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Henze-Digital, 2024."},"type":"research_data","department":[{"_id":"233"},{"_id":"856"}],"date_created":"2024-08-31T05:57:59Z"},{"date_updated":"2024-08-31T05:44:29Z","status":"public","year":"2024","title":"HenDi-ODD","author":[{"full_name":"Ried, Dennis","last_name":"Ried","first_name":"Dennis","orcid":"https://orcid.org/0000-0001-5545-2088","id":"90722"},{"last_name":"Capelle","first_name":"Irmlind","full_name":"Capelle, Irmlind","id":"21488"},{"id":"90723","last_name":"Minetti","first_name":"Elena","full_name":"Minetti, Elena"}],"user_id":"90722","doi":"10.5281/ZENODO.13381127","_id":"55946","publisher":"Henze-Digital","project":[{"name":"HenDi: Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk","_id":"738","grant_number":"459602398"}],"citation":{"ama":"Ried D, Capelle I, Minetti E. <i>HenDi-ODD</i>. Henze-Digital; 2024. doi:<a href=\"https://doi.org/10.5281/ZENODO.13381127\">10.5281/ZENODO.13381127</a>","short":"D. Ried, I. Capelle, E. Minetti, HenDi-ODD, Henze-Digital, 2024.","chicago":"Ried, Dennis, Irmlind Capelle, and Elena Minetti. <i>HenDi-ODD</i>. Henze-Digital, 2024. <a href=\"https://doi.org/10.5281/ZENODO.13381127\">https://doi.org/10.5281/ZENODO.13381127</a>.","bibtex":"@book{Ried_Capelle_Minetti_2024, title={HenDi-ODD}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.13381127\">10.5281/ZENODO.13381127</a>}, publisher={Henze-Digital}, author={Ried, Dennis and Capelle, Irmlind and Minetti, Elena}, year={2024} }","apa":"Ried, D., Capelle, I., &#38; Minetti, E. (2024). <i>HenDi-ODD</i>. Henze-Digital. <a href=\"https://doi.org/10.5281/ZENODO.13381127\">https://doi.org/10.5281/ZENODO.13381127</a>","mla":"Ried, Dennis, et al. <i>HenDi-ODD</i>. Henze-Digital, 2024, doi:<a href=\"https://doi.org/10.5281/ZENODO.13381127\">10.5281/ZENODO.13381127</a>.","ieee":"D. Ried, I. Capelle, and E. Minetti, <i>HenDi-ODD</i>. Henze-Digital, 2024."},"type":"research_data","department":[{"_id":"233"},{"_id":"856"}],"date_created":"2024-08-31T05:43:33Z"},{"title":"HenDi-WebApp v6.0.0","year":"2024","status":"public","author":[{"id":"90722","full_name":"Ried, Dennis","last_name":"Ried","first_name":"Dennis","orcid":"https://orcid.org/0000-0001-5545-2088"}],"date_updated":"2024-08-31T05:51:08Z","publisher":"Henze-Digital","_id":"55947","doi":"10.5281/ZENODO.13381135","user_id":"90722","citation":{"chicago":"Ried, Dennis. <i>HenDi-WebApp v6.0.0</i>. Henze-Digital, 2024. <a href=\"https://doi.org/10.5281/ZENODO.13381135\">https://doi.org/10.5281/ZENODO.13381135</a>.","short":"D. Ried, HenDi-WebApp v6.0.0, Henze-Digital, 2024.","apa":"Ried, D. (2024). <i>HenDi-WebApp v6.0.0</i>. Henze-Digital. <a href=\"https://doi.org/10.5281/ZENODO.13381135\">https://doi.org/10.5281/ZENODO.13381135</a>","ieee":"D. Ried, <i>HenDi-WebApp v6.0.0</i>. Henze-Digital, 2024.","ama":"Ried D. <i>HenDi-WebApp v6.0.0</i>. Henze-Digital; 2024. doi:<a href=\"https://doi.org/10.5281/ZENODO.13381135\">10.5281/ZENODO.13381135</a>","bibtex":"@book{Ried_2024, title={HenDi-WebApp v6.0.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.13381135\">10.5281/ZENODO.13381135</a>}, publisher={Henze-Digital}, author={Ried, Dennis}, year={2024} }","mla":"Ried, Dennis. <i>HenDi-WebApp v6.0.0</i>. Henze-Digital, 2024, doi:<a href=\"https://doi.org/10.5281/ZENODO.13381135\">10.5281/ZENODO.13381135</a>."