[{"department":[{"_id":"233"},{"_id":"36"}],"type":"book_chapter","date_created":"2024-09-24T11:15:54Z","place":"Paris","quality_controlled":"1","citation":{"apa":"Münzmay, A. (2024). Concert à Stuttgart? Réflexions sur le rapport entre l’opéra comique de Scribe et d’Auber et la cour de Wurtemberg. In J.-C. Yon &#38; C. Reynaud (Eds.), <i>Auber et Scribe, un patrimoine lyrique vivant. Le Concert à la cour (1824). Actéon (1836)</i> (pp. 101–110). Hermann Editeurs.","ieee":"A. Münzmay, “Concert à Stuttgart? Réflexions sur le rapport entre l’opéra comique de Scribe et d’Auber et la cour de Wurtemberg,” in <i>Auber et Scribe, un patrimoine lyrique vivant. Le Concert à la cour (1824). Actéon (1836)</i>, J.-C. Yon and C. Reynaud, Eds. Paris: Hermann Editeurs, 2024, pp. 101–110.","chicago":"Münzmay, Andreas. “Concert à Stuttgart? Réflexions sur le rapport entre l’opéra comique de Scribe et d’Auber et la cour de Wurtemberg.” In <i>Auber et Scribe, un patrimoine lyrique vivant. Le Concert à la cour (1824). Actéon (1836)</i>, edited by Jean-Cloude Yon and Cécile  Reynaud, 101–10. Paris: Hermann Editeurs, 2024.","short":"A. Münzmay, in: J.-C. Yon, C. Reynaud (Eds.), Auber et Scribe, un patrimoine lyrique vivant. Le Concert à la cour (1824). Actéon (1836), Hermann Editeurs, Paris, 2024, pp. 101–110.","mla":"Münzmay, Andreas. “Concert à Stuttgart? Réflexions sur le rapport entre l’opéra comique de Scribe et d’Auber et la cour de Wurtemberg.” <i>Auber et Scribe, un patrimoine lyrique vivant. Le Concert à la cour (1824). Actéon (1836)</i>, edited by Jean-Cloude Yon and Cécile  Reynaud, Hermann Editeurs, 2024, pp. 101–10.","ama":"Münzmay A. Concert à Stuttgart? Réflexions sur le rapport entre l’opéra comique de Scribe et d’Auber et la cour de Wurtemberg. In: Yon J-C, Reynaud C, eds. <i>Auber et Scribe, un patrimoine lyrique vivant. Le Concert à la cour (1824). Actéon (1836)</i>. Hermann Editeurs; 2024:101-110.","bibtex":"@inbook{Münzmay_2024, place={Paris}, title={Concert à Stuttgart? Réflexions sur le rapport entre l’opéra comique de Scribe et d’Auber et la cour de Wurtemberg}, booktitle={Auber et Scribe, un patrimoine lyrique vivant. Le Concert à la cour (1824). Actéon (1836)}, publisher={Hermann Editeurs}, author={Münzmay, Andreas}, editor={Yon, Jean-Cloude and Reynaud, Cécile }, year={2024}, pages={101–110} }"},"publication":"Auber et Scribe, un patrimoine lyrique vivant. Le Concert à la cour (1824). Actéon (1836)","editor":[{"last_name":"Yon","first_name":"Jean-Cloude","full_name":"Yon, Jean-Cloude"},{"first_name":"Cécile ","last_name":"Reynaud","full_name":"Reynaud, Cécile "}],"user_id":"61139","language":[{"iso":"fre"}],"_id":"56223","publisher":"Hermann Editeurs","page":"101-110","publication_status":"published","date_updated":"2024-11-28T10:54:47Z","author":[{"last_name":"Münzmay","orcid":"0000-0002-8373-4055","first_name":"Andreas","full_name":"Münzmay, Andreas","id":"61139"}],"publication_identifier":{"isbn":["9791037039446"]},"year":"2024","title":"Concert à Stuttgart? Réflexions sur le rapport entre l’opéra comique de Scribe et d’Auber et la cour de Wurtemberg","status":"public"},{"extern":"1","abstract":[{"lang":"eng","text":"This is the data set of the project Henze-Digital. It contains project specific authority files (e.g., persons, organizations, places) and editions (e.g., letters, documents)."