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Clara Schumann, Lied Und Liedinterpretation</i>. musiconn, 2020, doi:<a href=\"https://doi.org/10.25366/2020.78\">10.25366/2020.78</a>.","bibtex":"@book{Grotjahn_Jaeschke_2020, place={Detmold}, series={Musikwissenschaft: Neue Perspektiven. Bericht über die Jahrestagung der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold}, title={Die Begleiterin. Clara Schumann, Lied und Liedinterpretation}, volume={2}, DOI={<a href=\"https://doi.org/10.25366/2020.78\">10.25366/2020.78</a>}, publisher={musiconn}, year={2020}, collection={Musikwissenschaft: Neue Perspektiven. Bericht über die Jahrestagung der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold} }","short":"R. Grotjahn, N. Jaeschke, eds., Die Begleiterin. Clara Schumann, Lied Und Liedinterpretation, musiconn, Detmold, 2020.","ama":"Grotjahn R, Jaeschke N, eds. <i>Die Begleiterin. Clara Schumann, Lied Und Liedinterpretation</i>. Vol 2. musiconn; 2020. doi:<a href=\"https://doi.org/10.25366/2020.78\">10.25366/2020.78</a>","chicago":"Grotjahn, Rebecca, and Nina Jaeschke, eds. <i>Die Begleiterin. Clara Schumann, Lied Und Liedinterpretation</i>. Vol. 2. Musikwissenschaft: Neue Perspektiven. Bericht Über Die Jahrestagung Der Gesellschaft Für Musikforschung 2019 in Paderborn Und Detmold. Detmold: musiconn, 2020. <a href=\"https://doi.org/10.25366/2020.78\">https://doi.org/10.25366/2020.78</a>.","ieee":"R. Grotjahn and N. Jaeschke, Eds., <i>Die Begleiterin. Clara Schumann, Lied und Liedinterpretation</i>, vol. 2. Detmold: musiconn, 2020."},"intvolume":"         2","page":"126","place":"Detmold","related_material":{"record":[{"status":"public","relation":"continues","id":"37167"}]},"has_accepted_license":"1","language":[{"iso":"eng"}],"ddc":["780"],"file":[{"relation":"main_file","success":1,"content_type":"application/pdf","file_id":"37158","access_level":"closed","file_name":"Volltext (PDF).pdf","file_size":7579115,"date_created":"2023-01-17T15:45:07Z","creator":"tsteup","date_updated":"2023-01-17T15:45:07Z"}],"title":"Die Begleiterin. Clara Schumann, Lied und Liedinterpretation","date_created":"2023-01-17T15:47:48Z","publisher":"musiconn","year":"2020"},{"_id":"36432","department":[{"_id":"233"}],"user_id":"73564","series_title":"Folkwang Studien","language":[{"iso":"ger"}],"type":"book_editor","abstract":[{"text":"Die h-Moll-Messe und die Johannes-Passion sind unzweifelhaft zwei Hauptwerke Johann Sebastian Bachs. Der vorliegende Band versammelt die Vorträge aus zwei Symposien, die im Oktober 2017 und März 2019 in Essen abgehalten worden sind. Im Dialog zwischen Theologie und Musikwissenschaft werden in den Beiträgen unterschiedliche Aspekte fokussiert, die je nach Werk zum einen eher auf dem Gebiet der Genese, Rezeption und Edition (h-Moll-Messe), zum anderen eher auf dessen theologischem oder musikgeschichtlichem Kontext (Johannes-Passion) liegen. In dieser interdisziplinären Zusammenstellung werden zahlreiche neue Facetten der Werke und ihrer Kontexte erhellt.","lang":"eng"}],"editor":[{"first_name":"Dominik","last_name":"Höink","full_name":"Höink, Dominik","id":"90389"},{"full_name":"Jacob, Andreas","last_name":"Jacob","first_name":"Andreas"}],"status":"public","date_updated":"2023-03-22T13:15:13Z","publisher":"Georg Olms","volume":20,"date_created":"2023-01-12T13:17:50Z","title":"Musikwissenschaft und Theologie im Dialog - Johann Sebastian Bachs \"h-Moll-Messe\" und \"Johannes-Passion\"","publication_identifier":{"isbn":[" \t978-3-487-15916-4"]},"related_material":{"record":[{"id":"36461","relation":"contains","status":"public"}]},"place":"Hildesheim u.a.","year":"2020","page":"376","intvolume":"        20","citation":{"ama":"Höink D, Jacob A, eds. <i>Musikwissenschaft und Theologie im Dialog - Johann Sebastian Bachs “h-Moll-Messe” und “Johannes-Passion.”</i> Vol 20. Georg Olms; 2020.","ieee":"D. Höink and A. Jacob, Eds., <i>Musikwissenschaft und Theologie im Dialog - Johann Sebastian Bachs “h-Moll-Messe” und “Johannes-Passion,”</i> vol. 20. Hildesheim u.a.: Georg Olms, 2020.","chicago":"Höink, Dominik, and Andreas Jacob, eds. <i>Musikwissenschaft und Theologie im Dialog - Johann Sebastian Bachs “h-Moll-Messe” und “Johannes-Passion.”</i> Vol. 20. Folkwang Studien. Hildesheim u.a.: Georg Olms, 2020.","apa":"Höink, D., &#38; Jacob, A. (Eds.). (2020). <i>Musikwissenschaft und Theologie im Dialog - Johann Sebastian Bachs “h-Moll-Messe” und “Johannes-Passion”</i> (Vol. 20). Georg Olms.","mla":"Höink, Dominik, and Andreas Jacob, editors. <i>Musikwissenschaft und Theologie im Dialog - Johann Sebastian Bachs “h-Moll-Messe” und “Johannes-Passion.”</i> Georg Olms, 2020.","short":"D. Höink, A. Jacob, eds., Musikwissenschaft und Theologie im Dialog - Johann Sebastian Bachs “h-Moll-Messe” und “Johannes-Passion,” Georg Olms, Hildesheim u.a., 2020.","bibtex":"@book{Höink_Jacob_2020, place={Hildesheim u.a.}, series={Folkwang Studien}, title={Musikwissenschaft und Theologie im Dialog - Johann Sebastian Bachs “h-Moll-Messe” und “Johannes-Passion”}, volume={20}, publisher={Georg Olms}, year={2020}, collection={Folkwang Studien} }"}},{"citation":{"chicago":"Plaksin, Anna Viktoria Katrin. “Do Visual Features Matter? Studies in Phylogenetic Analysis of Mensural Music.” In <i>Music Encoding Conference 2020</i>, edited by Elsa de Luca and Julia Flanders. Humanities Commons, 2020. <a href=\"https://doi.org/10.17613/PZY7-EK18\">https://doi.org/10.17613/PZY7-EK18</a>.","ieee":"A. V. K. Plaksin, “Do visual features matter? Studies in phylogenetic analysis of mensural music,” in <i>Music Encoding Conference 2020</i>, online, 2020, doi: <a href=\"https://doi.org/10.17613/PZY7-EK18\">10.17613/PZY7-EK18</a>.","ama":"Plaksin AVK. Do visual features matter? Studies in phylogenetic analysis of mensural music. In: de Luca E, Flanders J, eds. <i>Music Encoding Conference 2020</i>. Humanities Commons; 2020. doi:<a href=\"https://doi.org/10.17613/PZY7-EK18\">10.17613/PZY7-EK18</a>","apa":"Plaksin, A. V. K. (2020). Do visual features matter? Studies in phylogenetic analysis of mensural music. In E. de Luca &#38; J. Flanders (Eds.), <i>Music Encoding Conference 2020</i>. Humanities Commons. <a href=\"https://doi.org/10.17613/PZY7-EK18\">https://doi.org/10.17613/PZY7-EK18</a>","short":"A.V.K. Plaksin, in: E. de Luca, J. Flanders (Eds.), Music Encoding Conference 2020, Humanities Commons, 2020.","bibtex":"@inproceedings{Plaksin_2020, title={Do visual features matter? Studies in phylogenetic analysis of mensural music}, DOI={<a href=\"https://doi.org/10.17613/PZY7-EK18\">10.17613/PZY7-EK18</a>}, booktitle={Music Encoding Conference 2020}, publisher={Humanities Commons}, author={Plaksin, Anna Viktoria Katrin}, editor={de Luca, Elsa and Flanders, Julia}, year={2020} }","mla":"Plaksin, Anna Viktoria Katrin. “Do Visual Features Matter? Studies in Phylogenetic Analysis of Mensural Music.” <i>Music Encoding Conference 2020</i>, edited by Elsa de Luca and Julia Flanders, Humanities Commons, 2020, doi:<a href=\"https://doi.org/10.17613/PZY7-EK18\">10.17613/PZY7-EK18</a>."},"year":"2020","quality_controlled":"1","main_file_link":[{"url":"https://works.hcommons.org/records/ve025-nac95","open_access":"1"}],"doi":"10.17613/PZY7-EK18","conference":{"start_date":"2020-05-26","name":"Music Encoding Conference 2020","location":"online","end_date":"2020-05-29"},"title":"Do visual features matter? 