[{"author":[{"id":"20734","full_name":"Ehland, Christoph","first_name":"Christoph","last_name":"Ehland"},{"orcid":"0000-0002-8373-4055","last_name":"Münzmay","first_name":"Andreas","full_name":"Münzmay, Andreas","id":"61139"},{"id":"21675","full_name":"Schmitz, Sabine","first_name":"Sabine","last_name":"Schmitz"},{"full_name":"Süßmann, Johannes","orcid":"0000-0001-5716-0863","last_name":"Süßmann","first_name":"Johannes","id":"16220"},{"id":"42976","first_name":"Lothar","last_name":"van Laak","full_name":"van Laak, Lothar"}],"year":"2020","title":"Barock im Norden: Kulturtransfer und Transferkultur","status":"public","date_updated":"2024-07-19T19:11:55Z","publication_status":"published","_id":"49920","language":[{"iso":"ger"}],"publisher":"Imhof","page":"198 - 215","editor":[{"full_name":"Stiegemann, Christoph","first_name":"Christoph","last_name":"Stiegemann"}],"user_id":"61139","citation":{"mla":"Ehland, Christoph, et al. “Barock im Norden: Kulturtransfer und Transferkultur.” <i>Peter Paul Rubens und der Barock im Norden</i>, edited by Christoph Stiegemann, Imhof, 2020, pp. 198–215.","bibtex":"@inbook{Ehland_Münzmay_Schmitz_Süßmann_van Laak_2020, place={Petersberg}, title={Barock im Norden: Kulturtransfer und Transferkultur}, booktitle={Peter Paul Rubens und der Barock im Norden}, publisher={Imhof}, author={Ehland, Christoph and Münzmay, Andreas and Schmitz, Sabine and Süßmann, Johannes and van Laak, Lothar}, editor={Stiegemann, Christoph}, year={2020}, pages={198–215} }","ama":"Ehland C, Münzmay A, Schmitz S, Süßmann J, van Laak L. Barock im Norden: Kulturtransfer und Transferkultur. In: Stiegemann C, ed. <i>Peter Paul Rubens und der Barock im Norden</i>. Imhof; 2020:198-215.","ieee":"C. Ehland, A. Münzmay, S. Schmitz, J. Süßmann, and L. van Laak, “Barock im Norden: Kulturtransfer und Transferkultur,” in <i>Peter Paul Rubens und der Barock im Norden</i>, C. Stiegemann, Ed. Petersberg: Imhof, 2020, pp. 198–215.","apa":"Ehland, C., Münzmay, A., Schmitz, S., Süßmann, J., &#38; van Laak, L. (2020). Barock im Norden: Kulturtransfer und Transferkultur. In C. Stiegemann (Ed.), <i>Peter Paul Rubens und der Barock im Norden</i> (pp. 198–215). Imhof.","chicago":"Ehland, Christoph, Andreas Münzmay, Sabine Schmitz, Johannes Süßmann, and Lothar van Laak. “Barock im Norden: Kulturtransfer und Transferkultur.” In <i>Peter Paul Rubens und der Barock im Norden</i>, edited by Christoph Stiegemann, 198–215. Petersberg: Imhof, 2020.","short":"C. Ehland, A. Münzmay, S. Schmitz, J. Süßmann, L. van Laak, in: C. Stiegemann (Ed.), Peter Paul Rubens und der Barock im Norden, Imhof, Petersberg, 2020, pp. 198–215."},"publication":"Peter Paul Rubens und der Barock im Norden","project":[{"_id":"1338","name":"Barock im Norden"}],"quality_controlled":"1","place":"Petersberg","date_created":"2023-12-20T13:57:26Z","department":[{"_id":"572"}],"type":"book_chapter"},{"abstract":[{"lang":"eng","text":"For musicologists, the collation of multiple sources of the same work is a frequent task. By comparing different witnesses, they seek to identify variation, describe dependencies, and ultimately understand the genesis and transmission of (musical) works. Obviously, the need for such comparison is independent from the medium in which a musical work is manifested. In computing, comparing files for difference is a common task, and the well-known Unix utility diff is almost 46 years old. However, diff, like many other such tools, operates on plain text. While many music encoding formats based on plain text exist, formats used in the field of Digital Humanities are typically based on XML. There are dedicated algorithms for comparing XML as well, but they only focus on the syntax of XML, but not the semantic structures modelled into such standards as MEI. MEI seeks to describe musical structures, and the XML syntax is just a means to express those structures. A diff tool for music should focus on comparing musical structures, but not the specifics of their serialization into a file format. In {Beethovens Werkstatt}, a 16-year project focussed on exploring the concepts and requirements of digital genetic editions of music, based on and arguing with examples from Ludwig van Beethoven, a case-bound diff tool for music was developed. The following paper discusses how that specific tool can be generalized, and which use cases such a tool may support."}],"publication":"Music Encoding Conference Proceedings 2020","department":[{"_id":"874"},{"_id":"538"}],"keyword":["mec-proceedings","mec-proceedings-2020"],"type":"conference","date_created":"2024-08-28T11:45:23Z","date_updated":"2024-08-28T14:04:19Z","publication_status":"published","author":[{"first_name":"Kristin","last_name":"Herold","full_name":"Herold, Kristin"},{"full_name":"Kepper, Johannes","last_name":"Kepper","orcid":"0000-0003-4891-260X","first_name":"Johannes","id":"1684"},{"full_name":"Mo, Ran","first_name":"Ran","last_name":"Mo"},{"id":"24239","last_name":"Seipelt","first_name":"Agnes Regina","full_name":"Seipelt, Agnes Regina"}],"year":"2020","title":"MusicDiff – A Diff Tool for MEI","doi":"10.17613/ydbv-e158","language":[{"iso":"eng"}],"main_file_link":[{"url":"https://hcommons.org/deposits/item/hc:31963/","open_access":"1"}],"project":[{"name":"Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition","_id":"743"}],"citation":{"short":"K. Herold, J. Kepper, R. Mo, A.R. Seipelt, in: E. De Luca, J. Flanders (Eds.), Music Encoding Conference Proceedings 2020, Humanities Commons, 2020, pp. 59–66.","chicago":"Herold, Kristin, Johannes Kepper, Ran Mo, and Agnes Regina Seipelt. “MusicDiff – A Diff Tool for MEI.” In <i>Music Encoding Conference Proceedings 2020</i>, edited by Elsa De Luca and Julia Flanders, 59–66. Humanities Commons, 2020. <a href=\"https://doi.org/10.17613/ydbv-e158\">https://doi.org/10.17613/ydbv-e158</a>.","ieee":"K. Herold, J. Kepper, R. Mo, and A. R. Seipelt, “MusicDiff – A Diff Tool for MEI,” in <i>Music Encoding Conference Proceedings 2020</i>, 2020, pp. 59–66, doi: <a href=\"https://doi.org/10.17613/ydbv-e158\">10.17613/ydbv-e158</a>.","apa":"Herold, K., Kepper, J., Mo, R., &#38; Seipelt, A. R. (2020). MusicDiff – A Diff Tool for MEI. In E. De Luca &#38; J. Flanders (Eds.), <i>Music Encoding Conference Proceedings 2020</i> (pp. 59–66). Humanities Commons. <a href=\"https://doi.org/10.17613/ydbv-e158\">https://doi.org/10.17613/ydbv-e158</a>","bibtex":"@inproceedings{Herold_Kepper_Mo_Seipelt_2020, title={MusicDiff – A Diff Tool for MEI}, DOI={<a href=\"https://doi.org/10.17613/ydbv-e158\">10.17613/ydbv-e158</a>}, booktitle={Music Encoding Conference Proceedings 2020}, publisher={Humanities Commons}, author={Herold, Kristin and Kepper, Johannes and Mo, Ran and Seipelt, Agnes Regina}, editor={De Luca, Elsa and Flanders, Julia}, year={2020}, pages={59–66} }","ama":"Herold K, Kepper J, Mo R, Seipelt AR. MusicDiff – A Diff Tool for MEI. In: De Luca E, Flanders J, eds. <i>Music Encoding Conference Proceedings 2020</i>. Humanities Commons; 2020:59–66. doi:<a href=\"https://doi.org/10.17613/ydbv-e158\">10.17613/ydbv-e158</a>","mla":"Herold, Kristin, et al. “MusicDiff – A Diff Tool for MEI.” <i>Music Encoding Conference Proceedings 2020</i>, edited by Elsa De Luca and Julia Flanders, Humanities Commons, 2020, pp. 59–66, doi:<a href=\"https://doi.org/10.17613/ydbv-e158\">10.17613/ydbv-e158</a>."