[{"doi":"10.1515/editio-2019-0002","main_file_link":[{"url":"https://doi.org/10.1515/editio-2019-0002"}],"volume":33,"author":[{"first_name":"Andreas","full_name":"Münzmay, Andreas","id":"61139","orcid":"0000-0002-8373-4055","last_name":"Münzmay"},{"first_name":"Christine","full_name":"Siegert, Christine","last_name":"Siegert"}],"date_updated":"2025-11-15T13:56:03Z","page":"10-30","intvolume":"        33","citation":{"chicago":"Münzmay, Andreas, and Christine Siegert. “Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten.” <i>Editio: Internationales Jahrbuch für Editionswissenschaft</i> 33, no. 1 (2019): 10–30. <a href=\"https://doi.org/10.1515/editio-2019-0002\">https://doi.org/10.1515/editio-2019-0002</a>.","ieee":"A. Münzmay and C. Siegert, “Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten,” <i>Editio: Internationales Jahrbuch für Editionswissenschaft</i>, vol. 33, no. 1, pp. 10–30, 2019, doi: <a href=\"https://doi.org/10.1515/editio-2019-0002\">10.1515/editio-2019-0002</a>.","ama":"Münzmay A, Siegert C. Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten. <i>Editio: Internationales Jahrbuch für Editionswissenschaft</i>. 2019;33(1):10-30. doi:<a href=\"https://doi.org/10.1515/editio-2019-0002\">10.1515/editio-2019-0002</a>","bibtex":"@article{Münzmay_Siegert_2019, title={Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten}, volume={33}, DOI={<a href=\"https://doi.org/10.1515/editio-2019-0002\">10.1515/editio-2019-0002</a>}, number={1}, journal={Editio: Internationales Jahrbuch für Editionswissenschaft}, publisher={Walter de Gruyter GmbH}, author={Münzmay, Andreas and Siegert, Christine}, year={2019}, pages={10–30} }","short":"A. Münzmay, C. Siegert, Editio: Internationales Jahrbuch für Editionswissenschaft 33 (2019) 10–30.","mla":"Münzmay, Andreas, and Christine Siegert. “Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten.” <i>Editio: Internationales Jahrbuch für Editionswissenschaft</i>, vol. 33, no. 1, Walter de Gruyter GmbH, 2019, pp. 10–30, doi:<a href=\"https://doi.org/10.1515/editio-2019-0002\">10.1515/editio-2019-0002</a>.","apa":"Münzmay, A., &#38; Siegert, C. (2019). Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten. <i>Editio: Internationales Jahrbuch für Editionswissenschaft</i>, <i>33</i>(1), 10–30. <a href=\"https://doi.org/10.1515/editio-2019-0002\">https://doi.org/10.1515/editio-2019-0002</a>"},"publication_identifier":{"issn":["0931-3079","1865-9446"]},"publication_status":"published","department":[{"_id":"572"},{"_id":"856"},{"_id":"615"}],"user_id":"61139","_id":"47478","project":[{"_id":"1614","name":"Digitale Interpretationsedition: Prototypischer Forschungsprozess und Modelledition"}],"status":"public","type":"journal_article","title":"Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten","date_created":"2023-09-27T07:03:16Z","publisher":"Walter de Gruyter GmbH","year":"2019","issue":"1","quality_controlled":"1","language":[{"iso":"ger"}],"keyword":["Musikedition","Interpretatsionsforschung","Clifford Curzon"],"abstract":[{"lang":"eng","text":"The article discusses possibilities and specific problems of including audio material in the realm of scholarly music editions. From this perspective, the authors propose to include the sounding manifestation of music both into the notion of the musical ‚work‘ and of the musical ‚text‘. The outcome of this thought experiment which considers music as performative art, Beethoven’s and other classical composers’ own wider notions of musical works as musical practice, phonographic recordings as text, different types of music as different types of data, programmed concordances as specific feature of digital editions, and musical interpreters as authors of musical interpretations is a theoretical model that for the first time makes record productions the object of scholarly critical edition."