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Erarbeitung eines Online-Lexikons zur Musik in der NS-Zeit","publication_status":"published","citation":{"mla":"Oancea, Theodora, et al. “Kollaborateure – Involvierte – Profiteure. Erarbeitung eines Online-Lexikons zur Musik in der NS-Zeit.” <i>Freie Beiträge zur Jahrestagung der Gesellschaft für Musikforschung 2019</i>, edited by Nina Jaeschke and Rebecca Grotjahn, Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020, doi:<a href=\"https://doi.org/10.25366/2020.67\">10.25366/2020.67</a>.","bibtex":"@inproceedings{Oancea_Pollmann_Spieker_2020, title={Kollaborateure – Involvierte – Profiteure. Erarbeitung eines Online-Lexikons zur Musik in der NS-Zeit}, DOI={<a href=\"https://doi.org/10.25366/2020.67\">10.25366/2020.67</a>}, booktitle={Freie Beiträge zur Jahrestagung der Gesellschaft für Musikforschung 2019}, publisher={Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold}, author={Oancea, Theodora and Pollmann, Joachim and Spieker, Jonas}, editor={Jaeschke, Nina and Grotjahn, Rebecca}, year={2020} }","short":"T. Oancea, J. Pollmann, J. Spieker, in: N. Jaeschke, R. Grotjahn (Eds.), Freie Beiträge zur Jahrestagung der Gesellschaft für Musikforschung 2019, Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020.","apa":"Oancea, T., Pollmann, J., &#38; Spieker, J. (2020). Kollaborateure – Involvierte – Profiteure. Erarbeitung eines Online-Lexikons zur Musik in der NS-Zeit. In N. Jaeschke &#38; R. Grotjahn (Eds.), <i>Freie Beiträge zur Jahrestagung der Gesellschaft für Musikforschung 2019</i>. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold. <a href=\"https://doi.org/10.25366/2020.67\">https://doi.org/10.25366/2020.67</a>","chicago":"Oancea, Theodora, Joachim Pollmann, and Jonas Spieker. “Kollaborateure – Involvierte – Profiteure. Erarbeitung eines Online-Lexikons zur Musik in der NS-Zeit.” In <i>Freie Beiträge zur Jahrestagung der Gesellschaft für Musikforschung 2019</i>, edited by Nina Jaeschke and Rebecca Grotjahn. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. <a href=\"https://doi.org/10.25366/2020.67\">https://doi.org/10.25366/2020.67</a>.","ieee":"T. Oancea, J. Pollmann, and J. Spieker, “Kollaborateure – Involvierte – Profiteure. Erarbeitung eines Online-Lexikons zur Musik in der NS-Zeit,” in <i>Freie Beiträge zur Jahrestagung der Gesellschaft für Musikforschung 2019</i>, 2020, doi: <a href=\"https://doi.org/10.25366/2020.67\">10.25366/2020.67</a>.","ama":"Oancea T, Pollmann J, Spieker J. Kollaborateure – Involvierte – Profiteure. Erarbeitung eines Online-Lexikons zur Musik in der NS-Zeit. In: Jaeschke N, Grotjahn R, eds. <i>Freie Beiträge zur Jahrestagung der Gesellschaft für Musikforschung 2019</i>. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold; 2020. doi:<a href=\"https://doi.org/10.25366/2020.67\">10.25366/2020.67</a>"},"year":"2020","department":[{"_id":"233"}],"user_id":"65143","_id":"55643","language":[{"iso":"ger"}],"publication":"Freie Beiträge zur Jahrestagung der Gesellschaft für Musikforschung 2019","type":"conference","status":"public","abstract":[{"text":"<jats:p>Since 2018 a group of musicology students at the Department of musicology of the University of Paderborn and the University of Music Detmold has been developing an online database called Kollaborateure – Involvierte – Profiteure. Musik in der NS-Zeit. Integral part of this database are articles on musicians, composers, employees in ministries and organisations affiliated to the party, musicologists, music editors and publishers from the Nazi era. In addition to the source-based biographical key data, the prosography focuses on the current research situation related to the respective person, a detailed description of the networks in the denazification processes and presents comprehensive lists of all writings, musical works, speeches and a list of his or her memberships. In future, further authors are to be won over to the project in order to create new articles or to update existing ones.</jats:p>","lang":"eng"}],"editor":[{"full_name":"Jaeschke, Nina","last_name":"Jaeschke","first_name":"Nina"},{"full_name":"Grotjahn, Rebecca","last_name":"Grotjahn","first_name":"Rebecca"}]},{"type":"conference","publication":"6th International Conference on Digital Libraries for Musicology","status":"public","user_id":"14931","department":[{"_id":"233"}],"_id":"50445","language":[{"iso":"eng"}],"publication_status":"published","citation":{"apa":"Andrea Ludovico, L., Baratè, A., Simonetta, F., &#38; Mauro, D. A. (2019). On the Adoption of Standard Encoding Formats to Ensure Interoperability of Music Digital Archives: The IEEE 1599 Format. <i>6th International Conference on Digital Libraries for Musicology</i>. <a href=\"https://doi.org/10.1145/3358664.3358665\">https://doi.org/10.1145/3358664.3358665</a>","mla":"Andrea Ludovico, Luca, et al. “On the Adoption of Standard Encoding Formats to Ensure Interoperability of Music Digital Archives: The IEEE 1599 Format.” <i>6th International Conference on Digital Libraries for Musicology</i>, ACM, 2019, doi:<a href=\"https://doi.org/10.1145/3358664.3358665\">10.1145/3358664.3358665</a>.","bibtex":"@inproceedings{Andrea Ludovico_Baratè_Simonetta_Mauro_2019, title={On the Adoption of Standard Encoding Formats to Ensure Interoperability of Music Digital Archives: The IEEE 1599 Format}, DOI={<a href=\"https://doi.org/10.1145/3358664.3358665\">10.1145/3358664.3358665</a>}, booktitle={6th International Conference on Digital Libraries for Musicology}, publisher={ACM}, author={Andrea Ludovico, Luca and Baratè, Adriano and Simonetta, Federico and Mauro, Davide Andrea}, year={2019} }","short":"L. Andrea Ludovico, A. Baratè, F. Simonetta, D.A. Mauro, in: 6th International Conference on Digital Libraries for Musicology, ACM, 2019.","chicago":"Andrea Ludovico, Luca, Adriano Baratè, Federico Simonetta, and Davide Andrea Mauro. “On the Adoption of Standard Encoding Formats to Ensure Interoperability of Music Digital Archives: The IEEE 1599 Format.” In <i>6th International Conference on Digital Libraries for Musicology</i>. ACM, 2019. <a href=\"https://doi.org/10.1145/3358664.3358665\">https://doi.org/10.1145/3358664.3358665</a>.","ieee":"L. Andrea Ludovico, A. Baratè, F. Simonetta, and D. A. Mauro, “On the Adoption of Standard Encoding Formats to Ensure Interoperability of Music Digital Archives: The IEEE 1599 Format,” 2019, doi: <a href=\"https://doi.org/10.1145/3358664.3358665\">10.1145/3358664.3358665</a>.","ama":"Andrea Ludovico L, Baratè A, Simonetta F, Mauro DA. On the Adoption of Standard Encoding Formats to Ensure Interoperability of Music Digital Archives: The IEEE 1599 Format. In: <i>6th International Conference on Digital Libraries for Musicology</i>. ACM; 2019. doi:<a href=\"https://doi.org/10.1145/3358664.3358665\">10.1145/3358664.3358665</a>"},"year":"2019","date_created":"2024-01-11T08:12:53Z","author":[{"first_name":"Luca","full_name":"Andrea Ludovico, Luca","last_name":"Andrea Ludovico"},{"full_name":"Baratè, Adriano","last_name":"Baratè","first_name":"Adriano"},{"full_name":"Simonetta, Federico","last_name":"Simonetta","first_name":"Federico"},{"first_name":"Davide Andrea","last_name":"Mauro","orcid":"0000-0001-8437-4517","id":"104047","full_name":"Mauro, Davide Andrea"}],"date_updated":"2024-02-19T10:51:50Z","publisher":"ACM","doi":"10.1145/3358664.3358665","title":"On the Adoption of Standard Encoding Formats to Ensure Interoperability of Music Digital Archives: The IEEE 1599 Format"},{"language":[{"iso":"eng"}],"_id":"50444","department":[{"_id":"233"}],"user_id":"14931","status":"public","publication":"Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound","type":"conference","title":"A Web Prototype to Teach Music and Computational Thinking Through Building Blocks","doi":"10.1145/3356590.3356625","publisher":"ACM","date_updated":"2024-02-19T10:50:26Z","date_created":"2024-01-11T08:10:14Z","author":[{"last_name":"Baratè","full_name":"Baratè, Adriano","first_name":"Adriano"},{"full_name":"Ludovico, Luca A.","last_name":"Ludovico","first_name":"Luca A."