},"oa":"1","status":"public","editor":[{"full_name":"De Luca, Elsa","first_name":"Elsa","last_name":"De Luca"},{"last_name":"Flanders","first_name":"Julia","full_name":"Flanders, Julia"}],"user_id":"1684","publisher":"Humanities Commons","_id":"55841","page":"59–66"},{"publication_status":"published","date_updated":"2023-01-18T14:11:59Z","year":"2020","title":"\"Ich bin die erste Sängerin! Humorlose Bemerkungen zu einem komischen Singspiel\"","author":[{"id":"193","last_name":"Grotjahn","first_name":"Rebecca","full_name":"Grotjahn, Rebecca"}],"publication_identifier":{"isbn":["9783847415985","9783847424642"]},"doi":"10.2307/j.ctv16x2bbx","language":[{"iso":"eng"}],"publication":"Kooperation und Konkurrenz im Wissenschaftsbetrieb - Perspektiven aus der Genderforschung und -politik","type":"book_chapter","department":[{"_id":"535"}],"date_created":"2023-01-18T11:07:43Z","status":"public","user_id":"14931","editor":[{"last_name":"Schlüter","first_name":"Anne","full_name":"Schlüter, Anne"},{"last_name":"Metz-Göckel","first_name":"Sigrid","full_name":"Metz-Göckel, Sigrid"},{"full_name":"Mense, Lisa","last_name":"Mense","first_name":"Lisa"},{"first_name":"Katja","last_name":"Sabisch","full_name":"Sabisch, Katja"}],"page":"245–251","_id":"37322","edition":"1","publisher":"Verlag Barbara Budrich","citation":{"ama":"Grotjahn R. “Ich bin die erste Sängerin! Humorlose Bemerkungen zu einem komischen Singspiel.” In: Schlüter A, Metz-Göckel S, Mense L, Sabisch K, eds. <i>Kooperation Und Konkurrenz Im Wissenschaftsbetrieb - Perspektiven Aus Der Genderforschung Und -Politik</i>. 1st ed. Verlag Barbara Budrich; 2020:245–251. doi:<a href=\"https://doi.org/10.2307/j.ctv16x2bbx\">10.2307/j.ctv16x2bbx</a>","bibtex":"@inbook{Grotjahn_2020, place={Opladen/Berlin/Toronto}, edition={1}, title={“Ich bin die erste Sängerin! Humorlose Bemerkungen zu einem komischen Singspiel”}, DOI={<a href=\"https://doi.org/10.2307/j.ctv16x2bbx\">10.2307/j.ctv16x2bbx</a>}, booktitle={Kooperation und Konkurrenz im Wissenschaftsbetrieb - Perspektiven aus der Genderforschung und -politik}, publisher={Verlag Barbara Budrich}, author={Grotjahn, Rebecca}, editor={Schlüter, Anne and Metz-Göckel, Sigrid and Mense, Lisa and Sabisch, Katja}, year={2020}, pages={245–251} }","mla":"Grotjahn, Rebecca. “‘Ich Bin Die Erste Sängerin! Humorlose Bemerkungen Zu Einem Komischen Singspiel.’” <i>Kooperation Und Konkurrenz Im Wissenschaftsbetrieb - Perspektiven Aus Der Genderforschung Und -Politik</i>, edited by Anne Schlüter et al., 1st ed., Verlag Barbara Budrich, 2020, pp. 245–251, doi:<a href=\"https://doi.org/10.2307/j.ctv16x2bbx\">10.2307/j.ctv16x2bbx</a>.","chicago":"Grotjahn, Rebecca. “‘Ich Bin Die Erste Sängerin! Humorlose Bemerkungen Zu Einem Komischen Singspiel.’” In <i>Kooperation Und Konkurrenz Im Wissenschaftsbetrieb - Perspektiven Aus Der Genderforschung Und -Politik</i>, edited by Anne Schlüter, Sigrid Metz-Göckel, Lisa Mense, and Katja Sabisch, 1st ed., 245–251. Opladen/Berlin/Toronto: Verlag Barbara Budrich, 2020. <a href=\"https://doi.org/10.2307/j.ctv16x2bbx\">https://doi.org/10.2307/j.ctv16x2bbx</a>.","short":"R. Grotjahn, in: A. Schlüter, S. Metz-Göckel, L. Mense, K. Sabisch (Eds.), Kooperation Und Konkurrenz Im Wissenschaftsbetrieb - Perspektiven Aus Der Genderforschung Und -Politik, 1st ed., Verlag Barbara Budrich, Opladen/Berlin/Toronto, 2020, pp. 245–251.","apa":"Grotjahn, R. (2020). “Ich bin die erste Sängerin! Humorlose Bemerkungen zu einem komischen Singspiel.” In A. Schlüter, S. Metz-Göckel, L. Mense, &#38; K. Sabisch (Eds.), <i>Kooperation und Konkurrenz im Wissenschaftsbetrieb - Perspektiven aus der Genderforschung und -politik</i> (1st ed., pp. 245–251). Verlag Barbara Budrich. <a href=\"https://doi.org/10.2307/j.ctv16x2bbx\">https://doi.org/10.2307/j.ctv16x2bbx</a>","ieee":"R. Grotjahn, “‘Ich bin die erste Sängerin! Humorlose Bemerkungen zu einem komischen Singspiel,’” in <i>Kooperation und Konkurrenz im Wissenschaftsbetrieb - Perspektiven aus der Genderforschung und -politik</i>, 1st ed., A. Schlüter, S. Metz-Göckel, L. Mense, and K. Sabisch, Eds. Opladen/Berlin/Toronto: Verlag Barbara Budrich, 2020, pp. 245–251."},"place":"Opladen/Berlin/Toronto"},{"publication":"Szenen-Macher Wagner-Regie vom 19. Jahrhundert bis heute","date_created":"2023-01-18T11:15:06Z","department":[{"_id":"535"}],"type":"book_chapter","author":[{"full_name":"Grotjahn, Rebecca","last_name":"Grotjahn","first_name":"Rebecca","id":"193"}],"publication_identifier":{"isbn":["9783761824924"]},"year":"2020","title":"Eine wahrhaft deutsche theatralische Kunst. Wilhelmine Schröder-Devrient und die Vorgeschichte der Wagner-Inszenierung","intvolume":"         3","date_updated":"2023-01-18T14:11:45Z","language":[{"iso":"ger"}],"series_title":"Diskurs Bayreuth","citation":{"bibtex":"@inbook{Grotjahn_2020, place={Kassel u.a.}, series={Diskurs Bayreuth}, title={Eine wahrhaft deutsche theatralische Kunst. Wilhelmine Schröder-Devrient und die Vorgeschichte der Wagner-Inszenierung}, volume={3}, booktitle={Szenen-Macher Wagner-Regie vom 19. Jahrhundert bis heute}, publisher={Bärenreiter}, author={Grotjahn, Rebecca}, editor={Wagner, Katharina  and Berg, Holger von and Maintz, Marie Luise}, year={2020}, pages={79–92}, collection={Diskurs Bayreuth} }","ama":"Grotjahn R. Eine wahrhaft deutsche theatralische Kunst. Wilhelmine Schröder-Devrient und die Vorgeschichte der Wagner-Inszenierung. In: Wagner K, Berg H von, Maintz ML, eds. <i>Szenen-Macher Wagner-Regie vom 19. Jahrhundert bis heute</i>. Vol 3. Diskurs Bayreuth. Bärenreiter; 2020:79–92.","mla":"Grotjahn, Rebecca. “Eine wahrhaft deutsche theatralische Kunst. Wilhelmine Schröder-Devrient und die Vorgeschichte der Wagner-Inszenierung.” <i>Szenen-Macher Wagner-Regie vom 19. Jahrhundert bis heute</i>, edited by Katharina  Wagner et al., vol. 3, Bärenreiter, 2020, pp. 79–92.","short":"R. Grotjahn, in: K. Wagner, H. von Berg, M.L. Maintz (Eds.), Szenen-Macher Wagner-Regie vom 19. Jahrhundert bis heute, Bärenreiter, Kassel u.a., 2020, pp. 79–92.","chicago":"Grotjahn, Rebecca. “Eine wahrhaft deutsche theatralische Kunst. Wilhelmine Schröder-Devrient und die Vorgeschichte der Wagner-Inszenierung.” In <i>Szenen-Macher Wagner-Regie vom 19. Jahrhundert bis heute</i>, edited by Katharina  Wagner, Holger von Berg, and Marie Luise Maintz, 3:79–92. Diskurs Bayreuth. Kassel u.a.: Bärenreiter, 2020.","ieee":"R. Grotjahn, “Eine wahrhaft deutsche theatralische Kunst. Wilhelmine Schröder-Devrient und die Vorgeschichte der Wagner-Inszenierung,” in <i>Szenen-Macher Wagner-Regie vom 19. Jahrhundert bis heute</i>, vol. 3, K. Wagner, H. von Berg, and M. L. Maintz, Eds. Kassel u.a.: Bärenreiter, 2020, pp. 79–92.","apa":"Grotjahn, R. (2020). Eine wahrhaft deutsche theatralische Kunst. Wilhelmine Schröder-Devrient und die Vorgeschichte der Wagner-Inszenierung. In K. Wagner, H. von Berg, &#38; M. L. Maintz (Eds.), <i>Szenen-Macher Wagner-Regie vom 19. Jahrhundert bis heute</i> (Vol. 3, pp. 79–92). Bärenreiter."