}],"publication":"Editio: Internationales Jahrbuch für Editionswissenschaft"},{"abstract":[{"lang":"eng","text":"This paper presents the various sources of uncertainty we encounter in our project. Our research focus lies on the investigation of language elaboration processes in Middle Low German. We are particularly interested in diachronic constructional changes and constructionalizations involving and affecting all linguistic dimensions. For this, it is necessary to annotate our corpus with Part-of-Speech and constructional tags. Here, we are confronted with gradualness, gradience, and ambiguity as potential sources of uncertainty that complicate the annotation process. Furthermore, due to the historicity of the investigated language, we expect cases of incomplete knowledge and comparative fallacy from the annotators. For this reason, we develop an interface that captures all annotators’ doubts."}],"publication":"Proceedings of the 6th International Conference on Technological Ecosystems for Enhancing Multiculturality (TEEM'18)","language":[{"iso":"eng"}],"keyword":["historical languages","linguistic annotations","gradience and gradualness","ambiguity","incomplete knowledge"],"year":"2018","title":"Analysing Constructional Change: Linguistic Annotation and Sources of Uncertainty","date_created":"2018-09-03T09:27:47Z","publisher":"ACM","status":"public","editor":[{"first_name":"Francisco José","full_name":"García-Peñalvo, Francisco José","last_name":"García-Peñalvo"}],"type":"conference","user_id":"13929","series_title":"ACM's International Conference Proceedings Series","department":[{"_id":"36"},{"_id":"1"},{"_id":"579"},{"_id":"615"}],"project":[{"_id":"39","name":"InterGramm"}],"_id":"4345","citation":{"ieee":"M.-L. Merten and N. Seemann, “Analysing Constructional Change: Linguistic Annotation and Sources of Uncertainty,” in <i>Proceedings of the 6th International Conference on Technological Ecosystems for Enhancing Multiculturality (TEEM’18)</i>, Salamanca, Spain, 2018, pp. 819–825.","chicago":"Merten, Marie-Luis, and Nina Seemann. “Analysing Constructional Change: Linguistic Annotation and Sources of Uncertainty.” In <i>Proceedings of the 6th International Conference on Technological Ecosystems for Enhancing Multiculturality (TEEM’18)</i>, edited by Francisco José García-Peñalvo, 819–25. ACM’s International Conference Proceedings Series. New York, NY, USA: ACM, 2018. <a href=\"https://doi.org/10.1145/3284179.3284320\">https://doi.org/10.1145/3284179.3284320</a>.","ama":"Merten M-L, Seemann N. Analysing Constructional Change: Linguistic Annotation and Sources of Uncertainty. In: García-Peñalvo FJ, ed. <i>Proceedings of the 6th International Conference on Technological Ecosystems for Enhancing Multiculturality (TEEM’18)</i>. ACM’s International Conference Proceedings Series. New York, NY, USA: ACM; 2018:819-825. doi:<a href=\"https://doi.org/10.1145/3284179.3284320\">10.1145/3284179.3284320</a>","apa":"Merten, M.