}],"project":[{"name":"HenDi: Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk","_id":"738","grant_number":"459602398"}],"citation":{"chicago":"Minetti, Elena, Irmlind Capelle, Dennis Ried, and Antje Tumat. <i>HenDi-Data (Data Package) v6.1.0</i>. Zenodo, 2024. <a href=\"https://doi.org/10.5281/ZENODO.14227711\">https://doi.org/10.5281/ZENODO.14227711</a>.","short":"E. Minetti, I. Capelle, D. Ried, A. Tumat, HenDi-Data (Data Package) v6.1.0, Zenodo, 2024.","ieee":"E. Minetti, I. Capelle, D. Ried, and A. Tumat, <i>HenDi-Data (data package) v6.1.0</i>. Zenodo, 2024.","apa":"Minetti, E., Capelle, I., Ried, D., &#38; Tumat, A. (2024). <i>HenDi-Data (data package) v6.1.0</i>. Zenodo. <a href=\"https://doi.org/10.5281/ZENODO.14227711\">https://doi.org/10.5281/ZENODO.14227711</a>","bibtex":"@book{Minetti_Capelle_Ried_Tumat_2024, title={HenDi-Data (data package) v6.1.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.14227711\">10.5281/ZENODO.14227711</a>}, publisher={Zenodo}, author={Minetti, Elena and Capelle, Irmlind and Ried, Dennis and Tumat, Antje}, year={2024} }","ama":"Minetti E, Capelle I, Ried D, Tumat A. <i>HenDi-Data (Data Package) v6.1.0</i>. Zenodo; 2024. doi:<a href=\"https://doi.org/10.5281/ZENODO.14227711\">10.5281/ZENODO.14227711</a>","mla":"Minetti, Elena, et al. <i>HenDi-Data (Data Package) v6.1.0</i>. Zenodo, 2024, doi:<a href=\"https://doi.org/10.5281/ZENODO.14227711\">10.5281/ZENODO.14227711</a>."},"type":"research_data","department":[{"_id":"233"},{"_id":"856"}],"date_created":"2024-12-04T11:23:48Z","date_updated":"2024-12-04T11:31:29Z","year":"2024","title":"HenDi-Data (data package) v6.1.0","status":"public","author":[{"id":"90723","full_name":"Minetti, Elena","last_name":"Minetti","first_name":"Elena"},{"first_name":"Irmlind","last_name":"Capelle","full_name":"Capelle, Irmlind","id":"21488"},{"last_name":"Ried","orcid":"https://orcid.org/0000-0001-5545-2088","first_name":"Dennis","full_name":"Ried, Dennis","id":"90722"},{"id":"72268","first_name":"Antje","last_name":"Tumat","full_name":"Tumat, Antje"}],"user_id":"90722","doi":"10.5281/ZENODO.14227711","publisher":"Zenodo","_id":"57562"},{"type":"research_data","department":[{"_id":"233"},{"_id":"856"}],"date_created":"2024-12-04T11:28:08Z","extern":"1","project":[{"grant_number":"459602398","_id":"738","name":"HenDi: Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk"}],"citation":{"short":"D. Ried, I. Capelle, E. Minetti, HenDi-ODD v6.1.0, LibreCat University, 2024.","chicago":"Ried, Dennis, Irmlind Capelle, and Elena Minetti. <i>HenDi-ODD v6.1.0</i>. LibreCat University, 2024. <a href=\"https://doi.org/10.5281/ZENODO.14227688\">https://doi.org/10.5281/ZENODO.14227688</a>.","ieee":"D. Ried, I. Capelle, and E. Minetti, <i>HenDi-ODD v6.1.0</i>. LibreCat University, 2024.","apa":"Ried, D., Capelle, I., &#38; Minetti, E. (2024). <i>HenDi-ODD v6.1.0</i>. LibreCat University. <a href=\"https://doi.org/10.5281/ZENODO.14227688\">https://doi.org/10.5281/ZENODO.14227688</a>","bibtex":"@book{Ried_Capelle_Minetti_2024, title={HenDi-ODD v6.1.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.14227688\">10.5281/ZENODO.14227688</a>}, publisher={LibreCat University}, author={Ried, Dennis and Capelle, Irmlind and Minetti, Elena}, year={2024} }","ama":"Ried D, Capelle I, Minetti E. <i>HenDi-ODD v6.1.0</i>. LibreCat University; 2024. doi:<a href=\"https://doi.org/10.5281/ZENODO.14227688\">10.5281/ZENODO.14227688</a>","mla":"Ried, Dennis, et al. <i>HenDi-ODD v6.1.0</i>. LibreCat University, 2024, doi:<a href=\"https://doi.org/10.5281/ZENODO.14227688\">10.5281/ZENODO.14227688</a>."