},"place":"Kassel u.a.","status":"public","_id":"37324","publisher":"Bärenreiter","page":"79–92","editor":[{"last_name":"Wagner","first_name":"Katharina ","full_name":"Wagner, Katharina "},{"full_name":"Berg, Holger von","last_name":"Berg","first_name":"Holger von"},{"full_name":"Maintz, Marie Luise","last_name":"Maintz","first_name":"Marie Luise"}],"volume":3,"user_id":"14931"},{"page":"367","publisher":"musiconn","_id":"37167","user_id":"14931","ddc":["780"],"volume":1,"editor":[{"full_name":"Jaeschke, Nina ","last_name":"Jaeschke","first_name":"Nina "},{"id":"193","full_name":"Grotjahn, Rebecca","first_name":"Rebecca","last_name":"Grotjahn"}],"status":"public","has_accepted_license":"1","place":"Detmold","file_date_updated":"2023-01-17T16:08:56Z","citation":{"bibtex":"@book{Jaeschke_Grotjahn_2020, place={Detmold}, series={Musikwissenschaft: Neue Perspektiven. Bericht über die Jahrestagung der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold}, title={Freie Beiträge zur Jahrestagung der Gesellschaft für Musikforschung 2019}, volume={1}, DOI={<a href=\"https://doi.org/10.25366/2020.42\">10.25366/2020.42</a>}, publisher={musiconn}, year={2020}, collection={Musikwissenschaft: Neue Perspektiven. Bericht über die Jahrestagung der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold} }","ama":"Jaeschke N, Grotjahn R, eds. <i>Freie Beiträge zur Jahrestagung der Gesellschaft für Musikforschung 2019</i>. Vol 1. musiconn; 2020. doi:<a href=\"https://doi.org/10.25366/2020.42\">10.25366/2020.42</a>","mla":"Jaeschke, Nina, and Rebecca Grotjahn, editors. <i>Freie Beiträge zur Jahrestagung der Gesellschaft für Musikforschung 2019</i>. musiconn, 2020, doi:<a href=\"https://doi.org/10.25366/2020.42\">10.25366/2020.42</a>.","short":"N. Jaeschke, R. Grotjahn, eds., Freie Beiträge zur Jahrestagung der Gesellschaft für Musikforschung 2019, musiconn, Detmold, 2020.","chicago":"Jaeschke, Nina , and Rebecca Grotjahn, eds. <i>Freie Beiträge zur Jahrestagung der Gesellschaft für Musikforschung 2019</i>. Vol. 1. Musikwissenschaft: Neue Perspektiven. Bericht über die Jahrestagung der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold. Detmold: musiconn, 2020. <a href=\"https://doi.org/10.25366/2020.42\">https://doi.org/10.25366/2020.42</a>.","ieee":"N. Jaeschke and R. Grotjahn, Eds., <i>Freie Beiträge zur Jahrestagung der Gesellschaft für Musikforschung 2019</i>, vol. 1. Detmold: musiconn, 2020.","apa":"Jaeschke, N., &#38; Grotjahn, R. (Eds.). (2020). <i>Freie Beiträge zur Jahrestagung der Gesellschaft für Musikforschung 2019</i> (Vol. 1). musiconn. <a href=\"https://doi.org/10.25366/2020.42\">https://doi.org/10.25366/2020.42</a>"},"language":[{"iso":"ger"}],"series_title":"Musikwissenschaft: Neue Perspektiven. Bericht über die Jahrestagung der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold","doi":"10.25366/2020.42","year":"2020","title":"Freie Beiträge zur Jahrestagung der Gesellschaft für Musikforschung 2019","publication_status":"published","date_updated":"2023-01-18T14:15:56Z","intvolume":"         1","file":[{"creator":"tsteup","date_created":"2023-01-17T16:08:56Z","relation":"main_file","date_updated":"2023-01-17T16:08:56Z","file_name":"Volltext (PDF) 1.pdf","access_level":"closed","file_size":27516999,"file_id":"37173","success":1,"content_type":"application/pdf"}],"date_created":"2023-01-17T16:03:39Z","type":"book_editor","department":[{"_id":"535"}],"related_material":{"record":[{"status":"public","relation":"is_continued_by","id":"37156"}],"link":[{"url":"https://nbn-resolving.org/urn:nbn:de:bsz:14-qucosa2-725481","relation":"original"}]}},{"publisher":"musiconn","_id":"37156","page":"126","editor":[{"id":"193","full_name":"Grotjahn, Rebecca","last_name":"Grotjahn","first_name":"Rebecca"},{"full_name":"Jaeschke, Nina","last_name":"Jaeschke","first_name":"Nina"}],"volume":2,"ddc":["780"],"user_id":"14931","status":"public","has_accepted_license":"1","place":"Detmold","citation":{"mla":"Grotjahn, Rebecca, and Nina Jaeschke, editors. <i>Die Begleiterin. Clara Schumann, Lied Und Liedinterpretation</i>. musiconn, 2020, doi:<a href=\"https://doi.org/10.25366/2020.78\">10.25366/2020.78</a>.","apa":"Grotjahn, R., &#38; Jaeschke, N. (Eds.). (2020). <i>Die Begleiterin. Clara Schumann, Lied und Liedinterpretation</i> (Vol. 2). musiconn. <a href=\"https://doi.org/10.25366/2020.78\">https://doi.org/10.25366/2020.78</a>","ieee":"R. Grotjahn and N. Jaeschke, Eds., <i>Die Begleiterin. Clara Schumann, Lied und Liedinterpretation</i>, vol. 2. Detmold: musiconn, 2020.","ama":"Grotjahn R, Jaeschke N, eds. <i>Die Begleiterin. Clara Schumann, Lied Und Liedinterpretation</i>. Vol 2. musiconn; 2020. doi:<a href=\"https://doi.org/10.25366/2020.78\">10.25366/2020.78</a>","short":"R. Grotjahn, N. Jaeschke, eds., Die Begleiterin. Clara Schumann, Lied Und Liedinterpretation, musiconn, Detmold, 2020.","chicago":"Grotjahn, Rebecca, and Nina Jaeschke, eds. <i>Die Begleiterin. Clara Schumann, Lied Und Liedinterpretation</i>. Vol. 2. Musikwissenschaft: Neue Perspektiven. Bericht Über Die Jahrestagung Der Gesellschaft Für Musikforschung 2019 in Paderborn Und Detmold. Detmold: musiconn, 2020. <a href=\"https://doi.org/10.25366/2020.78\">https://doi.org/10.25366/2020.78</a>.","bibtex":"@book{Grotjahn_Jaeschke_2020, place={Detmold}, series={Musikwissenschaft: Neue Perspektiven. Bericht über die Jahrestagung der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold}, title={Die Begleiterin. Clara Schumann, Lied und Liedinterpretation}, volume={2}, DOI={<a href=\"https://doi.org/10.25366/2020.78\">10.25366/2020.78</a>}, publisher={musiconn}, year={2020}, collection={Musikwissenschaft: Neue Perspektiven. Bericht über die Jahrestagung der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold} }"},"file_date_updated":"2023-01-17T15:45:07Z","language":[{"iso":"eng"}],"series_title":"Musikwissenschaft: Neue Perspektiven. Bericht über die Jahrestagung der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold","doi":"10.25366/2020.78","year":"2020","title":"Die Begleiterin. Clara Schumann, Lied und Liedinterpretation","intvolume":"         2","date_updated":"2023-01-18T14:15:57Z","date_created":"2023-01-17T15:47:48Z","file":[{"date_created":"2023-01-17T15:45:07Z","creator":"tsteup","file_id":"37158","content_type":"application/pdf","success":1,"relation":"main_file","date_updated":"2023-01-17T15:45:07Z","file_name":"Volltext (PDF).pdf","access_level":"closed","file_size":7579115}],"department":[{"_id":"535"}],"type":"book_editor","related_material":{"record":[{"status":"public","relation":"continues","id":"37167"}]}},{"department":[{"_id":"233"}],"type":"book_editor","date_created":"2023-01-12T13:17:50Z","related_material":{"record":[{"id":"36461","relation":"contains","status":"public"}]},"abstract":[{"text":"Die h-Moll-Messe und die Johannes-Passion sind unzweifelhaft zwei Hauptwerke Johann Sebastian Bachs. Der vorliegende Band versammelt die Vorträge aus zwei Symposien, die im Oktober 2017 und März 2019 in Essen abgehalten worden sind. Im Dialog zwischen Theologie und Musikwissenschaft werden in den Beiträgen unterschiedliche Aspekte fokussiert, die je nach Werk zum einen eher auf dem Gebiet der Genese, Rezeption und Edition (h-Moll-Messe), zum anderen eher auf dessen theologischem oder musikgeschichtlichem Kontext (Johannes-Passion) liegen. In dieser interdisziplinären Zusammenstellung werden zahlreiche neue Facetten der Werke und ihrer Kontexte erhellt.","lang":"eng"}],"language":[{"iso":"ger"}],"series_title":"Folkwang Studien","intvolume":"        20","date_updated":"2023-03-22T13:15:13Z","publication_identifier":{"isbn":[" \t978-3-487-15916-4"]},"title":"Musikwissenschaft und Theologie im Dialog - Johann Sebastian Bachs \"h-Moll-Messe\" und \"Johannes-Passion\"","year":"2020","place":"Hildesheim u.a.","citation":{"bibtex":"@book{Höink_Jacob_2020, place={Hildesheim u.a.}, series={Folkwang Studien}, title={Musikwissenschaft und Theologie im Dialog - Johann Sebastian Bachs “h-Moll-Messe” und “Johannes-Passion”}, volume={20}, publisher={Georg Olms}, year={2020}, collection={Folkwang Studien} }","ama":"Höink D, Jacob A, eds. <i>Musikwissenschaft und Theologie im Dialog - Johann Sebastian Bachs “h-Moll-Messe” und “Johannes-Passion.”</i> Vol 20. Georg Olms; 2020.","mla":"Höink, Dominik, and Andreas Jacob, editors. <i>Musikwissenschaft und Theologie im Dialog - Johann Sebastian Bachs “h-Moll-Messe” und “Johannes-Passion.”</i> Georg Olms, 2020.","chicago":"Höink, Dominik, and Andreas Jacob, eds. <i>Musikwissenschaft und Theologie im Dialog - Johann Sebastian Bachs “h-Moll-Messe” und “Johannes-Passion.”