},{"last_name":"Mauro","orcid":"0000-0001-8437-4517","full_name":"Mauro, Davide Andrea","id":"104047","first_name":"Davide Andrea"}],"year":"2019","citation":{"ama":"Baratè A, Ludovico LA, Mauro DA. A Web Prototype to Teach Music and Computational Thinking Through Building Blocks. In: <i>Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound</i>. ACM; 2019. doi:<a href=\"https://doi.org/10.1145/3356590.3356625\">10.1145/3356590.3356625</a>","ieee":"A. Baratè, L. A. Ludovico, and D. A. Mauro, “A Web Prototype to Teach Music and Computational Thinking Through Building Blocks,” 2019, doi: <a href=\"https://doi.org/10.1145/3356590.3356625\">10.1145/3356590.3356625</a>.","chicago":"Baratè, Adriano, Luca A. Ludovico, and Davide Andrea Mauro. “A Web Prototype to Teach Music and Computational Thinking Through Building Blocks.” In <i>Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound</i>. ACM, 2019. <a href=\"https://doi.org/10.1145/3356590.3356625\">https://doi.org/10.1145/3356590.3356625</a>.","bibtex":"@inproceedings{Baratè_Ludovico_Mauro_2019, title={A Web Prototype to Teach Music and Computational Thinking Through Building Blocks}, DOI={<a href=\"https://doi.org/10.1145/3356590.3356625\">10.1145/3356590.3356625</a>}, booktitle={Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound}, publisher={ACM}, author={Baratè, Adriano and Ludovico, Luca A. and Mauro, Davide Andrea}, year={2019} }","short":"A. Baratè, L.A. Ludovico, D.A. Mauro, in: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound, ACM, 2019.","mla":"Baratè, Adriano, et al. “A Web Prototype to Teach Music and Computational Thinking Through Building Blocks.” <i>Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound</i>, ACM, 2019, doi:<a href=\"https://doi.org/10.1145/3356590.3356625\">10.1145/3356590.3356625</a>.","apa":"Baratè, A., Ludovico, L. A., &#38; Mauro, D. A. (2019). A Web Prototype to Teach Music and Computational Thinking Through Building Blocks. <i>Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound</i>. <a href=\"https://doi.org/10.1145/3356590.3356625\">https://doi.org/10.1145/3356590.3356625</a>"},"publication_status":"published"},{"publication_status":"published","citation":{"chicago":"Baratè, Adriano, Luca A. Ludovico, and Davide Andrea Mauro. “A Web Prototype to Teach Music and Computational Thinking Through Building Blocks.” In <i>Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound</i>. ACM, 2019. <a href=\"https://doi.org/10.1145/3356590.3356625\">https://doi.org/10.1145/3356590.3356625</a>.","ieee":"A. Baratè, L. A. Ludovico, and D. A. Mauro, “A Web Prototype to Teach Music and Computational Thinking Through Building Blocks,” 2019, doi: <a href=\"https://doi.org/10.1145/3356590.3356625\">10.1145/3356590.3356625</a>.","ama":"Baratè A, Ludovico LA, Mauro DA. A Web Prototype to Teach Music and Computational Thinking Through Building Blocks. In: <i>Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound</i>. ACM; 2019. doi:<a href=\"https://doi.org/10.1145/3356590.3356625\">10.1145/3356590.3356625</a>","apa":"Baratè, A., Ludovico, L. A., &#38; Mauro, D. A. (2019). A Web Prototype to Teach Music and Computational Thinking Through Building Blocks. <i>Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound</i>. <a href=\"https://doi.org/10.1145/3356590.3356625\">https://doi.org/10.1145/3356590.3356625</a>","mla":"Baratè, Adriano, et al. “A Web Prototype to Teach Music and Computational Thinking Through Building Blocks.” <i>Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound</i>, ACM, 2019, doi:<a href=\"https://doi.org/10.1145/3356590.3356625\">10.1145/3356590.3356625</a>.","bibtex":"@inproceedings{Baratè_Ludovico_Mauro_2019, title={A Web Prototype to Teach Music and Computational Thinking Through Building Blocks}, DOI={<a href=\"https://doi.org/10.1145/3356590.3356625\">10.1145/3356590.3356625</a>}, booktitle={Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound}, publisher={ACM}, author={Baratè, Adriano and Ludovico, Luca A. and Mauro, Davide Andrea}, year={2019} }","short":"A. Baratè, L.A. Ludovico, D.A. Mauro, in: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound, ACM, 2019."},"year":"2019","date_created":"2024-01-11T08:13:08Z","author":[{"first_name":"Adriano","last_name":"Baratè","full_name":"Baratè, Adriano"},{"first_name":"Luca A.","last_name":"Ludovico","full_name":"Ludovico, Luca A."},{"first_name":"Davide Andrea","full_name":"Mauro, Davide Andrea","id":"104047","last_name":"Mauro","orcid":"0000-0001-8437-4517"}],"date_updated":"2024-02-19T10:50:39Z","publisher":"ACM","doi":"10.1145/3356590.3356625","title":"A Web Prototype to Teach Music and Computational Thinking Through Building Blocks","type":"conference","publication":"Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound","status":"public","user_id":"14931","department":[{"_id":"233"}],"_id":"50446","language":[{"iso":"eng"}]},{"type":"book_chapter","publication":" Musik im Dessau-Wörlitzer Gartenreich","editor":[{"first_name":"Wolfgang","full_name":"Hirschmann, Wolfgang","last_name":"Hirschmann"},{"first_name":"Adrian","last_name":"La Salvia","full_name":"La Salvia, Adrian"}],"abstract":[{"lang":"ger","text":"Das Libretto der allegorischen Festoper 'Bathmendi' (Die Glückseligkeit), mit der 1798 das neue Dessauer Hoftheater eröffnet wurde, stammte von dem Dessauer Hofmeister und Jugendfreund Goethes Ernst Wolfgang Behrisch, die Musik von dem neuen Intendanten Karl August Freiherr von Lichtenstein, die aufsehenerregenden Bühnenbilder von dem aus Mannheim engagierten Bühnenmaler Giulio Quaglio. Das Aufführungsdatum in der kältesten Jahreszeit war durch den Geburtstag des Erbprinzen am 27. Dezember 1798, an dessen Vorabend die Aufführung stattfinden sollte, vorgegeben. Nicht nur dieses Detail verweist auf die stark höfisch-repräsentative Ausrichtung der Opernaufführung. Auch das Sujet wird in dem Beitrag von Andreas Münzmay als ein ein typisch feudalistisches gedeutet, durch das dem Bürger klar gemacht werden sollte, \"keine falschen Aufstiegsambitionen zu entwickeln\", und das von einer \"Verbürgerlichung höfischer Elementen\", wie sie der Kulturförderung des Fürsten Franz allenthalben attestiert worden ist, weit entfernt gewesen sei. Mit Paul Beckus sieht Münzmay hier eher eine \"Tendenz des anhalt-dessauischen Hofes zur Partizipation an der allgemeinen, auf die Vergrößerung des Hofstaates gerichteten Entwicklung im Alten Reich\". Die genuin-höfische, staatstragende Funktion der Dessauer Festoper scheint Lichtenstein in späteren Neufassungen für Leipzig und Wien, wo er ab Ende 1800 als Kapellmeister und künstlerishcer Leiter der Hofoper wirkte, eher abgeschwächt zu haben. (Wolfgang Hirschmann und Adrian La Salvia im Vorwort zu dem Band.)"