[{"language":[{"iso":"eng"}],"user_id":"72268","series_title":"Music and Religions in the 21st century","department":[{"_id":"233"},{"_id":"856"}],"_id":"58131","status":"public","editor":[{"full_name":"Höink, Dominik","last_name":"Höink","first_name":"Dominik"}],"type":"conference","title":"Weltethos and wunderzaichen: Religion in the Music of the Western Avant-garde","date_created":"2025-01-09T13:58:45Z","author":[{"last_name":"Tumat","id":"72268","full_name":"Tumat, Antje","first_name":"Antje"}],"date_updated":"2025-02-08T16:18:17Z","publisher":"Textum","citation":{"ama":"Tumat A. Weltethos and wunderzaichen: Religion in the Music of the Western Avant-garde. Höink D, Andreas Meyer, eds. Published online 2024:27-71.","ieee":"A. Tumat, “Weltethos and wunderzaichen: Religion in the Music of the Western Avant-garde.” Textum, Baden-Baden, pp. 27–71, 2024.","chicago":"Tumat, Antje. “Weltethos and Wunderzaichen: Religion in the Music of the Western Avant-Garde.” Edited by Dominik Höink and Andreas Meyer. Music and Religions in the 21st Century. Baden-Baden: Textum, 2024.","apa":"Tumat, A. (2024). <i>Weltethos and wunderzaichen: Religion in the Music of the Western Avant-garde</i> (D. Höink &#38; Andreas Meyer, Eds.; pp. 27–71). Textum.","mla":"Tumat, Antje. <i>Weltethos and Wunderzaichen: Religion in the Music of the Western Avant-Garde</i>. Edited by Dominik Höink and Andreas Meyer, Textum, 2024, pp. 27–71.","bibtex":"@article{Tumat_2024, place={Baden-Baden}, series={Music and Religions in the 21st century}, title={Weltethos and wunderzaichen: Religion in the Music of the Western Avant-garde}, publisher={Textum}, author={Tumat, Antje}, editor={Höink, Dominik and Andreas Meyer}, year={2024}, pages={27–71}, collection={Music and Religions in the 21st century} }","short":"A. Tumat, (2024) 27–71."},"page":"27-71","corporate_editor":["Andreas Meyer"],"year":"2024","place":"Baden-Baden","publication_status":"published","publication_identifier":{"unknown":["978-3-8288-4979-2"]}},{"title":"Kunst kommt von Verantworten. Zum 100. Geburtstag Giselher Klebes","main_file_link":[{"open_access":"1","url":"https://www.takte-online.de/fileadmin/takte/takte_2-2024_Internet.pdf"}],"oa":"1","date_updated":"2025-02-08T16:17:26Z","date_created":"2024-10-01T16:07:36Z","author":[{"last_name":"Tumat","id":"72268","full_name":"Tumat, Antje","first_name":"Antje"}],"volume":2,"year":"2024","citation":{"apa":"Tumat, A. (2024). Kunst kommt von Verantworten. Zum 100. Geburtstag Giselher Klebes. <i>Takte. Das Bärenreiter-Magazin</i>, <i>2</i>, 14–15.","mla":"Tumat, Antje. “Kunst kommt von Verantworten. Zum 100. Geburtstag Giselher Klebes.” <i>Takte. Das Bärenreiter-Magazin</i>, vol. 2, 2024, pp. 14–15.","bibtex":"@article{Tumat_2024, title={Kunst kommt von Verantworten. Zum 100. Geburtstag Giselher Klebes}, volume={2}, journal={Takte. Das Bärenreiter-Magazin}, author={Tumat, Antje}, year={2024}, pages={14–15} }","short":"A. Tumat, Takte. Das Bärenreiter-Magazin 2 (2024) 14–15.","chicago":"Tumat, Antje. “Kunst kommt von Verantworten. Zum 100. Geburtstag Giselher Klebes.” <i>Takte. Das Bärenreiter-Magazin</i> 2 (2024): 14–15.","ieee":"A. Tumat, “Kunst kommt von Verantworten. Zum 100. Geburtstag Giselher Klebes,” <i>Takte. Das Bärenreiter-Magazin</i>, vol. 2, pp. 14–15, 2024.","ama":"Tumat A. Kunst kommt von Verantworten. Zum 100. Geburtstag Giselher Klebes. <i>Takte Das Bärenreiter-Magazin</i>. 2024;2:14-15."