</i> Vol. 20. Folkwang Studien. Hildesheim u.a.: Georg Olms, 2020.","short":"D. Höink, A. Jacob, eds., Musikwissenschaft und Theologie im Dialog - Johann Sebastian Bachs “h-Moll-Messe” und “Johannes-Passion,” Georg Olms, Hildesheim u.a., 2020.","ieee":"D. Höink and A. Jacob, Eds., <i>Musikwissenschaft und Theologie im Dialog - Johann Sebastian Bachs “h-Moll-Messe” und “Johannes-Passion,”</i> vol. 20. Hildesheim u.a.: Georg Olms, 2020.","apa":"Höink, D., &#38; Jacob, A. (Eds.). (2020). <i>Musikwissenschaft und Theologie im Dialog - Johann Sebastian Bachs “h-Moll-Messe” und “Johannes-Passion”</i> (Vol. 20). Georg Olms."},"volume":20,"editor":[{"full_name":"Höink, Dominik","last_name":"Höink","first_name":"Dominik","id":"90389"},{"full_name":"Jacob, Andreas","first_name":"Andreas","last_name":"Jacob"}],"user_id":"73564","_id":"36432","publisher":"Georg Olms","page":"376","status":"public"},{"publisher":"Humanities Commons","_id":"59885","editor":[{"first_name":"Elsa","last_name":"de Luca","full_name":"de Luca, Elsa"},{"full_name":"Flanders, Julia","last_name":"Flanders","first_name":"Julia"}],"user_id":"102981","conference":{"end_date":"2020-05-29","location":"online","start_date":"2020-05-26","name":"Music Encoding Conference 2020"},"status":"public","oa":"1","citation":{"mla":"Plaksin, Anna Viktoria Katrin. “Do Visual Features Matter? Studies in Phylogenetic Analysis of Mensural Music.” <i>Music Encoding Conference 2020</i>, edited by Elsa de Luca and Julia Flanders, Humanities Commons, 2020, doi:<a href=\"https://doi.org/10.17613/PZY7-EK18\">10.17613/PZY7-EK18</a>.","bibtex":"@inproceedings{Plaksin_2020, title={Do visual features matter? Studies in phylogenetic analysis of mensural music}, DOI={<a href=\"https://doi.org/10.17613/PZY7-EK18\">10.17613/PZY7-EK18</a>}, booktitle={Music Encoding Conference 2020}, publisher={Humanities Commons}, author={Plaksin, Anna Viktoria Katrin}, editor={de Luca, Elsa and Flanders, Julia}, year={2020} }","ama":"Plaksin AVK. Do visual features matter? Studies in phylogenetic analysis of mensural music. In: de Luca E, Flanders J, eds. <i>Music Encoding Conference 2020</i>. Humanities Commons; 2020. doi:<a href=\"https://doi.org/10.17613/PZY7-EK18\">10.17613/PZY7-EK18</a>","ieee":"A. V. K. Plaksin, “Do visual features matter? Studies in phylogenetic analysis of mensural music,” in <i>Music Encoding Conference 2020</i>, online, 2020, doi: <a href=\"https://doi.org/10.17613/PZY7-EK18\">10.17613/PZY7-EK18</a>.","apa":"Plaksin, A. V. K. (2020). Do visual features matter? Studies in phylogenetic analysis of mensural music. In E. de Luca &#38; J. Flanders (Eds.), <i>Music Encoding Conference 2020</i>. Humanities Commons. <a href=\"https://doi.org/10.17613/PZY7-EK18\">https://doi.org/10.17613/PZY7-EK18</a>","short":"A.V.K. Plaksin, in: E. de Luca, J. Flanders (Eds.), Music Encoding Conference 2020, Humanities Commons, 2020.","chicago":"Plaksin, Anna Viktoria Katrin. “Do Visual Features Matter? Studies in Phylogenetic Analysis of Mensural Music.” In <i>Music Encoding Conference 2020</i>, edited by Elsa de Luca and Julia Flanders. Humanities Commons, 2020. <a href=\"https://doi.org/10.17613/PZY7-EK18\">https://doi.org/10.17613/PZY7-EK18</a>."},"quality_controlled":"1","language":[{"iso":"eng"}],"main_file_link":[{"url":"https://works.hcommons.org/records/ve025-nac95","open_access":"1"}],"doi":"10.17613/PZY7-EK18","author":[{"full_name":"Plaksin, Anna Viktoria Katrin","first_name":"Anna Viktoria Katrin","orcid":"0000-0002-9969-0608","last_name":"Plaksin","id":"102981"}],"title":"Do visual features matter? Studies in phylogenetic analysis of mensural music","year":"2020","date_updated":"2025-05-13T13:41:02Z","date_created":"2025-05-13T13:11:54Z","department":[{"_id":"872"}],"type":"conference","publication":"Music Encoding Conference 2020","extern":"1"},{"department":[{"_id":"233"}],"type":"conference","date_created":"2024-08-19T08:51:51Z","abstract":[{"lang":"eng","text":"<jats:p>Since 2018 a group of musicology students at the Department of musicology of the University of Paderborn and the University of Music Detmold has been developing an online database called Kollaborateure – Involvierte – Profiteure. Musik in der NS-Zeit. Integral part of this database are articles on musicians, composers, employees in ministries and organisations affiliated to the party, musicologists, music editors and publishers from the Nazi era. In addition to the source-based biographical key data, the prosography focuses on the current research situation related to the respective person, a detailed description of the networks in the denazification processes and presents comprehensive lists of all writings, musical works, speeches and a list of his or her memberships. In future, further authors are to be won over to the project in order to create new articles or to update existing ones.</jats:p>"}],"citation":{"short":"T. Oancea, J. Pollmann, J. Spieker, in: N. Jaeschke, R. Grotjahn (Eds.), Freie Beiträge zur Jahrestagung der Gesellschaft für Musikforschung 2019, Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020.","chicago":"Oancea, Theodora, Joachim Pollmann, and Jonas Spieker. “Kollaborateure – Involvierte – Profiteure. Erarbeitung eines Online-Lexikons zur Musik in der NS-Zeit.” In <i>Freie Beiträge zur Jahrestagung der Gesellschaft für Musikforschung 2019</i>, edited by Nina Jaeschke and Rebecca Grotjahn. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. <a href=\"https://doi.org/10.25366/2020.67\">https://doi.org/10.25366/2020.67</a>.","ieee":"T. Oancea, J. Pollmann, and J. Spieker, “Kollaborateure – Involvierte – Profiteure. Erarbeitung eines Online-Lexikons zur Musik in der NS-Zeit,” in <i>Freie Beiträge zur Jahrestagung der Gesellschaft für Musikforschung 2019</i>, 2020, doi: <a href=\"https://doi.org/10.25366/2020.67\">10.25366/2020.67</a>.","apa":"Oancea, T., Pollmann, J., &#38; Spieker, J. (2020). Kollaborateure – Involvierte – Profiteure. Erarbeitung eines Online-Lexikons zur Musik in der NS-Zeit. In N. Jaeschke &#38; R. Grotjahn (Eds.), <i>Freie Beiträge zur Jahrestagung der Gesellschaft für Musikforschung 2019</i>. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold. <a href=\"https://doi.org/10.25366/2020.67\">https://doi.org/10.25366/2020.67</a>","bibtex":"@inproceedings{Oancea_Pollmann_Spieker_2020, title={Kollaborateure – Involvierte – Profiteure. Erarbeitung eines Online-Lexikons zur Musik in der NS-Zeit}, DOI={<a href=\"https://doi.org/10.25366/2020.67\">10.25366/2020.67</a>}, booktitle={Freie Beiträge zur Jahrestagung der Gesellschaft für Musikforschung 2019}, publisher={Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold}, author={Oancea, Theodora and Pollmann, Joachim and Spieker, Jonas}, editor={Jaeschke, Nina and Grotjahn, Rebecca}, year={2020} }","ama":"Oancea T, Pollmann J, Spieker J. Kollaborateure – Involvierte – Profiteure. Erarbeitung eines Online-Lexikons zur Musik in der NS-Zeit. In: Jaeschke N, Grotjahn R, eds. <i>Freie Beiträge zur Jahrestagung der Gesellschaft für Musikforschung 2019</i>. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold; 2020. doi:<a href=\"https://doi.org/10.25366/2020.67\">10.25366/2020.67</a>","mla":"Oancea, Theodora, et al. “Kollaborateure – Involvierte – Profiteure. Erarbeitung eines Online-Lexikons zur Musik in der NS-Zeit.” <i>Freie Beiträge zur Jahrestagung der Gesellschaft für Musikforschung 2019</i>, edited by Nina Jaeschke and Rebecca Grotjahn, Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020, doi:<a href=\"https://doi.org/10.25366/2020.67\">10.25366/2020.67</a>."