@inproceedings{58131,
  author       = {{Tumat, Antje}},
  editor       = {{Höink, Dominik}},
  pages        = {{27--71}},
  publisher    = {{Textum}},
  title        = {{{Weltethos and wunderzaichen: Religion in the Music of the Western Avant-garde}}},
  year         = {{2024}},
}

@article{56307,
  author       = {{Tumat, Antje}},
  journal      = {{Takte. Das Bärenreiter-Magazin}},
  pages        = {{14--15}},
  title        = {{{Kunst kommt von Verantworten. Zum 100. Geburtstag Giselher Klebes}}},
  volume       = {{2}},
  year         = {{2024}},
}

@inproceedings{54925,
  abstract     = {{The OPEN Edirom project is developing a digital edition of incidental music for Goethe’s play Faust, representing an innovative initiative within the realm of music philology and MEI/TEI edition. Embracing the "data first" principle, OPEN Edirom prioritizes making its content openly accessible, thereby enabling diverse potential uses for researchers and performers. Our aim involves presenting the scholarly text and music edition in its entirety, incorporating its various forms of data, i.e. music, texts, source images, metadata, and annotations, all displayed with Edirom software.
The piece we edit in this project is Goethe’s renowned play Faust I, as adapted by Carl Seydelmann, along with the corresponding music composed by Peter Joseph von Lindpaintner for the Court Theatre in Stuttgart. The work premiered in 1832.
This paper delves into the concept of music edition as open data publication and delineates its advantages over analog and hybrid editions in terms of reusability and alignment with the FAIR principles. It also addresses the challenges encountered in data preparation, both specific to incidental music and in general data processing. Furthermore, we propose solutions and recommendations for similar projects based on our insights.}},
  author       = {{Frömmel, Lena and Bachmann, Tobias and Plaksin, Anna Viktoria Katrin and Münzmay, Andreas}},
  booktitle    = {{Proceedings of the 11th International Conference on Digital Libraries for Musicology}},
  publisher    = {{ACM}},
  title        = {{{Open Edirom: From hybrid music edition to open data publication}}},
  doi          = {{10.1145/3660570.3660582}},
  year         = {{2024}},
}

@inproceedings{58552,
  author       = {{Berndt, Axel and Vollmer, F. and Münzmay, Andreas}},
  booktitle    = {{{Diskografentag: International Conference on Recorded Music}}},
  title        = {{{Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology}}},
  year         = {{2024}},
}

@book{57441,
  editor       = {{Höink, Dominik and Meyer, Andreas}},
  isbn         = {{978-3-8288-4979-2}},
  publisher    = {{Tectum}},
  title        = {{{Music and Religions in the 21st Century}}},
  volume       = {{1}},
  year         = {{2024}},
}

@inbook{57443,
  author       = {{Höink, Dominik}},
  booktitle    = {{Music and Religions in the 21st Century}},
  editor       = {{Höink, Dominik and Meyer, Andreas}},
  publisher    = {{Tectum}},
  title        = {{{The Topicality and Diversity of a Religious Genre. German Oratorios in the 21st Century}}},
  volume       = {{1}},
  year         = {{2024}},
}

@inproceedings{58554,
  author       = {{Berndt, Axel and Münzmay, Andreas}},
  location     = {{Frankfurt am Main}},
  title        = {{{Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze}}},
  year         = {{2024}},
}

@misc{56269,
  abstract     = {{Peter Joseph von Lindpaintner: Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann. Historical-Critical Digital Edition by Tobias Bachmann, Lena Frömmel and Andreas Münzmay. The dataset, consisting of TEI and MEI files, is the historical-critical digital edition. The data structure allows for visualization via EDIROM ONLINE. }},
  author       = {{Bachmann, Tobias and Frömmel, Lena and Münzmay, Andreas}},
  publisher    = {{RADAR4Culture}},
  title        = {{{ OPEN FAUST Preview (dataset)}}},
  doi          = {{10.22000/uupxmgkq94r0jpsk}},
  year         = {{2024}},
}

@inproceedings{58551,
  author       = {{Berndt, Axel and Münzmay, Andreas and Bömcke-Vollmer, Frithjof}},
  booktitle    = {{{DAGA 2024 – 50. Jahrestagung für Akustik}}},
  title        = {{{Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition}}},
  year         = {{2024}},
}

