[{"title":"HenDi-Data (data package) v1.0.0","doi":"10.5281/ZENODO.8304688","date_updated":"2024-03-20T11:32:25Z","publisher":"Henze-Digital","date_created":"2024-02-21T10:18:09Z","author":[{"last_name":"Capelle","full_name":"Capelle, Irmlind","id":"21488","first_name":"Irmlind"},{"id":"90723","full_name":"Minetti, Elena","last_name":"Minetti","first_name":"Elena"},{"first_name":"Dennis","full_name":"Ried, Dennis","id":"90722","orcid":"https://orcid.org/0000-0001-5545-2088","last_name":"Ried"},{"first_name":"Antje","full_name":"Tumat, Antje","id":"72268","last_name":"Tumat"}],"year":"2023","citation":{"apa":"Capelle, I., Minetti, E., Ried, D., &#38; Tumat, A. (2023). <i>HenDi-Data (data package) v1.0.0</i>. Henze-Digital. <a href=\"https://doi.org/10.5281/ZENODO.8304688\">https://doi.org/10.5281/ZENODO.8304688</a>","short":"I. Capelle, E. Minetti, D. Ried, A. Tumat, HenDi-Data (Data Package) v1.0.0, Henze-Digital, 2023.","mla":"Capelle, Irmlind, et al. <i>HenDi-Data (Data Package) v1.0.0</i>. Henze-Digital, 2023, doi:<a href=\"https://doi.org/10.5281/ZENODO.8304688\">10.5281/ZENODO.8304688</a>.","bibtex":"@book{Capelle_Minetti_Ried_Tumat_2023, title={HenDi-Data (data package) v1.0.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.8304688\">10.5281/ZENODO.8304688</a>}, publisher={Henze-Digital}, author={Capelle, Irmlind and Minetti, Elena and Ried, Dennis and Tumat, Antje}, year={2023} }","ieee":"I. Capelle, E. Minetti, D. Ried, and A. Tumat, <i>HenDi-Data (data package) v1.0.0</i>. Henze-Digital, 2023.","chicago":"Capelle, Irmlind, Elena Minetti, Dennis Ried, and Antje Tumat. <i>HenDi-Data (Data Package) v1.0.0</i>. Henze-Digital, 2023. <a href=\"https://doi.org/10.5281/ZENODO.8304688\">https://doi.org/10.5281/ZENODO.8304688</a>.","ama":"Capelle I, Minetti E, Ried D, Tumat A. <i>HenDi-Data (Data Package) v1.0.0</i>. Henze-Digital; 2023. doi:<a href=\"https://doi.org/10.5281/ZENODO.8304688\">10.5281/ZENODO.8304688</a>"},"project":[{"name":"Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk","_id":"738","grant_number":"459602398"}],"_id":"51679","user_id":"90722","department":[{"_id":"233"},{"_id":"856"}],"abstract":[{"lang":"eng","text":"This is the data set of the project Henze-Digital. It contains project specific authority files (e.g., persons, organizations, places) and editions (e.g., letters, documents)."}],"status":"public","type":"research_data"},{"title":"‚[M]uch too terrible for representation‘. Musik und Geräusch in Matthew Lewis’ Melodram The Captive (1803)","date_updated":"2024-04-15T12:16:12Z","author":[{"last_name":"Ricke","id":"78162","full_name":"Ricke, Anna","first_name":"Anna"}],"date_created":"2024-03-08T12:26:06Z","place":"München","year":"2023","page":"241–256","citation":{"mla":"Ricke, Anna. “‚[M]uch too terrible for representation‘. Musik und Geräusch in Matthew Lewis’ Melodram The Captive (1803).” <i>Musik und das Unheimliche</i>, edited by Christoph  Hust et al., 2023, pp. 241–256.","bibtex":"@inbook{Ricke_2023, place={München}, title={‚[M]uch too terrible for representation‘. Musik und Geräusch in Matthew Lewis’ Melodram The Captive (1803)}, booktitle={Musik und das Unheimliche}, author={Ricke, Anna}, editor={Hust, Christoph  and Rentsch, Ivana  and  Stollberg, Arne}, year={2023}, pages={241–256} }","short":"A. Ricke, in: C. Hust, I. Rentsch, A.  Stollberg (Eds.), Musik und das Unheimliche, München, 2023, pp. 241–256.","apa":"Ricke, A. (2023). ‚[M]uch too terrible for representation‘. Musik und Geräusch in Matthew Lewis’ Melodram The Captive (1803). In C. Hust, I. Rentsch, &#38; A.  Stollberg (Eds.), <i>Musik und das Unheimliche</i> (pp. 241–256).","chicago":"Ricke, Anna. “‚[M]uch too terrible for representation‘. Musik und Geräusch in Matthew Lewis’ Melodram The Captive (1803).” In <i>Musik und das Unheimliche</i>, edited by Christoph  Hust, Ivana  Rentsch, and Arne  Stollberg, 241–256. München, 2023.","ieee":"A. Ricke, “‚[M]uch too terrible for representation‘. Musik und Geräusch in Matthew Lewis’ Melodram The Captive (1803),” in <i>Musik und das Unheimliche</i>, C. Hust, I. Rentsch, and A.  Stollberg, Eds. München, 2023, pp. 241–256.","ama":"Ricke A. ‚[M]uch too terrible for representation‘. Musik und Geräusch in Matthew Lewis’ Melodram The Captive (1803). In: Hust C, Rentsch I,  Stollberg A, eds. <i>Musik und das Unheimliche</i>. ; 2023:241–256."},"publication_status":"published","language":[{"iso":"ger"}],"_id":"52391","department":[{"_id":"233"}],"user_id":"78162","editor":[{"last_name":"Hust","full_name":"Hust, Christoph ","first_name":"Christoph "},{"last_name":"Rentsch","full_name":"Rentsch, Ivana ","first_name":"Ivana "},{"full_name":" Stollberg, Arne","last_name":" Stollberg","first_name":"Arne"}],"status":"public","publication":"Musik und das Unheimliche","type":"book_chapter"},{"language":[{"iso":"ger"}],"user_id":"78162","series_title":"Musik – Kultur – Gender","department":[{"_id":"233"}],"_id":"52392","status":"public","editor":[{"full_name":"Bagge, Maren","last_name":"Bagge","first_name":"Maren"},{"full_name":"Strohmann, Nicole K. ","last_name":"Strohmann","first_name":"Nicole K. "}],"type":"book_chapter","publication":"Kulturelles Handeln | Macht | Mobil. Interdisziplinäre Studien zur gender- und musikbezogenen Mobilitätsforschung","title":"Flexibilitätsgeprägte Biographien als methodische Herausforderung – Das Beispiel der Musikerin Smaragda Eger-Berg","date_created":"2024-03-08T12:28:34Z","author":[{"first_name":"Anna","last_name":"Ricke","id":"78162","full_name":"Ricke, Anna"}],"volume":20,"date_updated":"2024-04-15T12:16:20Z","citation":{"ama":"Ricke A. Flexibilitätsgeprägte Biographien als methodische Herausforderung – Das Beispiel der Musikerin Smaragda Eger-Berg. In: Bagge M, Strohmann NK, eds. <i>Kulturelles Handeln | Macht | Mobil. Interdisziplinäre Studien zur gender- und musikbezogenen Mobilitätsforschung</i>. Vol 20. Musik – Kultur – Gender. ; 2023:75–83.","chicago":"Ricke, Anna. “Flexibilitätsgeprägte Biographien als methodische Herausforderung – Das Beispiel der Musikerin Smaragda Eger-Berg.” In <i>Kulturelles Handeln | Macht | Mobil. Interdisziplinäre Studien zur gender- und musikbezogenen Mobilitätsforschung</i>, edited by Maren Bagge and Nicole K.  