_name: Kepper
orcid: 0000-0003-4891-260X
- first_name: Solveig
full_name: Schreiter, Solveig
last_name: Schreiter
- first_name: Joachim
full_name: Veit, Joachim
id: '14948'
last_name: Veit
citation:
ama: Kepper J, Schreiter S, Veit J. ‚Freischütz‘ analog oder digital – Editionsformen
im Spannungsfeld von Wissenschaft und Praxis. editio Internationales Jahrbuch
für Editionswissenschaft. 2014;28:127–150. doi:https://doi.org/10.1515/editio-2014-009
apa: Kepper, J., Schreiter, S., & Veit, J. (2014). ‚Freischütz‘ analog oder
digital – Editionsformen im Spannungsfeld von Wissenschaft und Praxis. editio.
Internationales Jahrbuch für Editionswissenschaft, 28, 127–150. https://doi.org/10.1515/editio-2014-009
bibtex: '@article{Kepper_Schreiter_Veit_2014, title={‚Freischütz‘ analog oder digital
– Editionsformen im Spannungsfeld von Wissenschaft und Praxis}, volume={28}, DOI={https://doi.org/10.1515/editio-2014-009},
journal={editio. Internationales Jahrbuch für Editionswissenschaft}, author={Kepper,
Johannes and Schreiter, Solveig and Veit, Joachim}, year={2014}, pages={127–150}
}'
chicago: 'Kepper, Johannes, Solveig Schreiter, and Joachim Veit. “‚Freischütz‘ analog
oder digital – Editionsformen im Spannungsfeld von Wissenschaft und Praxis.” editio.
Internationales Jahrbuch für Editionswissenschaft 28 (2014): 127–150. https://doi.org/10.1515/editio-2014-009.'
ieee: 'J. Kepper, S. Schreiter, and J. Veit, “‚Freischütz‘ analog oder digital –
Editionsformen im Spannungsfeld von Wissenschaft und Praxis,” editio. Internationales
Jahrbuch für Editionswissenschaft, vol. 28, pp. 127–150, 2014, doi: https://doi.org/10.1515/editio-2014-009.'
mla: Kepper, Johannes, et al. “‚Freischütz‘ analog oder digital – Editionsformen
im Spannungsfeld von Wissenschaft und Praxis.” editio. Internationales Jahrbuch
für Editionswissenschaft, vol. 28, 2014, pp. 127–150, doi:https://doi.org/10.1515/editio-2014-009.
short: J. Kepper, S. Schreiter, J. Veit, editio. Internationales Jahrbuch für Editionswissenschaft
28 (2014) 127–150.
date_created: 2024-08-28T11:39:03Z
date_updated: 2024-08-28T13:19:17Z
department:
- _id: '538'
- _id: '874'
doi: https://doi.org/10.1515/editio-2014-009
intvolume: ' 28'
language:
- iso: ger
page: 127–150
publication: editio. Internationales Jahrbuch für Editionswissenschaft
publication_status: published
status: public
title: ‚Freischütz‘ analog oder digital – Editionsformen im Spannungsfeld von Wissenschaft
und Praxis
type: journal_article
user_id: '1684'
volume: 28
year: '2014'
...
---
_id: '55824'
author:
- first_name: Johannes
full_name: Kepper, Johannes
id: '1684'
last_name: Kepper
orcid: 0000-0003-4891-260X
- first_name: Perry D.
full_name: Roland, Perry D.
last_name: Roland
- first_name: Daniel
full_name: Röwenstrunk, Daniel
id: '439'
last_name: Röwenstrunk
orcid: https://orcid.org/0000-0001-6271-2095
citation:
ama: 'Kepper J, Roland PD, Röwenstrunk D. Musical Variants in Encoding, Analysis
and Visualization. In: Proceedings of Balisage: The Markup Conference 2013.