},"project":[{"name":"HenDi: Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk","_id":"738","grant_number":"459602398"}],"date_created":"2024-08-31T05:50:33Z","type":"research_data","department":[{"_id":"233"},{"_id":"856"}]},{"abstract":[{"lang":"ger","text":"Vor etwa 20 Jahren haben hybride Editionen in der Musikwissenschaft Einzug gehalten. Es sind in erster Linie Langzeitprojekte mit Laufzeiten von über 15 Jahren (z. ,B. OPERA, RWA, EWK, BAZ-GA) die diese Form der Edition verwenden. Dennoch gibt es kaum Forschungsliteratur zu diesem Thema. Auch die immer wieder verwendete Forschungssoftware \"Edirom\" hat bislang weder eine ausreichende Dokumentation erfahren noch ist sie ausgiebig diskutiert worden. Zudem fehlt eine kritische Betrachtung des Phänomens Önline-Portal\", welches gerade in der Musikphilologie immer häufiger in Erscheinung tritt. Von der Frage ausgehend, ob die hybride Edition ein Kompromiss aus traditioneller und digitaler Edition darstellt, unternimmt Dennis Ried erstmals den Versuch, den Status quo hybrider (Musik-)Editionen zu eruieren, zu dokumentieren und kritisch zu hinterfragen. \"Hybrid\" wird dabei stets als Zusammenspiel von Änalogem\" und \"Digitalem\" betrachtet.\r\n\r\nAnders als traditionelle Dissertationsschriften ist diese Arbeit in zwei Teile gegliedert, wovon der erste aus einer exemplarisch angeführten und quasi eigenständigen wissenschaftlich-kritischen Edition besteht. Im zweiten Teil wird diese dann aktiv in die Theoriebildung eingebunden, um methodische Fragen gezielt erörtern zu können.\r\nErgänzt wird die Dissertationsschrift durch eine auf Zenodo publizierte digitale Datensammlung."}],"type":"book","keyword":["Musikwissenschaft","Digitale Edition","Musikphilologie"],"department":[{"_id":"233"},{"_id":"856"}],"date_created":"2024-09-16T16:52:59Z","publication_status":"published","date_updated":"2024-09-20T08:16:04Z","title":"„halb und halb“ – Hybride Edition als Kompromiss? Eine Studie zu Methodik, Möglichkeiten und Grenzen in der hybriden Musikedition am Beispiel der Edition von Ludwig Baumanns „Kantate. Den Gefallenen zum Gedächtnis, den Trauernden zum Trost“","year":"2024","author":[{"id":"90722","last_name":"Ried","orcid":"https://orcid.org/0000-0001-5545-2088","first_name":"Dennis","full_name":"Ried, Dennis"}],"publication_identifier":{"isbn":["978-3-8325-5730-0"]},"doi":"10.30819/5730","main_file_link":[{"open_access":"1","url":"https://www.logos-verlag.de/ebooks/OA/978-3-8325-5730-0.pdf"}],"language":[{"iso":"ger"}],"citation":{"short":"D. Ried, „halb und halb“ – Hybride Edition als Kompromiss? Eine Studie zu Methodik, Möglichkeiten und Grenzen in der hybriden Musikedition am Beispiel der Edition von Ludwig Baumanns „Kantate. Den Gefallenen zum Gedächtnis, den Trauernden zum Trost“, Logos-Verlag, Berlin, 2024.","chicago":"Ried, Dennis. <i>„halb und halb“ – Hybride Edition als Kompromiss? Eine Studie zu Methodik, Möglichkeiten und Grenzen in der hybriden Musikedition am Beispiel der Edition von Ludwig Baumanns „Kantate. Den Gefallenen zum Gedächtnis, den Trauernden zum Trost“</i>. Berlin: Logos-Verlag, 2024. <a href=\"https://doi.org/10.30819/5730\">https://doi.org/10.30819/5730</a>.","apa":"Ried, D. (2024). <i>„halb und halb“ – Hybride Edition als Kompromiss? Eine Studie zu Methodik, Möglichkeiten und Grenzen in der hybriden Musikedition am Beispiel der Edition von Ludwig Baumanns „Kantate. Den Gefallenen zum Gedächtnis, den Trauernden zum