Strohmann, 20:75–83. Musik – Kultur – Gender. Köln, 2023.","ieee":"A. Ricke, “Flexibilitätsgeprägte Biographien als methodische Herausforderung – Das Beispiel der Musikerin Smaragda Eger-Berg,” in <i>Kulturelles Handeln | Macht | Mobil. Interdisziplinäre Studien zur gender- und musikbezogenen Mobilitätsforschung</i>, vol. 20, M. Bagge and N. K. Strohmann, Eds. Köln, 2023, pp. 75–83.","apa":"Ricke, A. (2023). Flexibilitätsgeprägte Biographien als methodische Herausforderung – Das Beispiel der Musikerin Smaragda Eger-Berg. In M. Bagge &#38; N. K. Strohmann (Eds.), <i>Kulturelles Handeln | Macht | Mobil. Interdisziplinäre Studien zur gender- und musikbezogenen Mobilitätsforschung</i> (Vol. 20, pp. 75–83).","short":"A. Ricke, in: M. Bagge, N.K. Strohmann (Eds.), Kulturelles Handeln | Macht | Mobil. Interdisziplinäre Studien zur gender- und musikbezogenen Mobilitätsforschung, Köln, 2023, pp. 75–83.","mla":"Ricke, Anna. “Flexibilitätsgeprägte Biographien als methodische Herausforderung – Das Beispiel der Musikerin Smaragda Eger-Berg.” <i>Kulturelles Handeln | Macht | Mobil. Interdisziplinäre Studien zur gender- und musikbezogenen Mobilitätsforschung</i>, edited by Maren Bagge and Nicole K.  Strohmann, vol. 20, 2023, pp. 75–83.","bibtex":"@inbook{Ricke_2023, place={Köln}, series={Musik – Kultur – Gender}, title={Flexibilitätsgeprägte Biographien als methodische Herausforderung – Das Beispiel der Musikerin Smaragda Eger-Berg}, volume={20}, booktitle={Kulturelles Handeln | Macht | Mobil. Interdisziplinäre Studien zur gender- und musikbezogenen Mobilitätsforschung}, author={Ricke, Anna}, editor={Bagge, Maren and Strohmann, Nicole K. }, year={2023}, pages={75–83}, collection={Musik – Kultur – Gender} }"},"page":"75–83","intvolume":"        20","place":"Köln","year":"2023","publication_status":"published"},{"date_created":"2024-11-18T12:41:42Z","author":[{"first_name":"Anna Viktoria Katrin","id":"102981","full_name":"Plaksin, Anna Viktoria Katrin","last_name":"Plaksin","orcid":"0000-0002-9969-0608"}],"publisher":"ACM","date_updated":"2025-05-13T13:40:24Z","conference":{"name":"10th International Conference on Digital Libraries for Musicology","start_date":"2023-11-10","end_date":"2023-11-10","location":"Milan"},"doi":"10.1145/3625135.3625149","title":"Understanding the needs of music editors in a digital world. Adding support for editorial markup to the mei-friend editor","quality_controlled":"1","publication_status":"published","citation":{"ieee":"A. V. K. Plaksin, “Understanding the needs of music editors in a digital world. Adding support for editorial markup to the mei-friend editor,” presented at the 10th International Conference on Digital Libraries for Musicology, Milan, 2023, doi: <a href=\"https://doi.org/10.1145/3625135.3625149\">10.1145/3625135.3625149</a>.","chicago":"Plaksin, Anna Viktoria Katrin. “Understanding the Needs of Music Editors in a Digital World. Adding Support for Editorial Markup to the Mei-Friend Editor.” In <i>Proceedings of the 10th International Conference on Digital Libraries for Musicology</i>. ACM, 2023. <a href=\"https://doi.org/10.1145/3625135.3625149\">https://doi.org/10.1145/3625135.3625149</a>.","ama":"Plaksin AVK. Understanding the needs of music editors in a digital world. Adding support for editorial markup to the mei-friend editor. In: <i>Proceedings of the 10th International Conference on Digital Libraries for Musicology</i>. ACM; 2023. doi:<a href=\"https://doi.org/10.1145/3625135.3625149\">10.1145/3625135.3625149</a>","bibtex":"@inproceedings{Plaksin_2023, title={Understanding the needs of music editors in a digital world. Adding support for editorial markup to the mei-friend editor}, DOI={<a href=\"https://doi.org/10.1145/3625135.3625149\">10.1145/3625135.3625149</a>}, booktitle={Proceedings of the 10th International Conference on Digital Libraries for Musicology}, publisher={ACM}, author={Plaksin, Anna Viktoria Katrin}, year={2023} }","mla":"Plaksin, Anna Viktoria Katrin. “Understanding the Needs of Music Editors in a Digital World. Adding Support for Editorial Markup to the Mei-Friend Editor.” <i>Proceedings of the 10th International Conference on Digital Libraries for Musicology</i>, ACM, 2023, doi:<a href=\"https://doi.org/10.1145/3625135.3625149\">10.1145/3625135.3625149</a>.","short":"A.V.K. Plaksin, in: Proceedings of the 10th International Conference on Digital Libraries for Musicology, ACM, 2023.","apa":"Plaksin, A. V. K. (2023). Understanding the needs of music editors in a digital world. Adding support for editorial markup to the mei-friend editor. <i>Proceedings of the 10th International Conference on Digital Libraries for Musicology</i>. 10th International Conference on Digital Libraries for Musicology, Milan. <a href=\"https://doi.org/10.1145/3625135.3625149\">https://doi.org/10.1145/3625135.3625149</a>"},"year":"2023","department":[{"_id":"872"}],"user_id":"102981","_id":"57201","project":[{"name":"Musikwissenschaftliches Markup für den mei-friend Editor","_id":"1442"}],"language":[{"iso":"eng"}],"publication":"Proceedings of the 10th International Conference on Digital Libraries for Musicology","type":"conference","status":"public","abstract":[{"lang":"eng","text":"The mei-friend editor aims to address the challenges faced in the \"last mile\" of preparing MEI encodings, specifically the conversion and correction of the encodings through a user-friendly interface that allows users to manipulate the MEI encoding through an interactive rendering display. To complement these functions, various tools for enriching encodings with annotations and markup are currently under further development, allowing for the creation of high-quality digital resources and digital music editions. The goal is to increase the users’ abilities to manipulate the encoding based on selections within the visual rendering of the score. However, the complexity of adding support for editorial markup in MEI requires careful consideration of technical possibilities and project needs. This paper explores the needs of music editors based on user-centred approaches to understand the challenges of UI design and bridge the gap between user goals and technological systems. By considering the people, activities, contexts, and technologies involved in digital music editing, the aim is to develop a tool that enhances the creation of digital music editions while accommodating the complexities and requirements of the musicological research community. Interviews conducted with music editors as prospective users provided valuable insights into their work, informing the development process."