@article{67185,
  author       = {{Eckel, Julia}},
  journal      = {{montage AV (Schwerpunkt: Animation Redux) }},
  number       = {{01}},
  pages        = {{99--120}},
  title        = {{{Anim:AI:tion. Animationstheoretische Perspektiven auf generative KI}}},
  volume       = {{35}},
  year         = {{2026}},
}

@article{67188,
  author       = {{Eckel, Julia and Reinerth, Maike Sarah and Schamal, Vera}},
  journal      = {{animationstudies 2.0}},
  title        = {{{Editorial: Animation and Agency}}},
  year         = {{2025}},
}

@misc{67187,
  booktitle    = {{animationstudies 2.0}},
  editor       = {{Eckel, Julia and Reinerth, Maike Sarah and Schamal, Vera}},
  title        = {{{animationstudies 2.0. Theme: Animation and Agency}}},
  year         = {{2025}},
}

@article{67189,
  author       = {{Eckel, Julia}},
  journal      = {{animationstudies 2.0}},
  title        = {{{AI Anymation and Agency}}},
  year         = {{2025}},
}

@inbook{44461,
  author       = {{Eckel, Julia}},
  booktitle    = {{Screen-Images. Screenshot, Screencast, In-Game Photography}},
  editor       = {{Gerling, Winfried and Möring, Sebastian and de Mutiis, Marco}},
  pages        = {{341--370}},
  publisher    = {{Kadmos}},
  title        = {{{Screencasting: Documenting Processuality}}},
  year         = {{2023}},
}

@inbook{45716,
  author       = {{Eckel, Julia and Linseisen, Elisa}},
  booktitle    = {{Epidemics and Othering. The Biopolitics of COVID-19 in Historical and Cultural Perspectives}},
  editor       = {{Steinhoff, Heike}},
  pages        = {{175--203}},
  publisher    = {{transcript}},
  title        = {{{The Virus Is Present, Presence Is Virulent: Being Co(m)present With Others in Times of Corona}}},
  year         = {{2023}},
}

@article{45717,
  author       = {{Eckel, Julia and Ernst, Christoph}},
  journal      = {{Navigationen - Zeitschrift für Medien- und Kulturwissenschaften}},
  pages        = {{7--15}},
  title        = {{{Tech | Demo – Introduction}}},
  volume       = {{1}},
  year         = {{2023}},
}

@article{36843,
  author       = {{Eckel, Julia and Linseisen, Elisa}},
  issn         = {{2192-5445}},
  journal      = {{Rabbit Eye – Zeitschrift für Filmforschung}},
  keywords     = {{Anschaulichkeit, Anschauung, Film, Epistemologie audiovisueller Medien, Erklärbarkeit, Anschauen, Sichtbarkeit, Unsichtbarkeit}},
  number       = {{012}},
  title        = {{{Editorial: Anschaulichkeit – Wissen. Macht. Alternativen.}}},
  year         = {{2022}},
}

@misc{36841,
  booktitle    = {{Rabbit Eye - Zeitschrift für Filmforschung}},
  editor       = {{Eckel, Julia and Linseisen, Elisa}},
  number       = {{012}},
  title        = {{{Rabbit Eye: Anschaulichkeit}}},
  year         = {{2022}},
}

@inbook{44462,
  author       = {{Eckel, Julia}},
  booktitle    = {{Mimesis Expanded. Die Ausweitung der mimetischen Zone}},
  editor       = {{Balke, Friedrich and Linseisen, Elisa}},
  pages        = {{267--294}},
  publisher    = {{Fink}},
  title        = {{{Animation und Mimesis. Zur digitalen Expansion bewegtbildlicher Mimesis und ‚animimetischem‘ Denken}}},
  year         = {{2022}},
}

@inbook{44464,
  author       = {{Eckel, Julia}},
  booktitle    = {{animationstudies 2.0}},
  title        = {{{Intelligence In Between – Documenting AI in Animation}}},
  year         = {{2022}},
}

@article{44463,
  author       = {{Eckel, Julia and Ehrlich, Nea}},
  journal      = {{animationstudies 2.0}},
  publisher    = {{animationstudies 2.0,  [OPEN ACCESS] }},
  title        = {{{Minds in Motion – Some Basic Thoughts on AI and Animation}}},
  year         = {{2022}},
}

@misc{44458,
  booktitle    = {{animationstudies 2.0}},
  editor       = {{Eckel, Julia and Ehrlich, Nea}},
  publisher    = {{Open-Access-Blog of the Society for Animation Studies}},
  title        = {{{animationstudies 2.0. Theme: AI and Animation}}},
  year         = {{2022}},
}

@book{42250,
  author       = {{Eckel, Julia}},
  isbn         = {{ 978-3-8394-5320-9}},
  pages        = {{380}},
  publisher    = {{transcript}},
  title        = {{{ Das Audioviduum. Eine Theoriegeschichte des Menschenmotivs in audiovisuellen Medien}}},
  year         = {{2021}},
}

@inbook{44367,
  author       = {{Ahrens, Stephan}},
  booktitle    = {{Lichtspiele. Kino und Film im Brucker Land von den Anfängen bis zum Siegeszug des Fernsehens.}},
  editor       = {{Jakob, Reinhard}},
  pages        = {{104--109}},
  publisher    = {{Bauernhofmuseum Jexhof}},
  title        = {{{Francesco (Franz) Stefani - Ein Regisseur mit barocken Anklägen. }}},
  year         = {{2021}},
}

@misc{44386,
  author       = {{Ahrens, Stephan}},
  booktitle    = {{In: Filmblatt 25:73/74 }},
  pages        = {{142--145}},
  title        = {{{Hermann Kappelhoff, Christine Lötscher, Daniel Illger (Hg.): Filmische  Seitenblicke. Cinepoetische Exkursionen ins Kino von 1968. Berlin, Bosten: De Gruyter 2018}}},
  year         = {{2021}},
}

@misc{44381,
  author       = {{Ahrens, Stephan}},
  booktitle    = {{In: Filmblatt 25:73/74 }},
  pages        = {{142--145}},
  title        = {{{Christina Gerhardt, Marco Abel (Hg.): Celluloid Revolt. German Screen Cultures and the Long 1968. Rochester: Camden House 2019 }}},
  year         = {{2021}},
}

@misc{44392,
  author       = {{Ahrens, Stephan}},
  booktitle    = {{Kinema Kommunal, Nummer 2, Juni 2021}},
  title        = {{{Sammler und Beobachter. Das Programm der diesjährigen Internationalen Kurzfilmtage Oberhausen, Dschungel (jungle World)}}},
  year         = {{2021}},
}

@misc{44391,
  author       = {{Ahrens, Stephan}},
  booktitle    = {{In: Filmdienst, 24.08.2021}},
  title        = {{{Guy Gilles und das Kino der Entwurzelung}}},
  year         = {{2021}},
}

@misc{44426,
  author       = {{Ahrens, Stephan}},
  publisher    = {{DEFA-Stiftung}},
  title        = {{{Biografie Cox Habbema}}},
  year         = {{2021}},
}