Balisage Series on Markup Technologies. ; 2013. doi:10.4242/BalisageVol10.Kepper01'
apa: 'Kepper, J., Roland, P. D., & Röwenstrunk, D. (2013). Musical Variants
in Encoding, Analysis and Visualization. Proceedings of Balisage: The Markup
Conference 2013. https://doi.org/10.4242/BalisageVol10.Kepper01'
bibtex: '@inproceedings{Kepper_Roland_Röwenstrunk_2013, series={Balisage Series
on Markup Technologies}, title={Musical Variants in Encoding, Analysis and Visualization},
DOI={10.4242/BalisageVol10.Kepper01},
booktitle={Proceedings of Balisage: The Markup Conference 2013}, author={Kepper,
Johannes and Roland, Perry D. and Röwenstrunk, Daniel}, year={2013}, collection={Balisage
Series on Markup Technologies} }'
chicago: 'Kepper, Johannes, Perry D. Roland, and Daniel Röwenstrunk. “Musical Variants
in Encoding, Analysis and Visualization.” In Proceedings of Balisage: The Markup
Conference 2013. Balisage Series on Markup Technologies, 2013. https://doi.org/10.4242/BalisageVol10.Kepper01.'
ieee: 'J. Kepper, P. D. Roland, and D. Röwenstrunk, “Musical Variants in Encoding,
Analysis and Visualization,” 2013, doi: 10.4242/BalisageVol10.Kepper01.'
mla: 'Kepper, Johannes, et al. “Musical Variants in Encoding, Analysis and Visualization.”
Proceedings of Balisage: The Markup Conference 2013, 2013, doi:10.4242/BalisageVol10.Kepper01.'
short: 'J. Kepper, P.D. Roland, D. Röwenstrunk, in: Proceedings of Balisage: The
Markup Conference 2013, 2013.'
date_created: 2024-08-28T11:38:37Z
date_updated: 2024-08-28T13:17:14Z
department:
- _id: '874'
- _id: '538'
doi: 10.4242/BalisageVol10.Kepper01
language:
- iso: eng
main_file_link:
- open_access: '1'
url: https://www.balisage.net/Proceedings/vol10/html/Kepper01/BalisageVol10-Kepper01.html
oa: '1'
publication: 'Proceedings of Balisage: The Markup Conference 2013'
publication_status: published
series_title: Balisage Series on Markup Technologies
status: public
title: Musical Variants in Encoding, Analysis and Visualization
type: conference
user_id: '1684'
year: '2013'
...
---
_id: '55823'
author:
- first_name: Christine
full_name: Siegert, Christine
last_name: Siegert
- first_name: Johannes
full_name: Kepper, Johannes
id: '1684'
last_name: Kepper
orcid: 0000-0003-4891-260X
citation:
ama: 'Siegert C, Kepper J. Oper multimedial – Zur Ausgabe von Haydns Arienbearbeitungen.
In: Bohnenkamp-Renken A, ed. Medienwandel / Medienwechsel in der Editionswissenschaft.
Vol 35. Beihefte zu editio. ; 2012:141–150. doi:10.1515/9783110300437.141'
apa: Siegert, C., & Kepper, J. (2012). Oper multimedial – Zur Ausgabe von Haydns
Arienbearbeitungen. In A. Bohnenkamp-Renken (Ed.), Medienwandel / Medienwechsel
in der Editionswissenschaft (Vol. 35, pp. 141–150). https://doi.org/10.1515/9783110300437.141
bibtex: '@inbook{Siegert_Kepper_2012, place={Berlin}, series={Beihefte zu editio},
title={Oper multimedial – Zur Ausgabe von Haydns Arienbearbeitungen}, volume={35},
DOI={10.1515/9783110300437.141},
booktitle={Medienwandel / Medienwechsel in der Editionswissenschaft}, author={Siegert,
Christine and Kepper, Johannes}, editor={Bohnenkamp-Renken, Annette}, year={2012},
pages={141–150}, collection={Beihefte zu editio} }'
chicago: Siegert, Christine, and Johannes Kepper. “Oper multimedial – Zur Ausgabe
von Haydns Arienbearbeitungen.” In Medienwandel / Medienwechsel in der Editionswissenschaft,
edited by Annette Bohnenkamp-Renken, 35:141–150. Beihefte zu editio. Berlin, 2012.