},"publication":"Freie Beiträge zur Jahrestagung der Gesellschaft für Musikforschung 2019","editor":[{"first_name":"Nina","last_name":"Jaeschke","full_name":"Jaeschke, Nina"},{"full_name":"Grotjahn, Rebecca","first_name":"Rebecca","last_name":"Grotjahn"}],"doi":"10.25366/2020.67","user_id":"65143","publisher":"Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold","_id":"55643","language":[{"iso":"ger"}],"date_updated":"2025-03-22T11:46:25Z","publication_status":"published","author":[{"first_name":"Theodora","last_name":"Oancea","full_name":"Oancea, Theodora"},{"full_name":"Pollmann, Joachim","last_name":"Pollmann","first_name":"Joachim"},{"last_name":"Spieker","first_name":"Jonas","full_name":"Spieker, Jonas"}],"title":"Kollaborateure – Involvierte – Profiteure. Erarbeitung eines Online-Lexikons zur Musik in der NS-Zeit","status":"public","year":"2020"},{"publication_status":"published","date_updated":"2024-02-19T10:51:50Z","status":"public","title":"On the Adoption of Standard Encoding Formats to Ensure Interoperability of Music Digital Archives: The IEEE 1599 Format","year":"2019","author":[{"full_name":"Andrea Ludovico, Luca","first_name":"Luca","last_name":"Andrea Ludovico"},{"last_name":"Baratè","first_name":"Adriano","full_name":"Baratè, Adriano"},{"full_name":"Simonetta, Federico","first_name":"Federico","last_name":"Simonetta"},{"id":"104047","last_name":"Mauro","orcid":"0000-0001-8437-4517","first_name":"Davide Andrea","full_name":"Mauro, Davide Andrea"}],"user_id":"14931","doi":"10.1145/3358664.3358665","language":[{"iso":"eng"}],"_id":"50445","publisher":"ACM","publication":"6th International Conference on Digital Libraries for Musicology","citation":{"chicago":"Andrea Ludovico, Luca, Adriano Baratè, Federico Simonetta, and Davide Andrea Mauro. “On the Adoption of Standard Encoding Formats to Ensure Interoperability of Music Digital Archives: The IEEE 1599 Format.” In <i>6th International Conference on Digital Libraries for Musicology</i>. ACM, 2019. <a href=\"https://doi.org/10.1145/3358664.3358665\">https://doi.org/10.1145/3358664.3358665</a>.","short":"L. Andrea Ludovico, A. Baratè, F. Simonetta, D.A. Mauro, in: 6th International Conference on Digital Libraries for Musicology, ACM, 2019.","apa":"Andrea Ludovico, L., Baratè, A., Simonetta, F., &#38; Mauro, D. A. (2019). On the Adoption of Standard Encoding Formats to Ensure Interoperability of Music Digital Archives: The IEEE 1599 Format. <i>6th International Conference on Digital Libraries for Musicology</i>. <a href=\"https://doi.org/10.1145/3358664.3358665\">https://doi.org/10.1145/3358664.3358665</a>","ieee":"L. Andrea Ludovico, A. Baratè, F. Simonetta, and D. A. Mauro, “On the Adoption of Standard Encoding Formats to Ensure Interoperability of Music Digital Archives: The IEEE 1599 Format,” 2019, doi: <a href=\"https://doi.org/10.1145/3358664.3358665\">10.1145/3358664.3358665</a>.","ama":"Andrea Ludovico L, Baratè A, Simonetta F, Mauro DA. On the Adoption of Standard Encoding Formats to Ensure Interoperability of Music Digital Archives: The IEEE 1599 Format. In: <i>6th International Conference on Digital Libraries for Musicology</i>. ACM; 2019. doi:<a href=\"https://doi.org/10.1145/3358664.3358665\">10.1145/3358664.3358665</a>","bibtex":"@inproceedings{Andrea Ludovico_Baratè_Simonetta_Mauro_2019, title={On the Adoption of Standard Encoding Formats to Ensure Interoperability of Music Digital Archives: The IEEE 1599 Format}, DOI={<a href=\"https://doi.org/10.1145/3358664.3358665\">10.1145/3358664.3358665</a>}, booktitle={6th International Conference on Digital Libraries for Musicology}, publisher={ACM}, author={Andrea Ludovico, Luca and Baratè, Adriano and Simonetta, Federico and Mauro, Davide Andrea}, year={2019} }","mla":"Andrea Ludovico, Luca, et al. “On the Adoption of Standard Encoding Formats to Ensure Interoperability of Music Digital Archives: The IEEE 1599 Format.” <i>6th International Conference on Digital Libraries for Musicology</i>, ACM, 2019, doi:<a href=\"https://doi.org/10.1145/3358664.3358665\">10.1145/3358664.3358665</a>."},"type":"conference","department":[{"_id":"233"}],"date_created":"2024-01-11T08:12:53Z"},{"date_created":"2024-01-11T08:10:14Z","type":"conference","department":[{"_id":"233"}],"publication":"Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound","citation":{"short":"A. Baratè, L.A. Ludovico, D.A. Mauro, in: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound, ACM, 2019.","chicago":"Baratè, Adriano, Luca A. Ludovico, and Davide Andrea Mauro. “A Web Prototype to Teach Music and Computational Thinking Through Building Blocks.” In <i>Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound</i>. ACM, 2019. <a href=\"https://doi.org/10.1145/3356590.3356625\">https://doi.org/10.1145/3356590.3356625</a>.","ieee":"A. Baratè, L. A. Ludovico, and D. A. Mauro, “A Web Prototype to Teach Music and Computational Thinking Through Building Blocks,” 2019, doi: <a href=\"https://doi.org/10.1145/3356590.3356625\">10.1145/3356590.3356625</a>.","apa":"Baratè, A., Ludovico, L. A., &#38; Mauro, D. A. (2019). A Web Prototype to Teach Music and Computational Thinking Through Building Blocks. <i>Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound</i>. <a href=\"https://doi.org/10.1145/3356590.3356625\">https://doi.org/10.1145/3356590.3356625</a>","bibtex":"@inproceedings{Baratè_Ludovico_Mauro_2019, title={A Web Prototype to Teach Music and Computational Thinking Through Building Blocks}, DOI={<a href=\"https://doi.org/10.1145/3356590.3356625\">10.1145/3356590.3356625</a>}, booktitle={Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound}, publisher={ACM}, author={Baratè, Adriano and Ludovico, Luca A. and Mauro, Davide Andrea}, year={2019} }","ama":"Baratè A, Ludovico LA, Mauro DA. A Web Prototype to Teach Music and Computational Thinking Through Building Blocks. In: <i>Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound</i>. ACM; 2019. doi:<a href=\"https://doi.org/10.1145/3356590.3356625\">10.1145/3356590.3356625</a>","mla":"Baratè, Adriano, et al. “A Web Prototype to Teach Music and Computational Thinking Through Building Blocks.” <i>Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound</i>, ACM, 2019, doi:<a href=\"https://doi.org/10.1145/3356590.3356625\">10.1145/3356590.3356625</a>."},"publisher":"ACM","_id":"50444","language":[{"iso":"eng"}],"doi":"10.1145/3356590.3356625","user_id":"14931","title":"A Web Prototype to Teach Music and Computational Thinking Through Building Blocks","status":"public","year":"2019","author":[{"first_name":"Adriano","last_name":"Baratè","full_name":"Baratè, Adriano"},{"first_name":"Luca A.","last_name":"Ludovico","full_name":"Ludovico, Luca A."},{"id":"104047","full_name":"Mauro, Davide Andrea","orcid":"0000-0001-8437-4517","first_name":"Davide Andrea","last_name":"Mauro"}],"date_updated":"2024-02-19T10:50:26Z","publication_status":"published"},{"date_created":"2024-01-11T08:13:08Z","department":[{"_id":"233"}],"type":"conference","citation":{"ieee":"A. Baratè, L. A. Ludovico, and D. A. Mauro, “A Web Prototype to Teach Music and Computational Thinking Through Building Blocks,” 2019, doi: <a href=\"https://doi.org/10.1145/3356590.3356625\">10.1145/3356590.3356625</a>.","mla":"Baratè, Adriano, et al. “A Web Prototype to Teach Music and Computational Thinking Through Building Blocks.” <i>Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound</i>, ACM, 2019, doi:<a href=\"https://doi.org/10.1145/3356590.3356625\">10.1145/3356590.3356625</a>.","apa":"Baratè, A., Ludovico, L. A., &#38; Mauro, D. A. (2019). A Web Prototype to Teach Music and Computational Thinking Through Building Blocks. <i>Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound</i>. <a href=\"https://doi.org/10.1145/3356590.3356625\">https://doi.org/10.1145/3356590.3356625</a>","bibtex":"@inproceedings{Baratè_Ludovico_Mauro_2019, title={A Web Prototype to Teach Music and Computational Thinking Through Building Blocks}, DOI={<a href=\"https://doi.org/10.1145/3356590.3356625\">10.1145/3356590.3356625</a>}, booktitle={Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound}, publisher={ACM}, author={Baratè, Adriano and Ludovico, Luca A. and Mauro, Davide Andrea}, year={2019} }","ama":"Baratè A, Ludovico LA, Mauro DA. A Web Prototype to Teach Music and Computational Thinking Through Building Blocks. In: <i>Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound</i>. ACM; 2019. doi:<a href=\"https://doi.org/10.1145/3356590.3356625\">10.1145/3356590.3356625</a>","short":"A. Baratè, L.A. Ludovico, D.A. Mauro, in: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound, ACM, 2019.","chicago":"Baratè, Adriano, Luca A. Ludovico, and Davide Andrea Mauro. “A Web Prototype to Teach Music and Computational Thinking Through Building Blocks.” In <i>Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound</i>. ACM, 2019. <a href=\"https://doi.org/10.1145/3356590.3356625\">https://doi.org/10.1145/3356590.3356625</a>."