Trost“</i>. Logos-Verlag. <a href=\"https://doi.org/10.30819/5730\">https://doi.org/10.30819/5730</a>","ieee":"D. Ried, <i>„halb und halb“ – Hybride Edition als Kompromiss? Eine Studie zu Methodik, Möglichkeiten und Grenzen in der hybriden Musikedition am Beispiel der Edition von Ludwig Baumanns „Kantate. Den Gefallenen zum Gedächtnis, den Trauernden zum Trost“</i>. Berlin: Logos-Verlag, 2024.","ama":"Ried D. <i>„halb und halb“ – Hybride Edition als Kompromiss? Eine Studie zu Methodik, Möglichkeiten und Grenzen in der hybriden Musikedition am Beispiel der Edition von Ludwig Baumanns „Kantate. Den Gefallenen zum Gedächtnis, den Trauernden zum Trost“</i>. Logos-Verlag; 2024. doi:<a href=\"https://doi.org/10.30819/5730\">10.30819/5730</a>","bibtex":"@book{Ried_2024, place={Berlin}, title={„halb und halb“ – Hybride Edition als Kompromiss? Eine Studie zu Methodik, Möglichkeiten und Grenzen in der hybriden Musikedition am Beispiel der Edition von Ludwig Baumanns „Kantate. Den Gefallenen zum Gedächtnis, den Trauernden zum Trost“}, DOI={<a href=\"https://doi.org/10.30819/5730\">10.30819/5730</a>}, publisher={Logos-Verlag}, author={Ried, Dennis}, year={2024} }","mla":"Ried, Dennis. <i>„halb und halb“ – Hybride Edition als Kompromiss? Eine Studie zu Methodik, Möglichkeiten und Grenzen in der hybriden Musikedition am Beispiel der Edition von Ludwig Baumanns „Kantate. Den Gefallenen zum Gedächtnis, den Trauernden zum Trost“</i>. Logos-Verlag, 2024, doi:<a href=\"https://doi.org/10.30819/5730\">10.30819/5730</a>."},"oa":"1","place":"Berlin","status":"public","user_id":"90722","page":"407","_id":"56153","publisher":"Logos-Verlag"},{"year":"2024","status":"public","title":"Peter von Lindpaintner, Johann Wolfgang von Goethe, Carl Seydelmann, Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann (1832)","author":[{"full_name":"Bachmann, Tobias","first_name":"Tobias","last_name":"Bachmann"},{"first_name":"Antje","last_name":"Tumat","full_name":"Tumat, Antje","id":"72268"},{"last_name":"Frömmel","first_name":"Lena","full_name":"Frömmel, Lena"},{"last_name":"Münzmay","first_name":"Andreas","full_name":"Münzmay, Andreas"}],"date_updated":"2025-01-22T16:06:59Z","language":[{"iso":"eng"}],"_id":"49913","user_id":"97150","citation":{"ieee":"T. Bachmann, A. Tumat, L. Frömmel, and A. Münzmay, <i>Peter von Lindpaintner, Johann Wolfgang von Goethe, Carl Seydelmann, Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann (1832)</i>. Online, 2024.","mla":"Bachmann, Tobias, et al. <i>Peter von Lindpaintner, Johann Wolfgang von Goethe, Carl Seydelmann, Ouverture, Entreacte, Chöre Und Lieder Zu Goethes Faust Nach Der Szenischen Einrichtung von Carl Seydelmann (1832)</i>. 2024.","apa":"Bachmann, T., Tumat, A., Frömmel, L., &#38; Münzmay, A. (2024). <i>Peter von Lindpaintner, Johann Wolfgang von Goethe, Carl Seydelmann, Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann (1832)</i>.","bibtex":"@book{Bachmann_Tumat_Frömmel_Münzmay_2024, place={Online}, title={Peter von Lindpaintner, Johann Wolfgang von Goethe, Carl Seydelmann, Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann (1832)}, author={Bachmann, Tobias and Tumat, Antje and Frömmel, Lena and Münzmay, Andreas}, year={2024} }","chicago":"Bachmann, Tobias, Antje Tumat, Lena Frömmel, and Andreas Münzmay. <i>Peter von Lindpaintner, Johann Wolfgang von Goethe, Carl Seydelmann, Ouverture, Entreacte, Chöre Und Lieder Zu Goethes Faust Nach