}]},{"language":[{"iso":"eng"}],"publication":"Journal of Musicological Research","date_created":"2025-05-13T13:03:58Z","publisher":"Informa UK Limited","title":"Roundtable: Pedagogical Approaches to Music Encoding","issue":"2","quality_controlled":"1","year":"2023","user_id":"102981","department":[{"_id":"872"}],"_id":"59883","extern":"1","type":"journal_article","status":"public","author":[{"first_name":"Anna","last_name":"Kijas","full_name":"Kijas, Anna"},{"last_name":"Calico","full_name":"Calico, Joy H.","first_name":"Joy H."},{"last_name":"Schaub","full_name":"Schaub, Jake","first_name":"Jake"},{"full_name":"Grimmer, Jessica","last_name":"Grimmer","first_name":"Jessica"},{"first_name":"Anna Viktoria Katrin","orcid":"0000-0002-9969-0608","last_name":"Plaksin","full_name":"Plaksin, Anna Viktoria Katrin","id":"102981"},{"last_name":"Merchán Sánchez-Jara","full_name":"Merchán Sánchez-Jara, Javier F.","first_name":"Javier F."},{"first_name":"Sara","last_name":"González Gutiérrez","full_name":"González Gutiérrez, Sara"}],"volume":42,"date_updated":"2025-05-13T13:40:15Z","doi":"10.1080/01411896.2023.2231837","publication_status":"published","publication_identifier":{"issn":["0141-1896","1547-7304"]},"citation":{"apa":"Kijas, A., Calico, J. H., Schaub, J., Grimmer, J., Plaksin, A. V. K., Merchán Sánchez-Jara, J. F., &#38; González Gutiérrez, S. (2023). Roundtable: Pedagogical Approaches to Music Encoding. <i>Journal of Musicological Research</i>, <i>42</i>(2), 111–142. <a href=\"https://doi.org/10.1080/01411896.2023.2231837\">https://doi.org/10.1080/01411896.2023.2231837</a>","short":"A. Kijas, J.H. Calico, J. Schaub, J. Grimmer, A.V.K. Plaksin, J.F. Merchán Sánchez-Jara, S. González Gutiérrez, Journal of Musicological Research 42 (2023) 111–142.","mla":"Kijas, Anna, et al. “Roundtable: Pedagogical Approaches to Music Encoding.” <i>Journal of Musicological Research</i>, vol. 42, no. 2, Informa UK Limited, 2023, pp. 111–42, doi:<a href=\"https://doi.org/10.1080/01411896.2023.2231837\">10.1080/01411896.2023.2231837</a>.","bibtex":"@article{Kijas_Calico_Schaub_Grimmer_Plaksin_Merchán Sánchez-Jara_González Gutiérrez_2023, title={Roundtable: Pedagogical Approaches to Music Encoding}, volume={42}, DOI={<a href=\"https://doi.org/10.1080/01411896.2023.2231837\">10.1080/01411896.2023.2231837</a>}, number={2}, journal={Journal of Musicological Research}, publisher={Informa UK Limited}, author={Kijas, Anna and Calico, Joy H. and Schaub, Jake and Grimmer, Jessica and Plaksin, Anna Viktoria Katrin and Merchán Sánchez-Jara, Javier F. and González Gutiérrez, Sara}, year={2023}, pages={111–142} }","ama":"Kijas A, Calico JH, Schaub J, et al. Roundtable: Pedagogical Approaches to Music Encoding. <i>Journal of Musicological Research</i>. 2023;42(2):111-142. doi:<a href=\"https://doi.org/10.1080/01411896.2023.2231837\">10.1080/01411896.2023.2231837</a>","ieee":"A. Kijas <i>et al.</i>, “Roundtable: Pedagogical Approaches to Music Encoding,” <i>Journal of Musicological Research</i>, vol. 42, no. 2, pp. 111–142, 2023, doi: <a href=\"https://doi.org/10.1080/01411896.2023.2231837\">10.1080/01411896.2023.2231837</a>.","chicago":"Kijas, Anna, Joy H. Calico, Jake Schaub, Jessica Grimmer, Anna Viktoria Katrin Plaksin, Javier F. Merchán Sánchez-Jara, and Sara González Gutiérrez. “Roundtable: Pedagogical Approaches to Music Encoding.” <i>Journal of Musicological Research</i> 42, no. 2 (2023): 111–42. <a href=\"https://doi.org/10.1080/01411896.2023.2231837\">https://doi.org/10.1080/01411896.2023.2231837</a>."},"page":"111-142","intvolume":"        42"},{"language":[{"iso":"ger"}],"_id":"47487","project":[{"name":"Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition","_id":"743"},{"grant_number":"(DFG) – 441958017","_id":"745","name":"NFDI4Culture: NFDI4Culture – Konsortium für Forschungsdaten materieller und immaterieller Kulturgüter"},{"name":"OPEN Edirom","_id":"1064"}],"department":[{"_id":"572"},{"_id":"856"},{"_id":"615"}],"user_id":"61139","status":"public","publication":"DHd2023: Open Humanities, Open Culture","type":"conference_abstract","title":"Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale","conference":{"start_date":"2023-03-13","name":"DHd2023: Open Humanities, Open Culture","end_date":"2023-03-17"},"doi":"10.5281/ZENODO.7715387","main_file_link":[{"open_access":"1","url":"https://doi.org/10.5281/zenodo.7715387"}],"oa":"1","date_updated":"2025-03-21T11:58:02Z","date_created":"2023-09-27T07:08:23Z","author":[{"full_name":"Kepper, Johannes","id":"1684","last_name":"Kepper","orcid":"0000-0003-4891-260X","first_name":"Johannes"},{"first_name":"Andreas","id":"61139","full_name":"Münzmay, Andreas","orcid":"0000-0002-8373-4055","last_name":"Münzmay"}],"year":"2023","citation":{"apa":"Kepper, J., &#38; Münzmay, A. (2023). Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale. <i>DHd2023: Open Humanities, Open Culture</i>. DHd2023: Open Humanities, Open Culture. <a href=\"https://doi.org/10.5281/ZENODO.7715387\">https://doi.org/10.5281/ZENODO.7715387</a>","mla":"Kepper, Johannes, and Andreas Münzmay. “Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale.” <i>DHd2023: Open Humanities, Open Culture</i>, 2023, doi:<a href=\"https://doi.org/10.5281/ZENODO.7715387\">10.5281/ZENODO.7715387</a>.","short":"J. Kepper, A. Münzmay, in: DHd2023: Open Humanities, Open Culture, 2023.","bibtex":"@inproceedings{Kepper_Münzmay_2023, title={Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.7715387\">10.5281/ZENODO.7715387</a>}, booktitle={DHd2023: Open Humanities, Open Culture}, author={Kepper, Johannes and Münzmay, Andreas}, year={2023} }","ama":"Kepper J, Münzmay A. Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale. In: <i>DHd2023: Open Humanities, Open Culture</i>. ; 2023. doi:<a href=\"https://doi.org/10.5281/ZENODO.7715387\">10.5281/ZENODO.7715387</a>","ieee":"J. Kepper and A. Münzmay, “Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale,” presented at the DHd2023: Open Humanities, Open Culture, 2023, doi: <a href=\"https://doi.org/10.5281/ZENODO.7715387\">10.5281/ZENODO.7715387</a>.","chicago":"Kepper, Johannes, and Andreas Münzmay. “Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale.” In <i>DHd2023: Open Humanities, Open Culture</i>, 2023. <a href=\"https://doi.org/10.5281/ZENODO.7715387\">https://doi.org/10.5281/ZENODO.7715387</a>."},"publication_status":"published"},{"citation":{"chicago":"Höink, Dominik. “Komponierte Ambiguität. Ein anderer Blick auf polyphone Messen des 15. und 16. Jahrhunderts.” <i>Kirchenmusikalisches Jahrbuch</i> 107 (2023): 21–30.","ieee":"D. Höink, “Komponierte Ambiguität. Ein anderer Blick auf polyphone Messen des 15. und 16. Jahrhunderts,” <i>Kirchenmusikalisches Jahrbuch</i>, vol. 107, pp. 21–30, 2023.","ama":"Höink D. Komponierte Ambiguität. Ein anderer Blick auf polyphone Messen des 15. und 16. Jahrhunderts. <i>Kirchenmusikalisches Jahrbuch</i>. 2023;107:21-30.","short":"D. Höink, Kirchenmusikalisches Jahrbuch 107 (2023) 21–30.","bibtex":"@article{Höink_2023, title={Komponierte Ambiguität. Ein anderer Blick auf polyphone Messen des 15. und 16. Jahrhunderts}, volume={107}, journal={Kirchenmusikalisches Jahrbuch}, author={Höink, Dominik}, year={2023}, pages={21–30} }","mla":"Höink, Dominik. “Komponierte Ambiguität. Ein anderer Blick auf polyphone Messen des 15. und 16. Jahrhunderts.” <i>Kirchenmusikalisches Jahrbuch</i>, vol. 107, 2023, pp. 21–30.","apa":"Höink, D. (2023). Komponierte Ambiguität. Ein anderer Blick auf polyphone Messen des 15. und 16. Jahrhunderts. <i>Kirchenmusikalisches Jahrbuch</i>, <i>107</i>, 21–30."},"intvolume":"       107","page":"21-30","year":"2023","publication_status":"published","title":"Komponierte Ambiguität. Ein anderer Blick auf polyphone Messen des 15. und 16. Jahrhunderts","author":[{"first_name":"Dominik","last_name":"Höink","id":"90389","full_name":"Höink, Dominik"}],"date_created":"2023-11-17T07:28:53Z","volume":107,"date_updated":"2025-12-17T09:00:59Z","status":"public","type":"journal_article","publication":"Kirchenmusikalisches Jahrbuch","language":[{"iso":"ger"}],"user_id":"90389","department":[{"_id":"233"},{"_id":"716"}],"_id":"48994"},{"publication":"Proceedings of the 19th Sound and Music Computing Conference, June 5-12th, 2022, Saint-Étienne (France)","type":"journal_article","status":"public","_id":"50441","department":[{"_id":"233"}],"user_id":"14931","language":[{"iso":"eng"}],"year":"2022","citation":{"chicago":"Ludovico, Luca A., Alberto Mattea, and Davide Andrea Mauro. “Preserving, Restoring, and Passing Down Video-Game Music from the Past: The Case of Directmusic.” <i>Proceedings of the 19th Sound and Music Computing Conference, June 5-12th, 2022, Saint-Étienne (France)</i>, 2022. <a href=\"https://doi.org/10.5281/ZENODO.6573638\">https://doi.org/10.5281/ZENODO.6573638</a>.","ieee":"L. A. Ludovico, A. Mattea, and D. A. Mauro, “Preserving, Restoring, and Passing Down Video-Game Music from the Past: The Case of Directmusic,” <i>Proceedings of the 19th Sound and Music Computing Conference, June 5-12th, 2022, Saint-Étienne (France)</i>, 2022, doi: <a href=\"https://doi.org/10.5281/ZENODO.6573638\">10.5281/ZENODO.6573638</a>.","ama":"Ludovico LA, Mattea A, Mauro DA. Preserving, Restoring, and Passing Down Video-Game Music from the Past: The Case of Directmusic. <i>Proceedings of the 19th Sound and Music Computing Conference, June 5-12th, 2022, Saint-Étienne (France)</i>. Published online 2022. doi:<a href=\"https://doi.org/10.5281/ZENODO.6573638\">10.5281/ZENODO.6573638</a>","apa":"Ludovico, L. A., Mattea, A., &#38; Mauro, D. A. (2022). Preserving, Restoring, and Passing Down Video-Game Music from the Past: The Case of Directmusic. <i>Proceedings of the 19th Sound and Music Computing Conference, June 5-12th, 2022, Saint-Étienne (France)</i>. <a href=\"https://doi.org/10.5281/ZENODO.6573638\">https://doi.org/10.5281/ZENODO.6573638</a>","bibtex":"@article{Ludovico_Mattea_Mauro_2022, title={Preserving, Restoring, and Passing Down Video-Game Music from the Past: The Case of Directmusic}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.6573638\">10.5281/ZENODO.6573638</a>}, journal={Proceedings of the 19th Sound and Music Computing Conference, June 5-12th, 2022, Saint-Étienne (France)}, author={Ludovico, Luca A. and Mattea, Alberto and Mauro, Davide Andrea}, year={2022} }","mla":"Ludovico, Luca A., et al. “Preserving, Restoring, and Passing Down Video-Game Music from the Past: The Case of Directmusic.” <i>Proceedings of the 19th Sound and Music Computing Conference, June 5-12th, 2022, Saint-Étienne (France)</i>, 2022, doi:<a href=\"https://doi.org/10.5281/ZENODO.6573638\">10.5281/ZENODO.6573638</a>.","short":"L.A. Ludovico, A. Mattea, D.A. Mauro, Proceedings of the 19th Sound and Music Computing Conference, June 5-12th, 2022, Saint-Étienne (France) (2022)."},"date_updated":"2024-02-19T10:56:13Z","author":[{"first_name":"Luca A.","last_name":"Ludovico","full_name":"Ludovico, Luca A."