---
_id: '51679'
abstract:
- lang: eng
text: This is the data set of the project Henze-Digital. It contains project specific
authority files (e.g., persons, organizations, places) and editions (e.g., letters,
documents).
author:
- first_name: Irmlind
full_name: Capelle, Irmlind
id: '21488'
last_name: Capelle
- first_name: Elena
full_name: Minetti, Elena
id: '90723'
last_name: Minetti
- first_name: Dennis
full_name: Ried, Dennis
id: '90722'
last_name: Ried
orcid: https://orcid.org/0000-0001-5545-2088
- first_name: Antje
full_name: Tumat, Antje
id: '72268'
last_name: Tumat
citation:
ama: Capelle I, Minetti E, Ried D, Tumat A. HenDi-Data (Data Package) v1.0.0.
Henze-Digital; 2023. doi:10.5281/ZENODO.8304688
apa: Capelle, I., Minetti, E., Ried, D., & Tumat, A. (2023). HenDi-Data (data
package) v1.0.0. Henze-Digital. https://doi.org/10.5281/ZENODO.8304688
bibtex: '@book{Capelle_Minetti_Ried_Tumat_2023, title={HenDi-Data (data package)
v1.0.0}, DOI={10.5281/ZENODO.8304688},
publisher={Henze-Digital}, author={Capelle, Irmlind and Minetti, Elena and Ried,
Dennis and Tumat, Antje}, year={2023} }'
chicago: Capelle, Irmlind, Elena Minetti, Dennis Ried, and Antje Tumat. HenDi-Data
(Data Package) v1.0.0. Henze-Digital, 2023. https://doi.org/10.5281/ZENODO.8304688.
ieee: I. Capelle, E. Minetti, D. Ried, and A. Tumat, HenDi-Data (data package)
v1.0.0. Henze-Digital, 2023.
mla: Capelle, Irmlind, et al. HenDi-Data (Data Package) v1.0.0. Henze-Digital,
2023, doi:10.5281/ZENODO.8304688.
short: I. Capelle, E. Minetti, D. Ried, A. Tumat, HenDi-Data (Data Package) v1.0.0,
Henze-Digital, 2023.
date_created: 2024-02-21T10:18:09Z
date_updated: 2024-03-20T11:32:25Z
department:
- _id: '233'
- _id: '856'
doi: 10.5281/ZENODO.8304688
project:
- _id: '738'
grant_number: '459602398'
name: 'Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk'
publisher: Henze-Digital
status: public
title: HenDi-Data (data package) v1.0.0
type: research_data
user_id: '90722'
year: '2023'
...
---
_id: '52391'
author:
- first_name: Anna
full_name: Ricke, Anna
id: '78162'
last_name: Ricke
citation:
ama: 'Ricke A. ‚[M]uch too terrible for representation‘. Musik und Geräusch in Matthew
Lewis’ Melodram The Captive (1803). In: Hust C, Rentsch I, Stollberg A, eds.
Musik und das Unheimliche. ; 2023:241–256.'
apa: Ricke, A. (2023). ‚[M]uch too terrible for representation‘. Musik und Geräusch
in Matthew Lewis’ Melodram The Captive (1803). In C. Hust, I. Rentsch, & A. Stollberg
(Eds.), Musik und das Unheimliche (pp. 241–256).
bibtex: '@inbook{Ricke_2023, place={München}, title={‚[M]uch too terrible for representation‘.
Musik und Geräusch in Matthew Lewis’ Melodram The Captive (1803)}, booktitle={Musik
und das Unheimliche}, author={Ricke, Anna}, editor={Hust, Christoph and Rentsch,
Ivana and Stollberg, Arne}, year={2023}, pages={241–256} }'
chicago: Ricke, Anna. “‚[M]uch too terrible for representation‘. Musik und Geräusch
in Matthew Lewis’ Melodram The Captive (1803).” In Musik und das Unheimliche,
edited by Christoph Hust, Ivana Rentsch, and Arne Stollberg, 241–256. München,
2023.
ieee: A. Ricke, “‚[M]uch too terrible for representation‘. Musik und Geräusch in
Matthew Lewis’ Melodram The Captive (1803),” in Musik und das Unheimliche,
C. Hust, I. Rentsch, and A. Stollberg, Eds. München, 2023, pp. 241–256.
mla: Ricke, Anna. “‚[M]uch too terrible for representation‘. Musik und Geräusch
in Matthew Lewis’ Melodram The Captive (1803).” Musik und das Unheimliche,
edited by Christoph Hust et al., 2023, pp. 241–256.
short: 'A. Ricke, in: C. Hust, I. Rentsch, A. Stollberg (Eds.), Musik und das Unheimliche,
München, 2023, pp. 241–256.'
date_created: 2024-03-08T12:26:06Z
date_updated: 2024-04-15T12:16:12Z
department:
- _id: '233'
editor:
- first_name: 'Christoph '
full_name: 'Hust, Christoph '
last_name: Hust
- first_name: 'Ivana '
full_name: 'Rentsch, Ivana '
last_name: Rentsch
- first_name: Arne
full_name: ' Stollberg, Arne'
last_name: ' Stollberg'
language:
- iso: ger
page: 241–256
place: München
publication: Musik und das Unheimliche
publication_status: published
status: public
title: ‚[M]uch too terrible for representation‘. Musik und Geräusch in Matthew Lewis’
Melodram The Captive (1803)
type: book_chapter
user_id: '78162'
year: '2023'
...
---
_id: '52392'
author:
- first_name: Anna
full_name: Ricke, Anna
id: '78162'
last_name: Ricke
citation:
ama: 'Ricke A. Flexibilitätsgeprägte Biographien als methodische Herausforderung
– Das Beispiel der Musikerin Smaragda Eger-Berg. In: Bagge M, Strohmann NK, eds.
Kulturelles Handeln | Macht | Mobil. Interdisziplinäre Studien zur gender-
und musikbezogenen Mobilitätsforschung. Vol 20. Musik – Kultur – Gender. ;
2023:75–83.'
apa: Ricke, A. (2023). Flexibilitätsgeprägte Biographien als methodische Herausforderung
– Das Beispiel der Musikerin Smaragda Eger-Berg. In M. Bagge & N. K. Strohmann
(Eds.), Kulturelles Handeln | Macht | Mobil. Interdisziplinäre Studien zur
gender- und musikbezogenen Mobilitätsforschung (Vol. 20, pp. 75–83).
bibtex: '@inbook{Ricke_2023, place={Köln}, series={Musik – Kultur – Gender}, title={Flexibilitätsgeprägte
Biographien als methodische Herausforderung – Das Beispiel der Musikerin Smaragda
Eger-Berg}, volume={20}, booktitle={Kulturelles Handeln | Macht | Mobil. Interdisziplinäre
Studien zur gender- und musikbezogenen Mobilitätsforschung}, author={Ricke, Anna},
editor={Bagge, Maren and Strohmann, Nicole K. }, year={2023}, pages={75–83}, collection={Musik
– Kultur – Gender} }'
chicago: Ricke, Anna. “Flexibilitätsgeprägte Biographien als methodische Herausforderung
– Das Beispiel der Musikerin Smaragda Eger-Berg.” In Kulturelles Handeln |
Macht | Mobil. Interdisziplinäre Studien zur gender- und musikbezogenen Mobilitätsforschung,
edited by Maren Bagge and Nicole K. Strohmann, 20:75–83. Musik – Kultur – Gender.