Der Szenischen Einrichtung von Carl Seydelmann (1832)</i>. Online, 2024.","short":"T. Bachmann, A. Tumat, L. Frömmel, A. Münzmay, Peter von Lindpaintner, Johann Wolfgang von Goethe, Carl Seydelmann, Ouverture, Entreacte, Chöre Und Lieder Zu Goethes Faust Nach Der Szenischen Einrichtung von Carl Seydelmann (1832), Online, 2024.","ama":"Bachmann T, Tumat A, Frömmel L, Münzmay A. <i>Peter von Lindpaintner, Johann Wolfgang von Goethe, Carl Seydelmann, Ouverture, Entreacte, Chöre Und Lieder Zu Goethes Faust Nach Der Szenischen Einrichtung von Carl Seydelmann (1832)</i>.; 2024."},"place":"Online","date_created":"2023-12-20T13:43:57Z","type":"misc","department":[{"_id":"233"}]},{"_id":"58363","publisher":"Tectum","page":"73 - 82","editor":[{"full_name":"Höink, Dominik","last_name":"Höink","first_name":"Dominik"},{"last_name":"Andreas","first_name":"Meyer","full_name":"Andreas, Meyer"}],"volume":1,"user_id":"93940","status":"public","place":"Baden-Baden","citation":{"bibtex":"@inbook{Adler_2024, place={Baden-Baden}, series={Musik und Religion}, title={Searching for Traces of the Work of the Holy Spirit: Interview with Mark Andre}, volume={1}, DOI={<a href=\"https://doi.org/10.5771/9783828851214 \">10.5771/9783828851214 </a>}, booktitle={Music and Religions in the 21st Century}, publisher={Tectum}, author={Adler, Luise}, editor={Höink, Dominik and Andreas, Meyer}, year={2024}, pages={73–82}, collection={Musik und Religion} }","chicago":"Adler, Luise. “Searching for Traces of the Work of the Holy Spirit: Interview with Mark Andre.” In <i>Music and Religions in the 21st Century</i>, edited by Dominik Höink and Meyer Andreas, 1:73–82. Musik Und Religion. Baden-Baden: Tectum, 2024. <a href=\"https://doi.org/10.5771/9783828851214 \">https://doi.org/10.5771/9783828851214 </a>.","short":"L. Adler, in: D. Höink, M. Andreas (Eds.), Music and Religions in the 21st Century, Tectum, Baden-Baden, 2024, pp. 73–82.","ama":"Adler L. Searching for Traces of the Work of the Holy Spirit: Interview with Mark Andre. In: Höink D, Andreas M, eds. <i>Music and Religions in the 21st Century</i>. Vol 1. Musik und Religion. Tectum; 2024:73-82. doi:<a href=\"https://doi.org/10.5771/9783828851214 \">10.5771/9783828851214 </a>","ieee":"L. Adler, “Searching for Traces of the Work of the Holy Spirit: Interview with Mark Andre,” in <i>Music and Religions in the 21st Century</i>, vol. 1, D. Höink and M. Andreas, Eds. Baden-Baden: Tectum, 2024, pp. 73–82.","mla":"Adler, Luise. “Searching for Traces of the Work of the Holy Spirit: Interview with Mark Andre.” <i>Music and Religions in the 21st Century</i>, edited by Dominik Höink and Meyer Andreas, vol. 1, Tectum, 2024, pp. 73–82, doi:<a href=\"https://doi.org/10.5771/9783828851214 \">10.5771/9783828851214 </a>.","apa":"Adler, L. (2024). Searching for Traces of the Work of the Holy Spirit: Interview with Mark Andre. In D. Höink &#38; M. Andreas (Eds.), <i>Music and Religions in the 21st Century</i> (Vol. 1, pp. 73–82). Tectum. <a href=\"https://doi.org/10.5771/9783828851214 \">https://doi.org/10.5771/9783828851214 </a>"},"language":[{"iso":"eng"}],"series_title":"Musik und Religion","doi":"10.5771/9783828851214 ","author":[{"last_name":"Adler","first_name":"Luise","orcid":"0009-0002-0150-2638","full_name":"Adler, Luise","id":"93940"}],"publication_identifier":{"eisbn":["978-3-8288-5121-4"],"isbn":["978-3-8288-4979-2"]},"title":"Searching for Traces