},"user_id":"90722","doi":"10.5281/ZENODO.14227688","publisher":"LibreCat University","_id":"57564","date_updated":"2024-12-04T11:28:55Z","year":"2024","title":"HenDi-ODD v6.1.0","status":"public","author":[{"full_name":"Ried, Dennis","first_name":"Dennis","last_name":"Ried","orcid":"https://orcid.org/0000-0001-5545-2088","id":"90722"},{"full_name":"Capelle, Irmlind","last_name":"Capelle","first_name":"Irmlind","id":"21488"},{"full_name":"Minetti, Elena","last_name":"Minetti","first_name":"Elena","id":"90723"}]},{"project":[{"_id":"738","grant_number":"459602398","name":"HenDi: Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk"}],"extern":"1","citation":{"mla":"Ried, Dennis. <i>HenDi-WebApp v6.1.0</i>. LibreCat University, 2024, doi:<a href=\"https://doi.org/10.5281/ZENODO.14227708\">10.5281/ZENODO.14227708</a>.","bibtex":"@book{Ried_2024, title={HenDi-WebApp v6.1.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.14227708\">10.5281/ZENODO.14227708</a>}, publisher={LibreCat University}, author={Ried, Dennis}, year={2024} }","ama":"Ried D. <i>HenDi-WebApp v6.1.0</i>. LibreCat University; 2024. doi:<a href=\"https://doi.org/10.5281/ZENODO.14227708\">10.5281/ZENODO.14227708</a>","ieee":"D. Ried, <i>HenDi-WebApp v6.1.0</i>. LibreCat University, 2024.","apa":"Ried, D. (2024). <i>HenDi-WebApp v6.1.0</i>. LibreCat University. <a href=\"https://doi.org/10.5281/ZENODO.14227708\">https://doi.org/10.5281/ZENODO.14227708</a>","chicago":"Ried, Dennis. <i>HenDi-WebApp v6.1.0</i>. LibreCat University, 2024. <a href=\"https://doi.org/10.5281/ZENODO.14227708\">https://doi.org/10.5281/ZENODO.14227708</a>.","short":"D. Ried, HenDi-WebApp v6.1.0, LibreCat University, 2024."},"department":[{"_id":"233"},{"_id":"856"}],"type":"research_data","date_created":"2024-12-04T11:32:03Z","date_updated":"2024-12-04T11:32:37Z","author":[{"last_name":"Ried","first_name":"Dennis","full_name":"Ried, Dennis"}],"title":"HenDi-WebApp v6.1.0","year":"2024","status":"public","user_id":"90722","doi":"10.5281/ZENODO.14227708","publisher":"LibreCat University","_id":"57566"},{"citation":{"bibtex":"@article{Tumat_2024, title={Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis}, volume={2}, journal={Wagner-Spektrum}, publisher={Königshausen und Neumann}, author={Tumat, Antje}, year={2024}, pages={71–83} }","chicago":"Tumat, Antje. “Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis.” <i>Wagner-Spektrum</i> 2 (2024): 71–83.","ama":"Tumat A. Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis. <i>Wagner-Spektrum</i>. 2024;2:71-83.","short":"A. Tumat, Wagner-Spektrum 2 (2024) 71–83.","ieee":"A. Tumat, “Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis,” <i>Wagner-Spektrum</i>, vol. 2, pp. 71–83, 2024.","apa":"Tumat, A. (2024). Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis. <i>Wagner-Spektrum</i>, <i>2</i>, 71–83.","mla":"Tumat, Antje. “Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis.” <i>Wagner-Spektrum</i>, vol. 2, Königshausen und Neumann, 2024, pp. 71–83."