-L., &#38; Seemann, N. (2018). Analysing Constructional Change: Linguistic Annotation and Sources of Uncertainty. In F. J. García-Peñalvo (Ed.), <i>Proceedings of the 6th International Conference on Technological Ecosystems for Enhancing Multiculturality (TEEM’18)</i> (pp. 819–825). New York, NY, USA: ACM. <a href=\"https://doi.org/10.1145/3284179.3284320\">https://doi.org/10.1145/3284179.3284320</a>","short":"M.-L. Merten, N. Seemann, in: F.J. García-Peñalvo (Ed.), Proceedings of the 6th International Conference on Technological Ecosystems for Enhancing Multiculturality (TEEM’18), ACM, New York, NY, USA, 2018, pp. 819–825.","mla":"Merten, Marie-Luis, and Nina Seemann. “Analysing Constructional Change: Linguistic Annotation and Sources of Uncertainty.” <i>Proceedings of the 6th International Conference on Technological Ecosystems for Enhancing Multiculturality (TEEM’18)</i>, edited by Francisco José García-Peñalvo, ACM, 2018, pp. 819–25, doi:<a href=\"https://doi.org/10.1145/3284179.3284320\">10.1145/3284179.3284320</a>.","bibtex":"@inproceedings{Merten_Seemann_2018, place={New York, NY, USA}, series={ACM’s International Conference Proceedings Series}, title={Analysing Constructional Change: Linguistic Annotation and Sources of Uncertainty}, DOI={<a href=\"https://doi.org/10.1145/3284179.3284320\">10.1145/3284179.3284320</a>}, booktitle={Proceedings of the 6th International Conference on Technological Ecosystems for Enhancing Multiculturality (TEEM’18)}, publisher={ACM}, author={Merten, Marie-Luis and Seemann, Nina}, editor={García-Peñalvo, Francisco JoséEditor}, year={2018}, pages={819–825}, collection={ACM’s International Conference Proceedings Series} }"},"page":"819-825","place":"New York, NY, USA","publication_status":"published","publication_identifier":{"isbn":["978-1-4503-6518-5"]},"main_file_link":[{"url":"http://delivery.acm.org/10.1145/3290000/3284320/p819-Merten.pdf?ip=131.234.14.156&id=3284320&acc=ACTIVE%20SERVICE&key=2BA2C432AB83DA15%2EFF86995C7D80A64D%2E4D4702B0C3E38B35%2E4D4702B0C3E38B35&__acm__=1544016568_6bfb9580b92d3ce431f11084608da36e"}],"doi":"10.1145/3284179.3284320","conference":{"end_date":"2018-10-26","location":"Salamanca, Spain","name":"6th International Conference on Technological Ecosystems for Enhancing Multiculturality (TEEM 2018)","start_date":"2018-10-24"},"author":[{"first_name":"Marie-Luis","full_name":"Merten, Marie-Luis","last_name":"Merten"},{"last_name":"Seemann","full_name":"Seemann, Nina","id":"65408","first_name":"Nina"}],"date_updated":"2022-01-06T07:00:57Z"},{"language":[{"iso":"ger"}],"keyword":["Library and Information Sciences"],"publication":"Zeitschrift für Bibliothekswesen und Bibliographie (ZfBB)","title":"Der FID Musikwissenschaft (Musiconn) in Lehre und Forschung. Kommentar aus Nutzer-Perspektive","date_created":"2023-09-27T07:04:45Z","publisher":"Klostermann","year":"2018","issue":"2-3","quality_controlled":"1","department":[{"_id":"233"},{"_id":"572"},{"_id":"856"},{"_id":"615"}],"user_id":"61139","_id":"47481","status":"public","type":"journal_article","doi":"10.3196/1864295018652390","main_file_link":[{"open_access":"1","url":"https://zs.thulb.uni-jena.de/servlets/MCRFileNodeServlet/jportal_derivate_00264273/j18-h2-3-kom-3.pdf"}],"volume":65,"author":[{"first_name":"Andreas","full_name":"Münzmay, Andreas","id":"61139","orcid":"0000-0002-8373-4055","last_name":"Münzmay"}],"date_updated":"2024-02-19T10:56:46Z","oa":"1","intvolume":"        65","page":"101-104","citation":{"ama":"Münzmay A. Der FID Musikwissenschaft (Musiconn) in Lehre und Forschung. Kommentar aus Nutzer-Perspektive. <i>Zeitschrift für Bibliothekswesen und Bibliographie (ZfBB)</i>. 