}],"status":"public","_id":"49922","user_id":"61139","department":[{"_id":"572"}],"language":[{"iso":"ger"}],"publication_status":"published","quality_controlled":"1","year":"2019","place":"Halle","citation":{"apa":"Münzmay, A. (2019). Auf der Suche nach dem Glück. Zu Karl August von Lichtensteins moralischer Dessauer Festoper Bathmendi (1798/99) und ihrer Neuperspektivierung in der Folgezeit. In W. Hirschmann &#38; A. La Salvia (Eds.), <i> Musik im Dessau-Wörlitzer Gartenreich</i> (pp. 163–175). Mitteldeutscher Verlag.","short":"A. Münzmay, in: W. Hirschmann, A. La Salvia (Eds.),  Musik im Dessau-Wörlitzer Gartenreich, Mitteldeutscher Verlag, Halle, 2019, pp. 163–175.","bibtex":"@inbook{Münzmay_2019, place={Halle}, title={Auf der Suche nach dem Glück. Zu Karl August von Lichtensteins moralischer Dessauer Festoper Bathmendi (1798/99) und ihrer Neuperspektivierung in der Folgezeit}, booktitle={ Musik im Dessau-Wörlitzer Gartenreich}, publisher={Mitteldeutscher Verlag}, author={Münzmay, Andreas}, editor={Hirschmann, Wolfgang and La Salvia, Adrian}, year={2019}, pages={163–175} }","mla":"Münzmay, Andreas. “Auf der Suche nach dem Glück. Zu Karl August von Lichtensteins moralischer Dessauer Festoper Bathmendi (1798/99) und ihrer Neuperspektivierung in der Folgezeit.” <i> Musik im Dessau-Wörlitzer Gartenreich</i>, edited by Wolfgang Hirschmann and Adrian La Salvia, Mitteldeutscher Verlag, 2019, pp. 163–75.","ama":"Münzmay A. Auf der Suche nach dem Glück. Zu Karl August von Lichtensteins moralischer Dessauer Festoper Bathmendi (1798/99) und ihrer Neuperspektivierung in der Folgezeit. In: Hirschmann W, La Salvia A, eds. <i> Musik im Dessau-Wörlitzer Gartenreich</i>. Mitteldeutscher Verlag; 2019:163-175.","chicago":"Münzmay, Andreas. “Auf der Suche nach dem Glück. Zu Karl August von Lichtensteins moralischer Dessauer Festoper Bathmendi (1798/99) und ihrer Neuperspektivierung in der Folgezeit.” In <i> Musik im Dessau-Wörlitzer Gartenreich</i>, edited by Wolfgang Hirschmann and Adrian La Salvia, 163–75. Halle: Mitteldeutscher Verlag, 2019.","ieee":"A. Münzmay, “Auf der Suche nach dem Glück. Zu Karl August von Lichtensteins moralischer Dessauer Festoper Bathmendi (1798/99) und ihrer Neuperspektivierung in der Folgezeit,” in <i> Musik im Dessau-Wörlitzer Gartenreich</i>, W. Hirschmann and A. La Salvia, Eds. Halle: Mitteldeutscher Verlag, 2019, pp. 163–175."},"page":"163 - 175","date_updated":"2024-02-19T11:02:18Z","publisher":"Mitteldeutscher Verlag","date_created":"2023-12-20T14:01:53Z","author":[{"first_name":"Andreas","last_name":"Münzmay","orcid":"0000-0002-8373-4055","id":"61139","full_name":"Münzmay, Andreas"}],"title":"Auf der Suche nach dem Glück. Zu Karl August von Lichtensteins moralischer Dessauer Festoper Bathmendi (1798/99) und ihrer Neuperspektivierung in der Folgezeit"},{"publisher":"Königshausen und Neumann","date_updated":"2024-02-19T11:02:32Z","date_created":"2023-12-20T14:08:02Z","author":[{"id":"61139","full_name":"Münzmay, Andreas","last_name":"Münzmay","orcid":"0000-0002-8373-4055","first_name":"Andreas"}],"title":"Franz Liszt und die ‚Freie Fantasie‘: Zur Politik der pianistischen Konzertimprovisation","quality_controlled":"1","publication_status":"published","year":"2019","place":"Würzburg","page":"119-139","citation":{"ama":"Münzmay A. Franz Liszt und die ‚Freie Fantasie‘: Zur Politik der pianistischen Konzertimprovisation. In: Betzwieser T, Mauksch S, Schneider M, eds. <i>Sprache und Theatralität des Virtuosen | Franz Liszt | Langage et mise en scène de la virtuosité</i>. Königshausen und Neumann; 2019:119-139.","ieee":"A. Münzmay, “Franz Liszt und die ‚Freie Fantasie‘: Zur Politik der pianistischen Konzertimprovisation,” in <i>Sprache und Theatralität des Virtuosen | Franz Liszt | Langage et mise en scène de la virtuosité</i>, T. Betzwieser, S. Mauksch, and M. Schneider, Eds. Würzburg: Königshausen und Neumann, 2019, pp. 119–139.","chicago":"Münzmay, Andreas. “Franz Liszt und die ‚Freie Fantasie‘: Zur Politik der pianistischen Konzertimprovisation.” In <i>Sprache und Theatralität des Virtuosen | Franz Liszt | Langage et mise en scène de la virtuosité</i>, edited by Thomas Betzwieser, Sarah Mauksch, and Markus Schneider, 119–39. Würzburg: Königshausen und Neumann, 2019.","apa":"Münzmay, A. (2019). Franz Liszt und die ‚Freie Fantasie‘: Zur Politik der pianistischen Konzertimprovisation. In T. Betzwieser, S. Mauksch, &#38; M. Schneider (Eds.), <i>Sprache und Theatralität des Virtuosen | Franz Liszt | Langage et mise en scène de la virtuosité</i> (pp. 119–139). Königshausen und Neumann.","mla":"Münzmay, Andreas. “Franz Liszt und die ‚Freie Fantasie‘: Zur Politik der pianistischen Konzertimprovisation.” <i>Sprache und Theatralität des Virtuosen | Franz Liszt | Langage et mise en scène de la virtuosité</i>, edited by Thomas Betzwieser et al., Königshausen und Neumann, 2019, pp. 119–39.","short":"A. Münzmay, in: T. Betzwieser, S. Mauksch, M. Schneider (Eds.), Sprache und Theatralität des Virtuosen | Franz Liszt | Langage et mise en scène de la virtuosité, Königshausen und Neumann, Würzburg, 2019, pp. 119–139.","bibtex":"@inbook{Münzmay_2019, place={Würzburg}, title={Franz Liszt und die ‚Freie Fantasie‘: Zur Politik der pianistischen Konzertimprovisation}, booktitle={Sprache und Theatralität des Virtuosen | Franz Liszt | Langage et mise en scène de la virtuosité}, publisher={Königshausen und Neumann}, author={Münzmay, Andreas}, editor={Betzwieser, Thomas and Mauksch, Sarah and Schneider, Markus}, year={2019}, pages={119–139} }"},"_id":"49926","department":[{"_id":"572"}],"user_id":"61139","language":[{"iso":"ger"}],"publication":"Sprache und Theatralität des Virtuosen | Franz Liszt | Langage et mise en scène de la virtuosité","type":"book_chapter","abstract":[{"lang":"ger","text":"Improvisation als zentrale künstlerische Kulturtechnik des früheren 19. Jahrhunderts – Das Quellenproblem als methodische Herausforderung – Zur Theorie des Fantasierens zwischen Geniekult und trainierbarer Virtuosität – Freie Fantasien und Themen-Aufgaben als strategische Mittel, oder: Wie Liszt nicht zum ,neuen Beethoven‘, aber zur ,Reinkarnation Mozarts‘ wurde – Überraschungsprogrammpunkt und Themen für die ,Masse‘: Zur Freien Fantasie bei Liszt ab der Mitte der 1830er Jahre – ,Anspruch des Moments‘ vs. ,Reinheit der Kunst‘"}],"editor":[{"last_name":"Betzwieser","full_name":"Betzwieser, Thomas","first_name":"Thomas"},{"last_name":"Mauksch","full_name":"Mauksch, Sarah","first_name":"Sarah"},{"first_name":"Markus","last_name":"Schneider","full_name":"Schneider, Markus"}],"status":"public"},{"language":[{"iso":"ger"}],"publication":"Zwischen Transfer und Transformation: Horizonte der Rezeption von Musik","abstract":[{"text":" \t\r\nDiscusses the research paradigm of ‘transferts culturels’ (cultural transfers), as established by French C.N.R.S. scholars Michel Espagne and Michael Werner in the 1980s and rapidly evolving in the context of French-German research after 1989, from the point of view of musicology. Ideological