Köln, 2023.
ieee: A. Ricke, “Flexibilitätsgeprägte Biographien als methodische Herausforderung
– Das Beispiel der Musikerin Smaragda Eger-Berg,” in Kulturelles Handeln |
Macht | Mobil. Interdisziplinäre Studien zur gender- und musikbezogenen Mobilitätsforschung,
vol. 20, M. Bagge and N. K. Strohmann, Eds. Köln, 2023, pp. 75–83.
mla: Ricke, Anna. “Flexibilitätsgeprägte Biographien als methodische Herausforderung
– Das Beispiel der Musikerin Smaragda Eger-Berg.” Kulturelles Handeln | Macht
| Mobil. Interdisziplinäre Studien zur gender- und musikbezogenen Mobilitätsforschung,
edited by Maren Bagge and Nicole K. Strohmann, vol. 20, 2023, pp. 75–83.
short: 'A. Ricke, in: M. Bagge, N.K. Strohmann (Eds.), Kulturelles Handeln | Macht
| Mobil. Interdisziplinäre Studien zur gender- und musikbezogenen Mobilitätsforschung,
Köln, 2023, pp. 75–83.'
date_created: 2024-03-08T12:28:34Z
date_updated: 2024-04-15T12:16:20Z
department:
- _id: '233'
editor:
- first_name: Maren
full_name: Bagge, Maren
last_name: Bagge
- first_name: 'Nicole K. '
full_name: 'Strohmann, Nicole K. '
last_name: Strohmann
intvolume: ' 20'
language:
- iso: ger
page: 75–83
place: Köln
publication: Kulturelles Handeln | Macht | Mobil. Interdisziplinäre Studien zur gender-
und musikbezogenen Mobilitätsforschung
publication_status: published
series_title: Musik – Kultur – Gender
status: public
title: Flexibilitätsgeprägte Biographien als methodische Herausforderung – Das Beispiel
der Musikerin Smaragda Eger-Berg
type: book_chapter
user_id: '78162'
volume: 20
year: '2023'
...
---
_id: '57201'
abstract:
- lang: eng
text: The mei-friend editor aims to address the challenges faced in the "last mile"
of preparing MEI encodings, specifically the conversion and correction of the
encodings through a user-friendly interface that allows users to manipulate the
MEI encoding through an interactive rendering display. To complement these functions,
various tools for enriching encodings with annotations and markup are currently
under further development, allowing for the creation of high-quality digital resources
and digital music editions. The goal is to increase the users’ abilities to manipulate
the encoding based on selections within the visual rendering of the score. However,
the complexity of adding support for editorial markup in MEI requires careful
consideration of technical possibilities and project needs. This paper explores
the needs of music editors based on user-centred approaches to understand the
challenges of UI design and bridge the gap between user goals and technological
systems. By considering the people, activities, contexts, and technologies involved
in digital music editing, the aim is to develop a tool that enhances the creation
of digital music editions while accommodating the complexities and requirements
of the musicological research community. Interviews conducted with music editors
as prospective users provided valuable insights into their work, informing the
development process.
author:
- first_name: Anna Viktoria Katrin
full_name: Plaksin, Anna Viktoria Katrin
id: '102981'
last_name: Plaksin
orcid: 0000-0002-9969-0608
citation:
ama: 'Plaksin AVK. Understanding the needs of music editors in a digital world.
Adding support for editorial markup to the mei-friend editor. In: Proceedings
of the 10th International Conference on Digital Libraries for Musicology.
ACM; 2023. doi:10.1145/3625135.3625149'
apa: Plaksin, A. V. K. (2023). Understanding the needs of music editors in a digital
world. Adding support for editorial markup to the mei-friend editor. Proceedings
of the 10th International Conference on Digital Libraries for Musicology.
10th International Conference on Digital Libraries for Musicology, Milan. https://doi.org/10.1145/3625135.3625149
bibtex: '@inproceedings{Plaksin_2023, title={Understanding the needs of music editors
in a digital world. Adding support for editorial markup to the mei-friend editor},
DOI={10.1145/3625135.3625149},
booktitle={Proceedings of the 10th International Conference on Digital Libraries
for Musicology}, publisher={ACM}, author={Plaksin, Anna Viktoria Katrin}, year={2023}
}'
chicago: Plaksin, Anna Viktoria Katrin. “Understanding the Needs of Music Editors
in a Digital World. Adding Support for Editorial Markup to the Mei-Friend Editor.”
In Proceedings of the 10th International Conference on Digital Libraries for
Musicology. ACM, 2023. https://doi.org/10.1145/3625135.3625149.
ieee: 'A. V. K. Plaksin, “Understanding the needs of music editors in a digital
world. Adding support for editorial markup to the mei-friend editor,” presented
at the 10th International Conference on Digital Libraries for Musicology, Milan,
2023, doi: 10.1145/3625135.3625149.'
mla: Plaksin, Anna Viktoria Katrin. “Understanding the Needs of Music Editors in
a Digital World. Adding Support for Editorial Markup to the Mei-Friend Editor.”
Proceedings of the 10th International Conference on Digital Libraries for Musicology,
ACM, 2023, doi:10.1145/3625135.3625149.
short: 'A.V.K. Plaksin, in: Proceedings of the 10th International Conference on
Digital Libraries for Musicology, ACM, 2023.'
conference:
end_date: 2023-11-10
location: Milan
name: 10th International Conference on Digital Libraries for Musicology
start_date: 2023-11-10
date_created: 2024-11-18T12:41:42Z
date_updated: 2025-05-13T13:40:24Z
department:
- _id: '872'
doi: 10.1145/3625135.3625149
language:
- iso: eng
project:
- _id: '1442'
name: Musikwissenschaftliches Markup für den mei-friend Editor
publication: Proceedings of the 10th International Conference on Digital Libraries
for Musicology
publication_status: published
publisher: ACM
quality_controlled: '1'
status: public
title: Understanding the needs of music editors in a digital world. Adding support
for editorial markup to the mei-friend editor
type: conference
user_id: '102981'
year: '2023'
...
---
_id: '59883'
author:
- first_name: Anna
full_name: Kijas, Anna
last_name: Kijas
- first_name: Joy H.
full_name: Calico, Joy H.
last_name: Calico
- first_name: Jake
full_name: Schaub, Jake
last_name: Schaub
- first_name: Jessica
full_name: Grimmer, Jessica
last_name: Grimmer
- first_name: Anna Viktoria Katrin
full_name: Plaksin, Anna Viktoria Katrin
id: '102981'
last_name: Plaksin
orcid: 0000-0002-9969-0608
- first_name: Javier F.
full_name: Merchán Sánchez-Jara, Javier F.
last_name: Merchán Sánchez-Jara
- first_name: Sara
full_name: González Gutiérrez, Sara
last_name: González Gutiérrez
citation:
ama: 'Kijas A, Calico JH, Schaub J, et al. Roundtable: Pedagogical Approaches to
Music Encoding. Journal of Musicological Research. 2023;42(2):111-142.
doi:10.1080/01411896.2023.2231837'
apa: 'Kijas, A., Calico, J. H., Schaub, J., Grimmer, J., Plaksin, A. V. K., Merchán
Sánchez-Jara, J. F., & González Gutiérrez, S. (2023). Roundtable: Pedagogical
Approaches to Music Encoding. Journal of Musicological Research, 42(2),
111–142. https://doi.org/10.1080/01411896.2023.2231837'
bibtex: '@article{Kijas_Calico_Schaub_Grimmer_Plaksin_Merchán Sánchez-Jara_González
Gutiérrez_2023, title={Roundtable: Pedagogical Approaches to Music Encoding},
volume={42}, DOI={10.1080/01411896.2023.2231837},
number={2}, journal={Journal of Musicological Research}, publisher={Informa UK
Limited}, author={Kijas, Anna and Calico, Joy H. and Schaub, Jake and Grimmer,
Jessica and Plaksin, Anna Viktoria Katrin and Merchán Sánchez-Jara, Javier F.
and González Gutiérrez, Sara}, year={2023}, pages={111–142} }'
chicago: 'Kijas, Anna, Joy H. Calico, Jake Schaub, Jessica Grimmer, Anna Viktoria
Katrin Plaksin, Javier F. Merchán Sánchez-Jara, and Sara González Gutiérrez. “Roundtable:
Pedagogical Approaches to Music Encoding.” Journal of Musicological Research
42, no. 2 (2023): 111–42. https://doi.org/10.1080/01411896.2023.2231837.'
ieee: 'A. Kijas et al., “Roundtable: Pedagogical Approaches to Music Encoding,”
Journal of Musicological Research, vol. 42, no. 2, pp. 111–142, 2023, doi:
10.1080/01411896.2023.2231837.'
mla: 'Kijas, Anna, et al. “Roundtable: Pedagogical Approaches to Music Encoding.”