},{"last_name":"Mattea","full_name":"Mattea, Alberto","first_name":"Alberto"},{"full_name":"Mauro, Davide Andrea","id":"104047","last_name":"Mauro","orcid":"0000-0001-8437-4517","first_name":"Davide Andrea"}],"date_created":"2024-01-11T08:09:13Z","title":"Preserving, Restoring, and Passing Down Video-Game Music from the Past: The Case of Directmusic","doi":"10.5281/ZENODO.6573638"},{"title":"Nachhaltige Softwareentwicklung - Von der Inhouse-Lösung zur Open Source-Community am Beispiel von MerMEId","doi":"10.5281/ZENODO.6328022","date_updated":"2024-02-23T15:52:22Z","date_created":"2024-02-23T15:51:09Z","author":[{"first_name":"Ulrike","full_name":"Henny-Krahmer, Ulrike","last_name":"Henny-Krahmer"},{"full_name":"Stadler, Peter","id":"10856","orcid":"0000-0002-2544-1481","last_name":"Stadler","first_name":"Peter"}],"year":"2022","citation":{"ieee":"U. Henny-Krahmer and P. Stadler, “Nachhaltige Softwareentwicklung - Von der Inhouse-Lösung zur Open Source-Community am Beispiel von MerMEId,” 2022, doi: <a href=\"https://doi.org/10.5281/ZENODO.6328022\">10.5281/ZENODO.6328022</a>.","chicago":"Henny-Krahmer, Ulrike, and Peter Stadler. “Nachhaltige Softwareentwicklung - Von Der Inhouse-Lösung Zur Open Source-Community Am Beispiel von MerMEId,” 2022. <a href=\"https://doi.org/10.5281/ZENODO.6328022\">https://doi.org/10.5281/ZENODO.6328022</a>.","ama":"Henny-Krahmer U, Stadler P. Nachhaltige Softwareentwicklung - Von der Inhouse-Lösung zur Open Source-Community am Beispiel von MerMEId. In: ; 2022. doi:<a href=\"https://doi.org/10.5281/ZENODO.6328022\">10.5281/ZENODO.6328022</a>","mla":"Henny-Krahmer, Ulrike, and Peter Stadler. <i>Nachhaltige Softwareentwicklung - Von Der Inhouse-Lösung Zur Open Source-Community Am Beispiel von MerMEId</i>. 2022, doi:<a href=\"https://doi.org/10.5281/ZENODO.6328022\">10.5281/ZENODO.6328022</a>.","short":"U. Henny-Krahmer, P. Stadler, in: 2022.","bibtex":"@inproceedings{Henny-Krahmer_Stadler_2022, title={Nachhaltige Softwareentwicklung - Von der Inhouse-Lösung zur Open Source-Community am Beispiel von MerMEId}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.6328022\">10.5281/ZENODO.6328022</a>}, author={Henny-Krahmer, Ulrike and Stadler, Peter}, year={2022} }","apa":"Henny-Krahmer, U., &#38; Stadler, P. (2022). <i>Nachhaltige Softwareentwicklung - Von der Inhouse-Lösung zur Open Source-Community am Beispiel von MerMEId</i>. <a href=\"https://doi.org/10.5281/ZENODO.6328022\">https://doi.org/10.5281/ZENODO.6328022</a>"},"language":[{"iso":"eng"}],"_id":"51803","department":[{"_id":"233"}],"user_id":"10856","status":"public","type":"conference"},{"quality_controlled":"1","year":"2022","citation":{"ama":"Ried D, Gubsch C. METAdata and metaDATA. In: Münnich S, Rizo D, eds. ; 2022. doi:<a href=\"https://doi.org/10.17613/50T9-Z881\">10.17613/50T9-Z881</a>","chicago":"Ried, Dennis, and Clemens Gubsch. “METAdata and MetaDATA.” edited by Stefan Münnich and David Rizo, 2022. <a href=\"https://doi.org/10.17613/50T9-Z881\">https://doi.org/10.17613/50T9-Z881</a>.","ieee":"D. Ried and C. Gubsch, “METAdata and metaDATA,” University of Alicante, 2022, doi: <a href=\"https://doi.org/10.17613/50T9-Z881\">10.17613/50T9-Z881</a>.","mla":"Ried, Dennis, and Clemens Gubsch. <i>METAdata and MetaDATA</i>. Edited by Stefan Münnich and David Rizo, 2022, doi:<a href=\"https://doi.org/10.17613/50T9-Z881\">10.17613/50T9-Z881</a>.","short":"D. Ried, C. Gubsch, in: S. Münnich, D. Rizo (Eds.), 2022.","bibtex":"@inproceedings{Ried_Gubsch_2022, title={METAdata and metaDATA}, DOI={<a href=\"https://doi.org/10.17613/50T9-Z881\">10.17613/50T9-Z881</a>}, author={Ried, Dennis and Gubsch, Clemens}, editor={Münnich, Stefan and Rizo, David}, year={2022} }","apa":"Ried, D., &#38; Gubsch, C. (2022). <i>METAdata and metaDATA</i> (S. Münnich &#38; D. Rizo, Eds.). <a href=\"https://doi.org/10.17613/50T9-Z881\">https://doi.org/10.17613/50T9-Z881</a>"},"date_updated":"2024-02-28T09:20:25Z","author":[{"last_name":"Ried","orcid":"https://orcid.org/0000-0001-5545-2088","id":"90722","full_name":"Ried, Dennis","first_name":"Dennis"},{"last_name":"Gubsch","full_name":"Gubsch, Clemens","first_name":"Clemens"}],"date_created":"2023-08-21T06:27:14Z","title":"METAdata and metaDATA","doi":"10.17613/50T9-Z881","conference":{"start_date":"2021-07-19","name":"Music Encoding Conference 2021","location":"University of Alicante","end_date":"2021-07-22"},"type":"conference","editor":[{"first_name":"Stefan","last_name":"Münnich","full_name":"Münnich, Stefan"},{"full_name":"Rizo, David","last_name":"Rizo","first_name":"David"}],"abstract":[{"lang":"eng","text":"Metadata are a very broad and extremely differentiated subject and ranges from rudimentary catalog data to deeply indexed scientific catalogs (e.g., catalogs of works). In this paper, the concept of metadata in the context of MEI is first examined, before two examples are used to show that metadata are more than just rudimentary descriptions. These examples are also intended to illustrate the extent to which metadata are encoded in the field of music philology and thus represent an attempt to create a little more awareness for the work of the Metadata and Cataloging Interest Group of MEI. The examples deal on the one hand with the encoding of performance resources and on the other hand with watermarks. In both cases, the possibilities of metadata encoding with MEI version 4 are exhausted and it is discussed which steps are useful and necessary to create an even deeper, machine-readable structure so that these sub-fields of the MEI metadata can also be used for larger scientific purposes such as analyses."