https://doi.org/10.1515/9783110300437.141.
ieee: C. Siegert and J. Kepper, “Oper multimedial – Zur Ausgabe von Haydns Arienbearbeitungen,”
in Medienwandel / Medienwechsel in der Editionswissenschaft, vol. 35, A.
Bohnenkamp-Renken, Ed. Berlin, 2012, pp. 141–150.
mla: Siegert, Christine, and Johannes Kepper. “Oper multimedial – Zur Ausgabe von
Haydns Arienbearbeitungen.” Medienwandel / Medienwechsel in der Editionswissenschaft,
edited by Annette Bohnenkamp-Renken, vol. 35, 2012, pp. 141–150, doi:10.1515/9783110300437.141.
short: 'C. Siegert, J. Kepper, in: A. Bohnenkamp-Renken (Ed.), Medienwandel / Medienwechsel
in der Editionswissenschaft, Berlin, 2012, pp. 141–150.'
date_created: 2024-08-28T11:38:13Z
date_updated: 2024-08-28T13:15:02Z
department:
- _id: '874'
- _id: '538'
doi: 10.1515/9783110300437.141
editor:
- first_name: Annette
full_name: Bohnenkamp-Renken, Annette
last_name: Bohnenkamp-Renken
intvolume: ' 35'
language:
- iso: ger
page: 141–150
place: Berlin
publication: Medienwandel / Medienwechsel in der Editionswissenschaft
publication_status: published
series_title: Beihefte zu editio
status: public
title: Oper multimedial – Zur Ausgabe von Haydns Arienbearbeitungen
type: book_chapter
user_id: '1684'
volume: 35
year: '2012'
...
---
_id: '55848'
author:
- first_name: Laurent
full_name: Pugin, Laurent
last_name: Pugin
- first_name: Johannes
full_name: Kepper, Johannes
id: '1684'
last_name: Kepper
orcid: 0000-0003-4891-260X
- first_name: Perry
full_name: Roland, Perry
last_name: Roland
- first_name: Maja
full_name: Hartwig, Maja
last_name: Hartwig
- first_name: Andrew
full_name: Hankinson, Andrew
last_name: Hankinson
citation:
ama: 'Pugin L, Kepper J, Roland P, Hartwig M, Hankinson A. Separating Presentation
and Content in MEI. In: Gouyon F, Herrera P, Martins LG, Müller M, eds. Proceedings
of the 13th International Society for Music Information Retrieval Conference,
ISMIR 2012, Mosteiro S.Bento Da Vitória, Porto, Portugal, October 8-12, 2012.
FEUP Edições; 2012:505–510.'
apa: Pugin, L., Kepper, J., Roland, P., Hartwig, M., & Hankinson, A. (2012).
Separating Presentation and Content in MEI. In F. Gouyon, P. Herrera, L. G. Martins,
& M. Müller (Eds.), Proceedings of the 13th International Society for Music
Information Retrieval Conference, ISMIR 2012, Mosteiro S.Bento Da Vitória, Porto,
Portugal, October 8-12, 2012 (pp. 505–510). FEUP Edições.