2018;65(2-3):101-104. doi:<a href=\"https://doi.org/10.3196/1864295018652390\">10.3196/1864295018652390</a>","ieee":"A. Münzmay, “Der FID Musikwissenschaft (Musiconn) in Lehre und Forschung. Kommentar aus Nutzer-Perspektive,” <i>Zeitschrift für Bibliothekswesen und Bibliographie (ZfBB)</i>, vol. 65, no. 2–3, pp. 101–104, 2018, doi: <a href=\"https://doi.org/10.3196/1864295018652390\">10.3196/1864295018652390</a>.","chicago":"Münzmay, Andreas. “Der FID Musikwissenschaft (Musiconn) in Lehre und Forschung. Kommentar aus Nutzer-Perspektive.” <i>Zeitschrift für Bibliothekswesen und Bibliographie (ZfBB)</i> 65, no. 2–3 (2018): 101–4. <a href=\"https://doi.org/10.3196/1864295018652390\">https://doi.org/10.3196/1864295018652390</a>.","apa":"Münzmay, A. (2018). Der FID Musikwissenschaft (Musiconn) in Lehre und Forschung. Kommentar aus Nutzer-Perspektive. <i>Zeitschrift für Bibliothekswesen und Bibliographie (ZfBB)</i>, <i>65</i>(2–3), 101–104. <a href=\"https://doi.org/10.3196/1864295018652390\">https://doi.org/10.3196/1864295018652390</a>","mla":"Münzmay, Andreas. “Der FID Musikwissenschaft (Musiconn) in Lehre und Forschung. Kommentar aus Nutzer-Perspektive.” <i>Zeitschrift für Bibliothekswesen und Bibliographie (ZfBB)</i>, vol. 65, no. 2–3, Klostermann, 2018, pp. 101–04, doi:<a href=\"https://doi.org/10.3196/1864295018652390\">10.3196/1864295018652390</a>.","short":"A. Münzmay, Zeitschrift für Bibliothekswesen und Bibliographie (ZfBB) 65 (2018) 101–104.","bibtex":"@article{Münzmay_2018, title={Der FID Musikwissenschaft (Musiconn) in Lehre und Forschung. Kommentar aus Nutzer-Perspektive}, volume={65}, DOI={<a href=\"https://doi.org/10.3196/1864295018652390\">10.3196/1864295018652390</a>}, number={2–3}, journal={Zeitschrift für Bibliothekswesen und Bibliographie (ZfBB)}, publisher={Klostermann}, author={Münzmay, Andreas}, year={2018}, pages={101–104} }"},"publication_identifier":{"issn":["0044-2380","1864-2950"]},"publication_status":"published"},{"publication_status":"published","publication_identifier":{"issn":["1865-7648","0341-4183"]},"citation":{"short":"A. Münzmay, Bibliothek: Forschung und Praxis 42 (2018) 236–246.","bibtex":"@article{Münzmay_2018, title={Lesen und Schreiben im digitalen Dickicht. Musikwissenschaft, Digital Humanities und die hybride Musikbibliothek}, volume={42}, DOI={<a href=\"https://doi.org/10.1515/bfp-2018-0031\">10.1515/bfp-2018-0031</a>}, number={2}, journal={Bibliothek: Forschung und Praxis}, publisher={De Gruyter}, author={Münzmay, Andreas}, year={2018}, pages={236–246} }","mla":"Münzmay, Andreas. “Lesen und Schreiben im digitalen Dickicht. Musikwissenschaft, Digital Humanities und die hybride Musikbibliothek.” <i>Bibliothek: Forschung und Praxis</i>, vol. 42, no. 2, De Gruyter, 2018, pp. 236–46, doi:<a href=\"https://doi.org/10.1515/bfp-2018-0031\">10.1515/bfp-2018-0031</a>.","apa":"Münzmay, A. (2018). Lesen und Schreiben im digitalen Dickicht. Musikwissenschaft, Digital Humanities und die hybride Musikbibliothek. <i>Bibliothek: Forschung und Praxis</i>, <i>42</i>(2), 236–246. <a href=\"https://doi.org/10.1515/bfp-2018-0031\">https://doi.org/10.1515/bfp-2018-0031</a>","ama":"Münzmay A. Lesen und Schreiben im digitalen Dickicht. Musikwissenschaft, Digital Humanities und die hybride Musikbibliothek. <i>Bibliothek: Forschung und Praxis</i>. 