},"page":"14-15","intvolume":"         2","publication_status":"published","language":[{"iso":"ger"}],"_id":"56307","user_id":"72268","department":[{"_id":"233"},{"_id":"856"}],"status":"public","type":"journal_article","publication":"Takte. Das Bärenreiter-Magazin"},{"language":[{"iso":"eng"}],"department":[{"_id":"233"},{"_id":"856"},{"_id":"615"}],"user_id":"61139","_id":"54925","project":[{"_id":"1048","name":"KIO: KreativInstitut.OWL"},{"_id":"1064","name":"OPEN Edirom"}],"status":"public","abstract":[{"text":"The OPEN Edirom project is developing a digital edition of incidental music for Goethe’s play Faust, representing an innovative initiative within the realm of music philology and MEI/TEI edition. Embracing the \"data first\" principle, OPEN Edirom prioritizes making its content openly accessible, thereby enabling diverse potential uses for researchers and performers. Our aim involves presenting the scholarly text and music edition in its entirety, incorporating its various forms of data, i.e. music, texts, source images, metadata, and annotations, all displayed with Edirom software.\r\nThe piece we edit in this project is Goethe’s renowned play Faust I, as adapted by Carl Seydelmann, along with the corresponding music composed by Peter Joseph von Lindpaintner for the Court Theatre in Stuttgart. The work premiered in 1832.\r\nThis paper delves into the concept of music edition as open data publication and delineates its advantages over analog and hybrid editions in terms of reusability and alignment with the FAIR principles. It also addresses the challenges encountered in data preparation, both specific to incidental music and in general data processing. Furthermore, we propose solutions and recommendations for similar projects based on our insights.","lang":"eng"}],"publication":"Proceedings of the 11th International Conference on Digital Libraries for Musicology","type":"conference","doi":"10.1145/3660570.3660582","main_file_link":[{"open_access":"1","url":"https://dl.acm.org/doi/pdf/10.1145/3660570.3660582"}],"title":"Open Edirom: From hybrid music edition to open data publication","author":[{"first_name":"Lena","full_name":"Frömmel, Lena","id":"86796","last_name":"Frömmel","orcid":"0009-0009-6539-7081"},{"first_name":"Tobias","last_name":"Bachmann","full_name":"Bachmann, Tobias"},{"id":"102981","full_name":"Plaksin, Anna Viktoria Katrin","last_name":"Plaksin","orcid":"0000-0002-9969-0608","first_name":"Anna Viktoria Katrin"},{"first_name":"Andreas","full_name":"Münzmay, Andreas","id":"61139","last_name":"Münzmay","orcid":"0000-0002-8373-4055"}],"date_created":"2024-06-28T18:17:53Z","date_updated":"2025-09-02T09:11:50Z","oa":"1","publisher":"ACM","citation":{"apa":"Frömmel, L., Bachmann, T., Plaksin, A. V. K., &#38; Münzmay, A. (2024). Open Edirom: From hybrid music edition to open data publication. <i>Proceedings of the 11th International Conference on Digital Libraries for Musicology</i>. <a href=\"https://doi.org/10.1145/3660570.3660582\">https://doi.org/10.1145/3660570.3660582</a>","bibtex":"@inproceedings{Frömmel_Bachmann_Plaksin_Münzmay_2024, title={Open Edirom: From hybrid music edition to open data publication}, DOI={<a href=\"https://doi.org/10.1145/3660570.3660582\">10.1145/3660570.3660582</a>}, booktitle={Proceedings of the 11th International Conference on Digital Libraries for Musicology}, publisher={ACM}, author={Frömmel, Lena and Bachmann, Tobias and Plaksin, Anna Viktoria Katrin and Münzmay, Andreas}, year={2024} }","short":"L. Frömmel, T. Bachmann, A.V.K. Plaksin, A. Münzmay, in: Proceedings of the 11th International Conference on Digital Libraries for Musicology, ACM, 2024.","mla":"Frömmel, Lena, et al. “Open Edirom: From Hybrid Music Edition to Open Data Publication.” <i>Proceedings of the 11th International Conference on Digital Libraries for Musicology</i>, ACM, 2024, doi:<a href=\"https://doi.org/10.1145/3660570.3660582\">10.1145/3660570.3660582</a>.","ama":"Frömmel L, Bachmann T, Plaksin AVK, Münzmay A. Open Edirom: From hybrid music edition to open data publication. In: <i>Proceedings of the 11th International Conference on Digital Libraries for Musicology</i>. ACM; 2024. doi:<a href=\"https://doi.org/10.1145/3660570.3660582\">10.1145/3660570.3660582</a>","ieee":"L. Frömmel, T. Bachmann, A. V. K. Plaksin, and A. Münzmay, “Open Edirom: From hybrid music edition to open data publication,” 2024, doi: <a href=\"https://doi.org/10.1145/3660570.3660582\">10.1145/3660570.3660582</a>.","chicago":"Frömmel, Lena, Tobias Bachmann, Anna Viktoria Katrin Plaksin, and Andreas Münzmay. “Open Edirom: From Hybrid Music Edition to Open Data Publication.” In <i>Proceedings of the 11th International Conference on Digital Libraries for Musicology</i>. ACM, 2024. <a href=\"https://doi.org/10.1145/3660570.3660582\">https://doi.org/10.1145/3660570.3660582</a>."},"year":"2024","quality_controlled":"1","publication_status":"published"},{"title":"Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology","date_created":"2025-02-10T14:11:58Z","author":[{"id":"55565","full_name":"Berndt, Axel","last_name":"Berndt","first_name":"Axel"},{"last_name":"Vollmer","full_name":"Vollmer, F.","first_name":"F."},{"first_name":"Andreas","full_name":"Münzmay, Andreas","id":"61139","last_name":"Münzmay","orcid":"0000-0002-8373-4055"}],"date_updated":"2025-09-03T18:18:21Z","citation":{"mla":"Berndt, Axel, et al. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and Its Potential for Ethnomusicology.” <i>{Diskografentag: International Conference on Recorded Music}</i>, 2024.","short":"A. Berndt, F. Vollmer, A. Münzmay, in: {Diskografentag: International Conference on Recorded Music}, Guildford, Surrey, England, 2024.","bibtex":"@inproceedings{Berndt_Vollmer_Münzmay_2024, place={Guildford, Surrey, England}, title={Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology}, booktitle={{Diskografentag: International Conference on Recorded Music}}, author={Berndt, Axel and Vollmer, F. and Münzmay, Andreas}, year={2024} }","apa":"Berndt, A., Vollmer, F., &#38; Münzmay, A. (2024). Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology. <i>{Diskografentag: International Conference on Recorded Music}</i>.","ama":"Berndt A, Vollmer F, Münzmay A. Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology. In: <i>{Diskografentag: International Conference on Recorded Music}</i>. ; 2024.","chicago":"Berndt, Axel, F. Vollmer, and Andreas Münzmay. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and Its Potential for Ethnomusicology.” In <i>{Diskografentag: International Conference on Recorded Music}</i>. Guildford, Surrey, England, 2024.","ieee":"A. Berndt, F. Vollmer, and A. Münzmay, “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology,” 2024."