Journal of Musicological Research, vol. 42, no. 2, Informa UK Limited,
2023, pp. 111–42, doi:10.1080/01411896.2023.2231837.'
short: A. Kijas, J.H. Calico, J. Schaub, J. Grimmer, A.V.K. Plaksin, J.F. Merchán
Sánchez-Jara, S. González Gutiérrez, Journal of Musicological Research 42 (2023)
111–142.
date_created: 2025-05-13T13:03:58Z
date_updated: 2025-05-13T13:40:15Z
department:
- _id: '872'
doi: 10.1080/01411896.2023.2231837
extern: '1'
intvolume: ' 42'
issue: '2'
language:
- iso: eng
page: 111-142
publication: Journal of Musicological Research
publication_identifier:
issn:
- 0141-1896
- 1547-7304
publication_status: published
publisher: Informa UK Limited
quality_controlled: '1'
status: public
title: 'Roundtable: Pedagogical Approaches to Music Encoding'
type: journal_article
user_id: '102981'
volume: 42
year: '2023'
...
---
_id: '47487'
author:
- first_name: Johannes
full_name: Kepper, Johannes
id: '1684'
last_name: Kepper
orcid: 0000-0003-4891-260X
- first_name: Andreas
full_name: Münzmay, Andreas
id: '61139'
last_name: Münzmay
orcid: 0000-0002-8373-4055
citation:
ama: 'Kepper J, Münzmay A. Open Data in musikphilologischen Projekten: Herausforderungen,
Strategien, Potenziale. In: DHd2023: Open Humanities, Open Culture. ; 2023.
doi:10.5281/ZENODO.7715387'
apa: 'Kepper, J., & Münzmay, A. (2023). Open Data in musikphilologischen Projekten:
Herausforderungen, Strategien, Potenziale. DHd2023: Open Humanities, Open Culture.
DHd2023: Open Humanities, Open Culture. https://doi.org/10.5281/ZENODO.7715387'
bibtex: '@inproceedings{Kepper_Münzmay_2023, title={Open Data in musikphilologischen
Projekten: Herausforderungen, Strategien, Potenziale}, DOI={10.5281/ZENODO.7715387},
booktitle={DHd2023: Open Humanities, Open Culture}, author={Kepper, Johannes and
Münzmay, Andreas}, year={2023} }'
chicago: 'Kepper, Johannes, and Andreas Münzmay. “Open Data in musikphilologischen
Projekten: Herausforderungen, Strategien, Potenziale.” In DHd2023: Open Humanities,
Open Culture, 2023. https://doi.org/10.5281/ZENODO.7715387.'
ieee: 'J. Kepper and A. Münzmay, “Open Data in musikphilologischen Projekten: Herausforderungen,
Strategien, Potenziale,” presented at the DHd2023: Open Humanities, Open Culture,
2023, doi: 10.5281/ZENODO.7715387.'
mla: 'Kepper, Johannes, and Andreas Münzmay. “Open Data in musikphilologischen Projekten:
Herausforderungen, Strategien, Potenziale.” DHd2023: Open Humanities, Open
Culture, 2023, doi:10.5281/ZENODO.7715387.'
short: 'J. Kepper, A. Münzmay, in: DHd2023: Open Humanities, Open Culture, 2023.'
conference:
end_date: 2023-03-17
name: 'DHd2023: Open Humanities, Open Culture'
start_date: 2023-03-13
date_created: 2023-09-27T07:08:23Z
date_updated: 2025-03-21T11:58:02Z
department:
- _id: '572'
- _id: '856'
- _id: '615'
doi: 10.5281/ZENODO.7715387
language:
- iso: ger
main_file_link:
- open_access: '1'
url: https://doi.org/10.5281/zenodo.7715387
oa: '1'
project:
- _id: '743'
name: Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition
- _id: '745'
grant_number: (DFG) – 441958017
name: 'NFDI4Culture: NFDI4Culture – Konsortium für Forschungsdaten materieller und
immaterieller Kulturgüter'
- _id: '1064'
name: OPEN Edirom
publication: 'DHd2023: Open Humanities, Open Culture'
publication_status: published
status: public
title: 'Open Data in musikphilologischen Projekten: Herausforderungen, Strategien,
Potenziale'
type: conference_abstract
user_id: '61139'
year: '2023'
...
---
_id: '48994'
author:
- first_name: Dominik
full_name: Höink, Dominik
id: '90389'
last_name: Höink
citation:
ama: Höink D. Komponierte Ambiguität. Ein anderer Blick auf polyphone Messen des
15. und 16. Jahrhunderts. Kirchenmusikalisches Jahrbuch. 2023;107:21-30.
apa: Höink, D. (2023). Komponierte Ambiguität. Ein anderer Blick auf polyphone Messen
des 15. und 16. Jahrhunderts. Kirchenmusikalisches Jahrbuch, 107,
21–30.
bibtex: '@article{Höink_2023, title={Komponierte Ambiguität. Ein anderer Blick auf
polyphone Messen des 15. und 16. Jahrhunderts}, volume={107}, journal={Kirchenmusikalisches
Jahrbuch}, author={Höink, Dominik}, year={2023}, pages={21–30} }'
chicago: 'Höink, Dominik. “Komponierte Ambiguität. Ein anderer Blick auf polyphone
Messen des 15. und 16. Jahrhunderts.” Kirchenmusikalisches Jahrbuch 107
(2023): 21–30.'
ieee: D. Höink, “Komponierte Ambiguität. Ein anderer Blick auf polyphone Messen
des 15. und 16. Jahrhunderts,” Kirchenmusikalisches Jahrbuch, vol. 107,
pp. 21–30, 2023.
mla: Höink, Dominik. “Komponierte Ambiguität. Ein anderer Blick auf polyphone Messen
des 15. und 16. Jahrhunderts.” Kirchenmusikalisches Jahrbuch, vol. 107,
2023, pp. 21–30.
short: D. Höink, Kirchenmusikalisches Jahrbuch 107 (2023) 21–30.
date_created: 2023-11-17T07:28:53Z
date_updated: 2025-12-17T09:00:59Z
department:
- _id: '233'
- _id: '716'
intvolume: ' 107'
language:
- iso: ger
page: 21-30
publication: Kirchenmusikalisches Jahrbuch
publication_status: published
status: public
title: Komponierte Ambiguität. Ein anderer Blick auf polyphone Messen des 15. und
16. Jahrhunderts
type: journal_article
user_id: '90389'
volume: 107
year: '2023'
...
---
_id: '50441'
author:
- first_name: Luca A.
full_name: Ludovico, Luca A.
last_name: Ludovico
- first_name: Alberto
full_name: Mattea, Alberto
last_name: Mattea
- first_name: Davide Andrea
full_name: Mauro, Davide Andrea
id: '104047'
last_name: Mauro
orcid: 0000-0001-8437-4517
citation:
ama: 'Ludovico LA, Mattea A, Mauro DA. Preserving, Restoring, and Passing Down Video-Game
Music from the Past: The Case of Directmusic. Proceedings of the 19th Sound
and Music Computing Conference, June 5-12th, 2022, Saint-Étienne (France).