}],"status":"public","project":[{"_id":"738","name":"Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk","grant_number":"459602398"}],"_id":"46582","user_id":"90722","department":[{"_id":"233"},{"_id":"856"}],"language":[{"iso":"eng"}]},{"language":[{"iso":"eng"}],"user_id":"93940","department":[{"_id":"233"}],"_id":"52326","status":"public","abstract":[{"text":"Helmut Lachenmann and Karlheinz Stockhausen are often regarded as representatives of a negative attitude towards traditions of canonised European art music. In their compositional self-image they strive for renewal and innovative artistic work beyond established models. However, an examination of ego-documents and compositions reveals contradictions within this claim. The essay therefore examines both composers’ concepts of and their self-location within tradition. The aim is to show how a decided departure from historical structural principles as well as latent lines of tradition are effective in two works. Because of the special historical significance of the genre, two string quartets have been selected.","lang":"eng"}],"editor":[{"first_name":"Gordana","last_name":"Grujić","full_name":"Grujić, Gordana"},{"last_name":"Pavlović","full_name":"Pavlović, Saša","first_name":"Saša"}],"type":"conference","publication":"Vlado S. Milošević: Tradition as Inspiration. Thematic proceedings from the 2021 scientific conference","conference":{"name":"International Conference, Vlado S. Milošević: Tradition as Inspiration","start_date":"2021-04-16","end_date":"2021-04-18","location":"Online"},"title":"Helmut Lachenmann and Karlheinz Stockhausen: String quartets between avant-garde and tradition","author":[{"last_name":"Adler","id":"93940","full_name":"Adler, Luise","first_name":"Luise"}],"date_created":"2024-03-06T08:39:33Z","date_updated":"2024-03-06T08:39:43Z","citation":{"apa":"Adler, L. (2022). Helmut Lachenmann and Karlheinz Stockhausen: String quartets between avant-garde and tradition. In G. Grujić &#38; S. Pavlović (Eds.), <i>Vlado S. Milošević: Tradition as Inspiration. Thematic proceedings from the 2021 scientific conference</i> (pp. 317–329).","mla":"Adler, Luise. “Helmut Lachenmann and Karlheinz Stockhausen: String Quartets between Avant-Garde and Tradition.” <i>Vlado S. Milošević: Tradition as Inspiration. Thematic Proceedings from the 2021 Scientific Conference</i>, edited by Gordana Grujić and Saša Pavlović, 2022, pp. 317–29.","short":"L. Adler, in: G. Grujić, S. Pavlović (Eds.), Vlado S. Milošević: Tradition as Inspiration. Thematic Proceedings from the 2021 Scientific Conference, Banja Luka, 2022, pp. 317–329.","bibtex":"@inproceedings{Adler_2022, place={Banja Luka}, title={Helmut Lachenmann and Karlheinz Stockhausen: String quartets between avant-garde and tradition}, booktitle={Vlado S. Milošević: Tradition as Inspiration. Thematic proceedings from the 2021 scientific conference}, author={Adler, Luise}, editor={Grujić, Gordana and Pavlović, Saša}, year={2022}, pages={317–329} }","chicago":"Adler, Luise. “Helmut Lachenmann and Karlheinz Stockhausen: String Quartets between Avant-Garde and Tradition.” In <i>Vlado S. Milošević: Tradition as Inspiration. Thematic Proceedings from the 2021 Scientific Conference</i>, edited by Gordana Grujić and Saša Pavlović, 317–29. Banja Luka, 2022.","ieee":"L. Adler, “Helmut Lachenmann and Karlheinz Stockhausen: String quartets between avant-garde and tradition,” in <i>Vlado S. Milošević: Tradition as Inspiration. Thematic proceedings from the 2021 scientific conference</i>, Online, 2022, pp. 317–329.","ama":"Adler L. Helmut Lachenmann and Karlheinz Stockhausen: String quartets between avant-garde and tradition. In: Grujić G, Pavlović S, eds. <i>Vlado S. Milošević: Tradition as Inspiration. Thematic Proceedings from the 2021 Scientific Conference</i>. ; 2022:317-329."},"page":"317 - 329","place":"Banja Luka","year":"2022","publication_status":"published","publication_identifier":{"isbn":["978-99938-27-37-5"]},"quality_controlled":"1"},{"language":[{"iso":"eng"}],"user_id":"1684","department":[{"_id":"538"},{"_id":"874"}],"project":[{"_id":"743","name":"Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition"}],"_id":"55839","status":"public","editor":[{"first_name":"Stefan","full_name":"Münnich, Stefan","last_name":"Münnich"},{"full_name":"Rizo, David","last_name":"Rizo","first_name":"David"}],"type":"conference","publication":"Music Encoding Conference Proceedings 2021","main_file_link":[{"open_access":"1","url":"https://doi.org/10.17613/q6y4-9139"}],"doi":"https://doi.org/10.17613/q6y4-9139","title":"Encoding Genetic Processes II","author":[{"first_name":"Susanne","last_name":"Cox","full_name":"Cox, Susanne"},{"last_name":"Kepper","orcid":"0000-0003-4891-260X","full_name":"Kepper, Johannes","id":"1684","first_name":"Johannes"}],"date_created":"2024-08-28T11:45:05Z","date_updated":"2024-08-28T14:05:21Z","publisher":"Humanities Commons","oa":"1","citation":{"apa":"Cox, S., &#38; Kepper, J. (2022). Encoding Genetic Processes II. In S. Münnich &#38; D. Rizo (Eds.), <i>Music Encoding Conference Proceedings 2021</i> (pp. 85–95). Humanities Commons. <a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>","bibtex":"@inproceedings{Cox_Kepper_2022, place={Alicante}, title={Encoding Genetic Processes II}, DOI={<a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>}, booktitle={Music Encoding Conference Proceedings 2021}, publisher={Humanities Commons}, author={Cox, Susanne and Kepper, Johannes}, editor={Münnich, Stefan and Rizo, David}, year={2022}, pages={85–95} }","short":"S. Cox, J. Kepper, in: S. Münnich, D. Rizo (Eds.), Music Encoding Conference Proceedings 2021, Humanities Commons, Alicante, 2022, pp. 85–95.","mla":"Cox, Susanne, and Johannes Kepper. “Encoding Genetic Processes II.” <i>Music Encoding Conference Proceedings 2021</i>, edited by Stefan Münnich and David Rizo, Humanities Commons, 2022, pp. 85–95, doi:<a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>.","chicago":"Cox, Susanne, and Johannes Kepper. “Encoding Genetic Processes II.” In <i>Music Encoding Conference Proceedings 2021</i>, edited by Stefan Münnich and David Rizo, 85–95. Alicante: Humanities Commons, 2022. <a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>.","ieee":"S. Cox and J. Kepper, “Encoding Genetic Processes II,” in <i>Music Encoding Conference Proceedings 2021</i>, 2022, pp. 85–95, doi: <a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>.","ama":"Cox S, Kepper J. Encoding Genetic Processes II. In: Münnich S, Rizo D, eds. <i>Music Encoding Conference Proceedings 2021</i>. Humanities Commons; 2022:85–95. doi:<a href=\"https://doi.org/10.17613/q6y4-9139\">https://doi.org/10.17613/q6y4-9139</a>"},"page":"85–95","year":"2022","place":"Alicante","publication_status":"published"},{"title":"MeRIT: An interactive annotation tool for mensural