},"year":"2024","place":"Guildford, Surrey, England","language":[{"iso":"eng"}],"department":[{"_id":"36"},{"_id":"233"},{"_id":"870"},{"_id":"615"},{"_id":"856"}],"user_id":"61139","_id":"58552","project":[{"name":"Digitale Interpretationsedition: Prototypischer Forschungsprozess und Modelledition","_id":"1614"}],"status":"public","publication":"{Diskografentag: International Conference on Recorded Music}","type":"conference"},{"_id":"57441","department":[{"_id":"233"},{"_id":"550"},{"_id":"716"}],"user_id":"90389","series_title":"Musik und Religion","language":[{"iso":"eng"}],"type":"book_editor","editor":[{"last_name":"Höink","id":"90389","full_name":"Höink, Dominik","first_name":"Dominik"},{"last_name":"Meyer","full_name":"Meyer, Andreas","first_name":"Andreas"}],"status":"public","publisher":"Tectum","date_updated":"2025-12-17T09:01:15Z","volume":1,"date_created":"2024-11-26T13:08:59Z","title":"Music and Religions in the 21st Century","publication_identifier":{"isbn":["978-3-8288-4979-2"]},"publication_status":"published","place":"Baden-Baden","year":"2024","intvolume":"         1","citation":{"ama":"Höink D, Meyer A, eds. <i>Music and Religions in the 21st Century</i>. 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Meyer, eds., Music and Religions in the 21st Century, Tectum, Baden-Baden, 2024."}},{"publisher":"Tectum","date_updated":"2025-12-17T09:01:31Z","date_created":"2024-11-26T13:14:30Z","author":[{"full_name":"Höink, Dominik","id":"90389","last_name":"Höink","first_name":"Dominik"}],"volume":1,"title":"The Topicality and Diversity of a Religious Genre. German Oratorios in the 21st Century","publication_status":"published","year":"2024","place":"Baden-Baden","citation":{"ama":"Höink D. The Topicality and Diversity of a Religious Genre. German Oratorios in the 21st Century. In: Höink D, Meyer A, eds. <i>Music and Religions in the 21st Century</i>. Vol 1. Musik und Religion. Tectum; 2024.","ieee":"D. Höink, “The Topicality and Diversity of a Religious Genre. German Oratorios in the 21st Century,” in <i>Music and Religions in the 21st Century</i>, vol. 1, D. Höink and A. Meyer, Eds. Baden-Baden: Tectum, 2024.","chicago":"Höink, Dominik. “The Topicality and Diversity of a Religious Genre. German Oratorios in the 21st Century.” In <i>Music and Religions in the 21st Century</i>, edited by Dominik Höink and Andreas Meyer, Vol. 1. Musik Und Religion. Baden-Baden: Tectum, 2024.","mla":"Höink, Dominik. “The Topicality and Diversity of a Religious Genre. German Oratorios in the 21st Century.” <i>Music and Religions in the 21st Century</i>, edited by Dominik Höink and Andreas Meyer, vol. 1, Tectum, 2024.","short":"D. Höink, in: D. Höink, A. Meyer (Eds.), Music and Religions in the 21st Century, Tectum, Baden-Baden, 2024.","bibtex":"@inbook{Höink_2024, place={Baden-Baden}, series={Musik und Religion}, title={The Topicality and Diversity of a Religious Genre. German Oratorios in the 21st Century}, volume={1}, booktitle={Music and Religions in the 21st Century}, publisher={Tectum}, author={Höink, Dominik}, editor={Höink, Dominik and Meyer, Andreas}, year={2024}, collection={Musik und Religion} }","apa":"Höink, D. (2024). The Topicality and Diversity of a Religious Genre. German Oratorios in the 21st Century. In D. Höink &#38; A. Meyer (Eds.), <i>Music and Religions in the 21st Century</i> (Vol. 1). Tectum."},"intvolume":"         1","_id":"57443","user_id":"90389","series_title":"Musik und Religion","department":[{"_id":"233"},{"_id":"716"}],"language":[{"iso":"eng"}],"type":"book_chapter","publication":"Music and Religions in the 21st Century","editor":[{"first_name":"Dominik","last_name":"Höink","full_name":"Höink, Dominik"},{"first_name":"Andreas","last_name":"Meyer","full_name":"Meyer, Andreas"}],"status":"public"},{"title":"Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze","conference":{"location":"Frankfurt am Main","end_date":"2024-1123","start_date":"2024-11-22","name":"Edition von Filmmusik: Herausforderungen der