Published online 2022. doi:10.5281/ZENODO.6573638'
apa: 'Ludovico, L. A., Mattea, A., & Mauro, D. A. (2022). Preserving, Restoring,
and Passing Down Video-Game Music from the Past: The Case of Directmusic. Proceedings
of the 19th Sound and Music Computing Conference, June 5-12th, 2022, Saint-Étienne
(France). https://doi.org/10.5281/ZENODO.6573638'
bibtex: '@article{Ludovico_Mattea_Mauro_2022, title={Preserving, Restoring, and
Passing Down Video-Game Music from the Past: The Case of Directmusic}, DOI={10.5281/ZENODO.6573638}, journal={Proceedings
of the 19th Sound and Music Computing Conference, June 5-12th, 2022, Saint-Étienne
(France)}, author={Ludovico, Luca A. and Mattea, Alberto and Mauro, Davide Andrea},
year={2022} }'
chicago: 'Ludovico, Luca A., Alberto Mattea, and Davide Andrea Mauro. “Preserving,
Restoring, and Passing Down Video-Game Music from the Past: The Case of Directmusic.”
Proceedings of the 19th Sound and Music Computing Conference, June 5-12th,
2022, Saint-Étienne (France), 2022. https://doi.org/10.5281/ZENODO.6573638.'
ieee: 'L. A. Ludovico, A. Mattea, and D. A. Mauro, “Preserving, Restoring, and Passing
Down Video-Game Music from the Past: The Case of Directmusic,” Proceedings
of the 19th Sound and Music Computing Conference, June 5-12th, 2022, Saint-Étienne
(France), 2022, doi: 10.5281/ZENODO.6573638.'
mla: 'Ludovico, Luca A., et al. “Preserving, Restoring, and Passing Down Video-Game
Music from the Past: The Case of Directmusic.” Proceedings of the 19th Sound
and Music Computing Conference, June 5-12th, 2022, Saint-Étienne (France),
2022, doi:10.5281/ZENODO.6573638.'
short: L.A. Ludovico, A. Mattea, D.A. Mauro, Proceedings of the 19th Sound and Music
Computing Conference, June 5-12th, 2022, Saint-Étienne (France) (2022).
date_created: 2024-01-11T08:09:13Z
date_updated: 2024-02-19T10:56:13Z
department:
- _id: '233'
doi: 10.5281/ZENODO.6573638
language:
- iso: eng
publication: Proceedings of the 19th Sound and Music Computing Conference, June 5-12th,
2022, Saint-Étienne (France)
status: public
title: 'Preserving, Restoring, and Passing Down Video-Game Music from the Past: The
Case of Directmusic'
type: journal_article
user_id: '14931'
year: '2022'
...
---
_id: '51803'
author:
- first_name: Ulrike
full_name: Henny-Krahmer, Ulrike
last_name: Henny-Krahmer
- first_name: Peter
full_name: Stadler, Peter
id: '10856'
last_name: Stadler
orcid: 0000-0002-2544-1481
citation:
ama: 'Henny-Krahmer U, Stadler P. Nachhaltige Softwareentwicklung - Von der Inhouse-Lösung
zur Open Source-Community am Beispiel von MerMEId. In: ; 2022. doi:10.5281/ZENODO.6328022'
apa: Henny-Krahmer, U., & Stadler, P. (2022). Nachhaltige Softwareentwicklung
- Von der Inhouse-Lösung zur Open Source-Community am Beispiel von MerMEId.
https://doi.org/10.5281/ZENODO.6328022
bibtex: '@inproceedings{Henny-Krahmer_Stadler_2022, title={Nachhaltige Softwareentwicklung
- Von der Inhouse-Lösung zur Open Source-Community am Beispiel von MerMEId}, DOI={10.5281/ZENODO.6328022}, author={Henny-Krahmer,
Ulrike and Stadler, Peter}, year={2022} }'
chicago: Henny-Krahmer, Ulrike, and Peter Stadler. “Nachhaltige Softwareentwicklung
- Von Der Inhouse-Lösung Zur Open Source-Community Am Beispiel von MerMEId,” 2022.
https://doi.org/10.5281/ZENODO.6328022.
ieee: 'U. Henny-Krahmer and P. Stadler, “Nachhaltige Softwareentwicklung - Von der
Inhouse-Lösung zur Open Source-Community am Beispiel von MerMEId,” 2022, doi:
10.5281/ZENODO.6328022.'
mla: Henny-Krahmer, Ulrike, and Peter Stadler. Nachhaltige Softwareentwicklung
- Von Der Inhouse-Lösung Zur Open Source-Community Am Beispiel von MerMEId.
2022, doi:10.5281/ZENODO.6328022.
short: 'U. Henny-Krahmer, P. Stadler, in: 2022.'
date_created: 2024-02-23T15:51:09Z
date_updated: 2024-02-23T15:52:22Z
department:
- _id: '233'
doi: 10.5281/ZENODO.6328022
language:
- iso: eng
status: public
title: Nachhaltige Softwareentwicklung - Von der Inhouse-Lösung zur Open Source-Community
am Beispiel von MerMEId
type: conference
user_id: '10856'
year: '2022'
...
---
_id: '46582'
abstract:
- lang: eng
text: Metadata are a very broad and extremely differentiated subject and ranges
from rudimentary catalog data to deeply indexed scientific catalogs (e.g., catalogs
of works). In this paper, the concept of metadata in the context of MEI is first
examined, before two examples are used to show that metadata are more than just
rudimentary descriptions. These examples are also intended to illustrate the extent
to which metadata are encoded in the field of music philology and thus represent
an attempt to create a little more awareness for the work of the Metadata and
Cataloging Interest Group of MEI. The examples deal on the one hand with the encoding
of performance resources and on the other hand with watermarks. In both cases,
the possibilities of metadata encoding with MEI version 4 are exhausted and it
is discussed which steps are useful and necessary to create an even deeper, machine-readable
structure so that these sub-fields of the MEI metadata can also be used for larger
scientific purposes such as analyses.
author:
- first_name: Dennis
full_name: Ried, Dennis
id: '90722'
last_name: Ried
orcid: https://orcid.org/0000-0001-5545-2088
- first_name: Clemens
full_name: Gubsch, Clemens
last_name: Gubsch
citation:
ama: 'Ried D, Gubsch C. METAdata and metaDATA. In: Münnich S, Rizo D, eds. ; 2022.
doi:10.17613/50T9-Z881'
apa: Ried, D., & Gubsch, C. (2022). METAdata and metaDATA (S. Münnich
& D. Rizo, Eds.). https://doi.org/10.17613/50T9-Z881
bibtex: '@inproceedings{Ried_Gubsch_2022, title={METAdata and metaDATA}, DOI={10.17613/50T9-Z881}, author={Ried,
Dennis and Gubsch, Clemens}, editor={Münnich, Stefan and Rizo, David}, year={2022}
}'
chicago: Ried, Dennis, and Clemens Gubsch. “METAdata and MetaDATA.” edited by Stefan
Münnich and David Rizo, 2022. https://doi.org/10.17613/50T9-Z881.
ieee: 'D. Ried and C. Gubsch, “METAdata and metaDATA,” University of Alicante, 2022,
doi: 10.17613/50T9-Z881.'
mla: Ried, Dennis, and Clemens Gubsch. METAdata and MetaDATA. Edited by Stefan
Münnich and David Rizo, 2022, doi:10.17613/50T9-Z881.
short: 'D. Ried, C. Gubsch, in: S. Münnich, D. Rizo (Eds.), 2022.'
conference:
end_date: 2021-07-22
location: University of Alicante
name: Music Encoding Conference 2021
start_date: 2021-07-19
date_created: 2023-08-21T06:27:14Z
date_updated: 2024-02-28T09:20:25Z
department:
- _id: '233'
- _id: '856'
doi: 10.17613/50T9-Z881
editor:
- first_name: Stefan
full_name: Münnich, Stefan
last_name: Münnich
- first_name: David
full_name: Rizo, David
last_name: Rizo
language:
- iso: eng
project:
- _id: '738'
grant_number: '459602398'
name: 'Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk'
quality_controlled: '1'
status: public
title: METAdata and metaDATA
type: conference
user_id: '90722'
year: '2022'
...