categories like ‘nation’ and ‘culture’ are weighed against frames that allow for more precise definitions, like local/regional repertoires or culture politics. Likewise, the opposed theoretical concepts of ‘reception’ and ‘production’ fundamentally affect the conceptualization of the musical ‘work’ entity. Taking cultural transfers into account has helped stimulating practice-oriented views of music history that no longer consider modifications or adaptations of works only as derivatives or even misunderstandings of ‘the original’, but, to the contrary, acknowledge them as historical facts and cultural expressions in their own rights. The examples of Richard Wagner’s Die Meistersinger von Nürnberg and Eduard Hanslick’s Die moderne Oper show how this was already a controversial issue in the 19th century under the impression of the international nature of the standard (French) opera repertoire of the time. A concluding section points out the possibilities for the coverage of culture transfer processes arising from the implementation of the FRBR (Functional Requirements for Bibliographic Records) model in bibliographic authority data on the ‘work’ level. (Autor)","lang":"eng"}],"date_created":"2023-09-27T07:02:48Z","publisher":"Hollitzer","title":"Kulturtransferforschung und Musikwissenschaft","quality_controlled":"1","year":"2019","user_id":"61139","series_title":"Wiener Veröffentlichungen zur Musikwissenschaft","department":[{"_id":"572"}],"_id":"47477","type":"book_chapter","status":"public","editor":[{"first_name":"Michele","last_name":"Calella","full_name":"Calella, Michele"},{"last_name":"Leßmann","full_name":"Leßmann, Benedikt","first_name":"Benedikt"}],"author":[{"full_name":"Münzmay, Andreas","id":"61139","orcid":"0000-0002-8373-4055","last_name":"Münzmay","first_name":"Andreas"}],"volume":51,"date_updated":"2024-02-27T12:08:26Z","doi":"10.2307/j.ctvt6rjq6.10","publication_status":"published","publication_identifier":{"isbn":["978-3-99012-778-0"]},"citation":{"ieee":"A. Münzmay, “Kulturtransferforschung und Musikwissenschaft,” in <i>Zwischen Transfer und Transformation: Horizonte der Rezeption von Musik</i>, vol. 51, M. Calella and B. Leßmann, Eds. Wien: Hollitzer, 2019, pp. 175–191.","chicago":"Münzmay, Andreas. “Kulturtransferforschung und Musikwissenschaft.” In <i>Zwischen Transfer und Transformation: Horizonte der Rezeption von Musik</i>, edited by Michele Calella and Benedikt Leßmann, 51:175–91. Wiener Veröffentlichungen zur Musikwissenschaft. Wien: Hollitzer, 2019. <a href=\"https://doi.org/10.2307/j.ctvt6rjq6.10\">https://doi.org/10.2307/j.ctvt6rjq6.10</a>.","ama":"Münzmay A. Kulturtransferforschung und Musikwissenschaft. In: Calella M, Leßmann B, eds. <i>Zwischen Transfer und Transformation: Horizonte der Rezeption von Musik</i>. Vol 51. Wiener Veröffentlichungen zur Musikwissenschaft. Hollitzer; 2019:175-191. doi:<a href=\"https://doi.org/10.2307/j.ctvt6rjq6.10\">10.2307/j.ctvt6rjq6.10</a>","apa":"Münzmay, A. (2019). Kulturtransferforschung und Musikwissenschaft. In M. Calella &#38; B. Leßmann (Eds.), <i>Zwischen Transfer und Transformation: Horizonte der Rezeption von Musik</i> (Vol. 51, pp. 175–191). Hollitzer. <a href=\"https://doi.org/10.2307/j.ctvt6rjq6.10\">https://doi.org/10.2307/j.ctvt6rjq6.10</a>","short":"A. Münzmay, in: M. Calella, B. Leßmann (Eds.), Zwischen Transfer und Transformation: Horizonte der Rezeption von Musik, Hollitzer, Wien, 2019, pp. 175–191.","bibtex":"@inbook{Münzmay_2019, place={Wien}, series={Wiener Veröffentlichungen zur Musikwissenschaft}, title={Kulturtransferforschung und Musikwissenschaft}, volume={51}, DOI={<a href=\"https://doi.org/10.2307/j.ctvt6rjq6.10\">10.2307/j.ctvt6rjq6.10</a>}, booktitle={Zwischen Transfer und Transformation: Horizonte der Rezeption von Musik}, publisher={Hollitzer}, author={Münzmay, Andreas}, editor={Calella, Michele and Leßmann, Benedikt}, year={2019}, pages={175–191}, collection={Wiener Veröffentlichungen zur Musikwissenschaft} }","mla":"Münzmay, Andreas. “Kulturtransferforschung und Musikwissenschaft.” <i>Zwischen Transfer und Transformation: Horizonte der Rezeption von Musik</i>, edited by Michele Calella and Benedikt Leßmann, vol. 51, Hollitzer, 2019, pp. 175–91, doi:<a href=\"https://doi.org/10.2307/j.ctvt6rjq6.10\">10.2307/j.ctvt6rjq6.10</a>."},"page":"175-191","intvolume":"        51","place":"Wien"},{"publisher":"Internationale Max-Reger-Gesellschaft","date_updated":"2024-02-28T09:42:28Z","oa":"1","author":[{"full_name":"Ried, Dennis","id":"90722","orcid":"https://orcid.org/0000-0001-5545-2088","last_name":"Ried","first_name":"Dennis"}],"date_created":"2024-02-27T13:55:15Z","title":"Zwischen Komposition, Aufführung und Herausgabe","main_file_link":[{"url":"https://journals.qucosa.de/mimrg/article/view/3055","open_access":"1"}],"issue":"35","year":"2019","citation":{"chicago":"Ried, Dennis. “Zwischen Komposition, Aufführung Und Herausgabe.” <i>Mitteilungen Der IMRG</i>, no. 35 (2019): 5–17.","ieee":"D. Ried, “Zwischen Komposition, Aufführung und Herausgabe,” <i>Mitteilungen der IMRG</i>, no. 35, pp. 5–17, 2019.","ama":"Ried D. Zwischen Komposition, Aufführung und Herausgabe. <i>Mitteilungen der IMRG</i>. 2019;(35):5-17.","apa":"Ried, D. (2019). Zwischen Komposition, Aufführung und Herausgabe. <i>Mitteilungen Der IMRG</i>, <i>35</i>, 5–17.","short":"D. Ried, Mitteilungen Der IMRG (2019) 5–17.","mla":"Ried, Dennis. “Zwischen Komposition, Aufführung Und Herausgabe.” <i>Mitteilungen Der IMRG</i>, no. 35, Internationale Max-Reger-Gesellschaft, 2019, pp. 5–17.","bibtex":"@article{Ried_2019, title={Zwischen Komposition, Aufführung und Herausgabe}, number={35}, journal={Mitteilungen der IMRG}, publisher={Internationale Max-Reger-Gesellschaft}, author={Ried, Dennis}, year={2019}, pages={5–17} }"},"page":"5-17","_id":"52107","user_id":"90722","department":[{"_id":"233"}],"language":[{"iso":"eng"}],"extern":"1","type":"journal_article","publication":"Mitteilungen der IMRG","status":"public"},{"language":[{"iso":"eng"}],"extern":"1","_id":"52105","user_id":"90722","department":[{"_id":"233"}],"status":"public","type":"conference","title":"Creating, transforming and representing data at Baumann-Digital and Joachim-Raff-Archiv","conference":{"name":"Jahrestagung der Gesellschaft für Musikforschung","location":"Paderborn"},"date_updated":"2024-02-28T09:42:42Z","author":[{"id":"90722","full_name":"Ried, Dennis","last_name":"Ried","orcid":"https://orcid.org/0000-0001-5545-2088","first_name":"Dennis"}],"date_created":"2024-02-27T13:55:02Z","year":"2019","citation":{"mla":"Ried, Dennis. <i>Creating, Transforming and Representing Data at Baumann-Digital and Joachim-Raff-Archiv</i>. 2019.","short":"D. Ried, in: 2019.","bibtex":"@inproceedings{Ried_2019, title={Creating, transforming and representing data at Baumann-Digital and Joachim-Raff-Archiv}, author={Ried, Dennis}, year={2019} }","apa":"Ried, D. (2019). <i>Creating, transforming and representing data at Baumann-Digital and Joachim-Raff-Archiv</i>. Jahrestagung der Gesellschaft für Musikforschung, Paderborn.","chicago":"Ried, Dennis. “Creating, Transforming and Representing Data at Baumann-Digital and Joachim-Raff-Archiv,” 2019.","ieee":"D. Ried, “Creating, transforming and representing data at Baumann-Digital and Joachim-Raff-Archiv,” presented at the Jahrestagung der Gesellschaft für Musikforschung, Paderborn, 2019.","ama":"Ried D. Creating, transforming and representing data at Baumann-Digital and Joachim-Raff-Archiv. In: ; 2019."