Multimedialität"},"date_updated":"2026-03-18T17:28:32Z","author":[{"first_name":"Axel","id":"55565","full_name":"Berndt, Axel","last_name":"Berndt"},{"first_name":"Andreas","last_name":"Münzmay","orcid":"0000-0002-8373-4055","full_name":"Münzmay, Andreas","id":"61139"}],"date_created":"2025-02-10T14:12:16Z","year":"2024","citation":{"apa":"Berndt, A., &#38; Münzmay, A. (2024). <i>Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze</i>. Edition von Filmmusik: Herausforderungen der Multimedialität, Frankfurt am Main.","bibtex":"@inproceedings{Berndt_Münzmay_2024, title={Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze}, author={Berndt, Axel and Münzmay, Andreas}, year={2024} }","mla":"Berndt, Axel, and Andreas Münzmay. <i>Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze</i>. 2024.","short":"A. Berndt, A. Münzmay, in: 2024.","chicago":"Berndt, Axel, and Andreas Münzmay. “Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze,” 2024.","ieee":"A. Berndt and A. Münzmay, “Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze,” presented at the Edition von Filmmusik: Herausforderungen der Multimedialität, Frankfurt am Main, 2024.","ama":"Berndt A, Münzmay A. Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze. In: ; 2024."},"language":[{"iso":"ger"}],"project":[{"_id":"1614","name":"Digitale Interpretationsedition: Prototypischer Forschungsprozess und Modelledition"}],"_id":"58554","user_id":"61139","department":[{"_id":"36"},{"_id":"233"},{"_id":"870"},{"_id":"615"},{"_id":"856"}],"status":"public","type":"conference"},{"status":"public","abstract":[{"text":"Peter Joseph von Lindpaintner: Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann. Historical-Critical Digital Edition by Tobias Bachmann, Lena Frömmel and Andreas Münzmay. The dataset, consisting of TEI and MEI files, is the historical-critical digital edition. The data structure allows for visualization via EDIROM ONLINE. ","lang":"eng"}],"type":"research_data","user_id":"61139","department":[{"_id":"233"},{"_id":"856"},{"_id":"36"},{"_id":"572"}],"project":[{"_id":"1048","name":"KIO: KreativInstitut.OWL"},{"name":"OPEN Edirom","_id":"1064"}],"_id":"56269","citation":{"ama":"Bachmann T, Frömmel L, Münzmay A. <i> OPEN FAUST Preview (Dataset)</i>. RADAR4Culture; 2024. doi:<a href=\"https://doi.org/10.22000/uupxmgkq94r0jpsk\">10.22000/uupxmgkq94r0jpsk</a>","chicago":"Bachmann, Tobias, Lena Frömmel, and Andreas Münzmay. <i> OPEN FAUST Preview (Dataset)</i>. RADAR4Culture, 2024. <a href=\"https://doi.org/10.22000/uupxmgkq94r0jpsk\">https://doi.org/10.22000/uupxmgkq94r0jpsk</a>.","ieee":"T. Bachmann, L. Frömmel, and A. Münzmay, <i> OPEN FAUST Preview (dataset)</i>. RADAR4Culture, 2024.","apa":"Bachmann, T., Frömmel, L., &#38; Münzmay, A. (2024). <i> OPEN FAUST Preview (dataset)</i>. RADAR4Culture. <a href=\"https://doi.org/10.22000/uupxmgkq94r0jpsk\">https://doi.org/10.22000/uupxmgkq94r0jpsk</a>","mla":"Bachmann, Tobias, et al. <i> OPEN FAUST Preview (Dataset)</i>. RADAR4Culture, 2024, doi:<a href=\"https://doi.org/10.22000/uupxmgkq94r0jpsk\">10.22000/uupxmgkq94r0jpsk</a>.","bibtex":"@book{Bachmann_Frömmel_Münzmay_2024, title={ OPEN FAUST Preview (dataset)}, DOI={<a href=\"https://doi.org/10.22000/uupxmgkq94r0jpsk\">10.22000/uupxmgkq94r0jpsk</a>}, publisher={RADAR4Culture}, author={Bachmann, Tobias and Frömmel, Lena and Münzmay, Andreas}, year={2024} }","short":"T. Bachmann, L. Frömmel, A. Münzmay,  OPEN FAUST Preview (Dataset), RADAR4Culture, 2024."