---
_id: '52326'
abstract:
- lang: eng
text: Helmut Lachenmann and Karlheinz Stockhausen are often regarded as representatives
of a negative attitude towards traditions of canonised European art music. In
their compositional self-image they strive for renewal and innovative artistic
work beyond established models. However, an examination of ego-documents and compositions
reveals contradictions within this claim. The essay therefore examines both composers’
concepts of and their self-location within tradition. The aim is to show how a
decided departure from historical structural principles as well as latent lines
of tradition are effective in two works. Because of the special historical significance
of the genre, two string quartets have been selected.
author:
- first_name: Luise
full_name: Adler, Luise
id: '93940'
last_name: Adler
citation:
ama: 'Adler L. Helmut Lachenmann and Karlheinz Stockhausen: String quartets between
avant-garde and tradition. In: Grujić G, Pavlović S, eds. Vlado S. Milošević:
Tradition as Inspiration. Thematic Proceedings from the 2021 Scientific Conference.
; 2022:317-329.'
apa: 'Adler, L. (2022). Helmut Lachenmann and Karlheinz Stockhausen: String quartets
between avant-garde and tradition. In G. Grujić & S. Pavlović (Eds.), Vlado
S. Milošević: Tradition as Inspiration. Thematic proceedings from the 2021 scientific
conference (pp. 317–329).'
bibtex: '@inproceedings{Adler_2022, place={Banja Luka}, title={Helmut Lachenmann
and Karlheinz Stockhausen: String quartets between avant-garde and tradition},
booktitle={Vlado S. Milošević: Tradition as Inspiration. Thematic proceedings
from the 2021 scientific conference}, author={Adler, Luise}, editor={Grujić, Gordana
and Pavlović, Saša}, year={2022}, pages={317–329} }'
chicago: 'Adler, Luise. “Helmut Lachenmann and Karlheinz Stockhausen: String Quartets
between Avant-Garde and Tradition.” In Vlado S. Milošević: Tradition as Inspiration.
Thematic Proceedings from the 2021 Scientific Conference, edited by Gordana
Grujić and Saša Pavlović, 317–29. Banja Luka, 2022.'
ieee: 'L. Adler, “Helmut Lachenmann and Karlheinz Stockhausen: String quartets between
avant-garde and tradition,” in Vlado S. Milošević: Tradition as Inspiration.
Thematic proceedings from the 2021 scientific conference, Online, 2022, pp.
317–329.'
mla: 'Adler, Luise. “Helmut Lachenmann and Karlheinz Stockhausen: String Quartets
between Avant-Garde and Tradition.” Vlado S. Milošević: Tradition as Inspiration.
Thematic Proceedings from the 2021 Scientific Conference, edited by Gordana
Grujić and Saša Pavlović, 2022, pp. 317–29.'
short: 'L. Adler, in: G. Grujić, S. Pavlović (Eds.), Vlado S. Milošević: Tradition
as Inspiration. Thematic Proceedings from the 2021 Scientific Conference, Banja
Luka, 2022, pp. 317–329.'
conference:
end_date: 2021-04-18
location: Online
name: 'International Conference, Vlado S. Milošević: Tradition as Inspiration'
start_date: 2021-04-16
date_created: 2024-03-06T08:39:33Z
date_updated: 2024-03-06T08:39:43Z
department:
- _id: '233'
editor:
- first_name: Gordana
full_name: Grujić, Gordana
last_name: Grujić
- first_name: Saša
full_name: Pavlović, Saša
last_name: Pavlović
language:
- iso: eng
page: 317 - 329
place: Banja Luka
publication: 'Vlado S. Milošević: Tradition as Inspiration. Thematic proceedings from
the 2021 scientific conference'
publication_identifier:
isbn:
- 978-99938-27-37-5
publication_status: published
quality_controlled: '1'
status: public
title: 'Helmut Lachenmann and Karlheinz Stockhausen: String quartets between avant-garde
and tradition'
type: conference
user_id: '93940'
year: '2022'
...
---
_id: '55839'
author:
- first_name: Susanne
full_name: Cox, Susanne
last_name: Cox
- first_name: Johannes
full_name: Kepper, Johannes
id: '1684'
last_name: Kepper
orcid: 0000-0003-4891-260X
citation:
ama: 'Cox S, Kepper J. Encoding Genetic Processes II. In: Münnich S, Rizo D, eds.
Music Encoding Conference Proceedings 2021. Humanities Commons; 2022:85–95.
doi:https://doi.org/10.17613/q6y4-9139'
apa: Cox, S., & Kepper, J. (2022). Encoding Genetic Processes II. In S. Münnich
& D. Rizo (Eds.), Music Encoding Conference Proceedings 2021 (pp. 85–95).
Humanities Commons. https://doi.org/10.17613/q6y4-9139
bibtex: '@inproceedings{Cox_Kepper_2022, place={Alicante}, title={Encoding Genetic
Processes II}, DOI={https://doi.org/10.17613/q6y4-9139},
booktitle={Music Encoding Conference Proceedings 2021}, publisher={Humanities
Commons}, author={Cox, Susanne and Kepper, Johannes}, editor={Münnich, Stefan
and Rizo, David}, year={2022}, pages={85–95} }'
chicago: 'Cox, Susanne, and Johannes Kepper. “Encoding Genetic Processes II.” In
Music Encoding Conference Proceedings 2021, edited by Stefan Münnich and
David Rizo, 85–95. Alicante: Humanities Commons, 2022. https://doi.org/10.17613/q6y4-9139.'
ieee: 'S. Cox and J. Kepper, “Encoding Genetic Processes II,” in Music Encoding
Conference Proceedings 2021, 2022, pp. 85–95, doi: https://doi.org/10.17613/q6y4-9139.'
mla: Cox, Susanne, and Johannes Kepper. “Encoding Genetic Processes II.” Music
Encoding Conference Proceedings 2021, edited by Stefan Münnich and David Rizo,
Humanities Commons, 2022, pp. 85–95, doi:https://doi.org/10.17613/q6y4-9139.
short: 'S. Cox, J. Kepper, in: S. Münnich, D. Rizo (Eds.), Music Encoding Conference
Proceedings 2021, Humanities Commons, Alicante, 2022, pp. 85–95.'
date_created: 2024-08-28T11:45:05Z
date_updated: 2024-08-28T14:05:21Z
department:
- _id: '538'
- _id: '874'
doi: https://doi.org/10.17613/q6y4-9139
editor:
- first_name: Stefan
full_name: Münnich, Stefan
last_name: Münnich
- first_name: David
full_name: Rizo, David
last_name: Rizo
language:
- iso: eng
main_file_link:
- open_access: '1'
url: https://doi.org/10.17613/q6y4-9139
oa: '1'
page: 85–95
place: Alicante
project:
- _id: '743'
name: Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition
publication: Music Encoding Conference Proceedings 2021
publication_status: published
publisher: Humanities Commons
status: public
title: Encoding Genetic Processes II
type: conference
user_id: '1684'
year: '2022'
...