}},{"_id":"52104","department":[{"_id":"233"}],"user_id":"90722","language":[{"iso":"eng"}],"extern":"1","type":"conference","status":"public","date_updated":"2024-02-28T09:42:49Z","author":[{"first_name":"Dennis","full_name":"Ried, Dennis","id":"90722","last_name":"Ried","orcid":"https://orcid.org/0000-0001-5545-2088"}],"date_created":"2024-02-27T13:54:56Z","title":"Creating, transforming and representing data at Baumann-Digital and Joachim-Raff-Archiv","conference":{"location":"Wien","name":"Music-Encoding-Conference"},"year":"2019","citation":{"chicago":"Ried, Dennis. “Creating, Transforming and Representing Data at Baumann-Digital and Joachim-Raff-Archiv,” 2019.","ieee":"D. Ried, “Creating, transforming and representing data at Baumann-Digital and Joachim-Raff-Archiv,” presented at the Music-Encoding-Conference, Wien, 2019.","ama":"Ried D. Creating, transforming and representing data at Baumann-Digital and Joachim-Raff-Archiv. In: ; 2019.","apa":"Ried, D. (2019). <i>Creating, transforming and representing data at Baumann-Digital and Joachim-Raff-Archiv</i>. Music-Encoding-Conference, Wien.","bibtex":"@inproceedings{Ried_2019, title={Creating, transforming and representing data at Baumann-Digital and Joachim-Raff-Archiv}, author={Ried, Dennis}, year={2019} }","mla":"Ried, Dennis. <i>Creating, Transforming and Representing Data at Baumann-Digital and Joachim-Raff-Archiv</i>. 2019.","short":"D. Ried, in: 2019."}},{"extern":"1","language":[{"iso":"ger"}],"_id":"52108","department":[{"_id":"233"}],"user_id":"90722","status":"public","type":"misc","title":"»Ein gar kräftigliches, nie versiegendes Heilmittel« – Max Regers Klavierbearbeitungen Bach’scher Orgelwerke","date_updated":"2024-02-28T09:42:36Z","date_created":"2024-02-27T13:55:21Z","author":[{"first_name":"Dennis","orcid":"https://orcid.org/0000-0001-5545-2088","last_name":"Ried","full_name":"Ried, Dennis","id":"90722"},{"first_name":"Christopher","full_name":"Grafschmidt, Christopher","last_name":"Grafschmidt"}],"year":"2019","citation":{"short":"D. Ried, C. Grafschmidt, »Ein gar kräftigliches, nie versiegendes Heilmittel« – Max Regers Klavierbearbeitungen Bach’scher Orgelwerke, 2019.","bibtex":"@book{Ried_Grafschmidt_2019, title={»Ein gar kräftigliches, nie versiegendes Heilmittel« – Max Regers Klavierbearbeitungen Bach’scher Orgelwerke}, author={Ried, Dennis and Grafschmidt, Christopher}, year={2019} }","mla":"Ried, Dennis, and Christopher Grafschmidt. <i>»Ein gar kräftigliches, nie versiegendes Heilmittel« – Max Regers Klavierbearbeitungen Bach’scher Orgelwerke</i>. 2019.","apa":"Ried, D., &#38; Grafschmidt, C. (2019). <i>»Ein gar kräftigliches, nie versiegendes Heilmittel« – Max Regers Klavierbearbeitungen Bach’scher Orgelwerke</i>.","chicago":"Ried, Dennis, and Christopher Grafschmidt. <i>»Ein gar kräftigliches, nie versiegendes Heilmittel« – Max Regers Klavierbearbeitungen Bach’scher Orgelwerke</i>, 2019.","ieee":"D. Ried and C. Grafschmidt, <i>»Ein gar kräftigliches, nie versiegendes Heilmittel« – Max Regers Klavierbearbeitungen Bach’scher Orgelwerke</i>. 2019.","ama":"Ried D, Grafschmidt C. <i>»Ein gar kräftigliches, nie versiegendes Heilmittel« – Max Regers Klavierbearbeitungen Bach’scher Orgelwerke</i>.; 2019."}},{"volume":"II/7","date_created":"2024-02-27T13:55:08Z","date_updated":"2024-02-28T09:45:13Z","publisher":"Carus-Verlag","title":"Vokalwerke mit Orgelbegleitung und weiteren Instrumenten","publication_identifier":{"isbn":["978-3-89948-318-5"]},"corporate_editor":["Dennis Ried","Stefanie Steiner-Grage"],"citation":{"bibtex":"@book{Becker_Grafschmidt_König_Dennis Ried_Stefanie Steiner-Grage_2019, place={Stuttgart}, title={Vokalwerke mit Orgelbegleitung und weiteren Instrumenten}, volume={II/7}, publisher={Carus-Verlag}, year={2019} }","mla":"Becker, Alexander, et al., editors. <i>Vokalwerke mit Orgelbegleitung und weiteren Instrumenten</i>. Carus-Verlag, 2019.","short":"A. Becker, C. Grafschmidt, S. König, Dennis Ried, Stefanie Steiner-Grage, eds., Vokalwerke mit Orgelbegleitung und weiteren Instrumenten, Carus-Verlag, Stuttgart, 2019.","apa":"Becker, A., Grafschmidt, C., König, S., Dennis Ried, &#38; Stefanie Steiner-Grage (Eds.). (2019). <i>Vokalwerke mit Orgelbegleitung und weiteren Instrumenten: Vol. II/7</i>. Carus-Verlag.","ama":"Becker A, Grafschmidt C, König S, Dennis Ried, Stefanie Steiner-Grage, eds. <i>Vokalwerke mit Orgelbegleitung und weiteren Instrumenten</i>. Vol II/7. Carus-Verlag; 2019.","ieee":"A. Becker, C. Grafschmidt, S. König, Dennis Ried, and Stefanie Steiner-Grage, Eds., <i>Vokalwerke mit Orgelbegleitung und weiteren Instrumenten</i>, vol. II/7. Stuttgart: Carus-Verlag, 2019.","chicago":"Becker, Alexander, Christopher Grafschmidt, Stefan König, Dennis Ried, and Stefanie Steiner-Grage, eds. <i>Vokalwerke mit Orgelbegleitung und weiteren Instrumenten</i>. Vol. II/7. Stuttgart: Carus-Verlag, 2019."},"year":"2019","place":"Stuttgart","department":[{"_id":"233"}],"user_id":"90722","_id":"52106","extern":"1","language":[{"iso":"ger"}],"type":"book_editor","status":"public","editor":[{"first_name":"Alexander","last_name":"Becker","full_name":"Becker, Alexander"},{"first_name":"Christopher","last_name":"Grafschmidt","full_name":"Grafschmidt, Christopher"},{"first_name":"Stefan","last_name":"König","full_name":"König, Stefan"}]},{"status":"public","editor":[{"first_name":"Frank","full_name":"Hentschel, Frank","last_name":"Hentschel"}],"type":"book_chapter","publication":"Historische Musikwissenschaft. Gegenstand – Geschichte – Methodik","language":[{"iso":"ger"}],"user_id":"14931","series_title":"Kompendien Musik","department":[{"_id":"601"}],"_id":"12939","citation":{"ama":"Stadler P. Musikwissenschaft und Digital Humanities. In: Hentschel F, ed. <i>Historische Musikwissenschaft. Gegenstand – Geschichte – Methodik</i>. Vol 2. Kompendien Musik. Laaber-Verlag; 2019:330-339.","ieee":"P. Stadler, “Musikwissenschaft und Digital Humanities,” in <i>Historische Musikwissenschaft. Gegenstand – Geschichte – Methodik</i>, vol. 2, F. Hentschel, Ed. Laaber: Laaber-Verlag, 2019, pp. 330–339.","chicago":"Stadler, Peter. “Musikwissenschaft und Digital Humanities.” In <i>Historische Musikwissenschaft. Gegenstand – Geschichte – Methodik</i>, edited by Frank Hentschel, 2:330–39. Kompendien Musik. Laaber: Laaber-Verlag, 2019.","apa":"Stadler, P. (2019). Musikwissenschaft und Digital Humanities. In F. Hentschel (Ed.), <i>Historische Musikwissenschaft. Gegenstand – Geschichte – Methodik</i> (Vol. 2, pp. 330–339). Laaber-Verlag.","mla":"Stadler, Peter. “Musikwissenschaft und Digital Humanities.” <i>Historische Musikwissenschaft. Gegenstand – Geschichte – Methodik</i>, edited by Frank Hentschel, vol. 2, Laaber-Verlag, 2019, pp. 330–39.","short":"P. Stadler, in: F. Hentschel (Ed.), Historische Musikwissenschaft. Gegenstand – Geschichte – Methodik, Laaber-Verlag, Laaber, 2019, pp. 330–339.","bibtex":"@inbook{Stadler_2019, place={Laaber}, series={Kompendien Musik}, title={Musikwissenschaft und Digital Humanities}, volume={2}, booktitle={Historische Musikwissenschaft. Gegenstand – Geschichte – Methodik}, publisher={Laaber-Verlag}, author={Stadler, Peter}, editor={Hentschel, Frank}, year={2019}, pages={330–339}, collection={Kompendien Musik} }"},"page":"330-339","intvolume":"         2","year":"2019","place":"Laaber","publication_status":"published","publication_identifier":{"isbn":["978-3-89007-722-2"]},"title":"Musikwissenschaft und Digital Humanities","date_created":"2019-08-16T14:03:17Z","author":[{"first_name":"Peter","last_name":"Stadler","orcid":"https://orcid.org/0000-0002-2544-1481","id":"10856","full_name":"Stadler, Peter"}],"volume":2,"publisher":"Laaber-Verlag","date_updated":"2024-03-05T15:18:08Z"},{"_id":"47479","user_id":"61139","series_title":"Musical cultures of the twentieth century","department":[{"_id":"572"}],"type":"book_chapter","editor":[{"first_name":"Robert","last_name":"Adlington","full_name":"Adlington, Robert"}],"status":"public","oa":"1","date_updated":"2024-06-05T13:58:20Z","author":[{"first_name":"Andreas","id":"61139","full_name":"Münzmay, Andreas","last_name":"Münzmay","orcid":"0000-0002-8373-4055"}],"main_file_link":[{"open_access":"1","url":"https://www.taylorfrancis.com/chapters/edit/10.4324/9780429451669-6/composing-new-media-andreas-m%C3%BCnzmay"}],"doi":"10.4324/9780429451669-6","publication_status":"published","publication_identifier":{"isbn":["978-1-138-32301-8 "]},"place":"Abingdon, Oxon; New York, NY ","citation":{"ama":"Münzmay A. Composing New Media: Magnetic Tape Technology in New Music Theatre, c. 1950–1970. In: Adlington R, ed. <i>New Music Theatre in Europe: Transformations between 1955–1975</i>. Musical cultures of the twentieth century. Routledge; 2019:101-125. doi:<a href=\"https://doi.org/10.4324/9780429451669-6\">10.4324/9780429451669-6</a>","ieee":"A. Münzmay, “Composing New Media: Magnetic Tape Technology in New Music Theatre, c. 1950–1970,” in <i>New Music Theatre in Europe: Transformations between 1955–1975</i>, R. Adlington, Ed. Abingdon, Oxon; New York, NY : Routledge, 2019, pp. 101–125.","chicago":"Münzmay, Andreas. “Composing New Media: Magnetic Tape Technology in New Music Theatre, c. 1950–1970.” In <i>New Music Theatre in Europe: Transformations between 1955–1975</i>, edited by Robert Adlington, 101–25. Musical Cultures of the Twentieth Century. Abingdon, Oxon; New York, NY : Routledge, 2019. <a href=\"https://doi.org/10.4324/9780429451669-6\">https://doi.org/10.4324/9780429451669-6</a>.","apa":"Münzmay, A. (2019). Composing New Media: Magnetic Tape Technology in New Music Theatre, c. 1950–1970. In R. Adlington (Ed.), <i>New Music Theatre in Europe: Transformations between 1955–1975</i> (pp. 101–125). Routledge. <a href=\"https://doi.org/10.4324/9780429451669-6\">https://doi.org/10.4324/9780429451669-6</a>","mla":"Münzmay, Andreas. “Composing New Media: Magnetic Tape Technology in New Music Theatre, c. 1950–1970.” <i>New Music Theatre in Europe: Transformations between 1955–1975</i>, edited by Robert Adlington, Routledge, 2019, pp. 101–25, doi:<a href=\"https://doi.org/10.4324/9780429451669-6\">10.4324/9780429451669-6</a>.","short":"A. Münzmay, in: R. Adlington (Ed.), New Music Theatre in Europe: Transformations between 1955–1975, Routledge, Abingdon, Oxon; New York, NY , 2019, pp. 101–125.","bibtex":"@inbook{Münzmay_2019, place={Abingdon, Oxon; New York, NY }, series={Musical cultures of the twentieth century}, title={Composing New Media: Magnetic Tape Technology in New Music Theatre, c. 1950–1970}, DOI={<a href=\"https://doi.org/10.4324/9780429451669-6\">10.4324/9780429451669-6</a>}, booktitle={New Music Theatre in Europe: Transformations between 1955–1975}, publisher={Routledge}, author={Münzmay, Andreas}, editor={Adlington, Robert}, year={2019}, pages={101–125}, collection={Musical cultures of the twentieth century} }"},"page":"101 - 125","language":[{"iso":"eng"}],"publication":"New Music Theatre in Europe: Transformations between 1955–1975","abstract":[{"text":"For the time span from 1950 to the mid-1970s, the reference works Pipers Enzyklopädie des Musiktheaters and New Grove Dictionary of Opera report on more than sixty new music theatre works that assign a fundamental place to new media technologies (Dahlhaus et al. (eds) 1986–97; Sadie (ed.) 1992–98). While opera composers’ interest in working with both visual projection technologies and modern communication media (such as telegraph, telephone and radio) goes back to the 1920s and 1930s (think of Satie, Weill, Krenek, Antheil, Milhaud, or Berg), magnetic tape recording and projection technology appears to be an especially prominent feature in operatic scores only after about 1950. Departing from a general survey of the corpus in question – that is, new music theatre works incorporating stored sound and sound projection directly on the level of composition – this chapter aims at proposing a (preliminary and certainly incomplete) categorization by discussing some of the observable paradigms of technological ‘extensions’ (to borrow an idea of Marshall McLuhan) as found, for example, in works by Mauricio Kagel, Pierre Schaeffer, Bruno Maderna, Renzo Rossellini, Karl-Birger Blomdahl, Luigi Nono, Boris Blacher, and Giacomo Manzoni.","lang":"eng"}],"publisher":"Routledge","date_created":"2023-09-27T07:03:47Z","title":"Composing New Media: Magnetic Tape Technology in New Music Theatre, c. 1950–1970","quality_controlled":"1","year":"2019"},{"language":[{"iso":"eng"}],"keyword":["mec-proceedings","mec-proceedings-2016","mec-proceedings-2015","mec-proceedings-2017"],"department":[{"_id":"538"},{"_id":"874"}],"user_id":"1684","_id":"55849","status":"public","editor":[{"first_name":"Giuliano","full_name":"Di Bacco, Giuliano","last_name":"Di Bacco"},{"first_name":"Johannes","full_name":"Kepper, Johannes","id":"1684","last_name":"Kepper","orcid":"0000-0003-4891-260X"},{"first_name":"Perry D.","full_name":"Roland, Perry D.","last_name":"Roland"}],"abstract":[{"text":"Conference proceedings of the Music Encoding Conferences 2015, 2016 and 2017 with Introduction by Giuliano Di Bacco","lang":"eng"}],"type":"book_editor","doi":"10.15463/music-1","main_file_link":[{"open_access":"1","url":"https://doi.org/10.15463/music-1"}],"title":"Music Encoding Conference Proceedings 2015, 2016 and 2017","date_created":"2024-08-28T11:48:09Z","oa":"1","publisher":"Bavarian State Library (BSB)","date_updated":"2024-08-28T13:58:21Z","citation":{"ama":"Di Bacco G, Kepper J, Roland PD, eds. <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>. Bavarian State Library (BSB); 2019. doi:<a href=\"https://doi.org/10.15463/music-1\">10.15463/music-1</a>","chicago":"Di Bacco, Giuliano, Johannes Kepper, and Perry D. Roland, eds. <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>. Bavarian State Library (BSB), 2019. <a href=\"https://doi.org/10.15463/music-1\">https://doi.org/10.15463/music-1</a>.","ieee":"G. Di Bacco, J. Kepper, and P. D. Roland, Eds., <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>. Bavarian State Library (BSB), 2019.","apa":"Di Bacco, G., Kepper, J., &#38; Roland, P. D. (Eds.). (2019). <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>. Bavarian State Library (BSB). <a href=\"https://doi.org/10.15463/music-1\">https://doi.org/10.15463/music-1</a>","mla":"Di Bacco, Giuliano, et al., editors. <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>. Bavarian State Library (BSB), 2019, doi:<a href=\"https://doi.org/10.15463/music-1\">10.15463/music-1</a>.","bibtex":"@book{Di Bacco_Kepper_Roland_2019, title={Music Encoding Conference Proceedings 2015, 2016 and 2017}, DOI={<a href=\"https://doi.org/10.15463/music-1\">10.15463/music-1</a>}, publisher={Bavarian State Library (BSB)}, year={2019} }","short":"G. Di Bacco, J. Kepper, P.D. Roland, eds., Music Encoding Conference Proceedings 2015, 2016 and 2017, Bavarian State Library (BSB), 2019."