},"year":"2024","related_material":{"link":[{"url":"https://open-faust.zenmem.de/index.html","relation":"contains"}]},"doi":"10.22000/uupxmgkq94r0jpsk","title":" OPEN FAUST Preview (dataset)","date_created":"2024-09-27T15:01:39Z","author":[{"full_name":"Bachmann, Tobias","id":"100930","last_name":"Bachmann","first_name":"Tobias"},{"id":"86796","full_name":"Frömmel, Lena","last_name":"Frömmel","orcid":"0009-0009-6539-7081","first_name":"Lena"},{"first_name":"Andreas","last_name":"Münzmay","orcid":"0000-0002-8373-4055","id":"61139","full_name":"Münzmay, Andreas"}],"date_updated":"2026-03-18T17:26:54Z","publisher":"RADAR4Culture"},{"year":"2024","place":"Hannover, Germany","citation":{"apa":"Berndt, A., Münzmay, A., &#38; Bömcke-Vollmer, F. (2024). Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition. <i>{DAGA 2024 – 50. Jahrestagung Für Akustik}</i>.","ama":"Berndt A, Münzmay A, Bömcke-Vollmer F. Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition. In: <i>{DAGA 2024 – 50. Jahrestagung Für Akustik}</i>. ; 2024.","bibtex":"@inproceedings{Berndt_Münzmay_Bömcke-Vollmer_2024, place={Hannover, Germany}, title={Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition}, booktitle={{DAGA 2024 – 50. Jahrestagung für Akustik}}, author={Berndt, Axel and Münzmay, Andreas and Bömcke-Vollmer, Frithjof}, year={2024} }","mla":"Berndt, Axel, et al. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition.” <i>{DAGA 2024 – 50. Jahrestagung Für Akustik}</i>, 2024.","short":"A. Berndt, A. Münzmay, F. Bömcke-Vollmer, in: {DAGA 2024 – 50. Jahrestagung Für Akustik}, Hannover, Germany, 2024.","ieee":"A. Berndt, A. Münzmay, and F. Bömcke-Vollmer, “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition,” 2024.","chicago":"Berndt, Axel, Andreas Münzmay, and Frithjof Bömcke-Vollmer. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition.” In <i>{DAGA 2024 – 50. Jahrestagung Für Akustik}</i>. Hannover, Germany, 2024."},"title":"Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition","date_updated":"2026-03-18T17:23:44Z","date_created":"2025-02-10T14:11:50Z","author":[{"first_name":"Axel","last_name":"Berndt","full_name":"Berndt, Axel","id":"55565"},{"full_name":"Münzmay, Andreas","id":"61139","orcid":"0000-0002-8373-4055","last_name":"Münzmay","first_name":"Andreas"},{"last_name":"Bömcke-Vollmer","full_name":"Bömcke-Vollmer, Frithjof","id":"124535","first_name":"Frithjof"}],"status":"public","type":"conference","publication":"{DAGA 2024 – 50. 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Religionspädagogisches Magazin für Schule und Gemeinde des Religionspädagogischen Instituts Loccum</i> 4 (2023): 9–13.","ieee":"L. Adler and A. Tumat, “Kirche und Musiktheater. Ein ambivalentes Verhältnis in Schlaglichtern,” <i>Loccumer Pelikan. Religionspädagogisches Magazin für Schule und Gemeinde des Religionspädagogischen Instituts Loccum</i>, vol. 4, pp. 9–13, 2023.","ama":"Adler L, Tumat A. Kirche und Musiktheater. Ein ambivalentes Verhältnis in Schlaglichtern. <i>Loccumer Pelikan Religionspädagogisches Magazin für Schule und Gemeinde des Religionspädagogischen Instituts Loccum</i>. 2023;4:9-13.","apa":"Adler, L., &#38; Tumat, A. (2023). Kirche und Musiktheater. Ein ambivalentes Verhältnis in Schlaglichtern. <i>Loccumer Pelikan. Religionspädagogisches Magazin für Schule und Gemeinde des Religionspädagogischen Instituts Loccum</i>, <i>4</i>, 9–13.","bibtex":"@article{Adler_Tumat_2023, title={Kirche und Musiktheater. Ein ambivalentes Verhältnis in Schlaglichtern}, volume={4}, journal={Loccumer Pelikan. Religionspädagogisches Magazin für Schule und Gemeinde des Religionspädagogischen Instituts Loccum}, author={Adler, Luise and Tumat, Antje}, year={2023}, pages={9–13} }","short":"L. Adler, A. Tumat, Loccumer Pelikan. Religionspädagogisches Magazin für Schule und Gemeinde des Religionspädagogischen Instituts Loccum 4 (2023) 9–13.","mla":"Adler, Luise, and Antje Tumat. “Kirche und Musiktheater. Ein ambivalentes Verhältnis in Schlaglichtern.” <i>Loccumer Pelikan. Religionspädagogisches Magazin für Schule und Gemeinde des Religionspädagogischen Instituts Loccum</i>, vol. 4, 2023, pp. 9–13."