},"publication":"Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound","publisher":"ACM","_id":"50446","language":[{"iso":"eng"}],"doi":"10.1145/3356590.3356625","user_id":"14931","author":[{"first_name":"Adriano","last_name":"Baratè","full_name":"Baratè, Adriano"},{"full_name":"Ludovico, Luca A.","first_name":"Luca A.","last_name":"Ludovico"},{"full_name":"Mauro, Davide Andrea","first_name":"Davide Andrea","orcid":"0000-0001-8437-4517","last_name":"Mauro","id":"104047"}],"title":"A Web Prototype to Teach Music and Computational Thinking Through Building Blocks","status":"public","year":"2019","date_updated":"2024-02-19T10:50:39Z","publication_status":"published"},{"title":"Auf der Suche nach dem Glück. Zu Karl August von Lichtensteins moralischer Dessauer Festoper Bathmendi (1798/99) und ihrer Neuperspektivierung in der Folgezeit","status":"public","year":"2019","author":[{"full_name":"Münzmay, Andreas","last_name":"Münzmay","first_name":"Andreas","orcid":"0000-0002-8373-4055","id":"61139"}],"date_updated":"2024-02-19T11:02:18Z","publication_status":"published","page":"163 - 175","_id":"49922","language":[{"iso":"ger"}],"publisher":"Mitteldeutscher Verlag","user_id":"61139","editor":[{"first_name":"Wolfgang","last_name":"Hirschmann","full_name":"Hirschmann, Wolfgang"},{"last_name":"La Salvia","first_name":"Adrian","full_name":"La Salvia, Adrian"}],"publication":" Musik im Dessau-Wörlitzer Gartenreich","citation":{"bibtex":"@inbook{Münzmay_2019, place={Halle}, title={Auf der Suche nach dem Glück. Zu Karl August von Lichtensteins moralischer Dessauer Festoper Bathmendi (1798/99) und ihrer Neuperspektivierung in der Folgezeit}, booktitle={ Musik im Dessau-Wörlitzer Gartenreich}, publisher={Mitteldeutscher Verlag}, author={Münzmay, Andreas}, editor={Hirschmann, Wolfgang and La Salvia, Adrian}, year={2019}, pages={163–175} }","ama":"Münzmay A. Auf der Suche nach dem Glück. Zu Karl August von Lichtensteins moralischer Dessauer Festoper Bathmendi (1798/99) und ihrer Neuperspektivierung in der Folgezeit. In: Hirschmann W, La Salvia A, eds. <i> Musik im Dessau-Wörlitzer Gartenreich</i>. Mitteldeutscher Verlag; 2019:163-175.","mla":"Münzmay, Andreas. “Auf der Suche nach dem Glück. Zu Karl August von Lichtensteins moralischer Dessauer Festoper Bathmendi (1798/99) und ihrer Neuperspektivierung in der Folgezeit.” <i> Musik im Dessau-Wörlitzer Gartenreich</i>, edited by Wolfgang Hirschmann and Adrian La Salvia, Mitteldeutscher Verlag, 2019, pp. 163–75.","short":"A. Münzmay, in: W. Hirschmann, A. La Salvia (Eds.),  Musik im Dessau-Wörlitzer Gartenreich, Mitteldeutscher Verlag, Halle, 2019, pp. 163–175.","chicago":"Münzmay, Andreas. “Auf der Suche nach dem Glück. Zu Karl August von Lichtensteins moralischer Dessauer Festoper Bathmendi (1798/99) und ihrer Neuperspektivierung in der Folgezeit.” In <i> Musik im Dessau-Wörlitzer Gartenreich</i>, edited by Wolfgang Hirschmann and Adrian La Salvia, 163–75. Halle: Mitteldeutscher Verlag, 2019.","ieee":"A. Münzmay, “Auf der Suche nach dem Glück. Zu Karl August von Lichtensteins moralischer Dessauer Festoper Bathmendi (1798/99) und ihrer Neuperspektivierung in der Folgezeit,” in <i> Musik im Dessau-Wörlitzer Gartenreich</i>, W. Hirschmann and A. La Salvia, Eds. Halle: Mitteldeutscher Verlag, 2019, pp. 163–175.","apa":"Münzmay, A. (2019). Auf der Suche nach dem Glück. Zu Karl August von Lichtensteins moralischer Dessauer Festoper Bathmendi (1798/99) und ihrer Neuperspektivierung in der Folgezeit. In W. Hirschmann &#38; A. La Salvia (Eds.), <i> Musik im Dessau-Wörlitzer Gartenreich</i> (pp. 163–175). Mitteldeutscher Verlag."},"abstract":[{"text":"Das Libretto der allegorischen Festoper 'Bathmendi' (Die Glückseligkeit), mit der 1798 das neue Dessauer Hoftheater eröffnet wurde, stammte von dem Dessauer Hofmeister und Jugendfreund Goethes Ernst Wolfgang Behrisch, die Musik von dem neuen Intendanten Karl August Freiherr von Lichtenstein, die aufsehenerregenden Bühnenbilder von dem aus Mannheim engagierten Bühnenmaler Giulio Quaglio. Das Aufführungsdatum in der kältesten Jahreszeit war durch den Geburtstag des Erbprinzen am 27. Dezember 1798, an dessen Vorabend die Aufführung stattfinden sollte, vorgegeben. Nicht nur dieses Detail verweist auf die stark höfisch-repräsentative Ausrichtung der Opernaufführung. Auch das Sujet wird in dem Beitrag von Andreas Münzmay als ein ein typisch feudalistisches gedeutet, durch das dem Bürger klar gemacht werden sollte, \"keine falschen Aufstiegsambitionen zu entwickeln\", und das von einer \"Verbürgerlichung höfischer Elementen\", wie sie der Kulturförderung des Fürsten Franz allenthalben attestiert worden ist, weit entfernt gewesen sei. Mit Paul Beckus sieht Münzmay hier eher eine \"Tendenz des anhalt-dessauischen Hofes zur Partizipation an der allgemeinen, auf die Vergrößerung des Hofstaates gerichteten Entwicklung im Alten Reich\". Die genuin-höfische, staatstragende Funktion der Dessauer Festoper scheint Lichtenstein in späteren Neufassungen für Leipzig und Wien, wo er ab Ende 1800 als Kapellmeister und künstlerishcer Leiter der Hofoper wirkte, eher abgeschwächt zu haben. (Wolfgang Hirschmann und Adrian La Salvia im Vorwort zu dem Band.)","lang":"ger"}],"quality_controlled":"1","place":"Halle","date_created":"2023-12-20T14:01:53Z","type":"book_chapter","department":[{"_id":"572"}]},{"publication":"Sprache und Theatralität des Virtuosen | Franz Liszt | Langage et mise en scène de la virtuosité","citation":{"apa":"Münzmay, A. (2019). Franz Liszt und die ‚Freie Fantasie‘: Zur Politik der pianistischen Konzertimprovisation. In T. Betzwieser, S. Mauksch, &#38; M. Schneider (Eds.), <i>Sprache und Theatralität des Virtuosen | Franz Liszt | Langage et mise en scène de la virtuosité</i> (pp. 119–139). Königshausen und Neumann.","ieee":"A. Münzmay, “Franz Liszt und die ‚Freie Fantasie‘: Zur Politik der pianistischen Konzertimprovisation,” in <i>Sprache und Theatralität des Virtuosen | Franz Liszt | Langage et mise en scène de la virtuosité</i>, T. Betzwieser, S. Mauksch, and M. Schneider, Eds. Würzburg: Königshausen und Neumann, 2019, pp. 119–139.","short":"A. Münzmay, in: T. Betzwieser, S. Mauksch, M. Schneider (Eds.), Sprache und Theatralität des Virtuosen | Franz Liszt | Langage et mise en scène de la virtuosité, Königshausen und Neumann, Würzburg, 2019, pp. 119–139.","chicago":"Münzmay, Andreas. “Franz Liszt und die ‚Freie Fantasie‘: Zur Politik der pianistischen Konzertimprovisation.” In <i>Sprache und Theatralität des Virtuosen | Franz Liszt | Langage et mise en scène de la virtuosité</i>, edited by Thomas Betzwieser, Sarah Mauksch, and Markus Schneider, 119–39. Würzburg: Königshausen und Neumann, 2019.","mla":"Münzmay, Andreas. “Franz Liszt und die ‚Freie Fantasie‘: Zur Politik der pianistischen Konzertimprovisation.” <i>Sprache und Theatralität des Virtuosen | Franz Liszt | Langage et mise