of the Work of the Holy Spirit: Interview with Mark Andre","year":"2024","intvolume":"         1","date_updated":"2025-01-27T09:33:11Z","publication_status":"published","date_created":"2025-01-27T08:34:09Z","department":[{"_id":"233"}],"type":"book_chapter","publication":"Music and Religions in the 21st Century"},{"department":[{"_id":"233"}],"oa":"1","type":"book_chapter","date_created":"2024-10-30T11:14:24Z","citation":{"mla":"Adler, Luise. “Die „Darmstädter Avantgarde“ Und Die „Postmoderne\". Tradition Und Fortschritt in Der Musik Nach 1945.” <i>Musikwissenschaftliche Und Musikalische „Schulen“. Strukturen, Analyse, Dynamiken. 33. Internationales Online-DVSM Nachwuchssymposium</i>, edited by Flavia Hennig and Willert Elizaveta, musiconn.publish, 2024, pp. 35–49, doi:<a href=\"https://doi.org/10.25366/2024.92\">10.25366/2024.92</a>.","ama":"Adler L. Die „Darmstädter Avantgarde“ und die „Postmoderne\". Tradition und Fortschritt in der Musik nach 1945. In: Hennig F, Elizaveta W, eds. <i>Musikwissenschaftliche Und Musikalische „Schulen“. Strukturen, Analyse, Dynamiken. 33. Internationales Online-DVSM Nachwuchssymposium</i>. musiconn.publish; 2024:35-49. doi:<a href=\"https://doi.org/10.25366/2024.92\">10.25366/2024.92</a>","bibtex":"@inbook{Adler_2024, title={Die „Darmstädter Avantgarde“ und die „Postmoderne\". Tradition und Fortschritt in der Musik nach 1945}, DOI={<a href=\"https://doi.org/10.25366/2024.92\">10.25366/2024.92</a>}, booktitle={Musikwissenschaftliche und musikalische „Schulen“. Strukturen, Analyse, Dynamiken. 33. Internationales Online-DVSM Nachwuchssymposium}, publisher={musiconn.publish}, author={Adler, Luise}, editor={Hennig, Flavia and Elizaveta, Willert}, year={2024}, pages={35–49} }","apa":"Adler, L. (2024). Die „Darmstädter Avantgarde“ und die „Postmoderne\". Tradition und Fortschritt in der Musik nach 1945. In F. Hennig &#38; W. Elizaveta (Eds.), <i>Musikwissenschaftliche und musikalische „Schulen“. Strukturen, Analyse, Dynamiken. 33. Internationales Online-DVSM Nachwuchssymposium</i> (pp. 35–49). musiconn.publish. <a href=\"https://doi.org/10.25366/2024.92\">https://doi.org/10.25366/2024.92</a>","ieee":"L. Adler, “Die „Darmstädter Avantgarde“ und die „Postmoderne\". Tradition und Fortschritt in der Musik nach 1945,” in <i>Musikwissenschaftliche und musikalische „Schulen“. Strukturen, Analyse, Dynamiken. 33. Internationales Online-DVSM Nachwuchssymposium</i>, F. Hennig and W. Elizaveta, Eds. musiconn.publish, 2024, pp. 35–49.","chicago":"Adler, Luise. “Die „Darmstädter Avantgarde“ Und Die „Postmoderne\". Tradition Und Fortschritt in Der Musik Nach 1945.” In <i>Musikwissenschaftliche Und Musikalische „Schulen“. Strukturen, Analyse, Dynamiken. 33. Internationales Online-DVSM Nachwuchssymposium</i>, edited by Flavia Hennig and Willert Elizaveta, 35–49. musiconn.publish, 2024. <a href=\"https://doi.org/10.25366/2024.92\">https://doi.org/10.25366/2024.92</a>.","short":"L. Adler, in: F. Hennig, W. Elizaveta (Eds.), Musikwissenschaftliche Und Musikalische „Schulen“. Strukturen, Analyse, Dynamiken. 33. Internationales Online-DVSM Nachwuchssymposium, musiconn.publish, 2024, pp. 35–49."},"publication":"Musikwissenschaftliche und musikalische „Schulen“. Strukturen, Analyse, Dynamiken. 