2018;42(2):236-246. doi:<a href=\"https://doi.org/10.1515/bfp-2018-0031\">10.1515/bfp-2018-0031</a>","ieee":"A. Münzmay, “Lesen und Schreiben im digitalen Dickicht. Musikwissenschaft, Digital Humanities und die hybride Musikbibliothek,” <i>Bibliothek: Forschung und Praxis</i>, vol. 42, no. 2, pp. 236–246, 2018, doi: <a href=\"https://doi.org/10.1515/bfp-2018-0031\">10.1515/bfp-2018-0031</a>.","chicago":"Münzmay, Andreas. “Lesen und Schreiben im digitalen Dickicht. Musikwissenschaft, Digital Humanities und die hybride Musikbibliothek.” <i>Bibliothek: Forschung und Praxis</i> 42, no. 2 (2018): 236–46. <a href=\"https://doi.org/10.1515/bfp-2018-0031\">https://doi.org/10.1515/bfp-2018-0031</a>."},"intvolume":"        42","page":"236-246","author":[{"first_name":"Andreas","full_name":"Münzmay, Andreas","id":"61139","orcid":"0000-0002-8373-4055","last_name":"Münzmay"}],"volume":42,"oa":"1","date_updated":"2024-02-19T11:03:58Z","main_file_link":[{"open_access":"1","url":"https://doi.org/10.1515/bfp-2018-0031"}],"doi":"10.1515/bfp-2018-0031","type":"journal_article","status":"public","user_id":"61139","department":[{"_id":"572"},{"_id":"856"},{"_id":"615"}],"_id":"47480","issue":"2","quality_controlled":"1","year":"2018","date_created":"2023-09-27T07:04:19Z","publisher":"De Gruyter","title":"Lesen und Schreiben im digitalen Dickicht. Musikwissenschaft, Digital Humanities und die hybride Musikbibliothek","publication":"Bibliothek: Forschung und Praxis","abstract":[{"lang":"ger","text":"Digitalisierung generiert ‚hybride‘ Objekte, die zwar als digitale Datei lesbar und manipulierbar sind, das zugrundeliegende kulturhistorische Objekt jedoch weiterhin ‚enthalten‘. Eine Bibliothek, die Objekte aus ihren Beständen digitalisiert, begründet also eigentlich keine sog. digitale Bibliothek, sondern eine hybride Bibliothek. Im Falle musikalischer Überlieferung ist die Sachlage aufgrund der medienhistorischen Komplexität musikalischer Artefakte besonders unübersichtlich. Verschärft wird die heutige Situation noch durch die Erzeugnisse der Digital Humanities, die keineswegs bloß ‚Informationen‘ sind, sondern ihrerseits komplexe und in der Regel hybride Textgebilde, die häufig komplette digitalisierte Re-Publikationen von Kulturobjekten einbinden, die digital ‚beschriftet‘ und vernetzt werden. Das digitale ‚Dickicht‘ erfordert einen gleichsam genetischen und relationalen Katalog, in dem die konkreten kulturhistorischen Objekte in ihren konkreten Sammlungskontexten – also als Unikate – Ankerfunktion haben.\r\nDer Essay geht zurück auf einen Vortrag bei der AIBM-Jahrestagung, Symposium der AG Musikabteilungen an wissenschaftlichen Bibliotheken, Detmold, 8. September 2016."