en scène de la virtuosité</i>, edited by Thomas Betzwieser et al., Königshausen und Neumann, 2019, pp. 119–39.","ama":"Münzmay A. Franz Liszt und die ‚Freie Fantasie‘: Zur Politik der pianistischen Konzertimprovisation. In: Betzwieser T, Mauksch S, Schneider M, eds. <i>Sprache und Theatralität des Virtuosen | Franz Liszt | Langage et mise en scène de la virtuosité</i>. Königshausen und Neumann; 2019:119-139.","bibtex":"@inbook{Münzmay_2019, place={Würzburg}, title={Franz Liszt und die ‚Freie Fantasie‘: Zur Politik der pianistischen Konzertimprovisation}, booktitle={Sprache und Theatralität des Virtuosen | Franz Liszt | Langage et mise en scène de la virtuosité}, publisher={Königshausen und Neumann}, author={Münzmay, Andreas}, editor={Betzwieser, Thomas and Mauksch, Sarah and Schneider, Markus}, year={2019}, pages={119–139} }"},"quality_controlled":"1","abstract":[{"text":"Improvisation als zentrale künstlerische Kulturtechnik des früheren 19. Jahrhunderts – Das Quellenproblem als methodische Herausforderung – Zur Theorie des Fantasierens zwischen Geniekult und trainierbarer Virtuosität – Freie Fantasien und Themen-Aufgaben als strategische Mittel, oder: Wie Liszt nicht zum ,neuen Beethoven‘, aber zur ,Reinkarnation Mozarts‘ wurde – Überraschungsprogrammpunkt und Themen für die ,Masse‘: Zur Freien Fantasie bei Liszt ab der Mitte der 1830er Jahre – ,Anspruch des Moments‘ vs. ,Reinheit der Kunst‘","lang":"ger"}],"place":"Würzburg","date_created":"2023-12-20T14:08:02Z","type":"book_chapter","department":[{"_id":"572"}],"title":"Franz Liszt und die ‚Freie Fantasie‘: Zur Politik der pianistischen Konzertimprovisation","status":"public","year":"2019","author":[{"full_name":"Münzmay, Andreas","orcid":"0000-0002-8373-4055","last_name":"Münzmay","first_name":"Andreas","id":"61139"}],"date_updated":"2024-02-19T11:02:32Z","publication_status":"published","page":"119-139","language":[{"iso":"ger"}],"_id":"49926","publisher":"Königshausen und Neumann","user_id":"61139","editor":[{"first_name":"Thomas","last_name":"Betzwieser","full_name":"Betzwieser, Thomas"},{"full_name":"Mauksch, Sarah","last_name":"Mauksch","first_name":"Sarah"},{"last_name":"Schneider","first_name":"Markus","full_name":"Schneider, Markus"}]},{"citation":{"ieee":"A. Münzmay, “Kulturtransferforschung und Musikwissenschaft,” in <i>Zwischen Transfer und Transformation: Horizonte der Rezeption von Musik</i>, vol. 51, M. Calella and B. Leßmann, Eds. Wien: Hollitzer, 2019, pp. 175–191.","apa":"Münzmay, A. (2019). Kulturtransferforschung und Musikwissenschaft. In M. Calella &#38; B. Leßmann (Eds.), <i>Zwischen Transfer und Transformation: Horizonte der Rezeption von Musik</i> (Vol. 51, pp. 175–191). Hollitzer. <a href=\"https://doi.org/10.2307/j.ctvt6rjq6.10\">https://doi.org/10.2307/j.ctvt6rjq6.10</a>","chicago":"Münzmay, Andreas. “Kulturtransferforschung und Musikwissenschaft.” In <i>Zwischen Transfer und Transformation: Horizonte der Rezeption von Musik</i>, edited by Michele Calella and Benedikt Leßmann, 51:175–91. Wiener Veröffentlichungen zur Musikwissenschaft. Wien: Hollitzer, 2019. <a href=\"https://doi.org/10.2307/j.ctvt6rjq6.10\">https://doi.org/10.2307/j.ctvt6rjq6.10</a>.","short":"A. Münzmay, in: M. Calella, B. Leßmann (Eds.), Zwischen Transfer und Transformation: Horizonte der Rezeption von Musik, Hollitzer, Wien, 2019, pp. 175–191.","mla":"Münzmay, Andreas. “Kulturtransferforschung und Musikwissenschaft.” <i>Zwischen Transfer und Transformation: Horizonte der Rezeption von Musik</i>, edited by Michele Calella and Benedikt Leßmann, vol. 51, Hollitzer, 2019, pp. 175–91, doi:<a href=\"https://doi.org/10.2307/j.ctvt6rjq6.10\">10.2307/j.ctvt6rjq6.10</a>.","bibtex":"@inbook{Münzmay_2019, place={Wien}, series={Wiener Veröffentlichungen zur Musikwissenschaft}, title={Kulturtransferforschung und Musikwissenschaft}, volume={51}, DOI={<a href=\"https://doi.org/10.2307/j.ctvt6rjq6.10\">10.2307/j.ctvt6rjq6.10</a>}, booktitle={Zwischen Transfer und Transformation: Horizonte der Rezeption von Musik}, publisher={Hollitzer}, author={Münzmay, Andreas}, editor={Calella, Michele and Leßmann, Benedikt}, year={2019}, pages={175–191}, collection={Wiener Veröffentlichungen zur Musikwissenschaft} }","ama":"Münzmay A. Kulturtransferforschung und Musikwissenschaft. In: Calella M, Leßmann B, eds. <i>Zwischen Transfer und Transformation: Horizonte der Rezeption von Musik</i>. Vol 51. Wiener Veröffentlichungen zur Musikwissenschaft. Hollitzer; 2019:175-191. doi:<a href=\"https://doi.org/10.2307/j.ctvt6rjq6.10\">10.2307/j.ctvt6rjq6.10</a>"},"quality_controlled":"1","place":"Wien","status":"public","publisher":"Hollitzer","_id":"47477","page":"175-191","volume":51,"editor":[{"full_name":"Calella, Michele","first_name":"Michele","last_name":"Calella"},{"first_name":"Benedikt","last_name":"Leßmann","full_name":"Leßmann, Benedikt"}],"user_id":"61139","publication":"Zwischen Transfer und Transformation: Horizonte der Rezeption von Musik","abstract":[{"lang":"eng","text":" \t\r\nDiscusses the research paradigm of ‘transferts culturels’ (cultural transfers), as established by French C.N.R.S. scholars Michel Espagne and Michael Werner in the 1980s and rapidly evolving in the context of French-German research after 1989, from the point of view of musicology. Ideological categories like ‘nation’ and ‘culture’ are weighed against frames that allow for more precise definitions, like local/regional repertoires or culture politics. Likewise, the opposed theoretical concepts of ‘reception’ and ‘production’ fundamentally affect the conceptualization of the musical ‘work’ entity. Taking cultural transfers into account has helped stimulating practice-oriented views of music history that no longer consider modifications or adaptations of works only as derivatives or even misunderstandings of ‘the original’, but, to the contrary, acknowledge them as historical facts and cultural expressions in their own rights. The examples of Richard Wagner’s Die Meistersinger von Nürnberg and Eduard Hanslick’s Die moderne Oper show how this was already a controversial issue in the 19th century under the impression of the international nature of the standard (French) opera repertoire of the time. A concluding section points out the possibilities for the coverage of culture transfer processes arising from the implementation of the FRBR (Functional Requirements for Bibliographic Records) model in bibliographic authority data on the ‘work’ level. (Autor)"}],"date_created":"2023-09-27T07:02:48Z","department":[{"_id":"572"}],"type":"book_chapter","author":[{"full_name":"Münzmay, Andreas","last_name":"Münzmay","first_name":"Andreas","orcid":"0000-0002-8373-4055","id":"61139"}],"publication_identifier":{"isbn":["978-3-99012-778-0"]},"year":"2019","title":"Kulturtransferforschung und Musikwissenschaft","intvolume":"        51","publication_status":"published","date_updated":"2024-02-27T12:08:26Z","language":[{"iso":"ger"}],"series_title":"Wiener Veröffentlichungen zur Musikwissenschaft","doi":"10.2307/j.ctvt6rjq6.10"},{"extern":"1","citation":{"mla":"Ried, Dennis. “Zwischen Komposition, Aufführung Und Herausgabe.” <i>Mitteilungen Der IMRG</i>, no. 35, Internationale Max-Reger-Gesellschaft, 2019, pp. 5–17.","bibtex":"@article{Ried_2019, title={Zwischen Komposition, Aufführung und Herausgabe}, number={35}, journal={Mitteilungen der IMRG}, publisher={Internationale Max-Reger-Gesellschaft}, author={Ried, Dennis}, year={2019}, pages={5–17} }","ama":"Ried D. Zwischen Komposition, Aufführung und Herausgabe. <i>Mitteilungen der IMRG</i>. 