},"publication":"Wagner-Spektrum","abstract":[{"lang":"eng","text":"Richard Wagner is considered a prominent critic of incidental music, as he called for the abolition of randomly inserted music between acts in plays. However, he greatly appreciated music composed especially for a play, such as Beethoven's music for Goethe's Egmont. In the early 1830s, he himself wrote several pieces of music for plays that have not been fully preserved. The text analyses Wagner's theatre music aesthetics in the context of contemporary aesthetics and theatre practice and provides a general overview of the music that has been handed down. His surviving theatre overtures show a high level of musical sophistication in the early engagement with symphonic music, as well as an effort to shape instrumental music according to dramatic content. They point to role models such as Beethoven and Mendelssohn. A more practical theatrical view of Wagner's theatrical music could open up new perspectives for his theatrical music and insights into the theatrical practice of the time."}],"date_created":"2024-12-04T16:21:00Z","department":[{"_id":"233"},{"_id":"856"}],"type":"journal_article","publication_identifier":{"isbn":["978-3-8260-8902-2"]},"author":[{"id":"72268","first_name":"Antje","last_name":"Tumat","full_name":"Tumat, Antje"}],"title":"Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis","status":"public","year":"2024","intvolume":"         2","date_updated":"2025-02-08T16:17:08Z","publication_status":"published","_id":"57579","publisher":"Königshausen und Neumann","language":[{"iso":"ger"}],"page":"71-83","volume":2,"user_id":"72268"},{"year":"2024","title":"Kunst kommt von Verantworten. Zum 100. Geburtstag Giselher Klebes","status":"public","author":[{"id":"72268","first_name":"Antje","last_name":"Tumat","full_name":"Tumat, Antje"}],"date_updated":"2025-02-08T16:17:26Z","publication_status":"published","intvolume":"         2","main_file_link":[{"open_access":"1","url":"https://www.takte-online.de/fileadmin/takte/takte_2-2024_Internet.pdf"}],"page":"14-15","_id":"56307","language":[{"iso":"ger"}],"user_id":"72268","volume":2,"publication":"Takte. Das Bärenreiter-Magazin","citation":{"apa":"Tumat, A. (2024). Kunst kommt von Verantworten. Zum 100. Geburtstag Giselher Klebes. <i>Takte. Das Bärenreiter-Magazin</i>, <i>2</i>, 14–15.","mla":"Tumat, Antje. “Kunst kommt von Verantworten. Zum 100. Geburtstag Giselher Klebes.” <i>Takte. Das Bärenreiter-Magazin</i>, vol. 2, 2024, pp. 14–15.","ieee":"A. Tumat, “Kunst kommt von Verantworten. Zum 100. Geburtstag Giselher Klebes,” <i>Takte. Das Bärenreiter-Magazin</i>, vol. 2, pp. 14–15, 2024.","chicago":"Tumat, Antje. “Kunst kommt von Verantworten. Zum 100. Geburtstag Giselher Klebes.” <i>Takte. Das Bärenreiter-Magazin</i> 2 (2024): 14–15.","ama":"Tumat A. Kunst kommt von Verantworten. Zum 100. Geburtstag Giselher Klebes. <i>Takte Das Bärenreiter-Magazin</i>. 2024;2:14-15.","short":"A. Tumat, Takte. Das Bärenreiter-Magazin 2 (2024) 14–15.","bibtex":"@article{Tumat_2024, title={Kunst kommt von Verantworten. Zum 100. Geburtstag Giselher Klebes}, volume={2}, journal={Takte. Das Bärenreiter-Magazin}, author={Tumat, Antje}, year={2024}, pages={14–15} }"},"date_created":"2024-10-01T16:07:36Z","type":"journal_article","oa":"1","department":[{"_id":"233"},{"_id":"856"}]},{"status":"public","_id":"54925","publisher":"ACM","user_id":"61139","citation":{"mla":"Frömmel, Lena, et al. “Open Edirom: From Hybrid Music Edition to Open Data Publication.” <i>Proceedings of the 11th International Conference on Digital Libraries for Musicology</i>, ACM, 2024, doi:<a href=\"https://doi.org/10.1145/3660570.3660582\">10.1145/3660570.3660582</a>.","bibtex":"@inproceedings{Frömmel_Bachmann_Plaksin_Münzmay_2024, title={Open Edirom: From hybrid music edition to