bibtex: '@inproceedings{Pugin_Kepper_Roland_Hartwig_Hankinson_2012, title={Separating
Presentation and Content in MEI}, booktitle={Proceedings of the 13th International
Society for Music Information Retrieval Conference, ISMIR 2012, Mosteiro S.Bento
Da Vitória, Porto, Portugal, October 8-12, 2012}, publisher={FEUP Edições}, author={Pugin,
Laurent and Kepper, Johannes and Roland, Perry and Hartwig, Maja and Hankinson,
Andrew}, editor={Gouyon, Fabien and Herrera, Perfecto and Martins, Luis Gustavo
and Müller, Meinard}, year={2012}, pages={505–510} }'
chicago: Pugin, Laurent, Johannes Kepper, Perry Roland, Maja Hartwig, and Andrew
Hankinson. “Separating Presentation and Content in MEI.” In Proceedings of
the 13th International Society for Music Information Retrieval Conference, ISMIR
2012, Mosteiro S.Bento Da Vitória, Porto, Portugal, October 8-12, 2012, edited
by Fabien Gouyon, Perfecto Herrera, Luis Gustavo Martins, and Meinard Müller,
505–510. FEUP Edições, 2012.
ieee: L. Pugin, J. Kepper, P. Roland, M. Hartwig, and A. Hankinson, “Separating
Presentation and Content in MEI,” in Proceedings of the 13th International
Society for Music Information Retrieval Conference, ISMIR 2012, Mosteiro S.Bento
Da Vitória, Porto, Portugal, October 8-12, 2012, 2012, pp. 505–510.
mla: Pugin, Laurent, et al. “Separating Presentation and Content in MEI.” Proceedings
of the 13th International Society for Music Information Retrieval Conference,
ISMIR 2012, Mosteiro S.Bento Da Vitória, Porto, Portugal, October 8-12, 2012,
edited by Fabien Gouyon et al., FEUP Edições, 2012, pp. 505–510.
short: 'L. Pugin, J. Kepper, P. Roland, M. Hartwig, A. Hankinson, in: F. Gouyon,
P. Herrera, L.G. Martins, M. Müller (Eds.), Proceedings of the 13th International
Society for Music Information Retrieval Conference, ISMIR 2012, Mosteiro S.Bento
Da Vitória, Porto, Portugal, October 8-12, 2012, FEUP Edições, 2012, pp. 505–510.'
date_created: 2024-08-28T11:47:49Z
date_updated: 2024-08-28T13:55:20Z
department:
- _id: '538'
- _id: '874'
editor:
- first_name: Fabien
full_name: Gouyon, Fabien
last_name: Gouyon
- first_name: Perfecto
full_name: Herrera, Perfecto
last_name: Herrera
- first_name: Luis Gustavo
full_name: Martins, Luis Gustavo
last_name: Martins
- first_name: Meinard
full_name: Müller, Meinard
last_name: Müller
language:
- iso: eng
main_file_link:
- open_access: '1'
url: https://ismir2012.ismir.net/event/papers/505_ISMIR_2012.pdf
oa: '1'
page: 505–510
publication: Proceedings of the 13th International Society for Music Information Retrieval
Conference, ISMIR 2012, Mosteiro S.Bento Da Vitória, Porto, Portugal, October 8-12,
2012
publication_status: published
publisher: FEUP Edições
status: public
title: Separating Presentation and Content in MEI
type: conference
user_id: '1684'
year: '2012'
...
---
_id: '55821'
author:
- first_name: Benjamin W.
full_name: Bohl, Benjamin W.
last_name: Bohl
- first_name: Johannes
full_name: Kepper, Johannes
id: '1684'
last_name: Kepper
orcid: 0000-0003-4891-260X
- first_name: Daniel
full_name: Röwenstrunk, Daniel
id: '439'
last_name: Röwenstrunk
orcid: https://orcid.org/0000-0001-6271-2095
citation:
ama: Bohl BW, Kepper J, Röwenstrunk D. Perspektiven digitaler Musikeditionen aus
der Sicht des Edirom-Projekts. Die Tonkunst. 2011;(III):270–276.
apa: Bohl, B. W., Kepper, J., & Röwenstrunk, D. (2011). Perspektiven digitaler
Musikeditionen aus der Sicht des Edirom-Projekts. Die Tonkunst, III,
270–276.