2019;(35):5-17.","ieee":"D. Ried, “Zwischen Komposition, Aufführung und Herausgabe,” <i>Mitteilungen der IMRG</i>, no. 35, pp. 5–17, 2019.","apa":"Ried, D. (2019). Zwischen Komposition, Aufführung und Herausgabe. <i>Mitteilungen Der IMRG</i>, <i>35</i>, 5–17.","short":"D. Ried, Mitteilungen Der IMRG (2019) 5–17.","chicago":"Ried, Dennis. “Zwischen Komposition, Aufführung Und Herausgabe.” <i>Mitteilungen Der IMRG</i>, no. 35 (2019): 5–17."},"publication":"Mitteilungen der IMRG","issue":"35","department":[{"_id":"233"}],"oa":"1","type":"journal_article","date_created":"2024-02-27T13:55:15Z","date_updated":"2024-02-28T09:42:28Z","author":[{"id":"90722","full_name":"Ried, Dennis","first_name":"Dennis","orcid":"https://orcid.org/0000-0001-5545-2088","last_name":"Ried"}],"title":"Zwischen Komposition, Aufführung und Herausgabe","status":"public","year":"2019","user_id":"90722","publisher":"Internationale Max-Reger-Gesellschaft","_id":"52107","language":[{"iso":"eng"}],"main_file_link":[{"url":"https://journals.qucosa.de/mimrg/article/view/3055","open_access":"1"}],"page":"5-17"},{"extern":"1","citation":{"ieee":"D. Ried, “Creating, transforming and representing data at Baumann-Digital and Joachim-Raff-Archiv,” presented at the Jahrestagung der Gesellschaft für Musikforschung, Paderborn, 2019.","apa":"Ried, D. (2019). <i>Creating, transforming and representing data at Baumann-Digital and Joachim-Raff-Archiv</i>. Jahrestagung der Gesellschaft für Musikforschung, Paderborn.","chicago":"Ried, Dennis. “Creating, Transforming and Representing Data at Baumann-Digital and Joachim-Raff-Archiv,” 2019.","short":"D. Ried, in: 2019.","mla":"Ried, Dennis. <i>Creating, Transforming and Representing Data at Baumann-Digital and Joachim-Raff-Archiv</i>. 2019.","bibtex":"@inproceedings{Ried_2019, title={Creating, transforming and representing data at Baumann-Digital and Joachim-Raff-Archiv}, author={Ried, Dennis}, year={2019} }","ama":"Ried D. Creating, transforming and representing data at Baumann-Digital and Joachim-Raff-Archiv. In: ; 2019."},"type":"conference","department":[{"_id":"233"}],"date_created":"2024-02-27T13:55:02Z","date_updated":"2024-02-28T09:42:42Z","title":"Creating, transforming and representing data at Baumann-Digital and Joachim-Raff-Archiv","year":"2019","status":"public","author":[{"orcid":"https://orcid.org/0000-0001-5545-2088","last_name":"Ried","first_name":"Dennis","full_name":"Ried, Dennis","id":"90722"}],"conference":{"location":"Paderborn","name":"Jahrestagung der Gesellschaft für Musikforschung"},"user_id":"90722","_id":"52105","language":[{"iso":"eng"}]},{"extern":"1","citation":{"apa":"Ried, D. (2019). <i>Creating, transforming and representing data at Baumann-Digital and Joachim-Raff-Archiv</i>. Music-Encoding-Conference, Wien.","ieee":"D. Ried, “Creating, transforming and representing data at Baumann-Digital and Joachim-Raff-Archiv,” presented at the Music-Encoding-Conference, Wien, 2019.","chicago":"Ried, Dennis. “Creating, Transforming and Representing Data at Baumann-Digital and Joachim-Raff-Archiv,” 2019.","short":"D. Ried, in: 2019.","mla":"Ried, Dennis. <i>Creating, Transforming and Representing Data at Baumann-Digital and Joachim-Raff-Archiv</i>. 2019.","ama":"Ried D. Creating, transforming and representing data at Baumann-Digital and Joachim-Raff-Archiv. In: ; 2019.","bibtex":"@inproceedings{Ried_2019, title={Creating, transforming and representing data at Baumann-Digital and Joachim-Raff-Archiv}, author={Ried, Dennis}, year={2019} }"},"type":"conference","department":[{"_id":"233"}],"date_created":"2024-02-27T13:54:56Z","date_updated":"2024-02-28T09:42:49Z","year":"2019","title":"Creating, transforming and representing data at Baumann-Digital and Joachim-Raff-Archiv","status":"public","author":[{"full_name":"Ried, Dennis","last_name":"Ried","first_name":"Dennis","orcid":"https://orcid.org/0000-0001-5545-2088","id":"90722"}],"conference":{"name":"Music-Encoding-Conference","location":"Wien"},"user_id":"90722","language":[{"iso":"eng"}],"_id":"52104"},{"department":[{"_id":"233"}],"type":"misc","date_created":"2024-02-27T13:55:21Z","extern":"1","citation":{"chicago":"Ried, Dennis, and Christopher Grafschmidt. <i>»Ein gar kräftigliches, nie versiegendes Heilmittel« – Max Regers Klavierbearbeitungen Bach’scher Orgelwerke</i>, 2019.","short":"D. Ried, C. Grafschmidt, »Ein gar kräftigliches, nie versiegendes Heilmittel« – Max Regers Klavierbearbeitungen Bach’scher Orgelwerke, 2019.","ieee":"D. Ried and C. Grafschmidt, <i>»Ein gar kräftigliches, nie versiegendes Heilmittel« – Max Regers Klavierbearbeitungen Bach’scher Orgelwerke</i>. 2019.","apa":"Ried, D., &#38; Grafschmidt, C. (2019). <i>»Ein gar kräftigliches, nie versiegendes Heilmittel« – Max Regers Klavierbearbeitungen Bach’scher Orgelwerke</i>.","bibtex":"@book{Ried_Grafschmidt_2019, title={»Ein gar kräftigliches, nie versiegendes Heilmittel« – Max Regers Klavierbearbeitungen Bach’scher Orgelwerke}, author={Ried, Dennis and Grafschmidt, Christopher}, year={2019} }","ama":"Ried D, Grafschmidt C. <i>»Ein gar kräftigliches, nie versiegendes Heilmittel« – Max Regers Klavierbearbeitungen Bach’scher Orgelwerke</i>.; 2019.","mla":"Ried, Dennis, and Christopher Grafschmidt. <i>»Ein gar kräftigliches, nie versiegendes Heilmittel« – Max Regers Klavierbearbeitungen Bach’scher Orgelwerke</i>. 2019."},"user_id":"90722","_id":"52108","language":[{"iso":"ger"}],"date_updated":"2024-02-28T09:42:36Z","author":[{"id":"90722","full_name":"Ried, Dennis","orcid":"https://orcid.org/0000-0001-5545-2088","last_name":"Ried","first_name":"Dennis"},{"last_name":"Grafschmidt","first_name":"Christopher","full_name":"Grafschmidt, Christopher"}],"year":"2019","status":"public","title":"»Ein gar kräftigliches, nie versiegendes Heilmittel« – Max Regers Klavierbearbeitungen Bach’scher Orgelwerke"},{"date_created":"2024-02-27T13:55:08Z","place":"Stuttgart","department":[{"_id":"233"}],"type":"book_editor","citation":{"chicago":"Becker, Alexander, Christopher Grafschmidt, Stefan König, Dennis Ried, and Stefanie Steiner-Grage, eds. <i>Vokalwerke mit Orgelbegleitung und weiteren Instrumenten</i>. Vol. II/7. Stuttgart: Carus-Verlag, 2019.","short":"A. Becker, C. Grafschmidt, S. König, Dennis Ried, Stefanie Steiner-Grage, eds., Vokalwerke mit Orgelbegleitung und weiteren Instrumenten, Carus-Verlag, Stuttgart, 2019.","ieee":"A. Becker, C. Grafschmidt, S. König, Dennis Ried, and Stefanie Steiner-Grage, Eds., <i>Vokalwerke mit Orgelbegleitung und weiteren Instrumenten</i>, vol. II/7. Stuttgart: Carus-Verlag, 2019.","apa":"Becker, A., Grafschmidt, C., König, S., Dennis Ried, &#38; Stefanie Steiner-Grage (Eds.). (2019). <i>Vokalwerke mit Orgelbegleitung und weiteren Instrumenten: Vol. II/7</i>. Carus-Verlag.","bibtex":"@book{Becker_Grafschmidt_König_Dennis Ried_Stefanie Steiner-Grage_2019, place={Stuttgart}, title={Vokalwerke mit Orgelbegleitung und weiteren Instrumenten}, volume={II/7}, publisher={Carus-Verlag}, year={2019} }","ama":"Becker A, Grafschmidt C, König S, Dennis Ried, Stefanie Steiner-Grage, eds. <i>Vokalwerke mit Orgelbegleitung und weiteren Instrumenten</i>. Vol II/7. Carus-Verlag; 2019.","mla":"Becker, Alexander, et al., editors. <i>Vokalwerke mit Orgelbegleitung und weiteren Instrumenten</i>. Carus-Verlag, 2019."},"extern":"1","publisher":"Carus-Verlag","_id":"52106","language":[{"iso":"ger"}],"volume":"II/7","editor":[{"first_name":"Alexander","last_name":"Becker","full_name":"Becker, Alexander"},{"full_name":"Grafschmidt, Christopher","first_name":"Christopher","last_name":"Grafschmidt"},{"full_name":"König, Stefan","first_name":"Stefan","last_name":"König"}],"user_id":"90722","corporate_editor":["Dennis Ried","Stefanie Steiner-Grage"],"publication_identifier":{"isbn":["978-3-89948-318-5"]},"status":"public","title":"Vokalwerke mit Orgelbegleitung und weiteren Instrumenten","year":"2019","date_updated":"2024-02-28T09:45:13Z"}]