33. Internationales Online-DVSM Nachwuchssymposium","editor":[{"full_name":"Hennig, Flavia","last_name":"Hennig","first_name":"Flavia"},{"first_name":"Willert","last_name":"Elizaveta","full_name":"Elizaveta, Willert"}],"user_id":"93940","doi":"10.25366/2024.92","_id":"56822","language":[{"iso":"eng"}],"publisher":"musiconn.publish","page":"35 - 49","main_file_link":[{"url":"https://musiconn.qucosa.de/landing-page/?tx_dlf[id]=https%3A%2F%2Fmusiconn.qucosa.de%2Fapi%2Fqucosa%253A93917%2Fmets","open_access":"1"}],"date_updated":"2025-01-27T08:42:03Z","author":[{"id":"93940","full_name":"Adler, Luise","first_name":"Luise","orcid":"0009-0002-0150-2638","last_name":"Adler"}],"title":"Die „Darmstädter Avantgarde“ und die „Postmoderne\". Tradition und Fortschritt in der Musik nach 1945","year":"2024","status":"public"},{"date_created":"2024-10-22T09:22:39Z","department":[{"_id":"233"},{"_id":"856"},{"_id":"36"}],"oa":"1","type":"working_paper","citation":{"ieee":"A. Münzmay, E. Novara, and F. Rovelli, <i>Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle</i>. 2024.","apa":"Münzmay, A., Novara, E., &#38; Rovelli, F. (2024). <i>Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle</i>. <a href=\"https://doi.org/10.5281/ZENODO.13946152\">https://doi.org/10.5281/ZENODO.13946152</a>","chicago":"Münzmay, Andreas, Elisa Novara, and Federica  Rovelli. <i>Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle</i>, 2024. <a href=\"https://doi.org/10.5281/ZENODO.13946152\">https://doi.org/10.5281/ZENODO.13946152</a>.","short":"A. Münzmay, E. Novara, F. Rovelli, Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle, 2024.","mla":"Münzmay, Andreas, et al. <i>Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle</i>. 2024, doi:<a href=\"https://doi.org/10.5281/ZENODO.13946152\">10.5281/ZENODO.13946152</a>.","bibtex":"@book{Münzmay_Novara_Rovelli_2024, title={Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.13946152\">10.5281/ZENODO.13946152</a>}, author={Münzmay, Andreas and Novara, Elisa and Rovelli, Federica }, year={2024} }","ama":"Münzmay A, Novara E, Rovelli F. <i>Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle</i>.; 2024. doi:<a href=\"https://doi.org/10.5281/ZENODO.13946152\">10.5281/ZENODO.13946152</a>"},"project":[{"_id":"743","name":"Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition"}],"abstract":[{"lang":"ger","text":"Abschlussbericht \r\n\r\nVom 13. bis 17. Mai 2024 fand in der Villa Vigoni ein internationales Kolloquium mit dem Titel Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle statt: 21 Expert*innen aus verschiedenen musikhistorischen Fachgebieten (Komponisten; Regionen) wurden im Rahmen eines neuen Dialogformats zusammengebracht, um die Möglichkeiten einer gemeinsamen Terminologie für musikalische Schaffensprozesse zu erörtern.  \r\n\r\nDie Diskussionen, die in italienischer und deutscher und englischer Sprache geführt wurden, bekräftigten die Notwendigkeit, den eingeschlagenen Weg fortzusetzen und legten den Grundstein sowohl für den Aufbau eines internationalen Netzwerks von Wissenschaftlern als auch für eine synergetische Zusammenarbeit zwischen verschiedenen Forschungsinstituten"},{"text":"Dal 13 al 17 maggio 2024 Villa Vigoni ha ospitato un Colloquio internazionale dal titolo Per un approccio comparativo negli studi sul processo creativo in musica: terminologia comune e modelli filologico-digitali: 21 esperti, specializzati in diversi campi della ricerca musicologica (attinenti a compositori e/o regioni geografiche differenti), si sono confrontati in un dialogo dal formato