rhythms","doi":"10.1145/3543882.3543888","publisher":"ACM","date_updated":"2025-05-13T13:44:26Z","author":[{"first_name":"Anna Viktoria Katrin","last_name":"Plaksin","orcid":"0000-0002-9969-0608","full_name":"Plaksin, Anna Viktoria Katrin","id":"102981"},{"first_name":"David","last_name":"Lewis","full_name":"Lewis, David"}],"date_created":"2025-05-13T13:01:26Z","year":"2022","citation":{"short":"A.V.K. Plaksin, D. Lewis, in: 9th International Conference on Digital Libraries for Musicology, ACM, 2022.","bibtex":"@inproceedings{Plaksin_Lewis_2022, title={MeRIT: An interactive annotation tool for mensural rhythms}, DOI={<a href=\"https://doi.org/10.1145/3543882.3543888\">10.1145/3543882.3543888</a>}, booktitle={9th International Conference on Digital Libraries for Musicology}, publisher={ACM}, author={Plaksin, Anna Viktoria Katrin and Lewis, David}, year={2022} }","mla":"Plaksin, Anna Viktoria Katrin, and David Lewis. “MeRIT: An Interactive Annotation Tool for Mensural Rhythms.” <i>9th International Conference on Digital Libraries for Musicology</i>, ACM, 2022, doi:<a href=\"https://doi.org/10.1145/3543882.3543888\">10.1145/3543882.3543888</a>.","apa":"Plaksin, A. V. K., &#38; Lewis, D. (2022). MeRIT: An interactive annotation tool for mensural rhythms. <i>9th International Conference on Digital Libraries for Musicology</i>. <a href=\"https://doi.org/10.1145/3543882.3543888\">https://doi.org/10.1145/3543882.3543888</a>","ama":"Plaksin AVK, Lewis D. MeRIT: An interactive annotation tool for mensural rhythms. In: <i>9th International Conference on Digital Libraries for Musicology</i>. ACM; 2022. doi:<a href=\"https://doi.org/10.1145/3543882.3543888\">10.1145/3543882.3543888</a>","chicago":"Plaksin, Anna Viktoria Katrin, and David Lewis. “MeRIT: An Interactive Annotation Tool for Mensural Rhythms.” In <i>9th International Conference on Digital Libraries for Musicology</i>. ACM, 2022. <a href=\"https://doi.org/10.1145/3543882.3543888\">https://doi.org/10.1145/3543882.3543888</a>.","ieee":"A. V. K. Plaksin and D. Lewis, “MeRIT: An interactive annotation tool for mensural rhythms,” 2022, doi: <a href=\"https://doi.org/10.1145/3543882.3543888\">10.1145/3543882.3543888</a>."},"quality_controlled":"1","publication_status":"published","extern":"1","language":[{"iso":"eng"}],"_id":"59882","department":[{"_id":"872"}],"user_id":"102981","status":"public","publication":"9th International Conference on Digital Libraries for Musicology","type":"conference"},{"abstract":[{"lang":"eng","text":"Das Oratorium kann als wichtige Gattung für die Analyse des Zusammenspiels von Religion und Politik im Medium der Musik gelten. Die Studie wendet sich dem Verhältnis dieser religiösen Musikform zum deutschen Nationalismus vom Beginn des Ersten bis zum Ende des Zweiten Weltkriegs zu. Im Fokus stehen verschiedene Weisen der Instrumentalisierung von Musik, etwa zur ‚Heldenehrung‘, zur Bildung einer ‚vorgestellten Gemeinschaft‘ oder zur Gewinnung der Arbeiterschaft. Bei der Analyse der Politisierung des Oratoriums sind vier Beobachtungsperspektiven leitend: Konfession, Säkularisierung, Erinnerungskultur und Vergemeinschaftung.\r\n\r\nEntsprechend liegt der Schwerpunkt der Studie auf der Analyse der sozialgeschichtlichen Funktion der Gattung. Daneben jedoch werden – in Form von Fallstudien zu bisher unerforschten Werken – auch musikalische Detailanalysen durchgeführt, die das in der jeweiligen Komposition realisierte Verhältnis von religiösen und nationalistischen Elementen offenlegen. "}],"status":"public","type":"book","language":[{"iso":"ger"}],"_id":"36424","department":[{"_id":"233"},{"_id":"716"}],"user_id":"90389","series_title":" Münsteraner Schriften zur zeitgenössischen Musik","year":"2022","place":"Münster","intvolume":"         8","page":"590","citation":{"ama":"Höink D. <i>Oratorium und Nation (1914–1945) </i>. Vol 8. Waxmann Verlag; 2022.","ieee":"D. Höink, <i>Oratorium und Nation (1914–1945) </i>, vol. 8. Münster: Waxmann Verlag, 2022.","chicago":"Höink, Dominik. <i>Oratorium und Nation (1914–1945) </i>. Vol. 8.  Münsteraner Schriften zur zeitgenössischen Musik. Münster: Waxmann Verlag, 2022.","mla":"Höink, Dominik. <i>Oratorium und Nation (1914–1945) </i>. Waxmann Verlag, 2022.","short":"D. Höink, Oratorium und Nation (1914–1945) , Waxmann Verlag, Münster, 2022.","bibtex":"@book{Höink_2022, place={Münster}, series={ Münsteraner Schriften zur zeitgenössischen Musik}, title={Oratorium und Nation (1914–1945) }, volume={8}, publisher={Waxmann Verlag}, author={Höink, Dominik}, year={2022}, collection={ Münsteraner Schriften zur zeitgenössischen Musik} }","apa":"Höink, D. (2022). <i>Oratorium und Nation (1914–1945) </i> (Vol. 8). Waxmann Verlag."},"publication_identifier":{"isbn":["978-3-8309-3984-9"]},"publication_status":"published","title":"Oratorium und Nation (1914–1945) ","date_updated":"2025-12-17T09:00:36Z","publisher":"Waxmann Verlag","volume":8,"date_created":"2023-01-12T12:43:47Z","author":[{"first_name":"Dominik","last_name":"Höink","full_name":"Höink, Dominik","id":"90389"}]},{"department":[{"_id":"572"}],"user_id":"61139","_id":"48939","language":[{"iso":"ger"}],"publication":"Musikwissenschaft der Vielfalt. FS Rebecca Grotjahn zum 60. Geb.","type":"book_chapter","status":"public","editor":[{"last_name":"Iffland","full_name":"Iffland, Joachim ","first_name":"Joachim "},{"first_name":"Johanna","last_name":"Imm","full_name":"Imm, Johanna"},{"full_name":"Jaeschke, Nina","last_name":"Jaeschke","first_name":"Nina"},{"first_name":"Sarah","last_name":"Schauberger","full_name":"Schauberger, Sarah"}],"abstract":[{"text":"The conventional wisdom is that Favart's 'Soliman second' is, as Larry Wolff puts it, about an \"explicitly French triumph over Ottoman despotism\". This may be true to a certain extent - but it misses the point. As impressive as the depiction of the 'Oriental' may have been, it is not itself the core message of this comédie, but rather only one of the means to an end, which consists of once again accompanying and authenticating Justine Favart's novel, very modern