---
_id: '59882'
author:
- first_name: Anna Viktoria Katrin
full_name: Plaksin, Anna Viktoria Katrin
id: '102981'
last_name: Plaksin
orcid: 0000-0002-9969-0608
- first_name: David
full_name: Lewis, David
last_name: Lewis
citation:
ama: 'Plaksin AVK, Lewis D. MeRIT: An interactive annotation tool for mensural rhythms.
In: 9th International Conference on Digital Libraries for Musicology. ACM;
2022. doi:10.1145/3543882.3543888'
apa: 'Plaksin, A. V. K., & Lewis, D. (2022). MeRIT: An interactive annotation
tool for mensural rhythms. 9th International Conference on Digital Libraries
for Musicology. https://doi.org/10.1145/3543882.3543888'
bibtex: '@inproceedings{Plaksin_Lewis_2022, title={MeRIT: An interactive annotation
tool for mensural rhythms}, DOI={10.1145/3543882.3543888},
booktitle={9th International Conference on Digital Libraries for Musicology},
publisher={ACM}, author={Plaksin, Anna Viktoria Katrin and Lewis, David}, year={2022}
}'
chicago: 'Plaksin, Anna Viktoria Katrin, and David Lewis. “MeRIT: An Interactive
Annotation Tool for Mensural Rhythms.” In 9th International Conference on Digital
Libraries for Musicology. ACM, 2022. https://doi.org/10.1145/3543882.3543888.'
ieee: 'A. V. K. Plaksin and D. Lewis, “MeRIT: An interactive annotation tool for
mensural rhythms,” 2022, doi: 10.1145/3543882.3543888.'
mla: 'Plaksin, Anna Viktoria Katrin, and David Lewis. “MeRIT: An Interactive Annotation
Tool for Mensural Rhythms.” 9th International Conference on Digital Libraries
for Musicology, ACM, 2022, doi:10.1145/3543882.3543888.'
short: 'A.V.K. Plaksin, D. Lewis, in: 9th International Conference on Digital Libraries
for Musicology, ACM, 2022.'
date_created: 2025-05-13T13:01:26Z
date_updated: 2025-05-13T13:44:26Z
department:
- _id: '872'
doi: 10.1145/3543882.3543888
extern: '1'
language:
- iso: eng
publication: 9th International Conference on Digital Libraries for Musicology
publication_status: published
publisher: ACM
quality_controlled: '1'
status: public
title: 'MeRIT: An interactive annotation tool for mensural rhythms'
type: conference
user_id: '102981'
year: '2022'
...
---
_id: '36424'
abstract:
- lang: eng
text: "Das Oratorium kann als wichtige Gattung für die Analyse des Zusammenspiels
von Religion und Politik im Medium der Musik gelten. Die Studie wendet sich dem
Verhältnis dieser religiösen Musikform zum deutschen Nationalismus vom Beginn
des Ersten bis zum Ende des Zweiten Weltkriegs zu. Im Fokus stehen verschiedene
Weisen der Instrumentalisierung von Musik, etwa zur ‚Heldenehrung‘, zur Bildung
einer ‚vorgestellten Gemeinschaft‘ oder zur Gewinnung der Arbeiterschaft. Bei
der Analyse der Politisierung des Oratoriums sind vier Beobachtungsperspektiven
leitend: Konfession, Säkularisierung, Erinnerungskultur und Vergemeinschaftung.\r\n\r\nEntsprechend
liegt der Schwerpunkt der Studie auf der Analyse der sozialgeschichtlichen Funktion
der Gattung. Daneben jedoch werden – in Form von Fallstudien zu bisher unerforschten
Werken – auch musikalische Detailanalysen durchgeführt, die das in der jeweiligen
Komposition realisierte Verhältnis von religiösen und nationalistischen Elementen
offenlegen. "
author:
- first_name: Dominik
full_name: Höink, Dominik
id: '90389'
last_name: Höink
citation:
ama: Höink D. Oratorium und Nation (1914–1945) . Vol 8. Waxmann Verlag; 2022.
apa: Höink, D. (2022). Oratorium und Nation (1914–1945) (Vol. 8). Waxmann
Verlag.
bibtex: '@book{Höink_2022, place={Münster}, series={ Münsteraner Schriften zur zeitgenössischen
Musik}, title={Oratorium und Nation (1914–1945) }, volume={8}, publisher={Waxmann
Verlag}, author={Höink, Dominik}, year={2022}, collection={ Münsteraner Schriften
zur zeitgenössischen Musik} }'
chicago: 'Höink, Dominik. Oratorium und Nation (1914–1945) . Vol. 8. Münsteraner
Schriften zur zeitgenössischen Musik. Münster: Waxmann Verlag, 2022.'
ieee: 'D. Höink, Oratorium und Nation (1914–1945) , vol. 8. Münster: Waxmann
Verlag, 2022.'
mla: Höink, Dominik. Oratorium und Nation (1914–1945) . Waxmann Verlag, 2022.
short: D. Höink, Oratorium und Nation (1914–1945) , Waxmann Verlag, Münster, 2022.
date_created: 2023-01-12T12:43:47Z
date_updated: 2025-12-17T09:00:36Z
department:
- _id: '233'
- _id: '716'
intvolume: ' 8'
language:
- iso: ger
page: '590'
place: Münster
publication_identifier:
isbn:
- 978-3-8309-3984-9
publication_status: published
publisher: Waxmann Verlag
series_title: ' Münsteraner Schriften zur zeitgenössischen Musik'
status: public
title: 'Oratorium und Nation (1914–1945) '
type: book
user_id: '90389'
volume: 8
year: '2022'
...
---
_id: '48939'
abstract:
- lang: eng
text: The conventional wisdom is that Favart's 'Soliman second' is, as Larry Wolff
puts it, about an "explicitly French triumph over Ottoman despotism". This may
be true to a certain extent - but it misses the point. As impressive as the depiction
of the 'Oriental' may have been, it is not itself the core message of this comédie,
but rather only one of the means to an end, which consists of once again accompanying
and authenticating Justine Favart's novel, very modern approach to realistic character
representation in the best possible way. This study demonstrates this by means
of a combined analysis of the theatrical levels of text, image and music. Instead
of orientalism in the sense of constructing images of the exotic 'other', the
textual, pictorial and musical strategies employed in this play specifically conceived
for Justine Favart apply to the production of theatrical 'authenticity' and 'natural'
character representation in general. The fact that the stage persona thus brought
to bear, i.e. the main character Roxelane, who responds to many models from Racine
to Montesquieu, is a militantly enlightened and feminist one whose 'natural' persuasiveness
and force no one can ultimately resist, so that Justine Favart's Roxelane triumphantly
asserts herself all along the line and establishes nothing less than a new social,
gender and state order, makes the matter all the more interesting.
- lang: ger
text: Nach gängiger Meinung handelt Favarts 'Soliman second', wie Larry Wolff es
ausdrückt, von einem „explicitly French triumph over Ottoman despotism.“ Das mag
in gewisser Weise zutreffen – am Kern geht es doch vorbei. So eindrucksvoll die
Darstellung des ‚Orientalischen‘ auch gewesen sein mag, ist sie doch nicht selbst
Kernaussage dieser comédie, sondern vielmehr nur eines der Mittel zum Zweck, der
darin besteht, einmal mehr Justine Favarts neuartigen, sehr modernen Ansatz einer
realistischen Charakterdarstellung bestmöglich zu begleiten und zu beglaubigen.