innovativo, finalizzato alla creazione di una terminologia comune adatta agli studi sul processo creativo in musica. \r\nLe discussioni, che si sono tenute in italiano, tedesco e inglese, hanno dimostrato la necessità di continuare sulla strada intrapresa, ponendo le basi tanto per la fondazione di una rete internazionale di studiosi, quanto per una cooperazione sinergica tra diversi istituti di ricerca.","lang":"ita"}],"_id":"56716","language":[{"iso":"ita"},{"iso":"ger"}],"main_file_link":[{"open_access":"1","url":"https://zenodo.org/records/13946152"}],"alternative_title":["Relazione finale: Per un approccio comparativo negli studi sul processo creativo in musica: terminologia comune e modelli filologico-digitali "],"user_id":"61139","doi":"10.5281/ZENODO.13946152","author":[{"id":"61139","first_name":"Andreas","orcid":"0000-0002-8373-4055","last_name":"Münzmay","full_name":"Münzmay, Andreas"},{"full_name":"Novara, Elisa","first_name":"Elisa","last_name":"Novara"},{"last_name":"Rovelli","first_name":"Federica ","full_name":"Rovelli, Federica "}],"title":"Abschlussbericht: Auf dem Weg zu einer vergleichenden Erforschung kompositorischer Schaffensprozesse: Gemeinsame Terminologie und (digitale) philologische Modelle","status":"public","year":"2024","date_updated":"2025-04-07T09:38:41Z"},{"department":[{"_id":"36"},{"_id":"233"},{"_id":"870"}],"type":"conference","place":"Berlin, Germany","date_created":"2025-02-10T14:11:18Z","citation":{"bibtex":"@inproceedings{Berndt_2024, place={Berlin, Germany}, title={Auditory Pointers: Spatial Navigation with Sounds}, booktitle={{Forschungskolloquium zur Audiokommunikation}}, author={Berndt, Axel}, year={2024} }","ama":"Berndt A. Auditory Pointers: Spatial Navigation with Sounds. In: <i>{Forschungskolloquium Zur Audiokommunikation}</i>. ; 2024.","mla":"Berndt, Axel. “Auditory Pointers: Spatial Navigation with Sounds.” <i>{Forschungskolloquium Zur Audiokommunikation}</i>, 2024.","short":"A. Berndt, in: {Forschungskolloquium Zur Audiokommunikation}, Berlin, Germany, 2024.","chicago":"Berndt, Axel. “Auditory Pointers: Spatial Navigation with Sounds.” In <i>{Forschungskolloquium Zur Audiokommunikation}</i>. Berlin, Germany, 2024.","ieee":"A. Berndt, “Auditory Pointers: Spatial Navigation with Sounds,” 2024.","apa":"Berndt, A. (2024). Auditory Pointers: Spatial Navigation with Sounds. <i>{Forschungskolloquium Zur Audiokommunikation}</i>."},"publication":"{Forschungskolloquium zur Audiokommunikation}","user_id":"55565","_id":"58550","language":[{"iso":"eng"}],"date_updated":"2025-05-23T15:15:16Z","author":[{"full_name":"Berndt, Axel","last_name":"Berndt","first_name":"Axel","id":"55565"}],"title":"Auditory Pointers: Spatial Navigation with Sounds","status":"public","year":"2024"},{"type":"book_editor","department":[{"_id":"233"},{"_id":"550"},{"_id":"716"}],"place":"Baden-Baden","date_created":"2024-11-26T13:08:59Z","citation":{"chicago":"Höink, Dominik, and Andreas Meyer, eds. <i>Music and Religions in the 21st Century</i>. Vol. 1. Musik Und Religion. Baden-Baden: Tectum, 2024.","short":"D. Höink, A. Meyer, eds., Music and Religions in the 21st Century, Tectum, Baden-Baden, 2024.","ieee":"D. Höink and A. Meyer, Eds., <i>Music and Religions in the 21st Century</i>, vol. 1. Baden-Baden: Tectum, 2024.","apa":"Höink, D., &#38; Meyer, A. (Eds.). (2024). <i>Music and Religions in the 21st Century</i> (Vol. 1). Tectum.","bibtex":"@book{Höink_Meyer_2024, place={Baden-Baden}, series={Musik und Religion}, title={Music and Religions in the 21st Century}, volume={1}, publisher={Tectum}, year={2024}, collection={Musik und Religion} }","ama":"Höink D, Meyer A, eds. <i>Music and Religions in the 21st Century</i>. Vol 1. Tectum; 2024.","mla":"Höink, Dominik, and Andreas Meyer, editors. <i>Music and Religions in the 21st Century</i>. Tectum, 2024."