@misc{44430,
  author       = {{Ahrens, Stephan}},
  publisher    = {{DEFA-Stiftung}},
  title        = {{{Biografie Manfred Krug}}},
  year         = {{2019}},
}

@book{44460,
  editor       = {{Dörre, Robert and Eckel, Julia and Horn, Sarah and Linseisen, Elisa and Zilch, Leonie}},
  publisher    = {{Open-Access-Publikation des 31. Film- und Fernsehwissenschaftlichen Kolloquiums. Abrufbar unter www.ffk-journal.de }},
  title        = {{{FFK journal, Heft 4}}},
  year         = {{2019}},
}

@inbook{44473,
  author       = {{Dörre, Robert and Eckel, Julia and Horn, Sarah and Linseisen, Elisa and Zilch, Leonie}},
  booktitle    = {{FFK Journal, Heft 4}},
  pages        = {{I--V}},
  title        = {{{Editorial}}},
  year         = {{2019}},
}

@article{44494,
  author       = {{Eckel, Julia}},
  journal      = {{Bildbeitrag in: Zeitschrift für Medienwissenschaft Nr. 21 „Künstliche Intelligenzen“ (09/2019)}},
  pages        = {{9}},
  title        = {{{What does AI see? What does AI know? – An AI Memory Game}}},
  year         = {{2019}},
}

@article{44493,
  author       = {{Eckel, Julia}},
  journal      = {{Cargo Nr. 43 (09/2019)}},
  pages        = {{74--76}},
  title        = {{{Fotografische Sozialität. Über Nathan Jurgensons The Social Photo: On Photography and Social Media}}},
  year         = {{2019}},
}

@misc{44372,
  author       = {{Ahrens, Stephan}},
  title        = {{{Unheard music – Notes on silent music moments. }}},
  year         = {{2019}},
}

@misc{44387,
  author       = {{Ahrens, Stephan}},
  booktitle    = {{In: Filmblatt 64/65 }},
  pages        = {{153f}},
  title        = {{{Jesko Jockenhövel, Michael Wedel (Hg.): „So etwas Ähnliches wie Wahrheit“. Zugänge zu Thomas Harlan. München: Edition Text und Kritik, 2017}}},
  year         = {{2018}},
}

@misc{44403,
  author       = {{Ahrens, Stephan}},
  booktitle    = {{Filmbulletin 11 }},
  pages        = {{24}},
  title        = {{{Ungebrochen enthusiastisch. Vor 50 Jahren erschien Kevin Brownlows The Parade’s Gone By}}},
  year         = {{2018}},
}

@misc{44405,
  author       = {{Ahrens, Stephan}},
  title        = {{{Pasolinis Traum. Die Oper “San Paolo” in Osnabrück}}},
  year         = {{2018}},
}

@misc{44404,
  author       = {{Ahrens, Stephan}},
  title        = {{{Nachruf Moshe Mizrahi}}},
  year         = {{2018}},
}

@misc{44406,
  author       = {{Ahrens, Stephan}},
  booktitle    = {{die tageszeitung, Beilage taz.plan}},
  pages        = {{5}},
  title        = {{{Ein wiedergefundener Schatz [Besprechung der restaurierten Fassung von Adamu Halilus Shaihu Umar]}}},
  year         = {{2018}},
}

@book{44438,
  editor       = {{Backe, Hans-Joachim and Eckel, Julia and Feyersinger, Erwin and Sina, Véronique and Thon, Jan-Noel}},
  publisher    = {{de Gruyter}},
  title        = {{{Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung}}},
  year         = {{2018}},
}

@misc{44433,
  author       = {{Ahrens, Stephan}},
  publisher    = {{DEFA-Stiftung}},
  title        = {{{Biografie Francesco Stefani}}},
  year         = {{2018}},
}

@book{44439,
  editor       = {{Eckel, Julia and Ruchatz, Jens and Wirth, Sabine}},
  publisher    = {{Palgrave Macmillan}},
  title        = {{{Exploring the Selfie – Historical, Theoretical, and Analytical Approaches to Digital Self-Photography}}},
  year         = {{2018}},
}

@inbook{44475,
  author       = {{Eckel, Julia}},
  booktitle    = {{Exploring the Selfie – Historical, Theoretical, and Analytical Approaches to Digital Self-Photography}},
  editor       = {{Eckel, Julia and Ruchatz, Jens and Wirth, Sabine}},
  pages        = {{131--166}},
  publisher    = {{Palgrave Macmillan}},
  title        = {{{Selfies and Authorship – On the Displayed Authorship and the Author Function of the Selfie}}},
  year         = {{2018}},
}

@inbook{44474,
  author       = {{Eckel, Julia and Ruchatz, Jens and Wirth, Sabine}},
  booktitle    = {{Exploring the Selfie – Historical, Theoretical, and Analytical Approaches to Digital Self-Photography}},
  editor       = {{Eckel, Julia}},
  pages        = {{1--24}},
  publisher    = {{Palgrave Macmillan}},
  title        = {{{The Selfie as Image (and) Practice – Approaching Digital Self-Photography}}},
  year         = {{2018}},
}

@inbook{44478,
  author       = {{Backe, Hans-Joachim and Eckel, Julia and Feyersinger, Erwin and Sina, Véronique and Thon, Jan-Noel}},
  booktitle    = {{Ästhetik des Gemachten. Interdisziplinäre Beiträge zur Animations- und Comicforschung}},
  editor       = {{Eckel, Julia}},
  pages        = {{1--10}},
  publisher    = {{de Gruyter}},
  title        = {{{Zur Einführung: Ästhetik des Gemachten}}},
  year         = {{2018}},
}

@misc{44389,
  author       = {{Ahrens, Stephan}},
  booktitle    = {{In: Filmblatt Nr 63}},
  pages        = {{128f}},
  title        = {{{Seán Allan, Sebastian Heiduschke (Hg.): Re-Imaginig DEFA. East German Cinema in its National and Transnational Contexts. New York: Berghahn, 2016}}},
  year         = {{2017}},
}

@misc{44409,
  author       = {{Ahrens, Stephan}},
  booktitle    = {{Filmbulletin Nr. 4 }},
  pages        = {{59f}},
  title        = {{{Neugier auf den Kanon [Besprechung von Thomas Christen (Hg.): Vom Neorealismus zu den Neuen Wellen. Filmische Erneuerungsbewegungen 1945-1968. Einführung in die Filmgeschichte Band 2. Marburg, Schüren, 2016]}}},
  year         = {{2017}},
}

@article{44412,
  author       = {{Ahrens, Stephan}},
  journal      = {{Film-Dienst Nr. 9 }},
  pages        = {{32f}},
  title        = {{{Kontra wird nicht gegeben [Besprechung von Der neue Mensch. Aufbruch und Alltag im Revolutionären Russland. Edition suhrkamp, Absolut medien]. }}},
  year         = {{2017}},
}