open data publication}, DOI={<a href=\"https://doi.org/10.1145/3660570.3660582\">10.1145/3660570.3660582</a>}, booktitle={Proceedings of the 11th International Conference on Digital Libraries for Musicology}, publisher={ACM}, author={Frömmel, Lena and Bachmann, Tobias and Plaksin, Anna Viktoria Katrin and Münzmay, Andreas}, year={2024} }","ama":"Frömmel L, Bachmann T, Plaksin AVK, Münzmay A. Open Edirom: From hybrid music edition to open data publication. In: <i>Proceedings of the 11th International Conference on Digital Libraries for Musicology</i>. ACM; 2024. doi:<a href=\"https://doi.org/10.1145/3660570.3660582\">10.1145/3660570.3660582</a>","ieee":"L. Frömmel, T. Bachmann, A. V. K. Plaksin, and A. Münzmay, “Open Edirom: From hybrid music edition to open data publication,” 2024, doi: <a href=\"https://doi.org/10.1145/3660570.3660582\">10.1145/3660570.3660582</a>.","apa":"Frömmel, L., Bachmann, T., Plaksin, A. V. K., &#38; Münzmay, A. (2024). Open Edirom: From hybrid music edition to open data publication. <i>Proceedings of the 11th International Conference on Digital Libraries for Musicology</i>. <a href=\"https://doi.org/10.1145/3660570.3660582\">https://doi.org/10.1145/3660570.3660582</a>","short":"L. Frömmel, T. Bachmann, A.V.K. Plaksin, A. Münzmay, in: Proceedings of the 11th International Conference on Digital Libraries for Musicology, ACM, 2024.","chicago":"Frömmel, Lena, Tobias Bachmann, Anna Viktoria Katrin Plaksin, and Andreas Münzmay. “Open Edirom: From Hybrid Music Edition to Open Data Publication.” In <i>Proceedings of the 11th International Conference on Digital Libraries for Musicology</i>. ACM, 2024. <a href=\"https://doi.org/10.1145/3660570.3660582\">https://doi.org/10.1145/3660570.3660582</a>."},"project":[{"name":"KIO: KreativInstitut.OWL","_id":"1048"},{"name":"OPEN Edirom","_id":"1064"}],"quality_controlled":"1","oa":"1","author":[{"id":"86796","orcid":"0009-0009-6539-7081","first_name":"Lena","last_name":"Frömmel","full_name":"Frömmel, Lena"},{"full_name":"Bachmann, Tobias","last_name":"Bachmann","first_name":"Tobias"},{"id":"102981","full_name":"Plaksin, Anna Viktoria Katrin","first_name":"Anna Viktoria Katrin","last_name":"Plaksin","orcid":"0000-0002-9969-0608"},{"id":"61139","full_name":"Münzmay, Andreas","orcid":"0000-0002-8373-4055","last_name":"Münzmay","first_name":"Andreas"}],"title":"Open Edirom: From hybrid music edition to open data publication","year":"2024","date_updated":"2025-09-02T09:11:50Z","publication_status":"published","language":[{"iso":"eng"}],"main_file_link":[{"open_access":"1","url":"https://dl.acm.org/doi/pdf/10.1145/3660570.3660582"}],"doi":"10.1145/3660570.3660582","publication":"Proceedings of the 11th International Conference on Digital Libraries for Musicology","abstract":[{"lang":"eng","text":"The OPEN Edirom project is developing a digital edition of incidental music for Goethe’s play Faust, representing an innovative initiative within the realm of music philology and MEI/TEI edition. Embracing the \"data first\" principle, OPEN Edirom prioritizes making its content openly accessible, thereby enabling diverse potential uses for researchers and performers. Our aim involves presenting the scholarly text and music edition in its entirety, incorporating its various forms of data, i.e. music, texts, source images, metadata, and annotations, all displayed with Edirom software.