},{"text":"Digitization produces ‚hybrid‘ objects that are readable as digital data files but at the same time still ‚contain‘ the original cultural-historical object. In this perspective, ‚digital collections‘, ‚digital libraries‘, etc. are in fact hybrid collections, or libraries. For musical artefacts, the range of historical media is especially complex, which again concerns the digital world. Digital Humanities publications also contribute to the complex and confusing situation as they themselves are not only ‚information‘, but as a rule, complex and hybrid textual systems that often contain complete digitized re-publications of cultural objects, providing them with digital ‚inscriptions‘, and interlinking them. So the hybridity of ‚digital libraries‘ increases as soon as Digital Humanities publications are integrated. Therefore, metadata should mirror precisely the hybrid nature of the digitized/digital objects catalogued.","lang":"eng"}],"language":[{"iso":"ger"}]},{"user_id":"13929","department":[{"_id":"36"},{"_id":"579"},{"_id":"115"},{"_id":"355"},{"_id":"615"}],"project":[{"_id":"39","name":"InterGramm"}],"_id":"1158","type":"conference","status":"public","author":[{"first_name":"Nina","id":"65408","full_name":"Seemann, Nina","last_name":"Seemann"},{"first_name":"Marie-Luis","full_name":"Merten, Marie-Luis","last_name":"Merten"},{"id":"42496","full_name":"Geierhos, Michaela","orcid":"0000-0002-8180-5606","last_name":"Geierhos","first_name":"Michaela"},{"full_name":"Tophinke, Doris","last_name":"Tophinke","first_name":"Doris"},{"first_name":"Eyke","last_name":"Hüllermeier","full_name":"Hüllermeier, Eyke"}],"date_updated":"2022-01-06T06:51:03Z","conference":{"location":"Vancouver, BC, Canada","end_date":"2017-08-04","start_date":"2017-07-31","name":"Joint SIGHUM Workshop on Computational Linguistics for Cultural Heritage, Social Sciences, Humanities and Literature (LaTeCH-CLfL 2017)"},"doi":"10.18653/v1/W17-2206","publication_status":"published","citation":{"apa":"Seemann, N., Merten, M.-L., Geierhos, M., Tophinke, D., &#38; Hüllermeier, E. (2017). Annotation Challenges for Reconstructing the Structural Elaboration of Middle Low German. In <i>Proceedings of the Joint SIGHUM Workshop on Computational Linguistics for Cultural Heritage, Social Sciences, Humanities and Literature</i> (pp. 40–45). Stroudsburg, PA, USA: Association for Computational Linguistics (ACL). <a href=\"https://doi.org/10.18653/v1/W17-2206\">https://doi.org/10.18653/v1/W17-2206</a>","short":"N. Seemann, M.-L. Merten, M. Geierhos, D. Tophinke, E. Hüllermeier, in: Proceedings of the Joint SIGHUM Workshop on Computational Linguistics for Cultural Heritage, Social Sciences, Humanities and Literature, Association for Computational Linguistics (ACL), Stroudsburg, PA, USA, 2017, pp. 40–45.","mla":"Seemann, Nina, et al. “Annotation Challenges for Reconstructing the Structural Elaboration of Middle Low German.” <i>Proceedings of the Joint SIGHUM Workshop on Computational Linguistics for Cultural Heritage, Social Sciences, Humanities and Literature</i>, Association for Computational Linguistics (ACL), 2017, pp. 40–45, doi:<a href=\"https://doi.org/10.18653/v1/W17-2206\">10.18653/v1/W17-2206</a>.","bibtex":"@inproceedings{Seemann_Merten_Geierhos_Tophinke_Hüllermeier_2017, place={Stroudsburg, PA, USA}, title={Annotation Challenges for Reconstructing the Structural Elaboration of Middle Low German}, DOI={<a href=\"https://doi.org/10.18653/v1/W17-2206\">10.18653/v1/W17-2206</a>}, booktitle={Proceedings of the Joint SIGHUM Workshop on Computational Linguistics for Cultural Heritage, Social Sciences, Humanities and Literature}, publisher={Association for Computational Linguistics (ACL)}, author={Seemann, Nina and Merten, Marie-Luis and Geierhos, Michaela and Tophinke, Doris and