@inproceedings{50440,
  author       = {{Baratè, Adriano and Haus, Goffredo and Ludovico, Luca A. and Mauro, Davide Andrea}},
  booktitle    = {{2023 4th International Symposium on the Internet of Sounds}},
  publisher    = {{IEEE}},
  title        = {{{Towards the Future of Multi-Layer Music Encoding: The IEEE 1599 v2.0 Draft}}},
  doi          = {{10.1109/ieeeconf59510.2023.10335429}},
  year         = {{2023}},
}

@inproceedings{50439,
  author       = {{Baratè, Adriano and Haus, Goffredo and Ludovico, Luca A. and Mauro, Davide Andrea}},
  booktitle    = {{2023 4th International Symposium on the Internet of Sounds}},
  publisher    = {{IEEE}},
  title        = {{{Towards the Future of Multi-Layer Music Encoding: The IEEE 1599 v2.0 Draft}}},
  doi          = {{10.1109/ieeeconf59510.2023.10335429}},
  year         = {{2023}},
}

@misc{51804,
  author       = {{Stadler, Peter and Anna Maria, Neubert and Schreiter, Solveig and Obert, Salome and Ried, Dennis}},
  publisher    = {{LibreCat University}},
  title        = {{{Edirom/WeGA-ODD: WeGA ODD files release 4.7.0}}},
  doi          = {{10.5281/ZENODO.7652568}},
  year         = {{2023}},
}

@inproceedings{50289,
  author       = {{Bohl, Benjamin W. and Ried, Dennis}},
  booktitle    = {{Music Encoding Conference Proceedings 2022}},
  editor       = {{Weigl, David M.}},
  location     = {{Dalhousie University, Nova Scotia, Canada}},
  title        = {{{»Play it again, Sam« – Levels of Complexity in Encoding Performance Personnel}}},
  doi          = {{10.17613/XN3G-VS35}},
  year         = {{2023}},
}

@article{51687,
  author       = {{Ried, Dennis}},
  journal      = {{Blick in die Geschichte. Karlsruher stadthistorische Beiträge}},
  number       = {{140}},
  pages        = {{1}},
  publisher    = {{Stadt Karlsruhe}},
  title        = {{{Ludwig Baumann}}},
  year         = {{2023}},
}

@misc{51684,
  author       = {{Ried, Dennis and Capelle, Irmlind and Minetti, Elena}},
  publisher    = {{Henze-Digital}},
  title        = {{{HenDi-ODD v2.0.0}}},
  doi          = {{10.5281/ZENODO.10391194}},
  year         = {{2023}},
}

@misc{51680,
  author       = {{Ried, Dennis}},
  publisher    = {{Henze-Digital}},
  title        = {{{HenDi-WebApp v1.0.0}}},
  doi          = {{10.5281/ZENODO.8304639}},
  year         = {{2023}},
}

@misc{51683,
  author       = {{Ried, Dennis and Capelle, Irmlind and Minetti, Elena}},
  publisher    = {{Henze-Digital}},
  title        = {{{HenDi-ODD v1.0.0}}},
  doi          = {{10.5281/ZENODO.8304804}},
  year         = {{2023}},
}

@misc{51681,
  author       = {{Ried, Dennis}},
  publisher    = {{Henze-Digital}},
  title        = {{{HenDi-WebApp v2.0.0}}},
  doi          = {{10.5281/ZENODO.10390049}},
  year         = {{2023}},
}

@article{52325,
  author       = {{Adler, Luise and Tumat, Antje}},
  journal      = {{Loccumer Pelikan. Religionspädagogisches Magazin für Schule und Gemeinde des Religionspädagogischen Instituts Loccum}},
  pages        = {{9 -- 13}},
  title        = {{{Kirche und Musiktheater. Ein ambivalentes Verhältnis in Schlaglichtern}}},
  volume       = {{4}},
  year         = {{2023}},
}

@misc{51678,
  abstract     = {{This is the data set of the project Henze-Digital. It contains project specific authority files (e.g., persons, organizations, places) and editions (e.g., letters, documents).}},
  author       = {{Capelle, Irmlind and Minetti, Elena and Ried, Dennis and Tumat, Antje}},
  publisher    = {{Henze-Digital}},
  title        = {{{HenDi-Data (data package) v2.0.0}}},
  doi          = {{10.5281/ZENODO.10391419}},
  year         = {{2023}},
}