Dies zeigt die vorliegende Studie anhand einer kombinierten Analyse der Theater-Ebenen
Text, Bild und Musik. Statt einem Orientalismus im Sinne der Konstruktion von
Bildern des exotischen ‚Anderen‘ gelten die in diesem spezifisch für Justine Favart
konzipierten Stück angewendeten textlichen, bildlichen und musikalischen Strategien
der Herstellung theatraler ‚Authentizität‘ und ‚natürlicher‘ Charakterdarstellung
im Allgemeinen. Dass die so zur Geltung gebrachte Bühnenpersönlichkeit, d. h.
die auf viele Vorbilder von Racine bis Montesquieu reagierende Hauptfigur Roxelane,
eine kämpferisch aufklärerische und feministische ist, deren ‚natürlicher‘ Überzeugungskraft
und Wucht sich letztlich niemand entziehen kann, so dass Justine Favarts Roxelane
sich auf ganzer Linie triumphierend durchsetzt und nichts weniger als eine neue
Sozial-, Geschlechter- und Staatsordnung etabliert, macht die Sache umso interessanter.
author:
- first_name: Andreas
full_name: Münzmay, Andreas
id: '61139'
last_name: Münzmay
orcid: 0000-0002-8373-4055
citation:
ama: 'Münzmay A. Justine Favarts Rox(el)ane: Eine Relektüre von Soliman second (1761)
in Text, Bild, Musik jenseits des Orientalismusparadigmas. In: Iffland J, Imm
J, Jaeschke N, Schauberger S, eds. Musikwissenschaft der Vielfalt. FS Rebecca
Grotjahn zum 60. Geb. Allitera; 2021:267-287.'
apa: 'Münzmay, A. (2021). Justine Favarts Rox(el)ane: Eine Relektüre von Soliman
second (1761) in Text, Bild, Musik jenseits des Orientalismusparadigmas. In J.
Iffland, J. Imm, N. Jaeschke, & S. Schauberger (Eds.), Musikwissenschaft
der Vielfalt. FS Rebecca Grotjahn zum 60. Geb. (pp. 267–287). Allitera.'
bibtex: '@inbook{Münzmay_2021, place={München}, title={Justine Favarts Rox(el)ane:
Eine Relektüre von Soliman second (1761) in Text, Bild, Musik jenseits des Orientalismusparadigmas},
booktitle={Musikwissenschaft der Vielfalt. FS Rebecca Grotjahn zum 60. Geb.},
publisher={Allitera}, author={Münzmay, Andreas}, editor={Iffland, Joachim and
Imm, Johanna and Jaeschke, Nina and Schauberger, Sarah}, year={2021}, pages={267–287}
}'
chicago: 'Münzmay, Andreas. “Justine Favarts Rox(el)ane: Eine Relektüre von Soliman
second (1761) in Text, Bild, Musik jenseits des Orientalismusparadigmas.” In Musikwissenschaft
der Vielfalt. FS Rebecca Grotjahn zum 60. Geb., edited by Joachim Iffland,
Johanna Imm, Nina Jaeschke, and Sarah Schauberger, 267–87. München: Allitera,
2021.'
ieee: 'A. Münzmay, “Justine Favarts Rox(el)ane: Eine Relektüre von Soliman second
(1761) in Text, Bild, Musik jenseits des Orientalismusparadigmas,” in Musikwissenschaft
der Vielfalt. FS Rebecca Grotjahn zum 60. Geb., J. Iffland, J. Imm, N. Jaeschke,
and S. Schauberger, Eds. München: Allitera, 2021, pp. 267–287.'
mla: 'Münzmay, Andreas. “Justine Favarts Rox(el)ane: Eine Relektüre von Soliman
second (1761) in Text, Bild, Musik jenseits des Orientalismusparadigmas.” Musikwissenschaft
der Vielfalt. FS Rebecca Grotjahn zum 60. Geb., edited by Joachim Iffland
et al., Allitera, 2021, pp. 267–87.'
short: 'A. Münzmay, in: J. Iffland, J. Imm, N. Jaeschke, S. Schauberger (Eds.),
Musikwissenschaft der Vielfalt. FS Rebecca Grotjahn zum 60. Geb., Allitera, München,
2021, pp. 267–287.'
date_created: 2023-11-15T21:57:31Z
date_updated: 2024-02-19T11:00:06Z
department:
- _id: '572'
editor:
- first_name: 'Joachim '
full_name: 'Iffland, Joachim '
last_name: Iffland
- first_name: Johanna
full_name: Imm, Johanna
last_name: Imm
- first_name: Nina
full_name: Jaeschke, Nina
last_name: Jaeschke
- first_name: Sarah
full_name: Schauberger, Sarah
last_name: Schauberger
language:
- iso: ger
page: 267-287
place: München
publication: Musikwissenschaft der Vielfalt. FS Rebecca Grotjahn zum 60. Geb.
publication_identifier:
isbn:
- ' 978-3-96233-276-1'
publication_status: published
publisher: Allitera
quality_controlled: '1'
status: public
title: 'Justine Favarts Rox(el)ane: Eine Relektüre von Soliman second (1761) in Text,
Bild, Musik jenseits des Orientalismusparadigmas'
type: book_chapter
user_id: '61139'
year: '2021'
...
---
_id: '52102'
author:
- first_name: Dennis
full_name: Ried, Dennis
id: '90722'
last_name: Ried
orcid: https://orcid.org/0000-0001-5545-2088
citation:
ama: Ried D. Weltweite Verfügbarkeit und digitale Langzeitarchivierung. Mitteilungen
der IMRG. 2021;(39):36.
apa: Ried, D. (2021). Weltweite Verfügbarkeit und digitale Langzeitarchivierung.
Mitteilungen Der IMRG, 39, 36.
bibtex: '@article{Ried_2021, title={Weltweite Verfügbarkeit und digitale Langzeitarchivierung},
number={39}, journal={Mitteilungen der IMRG}, publisher={Internationale Max-Reger-Gesellschaft},
author={Ried, Dennis}, year={2021}, pages={36} }'
chicago: 'Ried, Dennis. “Weltweite Verfügbarkeit Und Digitale Langzeitarchivierung.”
Mitteilungen Der IMRG, no. 39 (2021): 36.'
ieee: D. Ried, “Weltweite Verfügbarkeit und digitale Langzeitarchivierung,” Mitteilungen
der IMRG, no. 39, p. 36, 2021.
mla: Ried, Dennis. “Weltweite Verfügbarkeit Und Digitale Langzeitarchivierung.”
Mitteilungen Der IMRG, no. 39, Internationale Max-Reger-Gesellschaft, 2021,
p. 36.
short: D. Ried, Mitteilungen Der IMRG (2021) 36.
date_created: 2024-02-27T13:53:21Z
date_updated: 2024-02-28T09:42:03Z
department:
- _id: '233'
extern: '1'
issue: '39'
language:
- iso: eng
main_file_link:
- open_access: '1'
url: https://journals.qucosa.de/mimrg/issue/view/195
oa: '1'
page: '36'
publication: Mitteilungen der IMRG
publisher: Internationale Max-Reger-Gesellschaft
status: public
title: Weltweite Verfügbarkeit und digitale Langzeitarchivierung
type: journal_article
user_id: '90722'
year: '2021'
...
---
_id: '52101'
author:
- first_name: Julia
full_name: Freund, Julia
last_name: Freund
- first_name: Stefan
full_name: Muennich, Stefan
last_name: Muennich
- first_name: Dennis
full_name: Ried, Dennis
id: '90722'
last_name: Ried
orcid: https://orcid.org/0000-0001-5545-2088
- first_name: Michelle
full_name: Ziegler, Michelle
last_name: Ziegler
citation:
ama: Freund J, Muennich S, Ried D, Ziegler M. Musikalische Schrift und Digitalität.