Hüllermeier, Eyke}, year={2017}, pages={40–45} }","chicago":"Seemann, Nina, Marie-Luis Merten, Michaela Geierhos, Doris Tophinke, and Eyke Hüllermeier. “Annotation Challenges for Reconstructing the Structural Elaboration of Middle Low German.” In <i>Proceedings of the Joint SIGHUM Workshop on Computational Linguistics for Cultural Heritage, Social Sciences, Humanities and Literature</i>, 40–45. Stroudsburg, PA, USA: Association for Computational Linguistics (ACL), 2017. <a href=\"https://doi.org/10.18653/v1/W17-2206\">https://doi.org/10.18653/v1/W17-2206</a>.","ieee":"N. Seemann, M.-L. Merten, M. Geierhos, D. Tophinke, and E. Hüllermeier, “Annotation Challenges for Reconstructing the Structural Elaboration of Middle Low German,” in <i>Proceedings of the Joint SIGHUM Workshop on Computational Linguistics for Cultural Heritage, Social Sciences, Humanities and Literature</i>, Vancouver, BC, Canada, 2017, pp. 40–45.","ama":"Seemann N, Merten M-L, Geierhos M, Tophinke D, Hüllermeier E. Annotation Challenges for Reconstructing the Structural Elaboration of Middle Low German. In: <i>Proceedings of the Joint SIGHUM Workshop on Computational Linguistics for Cultural Heritage, Social Sciences, Humanities and Literature</i>. Stroudsburg, PA, USA: Association for Computational Linguistics (ACL); 2017:40-45. doi:<a href=\"https://doi.org/10.18653/v1/W17-2206\">10.18653/v1/W17-2206</a>"},"page":"40-45","place":"Stroudsburg, PA, USA","language":[{"iso":"eng"}],"publication":"Proceedings of the Joint SIGHUM Workshop on Computational Linguistics for Cultural Heritage, Social Sciences, Humanities and Literature","abstract":[{"lang":"eng","text":"In this paper, we present the annotation challenges we have encountered when working on a historical language that was undergoing elaboration processes. We especially focus on syntactic ambiguity and gradience in Middle Low German, which causes uncertainty to some extent. Since current annotation tools consider construction contexts and the dynamics of the grammaticalization only partially, we plan to extend CorA – a web-based annotation tool for historical and other non-standard language data – to capture elaboration phenomena and annotator unsureness. Moreover, we seek to interactively learn morphological as well as syntactic annotations."}],"date_created":"2018-01-31T15:32:33Z","publisher":"Association for Computational Linguistics (ACL)","title":"Annotation Challenges for Reconstructing the Structural Elaboration of Middle Low German","quality_controlled":"1","year":"2017"},{"title":"Digitalität in der Musikwissenschaft","date_created":"2023-11-23T21:02:07Z","year":"2017","issue":"4","quality_controlled":"1","language":[{"iso":"ger"},{"iso":"eng"}],"ddc":["780"],"file":[{"file_id":"50488","file_name":"Digitalitat_in_der_Musikwissenschaft_The.pdf","access_level":"closed","file_size":1389635,"date_created":"2024-01-14T13:40:23Z","creator":"muenzmay","date_updated":"2024-01-14T13:40:23Z","relation":"main_file","success":1,"content_type":"application/pdf"}],"abstract":[{"text":"Sechs Autorinnen und Autoren widmeten sich für das vorliegende Musiktheorie- Heft aus unterschiedlichsten Blickwinkeln dem Themenfeld der ›Digitalität in der Musikwissenschaft‹. Die Schwierigkeiten eines solchen Unterfangens beginnen im Grunde bei ungeklärten Fragen größeren Maßstabes wie etwa bei der Frage, was genau ›Digitalität‹ sein