\r\nThe piece we edit in this project is Goethe’s renowned play Faust I, as adapted by Carl Seydelmann, along with the corresponding music composed by Peter Joseph von Lindpaintner for the Court Theatre in Stuttgart. The work premiered in 1832.\r\nThis paper delves into the concept of music edition as open data publication and delineates its advantages over analog and hybrid editions in terms of reusability and alignment with the FAIR principles. It also addresses the challenges encountered in data preparation, both specific to incidental music and in general data processing. Furthermore, we propose solutions and recommendations for similar projects based on our insights."}],"date_created":"2024-06-28T18:17:53Z","department":[{"_id":"233"},{"_id":"856"},{"_id":"615"}],"type":"conference"},{"user_id":"61139","_id":"58554","language":[{"iso":"ger"}],"date_updated":"2026-03-18T17:28:32Z","year":"2024","title":"Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze","status":"public","conference":{"start_date":"2024-11-22","name":"Edition von Filmmusik: Herausforderungen der Multimedialität","location":"Frankfurt am Main","end_date":"2024-1123"},"author":[{"id":"55565","full_name":"Berndt, Axel","last_name":"Berndt","first_name":"Axel"},{"id":"61139","orcid":"0000-0002-8373-4055","last_name":"Münzmay","first_name":"Andreas","full_name":"Münzmay, Andreas"}],"type":"conference","department":[{"_id":"36"},{"_id":"233"},{"_id":"870"},{"_id":"615"},{"_id":"856"}],"date_created":"2025-02-10T14:12:16Z","project":[{"_id":"1614","name":"Digitale Interpretationsedition: Prototypischer Forschungsprozess und Modelledition"}],"citation":{"ama":"Berndt A, Münzmay A. Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze. In: ; 2024.","bibtex":"@inproceedings{Berndt_Münzmay_2024, title={Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze}, author={Berndt, Axel and Münzmay, Andreas}, year={2024} }","mla":"Berndt, Axel, and Andreas Münzmay. <i>Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze</i>. 2024.","chicago":"Berndt, Axel, and Andreas Münzmay. “Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze,” 2024.","short":"A. Berndt, A. Münzmay, in: 2024.","apa":"Berndt, A., &#38; Münzmay, A. (2024). <i>Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze</i>. Edition von Filmmusik: Herausforderungen der Multimedialität, Frankfurt am Main.","ieee":"A. Berndt and A. Münzmay, “Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze,” presented at the Edition von Filmmusik: Herausforderungen der Multimedialität, Frankfurt am Main, 2024."}},{"user_id":"61139","doi":"10.22000/uupxmgkq94r0jpsk","publisher":"RADAR4Culture","_id":"56269","date_updated":"2026-03-18T17:26:54Z","author":[{"full_name":"Bachmann, Tobias","last_name":"Bachmann","first_name":"Tobias","id":"100930"},{"last_name":"Frömmel","first_name":"Lena","orcid":"0009-0009-6539-7081","full_name":"Frömmel, Lena","id":"86796"},{"last_name":"Münzmay","first_name":"Andreas","orcid":"0000-0002-8373-4055","full_name":"Münzmay, Andreas","id":"61139"}],"status":"public","title":" OPEN FAUST Preview (dataset)","year":"2024","department":[{"_id":"233"},{"_id":"856"},{"_id":"36"},{"_id":"572"}],"type":"research_data","date_created":"2024-09-27T15:01:39Z","project":[{"_id":"1048","name":"KIO: KreativInstitut.OWL"},{"name":"OPEN Edirom","_id":"1064"}],"abstract":[{"text":"Peter Joseph von Lindpaintner: Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann. 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