bibtex: '@article{Bohl_Kepper_Röwenstrunk_2011, title={Perspektiven digitaler Musikeditionen
aus der Sicht des Edirom-Projekts}, number={III}, journal={Die Tonkunst}, author={Bohl,
Benjamin W. and Kepper, Johannes and Röwenstrunk, Daniel}, year={2011}, pages={270–276}
}'
chicago: 'Bohl, Benjamin W., Johannes Kepper, and Daniel Röwenstrunk. “Perspektiven
digitaler Musikeditionen aus der Sicht des Edirom-Projekts.” Die Tonkunst,
no. III (2011): 270–276.'
ieee: B. W. Bohl, J. Kepper, and D. Röwenstrunk, “Perspektiven digitaler Musikeditionen
aus der Sicht des Edirom-Projekts,” Die Tonkunst, no. III, pp. 270–276,
2011.
mla: Bohl, Benjamin W., et al. “Perspektiven digitaler Musikeditionen aus der Sicht
des Edirom-Projekts.” Die Tonkunst, no. III, 2011, pp. 270–276.
short: B.W. Bohl, J. Kepper, D. Röwenstrunk, Die Tonkunst (2011) 270–276.
date_created: 2024-08-28T11:37:31Z
date_updated: 2024-08-28T13:12:06Z
department:
- _id: '538'
- _id: '874'
issue: III
language:
- iso: ger
page: 270–276
publication: Die Tonkunst
publication_status: published
status: public
title: Perspektiven digitaler Musikeditionen aus der Sicht des Edirom-Projekts
type: journal_article
user_id: '1684'
year: '2011'
...
---
_id: '55829'
abstract:
- lang: eng
text: Die Keimzelle der Musikwissenschaft als geisteswissenschaftlicher Disziplin
liegt in den Bemühungen des 19. Jahrhunderts, die Werke herausragender Komponisten
zu konservieren und einer breiteren Öffentlichkeit zu erschließen. In diesem Umfeld
erschien im Jahr 1851 der erste Band der Bach-Gesamtausgabe, herausgegeben von
der Leipziger Bachgesellschaft. Alle nachfolgenden Musiker-Ausgaben entwickelten
sich auf dieser Basis und reizten die Möglichkeiten des Buchmediums in zunehmenden
Maße aus. Seit etwa zehn Jahren wird versucht, das Potential digitaler Medien
für die Musikphilologie zu erschließen. Ausgehend von der Geschichte musikwissenschaftlicher
Ausgaben und einer kritischen Reflektion des bisher Geleisteten, weist dieser
Band mögliche neue Perspektiven für zukünftige, dem neuen Medium angemessene Editionsformen
auf.
author:
- first_name: Johannes
full_name: Kepper, Johannes
id: '1684'
last_name: Kepper
orcid: 0000-0003-4891-260X
citation:
ama: Kepper J. Musikedition im Zeichen neuer Medien – Historische Entwicklung
und gegenwärtige Perspektiven musikalischer Gesamtausgaben. Vol 5. Books on
Demand; 2011.
apa: Kepper, J. (2011). Musikedition im Zeichen neuer Medien – Historische Entwicklung
und gegenwärtige Perspektiven musikalischer Gesamtausgaben (Vol. 5). Books
on Demand.
bibtex: '@book{Kepper_2011, place={Norderstedt}, series={Schriften des Instituts
für Dokumentologie und Editorik}, title={Musikedition im Zeichen neuer Medien
– Historische Entwicklung und gegenwärtige Perspektiven musikalischer Gesamtausgaben},
volume={5}, publisher={Books on Demand}, author={Kepper, Johannes}, year={2011},
collection={Schriften des Instituts für Dokumentologie und Editorik} }'
chicago: 'Kepper, Johannes. Musikedition im Zeichen neuer Medien – Historische
Entwicklung und gegenwärtige Perspektiven musikalischer Gesamtausgaben. Vol.