},"page":"9 - 13","intvolume":"         4","oa":"1","date_updated":"2024-03-18T10:13:54Z","date_created":"2024-03-06T08:34:19Z","author":[{"id":"93940","full_name":"Adler, Luise","last_name":"Adler","first_name":"Luise"},{"first_name":"Antje","full_name":"Tumat, Antje","id":"72268","last_name":"Tumat"}],"volume":4,"title":"Kirche und Musiktheater. Ein ambivalentes Verhältnis in Schlaglichtern","main_file_link":[{"url":"https://online.fliphtml5.com/osgpp/jrpp/#p=1","open_access":"1"}],"type":"journal_article","publication":"Loccumer Pelikan. Religionspädagogisches Magazin für Schule und Gemeinde des Religionspädagogischen Instituts Loccum","status":"public","_id":"52325","user_id":"93940","department":[{"_id":"233"}],"article_type":"original","language":[{"iso":"ger"}]},{"type":"research_data","abstract":[{"lang":"eng","text":"This is the data set of the project Henze-Digital. It contains project specific authority files (e.g., persons, organizations, places) and editions (e.g., letters, documents)."}],"status":"public","_id":"51678","project":[{"name":"Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk","_id":"738","grant_number":"459602398"}],"department":[{"_id":"233"},{"_id":"856"}],"user_id":"90722","year":"2023","citation":{"apa":"Capelle, I., Minetti, E., Ried, D., &#38; Tumat, A. (2023). <i>HenDi-Data (data package) v2.0.0</i>. Henze-Digital. <a href=\"https://doi.org/10.5281/ZENODO.10391419\">https://doi.org/10.5281/ZENODO.10391419</a>","bibtex":"@book{Capelle_Minetti_Ried_Tumat_2023, title={HenDi-Data (data package) v2.0.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.10391419\">10.5281/ZENODO.10391419</a>}, publisher={Henze-Digital}, author={Capelle, Irmlind and Minetti, Elena and Ried, Dennis and Tumat, Antje}, year={2023} }","short":"I. Capelle, E. Minetti, D. Ried, A. Tumat, HenDi-Data (Data Package) v2.0.0, Henze-Digital, 2023.","mla":"Capelle, Irmlind, et al. <i>HenDi-Data (Data Package) v2.0.0</i>. Henze-Digital, 2023, doi:<a href=\"https://doi.org/10.5281/ZENODO.10391419\">10.5281/ZENODO.10391419</a>.","ieee":"I. Capelle, E. Minetti, D. Ried, and A. Tumat, <i>HenDi-Data (data package) v2.0.0</i>. Henze-Digital, 2023.","chicago":"Capelle, Irmlind, Elena Minetti, Dennis Ried, and Antje Tumat. <i>HenDi-Data (Data Package) v2.0.0</i>. Henze-Digital, 2023. <a href=\"https://doi.org/10.5281/ZENODO.10391419\">https://doi.org/10.5281/ZENODO.10391419</a>.","ama":"Capelle I, Minetti E, Ried D, Tumat A. <i>HenDi-Data (Data Package) v2.0.0</i>. Henze-Digital; 2023. doi:<a href=\"https://doi.org/10.5281/ZENODO.10391419\">10.5281/ZENODO.10391419</a>"},"date_updated":"2024-03-20T11:32:31Z","publisher":"Henze-Digital","author":[{"full_name":"Capelle, Irmlind","id":"21488","last_name":"Capelle","first_name":"Irmlind"},{"last_name":"Minetti","full_name":"Minetti, Elena","id":"90723","first_name":"Elena"},{"id":"90722","full_name":"Ried, Dennis","last_name":"Ried","orcid":"https://orcid.org/0000-0001-5545-2088","first_name":"Dennis"},{"last_name":"Tumat","id":"72268","full_name":"Tumat, Antje","first_name":"Antje"}],"date_created":"2024-02-21T10:11:47Z","title":"HenDi-Data (data package) v2.0.0","doi":"10.5281/ZENODO.10391419"}]