},"year":"2019","publication_status":"published"},{"year":"2019","page":"95–105","citation":{"short":"J. Kepper, in: G. Di Bacco, J. Kepper, P. Roland (Eds.), Music Encoding Conference Proceedings 2015, 2016 and 2017, Bavarian State Library (BSB), 2019, pp. 95–105.","mla":"Kepper, Johannes. “Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project.” <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, edited by Giuliano Di Bacco et al., Bavarian State Library (BSB), 2019, pp. 95–105, doi:<a href=\"https://doi.org/10.15463/music-1\">10.15463/music-1</a>.","bibtex":"@inproceedings{Kepper_2019, title={Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project}, DOI={<a href=\"https://doi.org/10.15463/music-1\">10.15463/music-1</a>}, booktitle={Music Encoding Conference Proceedings 2015, 2016 and 2017}, publisher={Bavarian State Library (BSB)}, author={Kepper, Johannes}, editor={Di Bacco, Giuliano and Kepper, Johannes and Roland, Perry}, year={2019}, pages={95–105} }","apa":"Kepper, J. (2019). Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project. In G. Di Bacco, J. Kepper, &#38; P. Roland (Eds.), <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i> (pp. 95–105). Bavarian State Library (BSB). <a href=\"https://doi.org/10.15463/music-1\">https://doi.org/10.15463/music-1</a>","ama":"Kepper J. Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project. In: Di Bacco G, Kepper J, Roland P, eds. <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>. Bavarian State Library (BSB); 2019:95–105. doi:<a href=\"https://doi.org/10.15463/music-1\">10.15463/music-1</a>","ieee":"J. Kepper, “Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project,” in <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, 2019, pp. 95–105, doi: <a href=\"https://doi.org/10.15463/music-1\">10.15463/music-1</a>.","chicago":"Kepper, Johannes. “Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project.” In <i>Music Encoding Conference Proceedings 2015, 2016 and 2017</i>, edited by Giuliano Di Bacco, Johannes Kepper, and Perry Roland, 95–105. Bavarian State Library (BSB), 2019. <a href=\"https://doi.org/10.15463/music-1\">https://doi.org/10.15463/music-1</a>."},"publication_status":"published","title":"Wie? Was? Entsetzen! Lessons Learned from the Freischütz Digital Project","doi":"10.15463/music-1","publisher":"Bavarian State Library (BSB)","date_updated":"2024-08-28T14:06:38Z","date_created":"2024-08-28T11:44:28Z","author":[{"first_name":"Johannes","id":"1684","full_name":"Kepper, Johannes","orcid":"0000-0003-4891-260X","last_name":"Kepper"}],"editor":[{"first_name":"Giuliano","last_name":"Di Bacco","full_name":"Di Bacco, Giuliano"},{"first_name":"Johannes","full_name":"Kepper, Johannes","last_name":"Kepper"},{"full_name":"Roland, Perry","last_name":"Roland","first_name":"Perry"}],"abstract":[{"text":"The Freischütz Digital project (FreiDi) was one of the pioneer projects employing MEI in large scale. It did not only try to encode a huge quantity of music material, it also sought to capture as many aspects of the available sources as possible, effectively creating data of almost unrivaled richness. This paper discusses the outcomes of and experiences made in the FreiDi project.","lang":"eng"}],"status":"public","publication":"Music Encoding Conference Proceedings 2015, 2016 and 2017","type":"conference","keyword":["mec-proceedings","mec-proceedings-2016"],"language":[{"iso":"eng"}],"_id":"55837","department":[{"_id":"538"},{"_id":"874"}],"user_id":"1684"},{"status":"public","editor":[{"full_name":"Schellberg, Gabriele","last_name":"Schellberg","first_name":"Gabriele"},{"first_name":"Thomas","last_name":"Krettenauer","full_name":"Krettenauer, Thomas"},{"full_name":"Heye, Andreas","last_name":"Heye","first_name":"Andreas"}],"type":"book_chapter","publication":" Musik – Leben ­– Forschung. Festschrift zum 65. Geburtstag von Heiner Gembris","language":[{"iso":"ger"}],"series_title":"Schriften des Instituts für Begabungsforschung in der Musik","user_id":"14931","department":[{"_id":"535"}],"_id":"37383","citation":{"apa":"Grotjahn, R. (2019). Komische Alte – Intersektionen von Alter und Gender. Eine späte Antwort auf eine gute Frage. In G. Schellberg, T. Krettenauer, &#38; A. Heye (Eds.), <i> Musik – Leben ­– Forschung. Festschrift zum 65. Geburtstag von Heiner Gembris</i> (Vol. 13, pp. 75–87). LIT Verlag.","mla":"Grotjahn, Rebecca. “Komische Alte – Intersektionen von Alter und Gender. Eine späte Antwort auf eine gute Frage.” <i> Musik – Leben ­– Forschung. Festschrift zum 65. Geburtstag von Heiner Gembris</i>, edited by Gabriele Schellberg et al., vol. 13, LIT Verlag, 2019, pp. 75–87.","bibtex":"@inbook{Grotjahn_2019, place={Münster}, series={Schriften des Instituts für Begabungsforschung in der Musik}, title={Komische Alte – Intersektionen von Alter und Gender. Eine späte Antwort auf eine gute Frage}, volume={13}, booktitle={ Musik – Leben ­– Forschung. Festschrift zum 65. Geburtstag von Heiner Gembris}, publisher={LIT Verlag}, author={Grotjahn, Rebecca}, editor={Schellberg, Gabriele and Krettenauer, Thomas and Heye, Andreas}, year={2019}, pages={75–87}, collection={Schriften des Instituts für Begabungsforschung in der Musik} }","short":"R. Grotjahn, in: G. Schellberg, T. Krettenauer, A. Heye (Eds.),  Musik – Leben ­– Forschung. Festschrift zum 65. Geburtstag von Heiner Gembris, LIT Verlag, Münster, 2019, pp. 75–87.","ama":"Grotjahn R. Komische Alte – Intersektionen von Alter und Gender. Eine späte Antwort auf eine gute Frage. In: Schellberg G, Krettenauer T, Heye A, eds. <i> Musik – Leben ­– Forschung. Festschrift zum 65. Geburtstag von Heiner Gembris</i>. Vol 13. Schriften des Instituts für Begabungsforschung in der Musik. LIT Verlag; 2019:75–87.","chicago":"Grotjahn, Rebecca. “Komische Alte – Intersektionen von Alter und Gender. Eine späte Antwort auf eine gute Frage.” In <i> Musik – Leben ­– Forschung. Festschrift zum 65. Geburtstag von Heiner Gembris</i>, edited by Gabriele Schellberg, Thomas Krettenauer, and Andreas Heye, 13:75–87. Schriften des Instituts für Begabungsforschung in der Musik. Münster: LIT Verlag, 2019.","ieee":"R. Grotjahn, “Komische Alte – Intersektionen von Alter und Gender. Eine späte Antwort auf eine gute Frage,” in <i> Musik – Leben ­– Forschung. Festschrift zum 65. Geburtstag von Heiner Gembris</i>, vol. 13, G. Schellberg, T. Krettenauer, and A. Heye, Eds. Münster: LIT Verlag, 2019, pp. 75–87."},"intvolume":"        13","page":"75–87","year":"2019","place":"Münster","publication_identifier":{"isbn":["978-3-643-14507-9 "]},"title":"Komische Alte – Intersektionen von Alter und Gender. Eine späte Antwort auf eine gute Frage","author":[{"last_name":"Grotjahn","full_name":"Grotjahn, Rebecca","id":"193","first_name":"Rebecca"}],"date_created":"2023-01-18T13:00:58Z","volume":13,"date_updated":"2023-01-18T14:10:51Z","publisher":"LIT Verlag"}]