5. Schriften des Instituts für Dokumentologie und Editorik. Norderstedt: Books
on Demand, 2011.'
ieee: 'J. Kepper, Musikedition im Zeichen neuer Medien – Historische Entwicklung
und gegenwärtige Perspektiven musikalischer Gesamtausgaben, vol. 5. Norderstedt:
Books on Demand, 2011.'
mla: Kepper, Johannes. Musikedition im Zeichen neuer Medien – Historische Entwicklung
und gegenwärtige Perspektiven musikalischer Gesamtausgaben. Books on Demand,
2011.
short: J. Kepper, Musikedition im Zeichen neuer Medien – Historische Entwicklung
und gegenwärtige Perspektiven musikalischer Gesamtausgaben, Books on Demand, Norderstedt,
2011.
date_created: 2024-08-28T11:40:24Z
date_updated: 2024-08-28T14:18:49Z
department:
- _id: '538'
- _id: '874'
intvolume: ' 5'
keyword:
- admin:website
- Codierungsformate
- DigitaleMusikedition
- Glossar
- Bibliografie online
language:
- iso: ger
main_file_link:
- open_access: '1'
url: http://kups.ub.uni-koeln.de/id/eprint/6639
oa: '1'
place: Norderstedt
publication_identifier:
isbn:
- 978-3-8448-0076-0
publication_status: published
publisher: Books on Demand
series_title: Schriften des Instituts für Dokumentologie und Editorik
status: public
title: Musikedition im Zeichen neuer Medien – Historische Entwicklung und gegenwärtige
Perspektiven musikalischer Gesamtausgaben
type: book
user_id: '1684'
volume: 5
year: '2011'
...
---
_id: '55813'
author:
- first_name: Johannes
full_name: Kepper, Johannes
id: '1684'
last_name: Kepper
orcid: 0000-0003-4891-260X
- first_name: Perry D.
full_name: Roland, Perry D.
last_name: Roland
citation:
ama: Kepper J, Roland PD. Music Encoding Initiative Tag Library, 2010-05 Release.;
2010.
apa: Kepper, J., & Roland, P. D. (2010). Music Encoding Initiative Tag Library,
2010-05 Release.
bibtex: '@book{Kepper_Roland_2010, place={Charlottesville und Detmold}, title={Music
Encoding Initiative Tag Library, 2010-05 Release}, author={Kepper, Johannes and
Roland, Perry D.}, year={2010} }'
chicago: Kepper, Johannes, and Perry D. Roland. Music Encoding Initiative Tag
Library, 2010-05 Release. Charlottesville und Detmold, 2010.
ieee: J. Kepper and P. D. Roland, Music Encoding Initiative Tag Library, 2010-05
Release. Charlottesville und Detmold, 2010.
mla: Kepper, Johannes, and Perry D. Roland. Music Encoding Initiative Tag Library,
2010-05 Release. 2010.
short: J. Kepper, P.D. Roland, Music Encoding Initiative Tag Library, 2010-05 Release,
Charlottesville und Detmold, 2010.
date_created: 2024-08-28T11:33:32Z
date_updated: 2024-08-28T12:58:18Z
department:
- _id: '874'
- _id: '538'
language:
- iso: eng
main_file_link:
- open_access: '1'
url: https://music-encoding.org/downloads/MEI_TagLibrary_2010-05.pdf
oa: '1'
place: Charlottesville und Detmold
publication_status: published
status: public
title: Music Encoding Initiative Tag Library, 2010-05 Release
type: book
user_id: '1684'
year: '2010'
...