approach to realistic character representation in the best possible way. This study demonstrates this by means of a combined analysis of the theatrical levels of text, image and music. Instead of orientalism in the sense of constructing images of the exotic 'other', the textual, pictorial and musical strategies employed in this play specifically conceived for Justine Favart apply to the production of theatrical 'authenticity' and 'natural' character representation in general. The fact that the stage persona thus brought to bear, i.e. the main character Roxelane, who responds to many models from Racine to Montesquieu, is a militantly enlightened and feminist one whose 'natural' persuasiveness and force no one can ultimately resist, so that Justine Favart's Roxelane triumphantly asserts herself all along the line and establishes nothing less than a new social, gender and state order, makes the matter all the more interesting.","lang":"eng"},{"text":"Nach gängiger Meinung handelt Favarts 'Soliman second', wie Larry Wolff es ausdrückt, von einem „explicitly French triumph over Ottoman despotism.“ Das mag in gewisser Weise zutreffen – am Kern geht es doch vorbei. So eindrucksvoll die Darstellung des ‚Orientalischen‘ auch gewesen sein mag, ist sie doch nicht selbst Kernaussage dieser comédie, sondern vielmehr nur eines der Mittel zum Zweck, der darin besteht, einmal mehr Justine Favarts neuartigen, sehr modernen Ansatz einer realistischen Charakterdarstellung bestmöglich zu begleiten und zu beglaubigen. Dies zeigt die vorliegende Studie anhand einer kombinierten Analyse der Theater-Ebenen Text, Bild und Musik. Statt einem Orientalismus im Sinne der Konstruktion von Bildern des exotischen ‚Anderen‘ gelten die in diesem spezifisch für Justine Favart konzipierten Stück angewendeten textlichen, bildlichen und musikalischen Strategien der Herstellung theatraler ‚Authentizität‘ und ‚natürlicher‘ Charakterdarstellung im Allgemeinen. Dass die so zur Geltung gebrachte Bühnenpersönlichkeit, d. h. die auf viele Vorbilder von Racine bis Montesquieu reagierende Hauptfigur Roxelane, eine kämpferisch aufklärerische und feministische ist, deren ‚natürlicher‘ Überzeugungskraft und Wucht sich letztlich niemand entziehen kann, so dass Justine Favarts Roxelane sich auf ganzer Linie triumphierend durchsetzt und nichts weniger als eine neue Sozial-, Geschlechter- und Staatsordnung etabliert, macht die Sache umso interessanter.","lang":"ger"}],"author":[{"first_name":"Andreas","last_name":"Münzmay","orcid":"0000-0002-8373-4055","id":"61139","full_name":"Münzmay, Andreas"}],"date_created":"2023-11-15T21:57:31Z","publisher":"Allitera","date_updated":"2024-02-19T11:00:06Z","title":"Justine Favarts Rox(el)ane: Eine Relektüre von Soliman second (1761) in Text, Bild, Musik jenseits des Orientalismusparadigmas","publication_identifier":{"isbn":[" 978-3-96233-276-1"]},"quality_controlled":"1","publication_status":"published","page":"267-287","citation":{"ama":"Münzmay A. Justine Favarts Rox(el)ane: Eine Relektüre von Soliman second (1761) in Text, Bild, Musik jenseits des Orientalismusparadigmas. In: Iffland J, Imm J, Jaeschke N, Schauberger S, eds. <i>Musikwissenschaft der Vielfalt. FS Rebecca Grotjahn zum 60. Geb.</i> Allitera; 2021:267-287.","ieee":"A. Münzmay, “Justine Favarts Rox(el)ane: Eine Relektüre von Soliman second (1761) in Text, Bild, Musik jenseits des Orientalismusparadigmas,” in <i>Musikwissenschaft der Vielfalt. FS Rebecca Grotjahn zum 60. Geb.</i>, J. Iffland, J. Imm, N. Jaeschke, and S. Schauberger, Eds. München: Allitera, 2021, pp. 267–287.","chicago":"Münzmay, Andreas. “Justine Favarts Rox(el)ane: Eine Relektüre von Soliman second (1761) in Text, Bild, Musik jenseits des Orientalismusparadigmas.” In <i>Musikwissenschaft der Vielfalt. FS Rebecca Grotjahn zum 60. Geb.</i>, edited by Joachim  Iffland, Johanna Imm, Nina Jaeschke, and Sarah Schauberger, 267–87. München: Allitera, 2021.","apa":"Münzmay, A. (2021). Justine Favarts Rox(el)ane: Eine Relektüre von Soliman second (1761) in Text, Bild, Musik jenseits des Orientalismusparadigmas. In J. Iffland, J. Imm, N. Jaeschke, &#38; S. Schauberger (Eds.), <i>Musikwissenschaft der Vielfalt. FS Rebecca Grotjahn zum 60. Geb.</i> (pp. 267–287). Allitera.","short":"A. Münzmay, in: J. Iffland, J. Imm, N. Jaeschke, S. Schauberger (Eds.), Musikwissenschaft der Vielfalt. FS Rebecca Grotjahn zum 60. Geb., Allitera, München, 2021, pp. 267–287.","mla":"Münzmay, Andreas. “Justine Favarts Rox(el)ane: Eine Relektüre von Soliman second (1761) in Text, Bild, Musik jenseits des Orientalismusparadigmas.” <i>Musikwissenschaft der Vielfalt. FS Rebecca Grotjahn zum 60. Geb.</i>, edited by Joachim  Iffland et al., Allitera, 2021, pp. 267–87.","bibtex":"@inbook{Münzmay_2021, place={München}, title={Justine Favarts Rox(el)ane: Eine Relektüre von Soliman second (1761) in Text, Bild, Musik jenseits des Orientalismusparadigmas}, booktitle={Musikwissenschaft der Vielfalt. 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Hermann Reutter und das Lied","status":"public","editor":[{"first_name":"Matthias","full_name":"Wiegandt, Matthias","last_name":"Wiegandt"}],"author":[{"first_name":"Dennis","id":"90722","full_name":"Ried, Dennis","orcid":"https://orcid.org/0000-0001-5545-2088","last_name":"Ried"}],"date_created":"2024-02-27T13:52:34Z","date_updated":"2024-02-28T09:41:54Z","title":"Der Liebe will ich singen. Hermann Reutters Begegnung mit dem Mittelalter","citation":{"bibtex":"@inbook{Ried_2021, title={Der Liebe will ich singen. Hermann Reutters Begegnung mit dem Mittelalter}, booktitle={Ritter, Tod und Teufel. Hermann Reutter und das Lied}, author={Ried, Dennis}, editor={Wiegandt, Matthias}, year={2021}, pages={155–176} }","mla":"Ried, Dennis. “Der Liebe Will Ich Singen. Hermann Reutters Begegnung Mit Dem Mittelalter.” <i>Ritter, Tod Und Teufel. Hermann Reutter Und Das Lied</i>, edited by Matthias Wiegandt, 2021, pp. 155–176.","short":"D. Ried, in: M. Wiegandt (Ed.), Ritter, Tod Und Teufel. 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