},"user_id":"90389","editor":[{"full_name":"Höink, Dominik","first_name":"Dominik","last_name":"Höink","id":"90389"},{"last_name":"Meyer","first_name":"Andreas","full_name":"Meyer, Andreas"}],"volume":1,"language":[{"iso":"eng"}],"_id":"57441","publisher":"Tectum","series_title":"Musik und Religion","date_updated":"2025-12-17T09:01:15Z","publication_status":"published","intvolume":"         1","status":"public","year":"2024","title":"Music and Religions in the 21st Century","publication_identifier":{"isbn":["978-3-8288-4979-2"]}},{"date_updated":"2025-12-17T09:01:31Z","publication_status":"published","intvolume":"         1","year":"2024","status":"public","title":"The Topicality and Diversity of a Religious Genre. German Oratorios in the 21st Century","author":[{"id":"90389","full_name":"Höink, Dominik","first_name":"Dominik","last_name":"Höink"}],"user_id":"90389","editor":[{"first_name":"Dominik","last_name":"Höink","full_name":"Höink, Dominik"},{"last_name":"Meyer","first_name":"Andreas","full_name":"Meyer, Andreas"}],"volume":1,"_id":"57443","series_title":"Musik und Religion","publisher":"Tectum","language":[{"iso":"eng"}],"publication":"Music and Religions in the 21st Century","citation":{"apa":"Höink, D. (2024). The Topicality and Diversity of a Religious Genre. German Oratorios in the 21st Century. In D. Höink &#38; A. Meyer (Eds.), <i>Music and Religions in the 21st Century</i> (Vol. 1). Tectum.","ieee":"D. Höink, “The Topicality and Diversity of a Religious Genre. German Oratorios in the 21st Century,” in <i>Music and Religions in the 21st Century</i>, vol. 1, D. Höink and A. Meyer, Eds. Baden-Baden: Tectum, 2024.","short":"D. Höink, in: D. Höink, A. Meyer (Eds.), Music and Religions in the 21st Century, Tectum, Baden-Baden, 2024.","chicago":"Höink, Dominik. “The Topicality and Diversity of a Religious Genre. German Oratorios in the 21st Century.” In <i>Music and Religions in the 21st Century</i>, edited by Dominik Höink and Andreas Meyer, Vol. 1. Musik Und Religion. Baden-Baden: Tectum, 2024.","mla":"Höink, Dominik. “The Topicality and Diversity of a Religious Genre. German Oratorios in the 21st Century.” <i>Music and Religions in the 21st Century</i>, edited by Dominik Höink and Andreas Meyer, vol. 1, Tectum, 2024.","ama":"Höink D. The Topicality and Diversity of a Religious Genre. German Oratorios in the 21st Century. In: Höink D, Meyer A, eds. <i>Music and Religions in the 21st Century</i>. Vol 1. Musik und Religion. Tectum; 2024.","bibtex":"@inbook{Höink_2024, place={Baden-Baden}, series={Musik und Religion}, title={The Topicality and Diversity of a Religious Genre. German Oratorios in the 21st Century}, volume={1}, booktitle={Music and Religions in the 21st Century}, publisher={Tectum}, author={Höink, Dominik}, editor={Höink, Dominik and Meyer, Andreas}, year={2024}, collection={Musik und Religion} }"},"type":"book_chapter","department":[{"_id":"233"},{"_id":"716"}],"place":"Baden-Baden","date_created":"2024-11-26T13:14:30Z"}]