---
_id: '55820'
author:
- first_name: Johannes
full_name: Kepper, Johannes
id: '1684'
last_name: Kepper
orcid: 0000-0003-4891-260X
citation:
ama: Kepper J. XML-basierte Codierung musikwissenschaftlicher Daten – Zu den Voraussetzungen
einer digitalen Musikedition. it – Information Technology. 2009;51(4):216–221.
apa: Kepper, J. (2009). XML-basierte Codierung musikwissenschaftlicher Daten – Zu
den Voraussetzungen einer digitalen Musikedition. it – Information Technology,
51(4), 216–221.
bibtex: '@article{Kepper_2009, title={XML-basierte Codierung musikwissenschaftlicher
Daten – Zu den Voraussetzungen einer digitalen Musikedition}, volume={51}, number={4},
journal={it – Information Technology}, author={Kepper, Johannes}, year={2009},
pages={216–221} }'
chicago: 'Kepper, Johannes. “XML-basierte Codierung musikwissenschaftlicher Daten
– Zu den Voraussetzungen einer digitalen Musikedition.” it – Information Technology
51, no. 4 (2009): 216–221.'
ieee: J. Kepper, “XML-basierte Codierung musikwissenschaftlicher Daten – Zu den
Voraussetzungen einer digitalen Musikedition,” it – Information Technology,
vol. 51, no. 4, pp. 216–221, 2009.
mla: Kepper, Johannes. “XML-basierte Codierung musikwissenschaftlicher Daten – Zu
den Voraussetzungen einer digitalen Musikedition.” it – Information Technology,
vol. 51, no. 4, 2009, pp. 216–221.
short: J. Kepper, it – Information Technology 51 (2009) 216–221.
date_created: 2024-08-28T11:37:07Z
date_updated: 2024-08-28T13:06:31Z
department:
- _id: '538'
- _id: '874'
intvolume: ' 51'
issue: '4'
language:
- iso: ger
page: 216–221
publication: it – Information Technology
publication_status: published
status: public
title: XML-basierte Codierung musikwissenschaftlicher Daten – Zu den Voraussetzungen
einer digitalen Musikedition
type: journal_article
user_id: '1684'
volume: 51
year: '2009'
...
---
_id: '55838'
author:
- first_name: Johannes
full_name: Kepper, Johannes
id: '1684'
last_name: Kepper
orcid: 0000-0003-4891-260X
- first_name: Stefan
full_name: Morent, Stefan
last_name: Morent
citation:
ama: 'Kepper J, Morent S. Anforderungen an ein musikeditorisches Codierungsformat.
In: Stadler P, Veit J, eds. Digitale Edition zwischen Experiment und Standardisierung.
Walter de Gruyter; 2009:265–280. doi:10.1515/9783110231144.265'
apa: Kepper, J., & Morent, S. (2009). Anforderungen an ein musikeditorisches
Codierungsformat. In P. Stadler & J. Veit (Eds.), Digitale Edition zwischen
Experiment und Standardisierung (pp. 265–280). Walter de Gruyter. https://doi.org/10.1515/9783110231144.265
bibtex: '@inbook{Kepper_Morent_2009, title={Anforderungen an ein musikeditorisches
Codierungsformat}, DOI={10.1515/9783110231144.265},
booktitle={Digitale Edition zwischen Experiment und Standardisierung}, publisher={Walter
de Gruyter}, author={Kepper, Johannes and Morent, Stefan}, editor={Stadler, Peter
and Veit, Joachim}, year={2009}, pages={265–280} }'
chicago: Kepper, Johannes, and Stefan Morent. “Anforderungen an ein musikeditorisches
Codierungsformat.” In Digitale Edition zwischen Experiment und Standardisierung,
edited by Peter Stadler and Joachim Veit, 265–280. Walter de Gruyter, 2009. https://doi.org/10.1515/9783110231144.265.
ieee: J. Kepper and S. Morent, “Anforderungen an ein musikeditorisches Codierungsformat,”
in Digitale Edition zwischen Experiment und Standardisierung, P. Stadler
and J. Veit, Eds. Walter de Gruyter, 2009, pp. 265–280.