könnte (ein Textualitätsphänomen, eine spezifische Medialität, eine Methode, noch etwas ganz anderes, oder alles zugleich?) oder bei der Frage nach der Geschichte und Entwicklung von Digitalität (wann begann Digitalität, gibt es überhaupt eine Digitalität oder nicht vielmehr viele ›Digitalitäten‹, wie bedingen und durchdringen sich diese?) oder auch bei der Methodenfrage, wie Digitalität überhaupt beobachtet werden könnte (wären etwa rein ›konventionelle‹ Ansätze in Bezug auf digitale Sachverhalte überhaupt möglich, oder ist Digitales a priori nur mit digitalen Methodenschritten zugänglich?). Solchen Aporien zum Trotz haben die Autorinnen und Autoren sich bereitgefunden, Erkundungen und Vermessungen jeweils bestimmter Regionen dieses weiten Feldes zu versuchen: Thematisiert werden die historisch gewachsene Datenformate-Vielfalt aus dem Bereich Computermusik und Musikinformatik (Albert Gräf) und das durch Jahrzehnte hindurch fortentwickelte methodische Spektrum computergestützter Analyse (Nico Schüler) ebenso wie die Sicht zeitgenössischer Komponisten auf ihre eigenen digitalen Arbeitsumgebungen (Marcus Erbe), die theoretischen und pragmatischen Positionen der aktuellen Digitalen Musikedition (Johannes Kepper und Laurent Pugin) sowie die mit digitalen Daten verbundenen Globalisierungspotenziale im Bereich der ethnologischen Musikforschung (Judith Haug). Der Blick geht dabei jeweils vom eigenen disziplinären Standpunkt beziehungsweise von den jeweils im eigenen fachlichen Bereich vornehmlich anfallenden Datensorten und den jeweils gängigen digitalen Methodiken aus. ","lang":"ger"}],"publication":"Musiktheorie. Zeitschrift für Musikwissenschaft","main_file_link":[{"url":"https://www.academia.edu/44468455/Digitalit%C3%A4t_in_der_Musikwissenschaft_Themenheft"}],"volume":32,"date_updated":"2024-02-19T11:17:35Z","citation":{"chicago":"Münzmay, Andreas, and Stefanie Acquavella-Rauch, eds. <i>Digitalität in der Musikwissenschaft</i>. <i>Musiktheorie. Zeitschrift für Musikwissenschaft</i>. Vol. 32, 2017.","ieee":"A. Münzmay and S. Acquavella-Rauch, Eds., <i>Digitalität in der Musikwissenschaft</i>, vol. 32, no. 4. 2017.","ama":"Münzmay A, Acquavella-Rauch S, eds. <i>Digitalität in der Musikwissenschaft</i>. Vol 32.; 2017.","apa":"Digitalität in der Musikwissenschaft. (2017). In A. Münzmay &#38; S. Acquavella-Rauch (Eds.), <i>Musiktheorie. Zeitschrift für Musikwissenschaft</i> (Vol. 32, Issue 4).","short":"A. Münzmay, S. Acquavella-Rauch, eds., Digitalität in der Musikwissenschaft, 2017.","bibtex":"@book{Münzmay_Acquavella-Rauch_2017, title={Digitalität in der Musikwissenschaft}, volume={32}, number={4}, journal={Musiktheorie. Zeitschrift für Musikwissenschaft}, year={2017} }","mla":"Münzmay, Andreas, and Stefanie Acquavella-Rauch, editors. “Digitalität in der Musikwissenschaft.” <i>Musiktheorie. Zeitschrift für Musikwissenschaft</i>, vol. 32, no. 4, 2017."},"intvolume":"        32","publication_status":"published","has_accepted_license":"1","file_date_updated":"2024-01-14T13:40:23Z","user_id":"61139","department":[{"_id":"572"},{"_id":"856"},{"_id":"615"}],"_id":"49166","status":"public","editor":[{"first_name":"Andreas","full_name":"Münzmay, Andreas","id":"61139","orcid":"0000-0002-8373-4055","last_name":"Münzmay"},{"last_name":"Acquavella-Rauch","full_name":"Acquavella-Rauch, Stefanie","first_name":"Stefanie"}],"type":"journal_editor"}]