@book{52390, author = {{Ricke, Anna}}, isbn = {{978-3-8260-7282-6}}, title = {{{Smaragda Eger-Berg (1886–1954). Bohemienne – Musikerin – Schwester. Bedingungen künstlerischer Emanzipation in der Wiener Moderne}}}, volume = {{14}}, year = {{2021}}, } @book{36430, abstract = {{Der vorliegende Band versammelt die Ergebnisse eines wissenschaftlich-künstlerischen Lehrprojekts. Im Rahmen von zwei Seminaren, die an der Folkwang Universität der Künste in Essen sowie der Westfälischen Wilhelms-Universität Münster stattgefunden haben, haben sich Studierende im Sommersemester 2019 vergessenen deutschsprachigen Oratorien des »langen 19. Jahrhunderts« zugewandt und zu jeweils einem Werk einen eigenen Forschungsbeitrag verfasst. Ergänzt werden die acht Werkstudien um einen einführenden Beitrag aus theologisch-bibelwissenschaftlicher Perspektive.}}, editor = {{Höink, Dominik and Vos, Jacobus Cornelis de}}, pages = {{222}}, title = {{{ Deutschsprachige Oratorien des 'langen 19. Jahrhunderts' : Studien zu vergessenen Gattungsbeiträgen}}}, year = {{2021}}, } @inbook{37182, author = {{Grotjahn, Rebecca}}, booktitle = {{Gattung und Geschlecht. Konventionen und Transformationen eines Paradigmas}}, editor = {{Schlieper, Hendrik and Tönnies, Merle }}, isbn = {{978-3-447-11508-7}}, pages = {{123–142}}, publisher = {{Harrassowitz}}, title = {{{Himmlischer Warenschatz wohltätiger Erkenntnisse: Gattung und Geschlecht in der Musik}}}, volume = {{21}}, year = {{2021}}, } @inbook{37183, author = {{Grotjahn, Rebecca}}, booktitle = {{Institutionen und Medien}}, editor = {{Ertelt, Thomas and Loesch, Heinz von}}, isbn = {{9783761820827}}, pages = {{340–367}}, publisher = {{Bärenreiter}}, title = {{{Zwischen Selbstinszenierung und Werkinterpretation: Solistinnen und Solisten}}}, volume = {{2}}, year = {{2021}}, } @inbook{37180, author = {{Iffland, Joachim and Grotjahn, Rebecca}}, booktitle = {{Edieren: Geisteswissenschaften im digitalen Wandel | Éditer : les sciences humaines en mutation}}, pages = {{48--51}}, title = {{{Musikedition – auch ohne Noten}}}, doi = {{10.5281/ZENODO.5716099}}, volume = {{27,3}}, year = {{2021}}, } @inbook{37179, author = {{Grotjahn, Rebecca}}, booktitle = {{Stimmen – Körper – Medien. Gesang im 20. und 21. Jahrhundert}}, editor = {{Grosch, Nils and Seedorf, Thomas }}, isbn = {{978-3-89007-906-6}}, pages = {{13--39}}, publisher = {{Laaber-Verlag}}, title = {{{Singen – Körper – Medien}}}, volume = {{2}}, year = {{2021}}, } @inproceedings{36822, author = {{Tumat, Antje}}, booktitle = {{Musik und Homosexualitäten. Tagungsbericht Musikwissenschaftliche Homosexualitätenforschung, Bremen 2017 und 2018}}, editor = {{Grönke, Kadja and Zywietz, Michael}}, isbn = {{978-3-86485-259-6}}, pages = {{209--221}}, publisher = {{Textem-Verlag}}, title = {{{Biografie und Werk: Henzes „Bassariden“}}}, year = {{2021}}, } @inbook{37893, author = {{Grotjahn, Rebecca}}, booktitle = {{Stimmen – Körper – Medien. Gesang im 20. und 21. Jahrhundert}}, editor = {{Grosch, Nils and Seedorf, Thomas}}, isbn = {{978-3-89007-906-6}}, pages = {{13--39}}, publisher = {{Laaber-Verlag}}, title = {{{Singen – Körper – Medien}}}, volume = {{2}}, year = {{2021}}, } @inbook{36821, author = {{Tumat, Antje}}, booktitle = {{Musikwissenschaft der Vielfalt. Festschrift Rebecca Grotjahn zum 60. Geburtstag}}, editor = {{Iffland, Joachim and Imm, Johanna and Jaeschke, Nina and Schauberger, Sarah}}, isbn = {{978-3-96233-276-1}}, keywords = {{Neue Musik}}, pages = {{371--384}}, publisher = {{Allitera Verlag}}, title = {{{Grenzen der Musik? Deutschsprachige Narrative zu Musik und Geräusch in den 1950er-Jahren}}}, year = {{2021}}, } @phdthesis{57315, author = {{Plaksin, Anna Viktoria Katrin}}, title = {{{Modelle zur computergestützten Analyse von Überlieferungen der Mensuralmusik: Empirische Textforschung im Kontext phylogenetischer Verfahren}}}, doi = {{10.26083/tuprints-00017211}}, volume = {{27}}, year = {{2021}}, } @book{48045, editor = {{Münzmay, Andreas and Aquavella-RauchJ, Stefanie and Veit, Joachim}}, publisher = {{Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold}}, title = {{{Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation}}}, doi = {{10.25366/2020.87}}, volume = {{3}}, year = {{2020}}, } @inbook{47474, author = {{Münzmay, Andreas and Aquavella-Rauch, Stefanie and Veit, Joachim}}, booktitle = {{Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation}}, editor = {{Münzmay, Andreas and Acquavella-Rauch, Stefanie and Veit, Joachim}}, pages = {{XI--XV}}, publisher = {{Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold}}, title = {{{Brückenschläge zwischen Musikwissenschaft und Informatik – Vorbemerkung}}}, doi = {{10.25366/2020.88}}, volume = {{3}}, year = {{2020}}, } @article{47476, abstract = {{Digital data on tangible and intangible cultural assets is an essential part of daily life, communication and experience. It has a lasting influence on the perception of cultural identity as well as on the interactions between research, the cultural economy and society. Throughout the last three decades, many cultural heritage institutions have contributed a wealth of digital representations of cultural assets (2D digital reproductions of paintings, sheet music, 3D digital models of sculptures, monuments, rooms, buildings), audio-visual data (music, film, stage performances), and procedural research data such as encoding and annotation formats. The long-term preservation and FAIR availability of research data from the cultural heritage domain is fundamentally important, not only for future academic success in the humanities but also for the cultural identity of individuals and society as a whole. Up to now, no coordinated effort for professional research data management on a national level exists in Germany. NFDI4Culture aims to fill this gap and create a user-centered, research-driven infrastructure that will cover a broad range of research domains from musicology, art history and architecture to performance, theatre, film, and media studies. The research landscape addressed by the consortium is characterized by strong institutional differentiation. Research units in the consortium's community of interest comprise university institutes, art colleges, academies, galleries, libraries, archives and museums. This diverse landscape is also characterized by an abundance of research objects, methodologies and a great potential for data-driven research. In a unique effort carried out by the applicant and co-applicants of this proposal and ten academic societies, this community is interconnected for the first time through a federated approach that is ideally suited to the needs of the participating researchers. To promote collaboration within the NFDI, to share knowledge and technology and to provide extensive support for its users have been the guiding principles of the consortium from the beginning and will be at the heart of all workflows and decision-making processes. Thanks to these principles, NFDI4Culture has gathered strong support ranging from individual researchers to high-level cultural heritage organizations such as the UNESCO, the International Council of Museums, the Open Knowledge Foundation and Wikimedia. On this basis, NFDI4Culture will take innovative measures that promote a cultural change towards a more reflective and sustainable handling of research data and at the same time boost qualification and professionalization in data-driven research in the domain of cultural heritage. This will create a long-lasting impact on science, cultural economy and society as a whole.}}, author = {{Altenhöner, Reinhard and Blümel, Ina and Boehm, Franziska and Bove, Jens and Bicher, Katrin and Bracht, Christian and Brand, Ortrun and Dieckmann, Lisa and Effinger, Maria and Hagener, Malte and Hammes, Andrea and Heller, Lambert and Kailus, Angela and Kohle, Hubertus and Ludwig, Jens and Münzmay, Andreas and Pittroff, Sarah and Razum, Matthias and Röwenstrunk, Daniel and Sack, Harald and Simon, Holger and Schmidt, Dörte and Schrade, Torsten and Walzel, Annika-Valeska and Wiermann, Barbara}}, issn = {{2367-7163}}, journal = {{Research Ideas and Outcomes}}, keywords = {{Research Data Management}}, publisher = {{Pensoft Publishers}}, title = {{{NFDI4Culture - Consortium for research data on material and immaterial cultural heritage}}}, doi = {{10.3897/rio.6.e57036}}, volume = {{6}}, year = {{2020}}, } @inbook{52121, author = {{Ried, Dennis}}, booktitle = {{Welt-Ende, Gericht, neue Welt : Oratorium nach Worten der heiligen Schrift zumal der Offenbarung Johannis : op. 212 / Joachim Raff}}, title = {{{[Vorwort]}}}, year = {{2020}}, } @misc{36816, booktitle = {{Musiktheorie/Zeitschrift für Musikwissenschaft }}, editor = {{Bork, Camilla and Tumat, Antje}}, keywords = {{radio}}, number = {{2}}, publisher = {{Laaber-Verlag}}, title = {{{Komponieren für das Radio}}}, volume = {{35}}, year = {{2020}}, } @inbook{49920, author = {{Ehland, Christoph and Münzmay, Andreas and Schmitz, Sabine and Süßmann, Johannes and van Laak, Lothar}}, booktitle = {{Peter Paul Rubens und der Barock im Norden}}, editor = {{Stiegemann, Christoph}}, pages = {{198 -- 215}}, publisher = {{Imhof}}, title = {{{Barock im Norden: Kulturtransfer und Transferkultur}}}, year = {{2020}}, } @inproceedings{55841, abstract = {{For musicologists, the collation of multiple sources of the same work is a frequent task. By comparing different witnesses, they seek to identify variation, describe dependencies, and ultimately understand the genesis and transmission of (musical) works. Obviously, the need for such comparison is independent from the medium in which a musical work is manifested. In computing, comparing files for difference is a common task, and the well-known Unix utility diff is almost 46 years old. However, diff, like many other such tools, operates on plain text. While many music encoding formats based on plain text exist, formats used in the field of Digital Humanities are typically based on XML. There are dedicated algorithms for comparing XML as well, but they only focus on the syntax of XML, but not the semantic structures modelled into such standards as MEI. MEI seeks to describe musical structures, and the XML syntax is just a means to express those structures. A diff tool for music should focus on comparing musical structures, but not the specifics of their serialization into a file format. In {Beethovens Werkstatt}, a 16-year project focussed on exploring the concepts and requirements of digital genetic editions of music, based on and arguing with examples from Ludwig van Beethoven, a case-bound diff tool for music was developed. The following paper discusses how that specific tool can be generalized, and which use cases such a tool may support.}}, author = {{Herold, Kristin and Kepper, Johannes and Mo, Ran and Seipelt, Agnes Regina}}, booktitle = {{Music Encoding Conference Proceedings 2020}}, editor = {{De Luca, Elsa and Flanders, Julia}}, keywords = {{mec-proceedings, mec-proceedings-2020}}, pages = {{59–66}}, publisher = {{Humanities Commons}}, title = {{{MusicDiff – A Diff Tool for MEI}}}, doi = {{10.17613/ydbv-e158}}, year = {{2020}}, } @inbook{37322, author = {{Grotjahn, Rebecca}}, booktitle = {{Kooperation und Konkurrenz im Wissenschaftsbetrieb - Perspektiven aus der Genderforschung und -politik}}, editor = {{Schlüter, Anne and Metz-Göckel, Sigrid and Mense, Lisa and Sabisch, Katja}}, isbn = {{9783847415985}}, pages = {{245–251}}, publisher = {{Verlag Barbara Budrich}}, title = {{{"Ich bin die erste Sängerin! Humorlose Bemerkungen zu einem komischen Singspiel"}}}, doi = {{10.2307/j.ctv16x2bbx}}, year = {{2020}}, } @inbook{37324, author = {{Grotjahn, Rebecca}}, booktitle = {{Szenen-Macher Wagner-Regie vom 19. Jahrhundert bis heute}}, editor = {{Wagner, Katharina and Berg, Holger von and Maintz, Marie Luise}}, isbn = {{9783761824924}}, pages = {{79–92}}, publisher = {{Bärenreiter}}, title = {{{Eine wahrhaft deutsche theatralische Kunst. Wilhelmine Schröder-Devrient und die Vorgeschichte der Wagner-Inszenierung}}}, volume = {{3}}, year = {{2020}}, } @book{37167, editor = {{Jaeschke, Nina and Grotjahn, Rebecca}}, pages = {{367}}, publisher = {{musiconn}}, title = {{{Freie Beiträge zur Jahrestagung der Gesellschaft für Musikforschung 2019}}}, doi = {{10.25366/2020.42}}, volume = {{1}}, year = {{2020}}, }