mla: Kepper, Johannes, and Stefan Morent. “Anforderungen an ein musikeditorisches
Codierungsformat.” Digitale Edition zwischen Experiment und Standardisierung,
edited by Peter Stadler and Joachim Veit, Walter de Gruyter, 2009, pp. 265–280,
doi:10.1515/9783110231144.265.
short: 'J. Kepper, S. Morent, in: P. Stadler, J. Veit (Eds.), Digitale Edition zwischen
Experiment und Standardisierung, Walter de Gruyter, 2009, pp. 265–280.'
date_created: 2024-08-28T11:44:46Z
date_updated: 2024-08-28T14:05:58Z
department:
- _id: '538'
- _id: '874'
doi: 10.1515/9783110231144.265
editor:
- first_name: Peter
full_name: Stadler, Peter
last_name: Stadler
- first_name: Joachim
full_name: Veit, Joachim
last_name: Veit
language:
- iso: ger
page: 265–280
publication: Digitale Edition zwischen Experiment und Standardisierung
publication_identifier:
isbn:
- 978-3-11-023113-7
publication_status: published
publisher: Walter de Gruyter
status: public
title: Anforderungen an ein musikeditorisches Codierungsformat
type: book_chapter
user_id: '1684'
year: '2009'
...
---
_id: '55819'
author:
- first_name: Johannes
full_name: Kepper, Johannes
id: '1684'
last_name: Kepper
orcid: 0000-0003-4891-260X
- first_name: Daniel
full_name: Röwenstrunk, Daniel
id: '439'
last_name: Röwenstrunk
orcid: https://orcid.org/0000-0001-6271-2095
citation:
ama: Kepper J, Röwenstrunk D. Das Edirom-Projekt. Werkzeuge für digitale Formen
wissenschaftlich-kritischer Musikeditionen. Forum Musikbibliothek. 2007;28(1):36–49.
apa: Kepper, J., & Röwenstrunk, D. (2007). Das Edirom-Projekt. Werkzeuge für
digitale Formen wissenschaftlich-kritischer Musikeditionen. Forum Musikbibliothek,
28(1), 36–49.
bibtex: '@article{Kepper_Röwenstrunk_2007, title={Das Edirom-Projekt. Werkzeuge
für digitale Formen wissenschaftlich-kritischer Musikeditionen}, volume={28},
number={1}, journal={Forum Musikbibliothek}, author={Kepper, Johannes and Röwenstrunk,
Daniel}, year={2007}, pages={36–49} }'
chicago: 'Kepper, Johannes, and Daniel Röwenstrunk. “Das Edirom-Projekt. Werkzeuge
für digitale Formen wissenschaftlich-kritischer Musikeditionen.” Forum Musikbibliothek
28, no. 1 (2007): 36–49.'
ieee: J. Kepper and D. Röwenstrunk, “Das Edirom-Projekt. Werkzeuge für digitale
Formen wissenschaftlich-kritischer Musikeditionen,” Forum Musikbibliothek,
vol. 28, no. 1, pp. 36–49, 2007.
mla: Kepper, Johannes, and Daniel Röwenstrunk. “Das Edirom-Projekt. Werkzeuge für
digitale Formen wissenschaftlich-kritischer Musikeditionen.” Forum Musikbibliothek,
vol. 28, no. 1, 2007, pp. 36–49.
short: J. Kepper, D. Röwenstrunk, Forum Musikbibliothek 28 (2007) 36–49.
date_created: 2024-08-28T11:36:45Z
date_updated: 2024-08-28T13:06:42Z
department:
- _id: '538'
- _id: '874'
intvolume: ' 28'
issue: '1'
language:
- iso: ger
page: 36–49
publication: Forum Musikbibliothek
publication_status: published
status: public
title: Das Edirom-Projekt. Werkzeuge für digitale Formen wissenschaftlich-kritischer
Musikeditionen
type: journal_article
user_id: '1684'
volume: 28
year: '2007'
...