Ein Werkstattbericht. musiconn.blog; 2021.
apa: Freund, J., Muennich, S., Ried, D., & Ziegler, M. (2021). Musikalische
Schrift und Digitalität. Ein Werkstattbericht. musiconn.blog.
bibtex: '@book{Freund_Muennich_Ried_Ziegler_2021, title={Musikalische Schrift und
Digitalität. Ein Werkstattbericht}, publisher={musiconn.blog}, author={Freund,
Julia and Muennich, Stefan and Ried, Dennis and Ziegler, Michelle}, year={2021}
}'
chicago: Freund, Julia, Stefan Muennich, Dennis Ried, and Michelle Ziegler. Musikalische
Schrift und Digitalität. Ein Werkstattbericht. musiconn.blog, 2021.
ieee: J. Freund, S. Muennich, D. Ried, and M. Ziegler, Musikalische Schrift und
Digitalität. Ein Werkstattbericht. musiconn.blog, 2021.
mla: Freund, Julia, et al. Musikalische Schrift und Digitalität. Ein Werkstattbericht.
musiconn.blog, 2021.
short: J. Freund, S. Muennich, D. Ried, M. Ziegler, Musikalische Schrift und Digitalität.
Ein Werkstattbericht, musiconn.blog, 2021.
date_created: 2024-02-27T13:53:13Z
date_updated: 2024-02-28T09:41:38Z
department:
- _id: '233'
extern: '1'
language:
- iso: ger
publisher: musiconn.blog
status: public
title: Musikalische Schrift und Digitalität. Ein Werkstattbericht
type: report
user_id: '90722'
year: '2021'
...
---
_id: '52100'
citation:
ama: Ried D, König S, eds. Lieder II. Vol II/2. Carus-Verlag; 2021.
apa: 'Ried, D., & König, S. (Eds.). (2021). Lieder II: Vol. II/2. Carus-Verlag.'
bibtex: '@book{Ried_König_2021, place={Stuttgart}, series={Max Reger-Werkausgabe},
title={Lieder II}, volume={II/2}, publisher={Carus-Verlag}, year={2021}, collection={Max
Reger-Werkausgabe} }'
chicago: 'Ried, Dennis, and Stefan König, eds. Lieder II. Vol. II/2. Max
Reger-Werkausgabe. Stuttgart: Carus-Verlag, 2021.'
ieee: 'D. Ried and S. König, Eds., Lieder II, vol. II/2. Stuttgart: Carus-Verlag,
2021.'
mla: Ried, Dennis, and Stefan König, editors. Lieder II. Carus-Verlag, 2021.
short: D. Ried, S. König, eds., Lieder II, Carus-Verlag, Stuttgart, 2021.
date_created: 2024-02-27T13:53:06Z
date_updated: 2024-02-28T09:41:46Z
department:
- _id: '233'
editor:
- first_name: Dennis
full_name: Ried, Dennis
id: '90722'
last_name: Ried
orcid: https://orcid.org/0000-0001-5545-2088
- first_name: Stefan
full_name: König, Stefan
last_name: König
extern: '1'
language:
- iso: ger
place: Stuttgart
publication_identifier:
isbn:
- 978-3-89948-404-5
publisher: Carus-Verlag
series_title: Max Reger-Werkausgabe
status: public
title: Lieder II
type: book_editor
user_id: '90722'
volume: II/2
year: '2021'
...
---
_id: '52098'
author:
- first_name: Dennis
full_name: Ried, Dennis
id: '90722'
last_name: Ried
orcid: https://orcid.org/0000-0001-5545-2088
citation:
ama: 'Ried D. Der Liebe will ich singen. Hermann Reutters Begegnung mit dem Mittelalter.
In: Wiegandt M, ed. Ritter, Tod Und Teufel. Hermann Reutter Und Das Lied.
; 2021:155–176.'
apa: Ried, D. (2021). Der Liebe will ich singen. Hermann Reutters Begegnung mit
dem Mittelalter. In M. Wiegandt (Ed.), Ritter, Tod und Teufel. Hermann Reutter
und das Lied (pp. 155–176).
bibtex: '@inbook{Ried_2021, title={Der Liebe will ich singen. Hermann Reutters Begegnung
mit dem Mittelalter}, booktitle={Ritter, Tod und Teufel. Hermann Reutter und das
Lied}, author={Ried, Dennis}, editor={Wiegandt, Matthias}, year={2021}, pages={155–176}
}'
chicago: Ried, Dennis. “Der Liebe Will Ich Singen. Hermann Reutters Begegnung Mit
Dem Mittelalter.” In Ritter, Tod Und Teufel. Hermann Reutter Und Das Lied,
edited by Matthias Wiegandt, 155–176, 2021.
ieee: D. Ried, “Der Liebe will ich singen. Hermann Reutters Begegnung mit dem Mittelalter,”
in Ritter, Tod und Teufel. Hermann Reutter und das Lied, M. Wiegandt, Ed.
2021, pp. 155–176.
mla: Ried, Dennis. “Der Liebe Will Ich Singen. Hermann Reutters Begegnung Mit Dem
Mittelalter.” Ritter, Tod Und Teufel. Hermann Reutter Und Das Lied, edited
by Matthias Wiegandt, 2021, pp. 155–176.
short: 'D. Ried, in: M. Wiegandt (Ed.), Ritter, Tod Und Teufel. Hermann Reutter
Und Das Lied, 2021, pp. 155–176.'
date_created: 2024-02-27T13:52:34Z
date_updated: 2024-02-28T09:41:54Z
department:
- _id: '233'
editor:
- first_name: Matthias
full_name: Wiegandt, Matthias
last_name: Wiegandt
extern: '1'
language:
- iso: eng
page: 155–176
publication: Ritter, Tod und Teufel. Hermann Reutter und das Lied
status: public
title: Der Liebe will ich singen. Hermann Reutters Begegnung mit dem Mittelalter
type: book_chapter
user_id: '90722'
year: '2021'
...
---
_id: '52103'
citation:
ama: Grafschmidt C, Nikolaos Beer, Stefan König, Dennis Ried, eds. Werke Für
Gemischten Chor a Cappella II. Vol II/9. Carus-Verlag; 2021.
apa: 'Grafschmidt, C., Nikolaos Beer, Stefan König, & Dennis Ried (Eds.). (2021).
Werke für gemischten Chor a cappella II: Vol. II/9. Carus-Verlag.'
bibtex: '@book{Grafschmidt_Nikolaos Beer_Stefan König_Dennis Ried_2021, place={Stuttgart},
title={Werke für gemischten Chor a cappella II}, volume={II/9}, publisher={Carus-Verlag},
year={2021} }'
chicago: 'Grafschmidt, Christopher, Nikolaos Beer, Stefan König, and Dennis Ried,
eds. Werke Für Gemischten Chor a Cappella II. Vol. II/9. Stuttgart: Carus-Verlag,
2021.'
ieee: 'C. Grafschmidt, Nikolaos Beer, Stefan König, and Dennis Ried, Eds., Werke
für gemischten Chor a cappella II, vol. II/9. Stuttgart: Carus-Verlag, 2021.'
mla: Grafschmidt, Christopher, et al., editors. Werke Für Gemischten Chor a Cappella
II. Carus-Verlag, 2021.
short: C. Grafschmidt, Nikolaos Beer, Stefan König, Dennis Ried, eds., Werke Für
Gemischten Chor a Cappella II, Carus-Verlag, Stuttgart, 2021.
corporate_editor:
- Nikolaos Beer
- Stefan König
- Dennis Ried
date_created: 2024-02-27T13:53:28Z
date_updated: 2024-02-28T09:42:11Z
department:
- _id: '233'
editor:
- first_name: Christopher
full_name: Grafschmidt, Christopher
last_name: Grafschmidt
language:
- iso: eng
place: Stuttgart
publication_identifier:
isbn:
- 978-3-89948-418-2
publisher: Carus-Verlag
status: public
title: Werke für gemischten Chor a cappella II
type: book_editor
user_id: '90722'
volume: II/9
year: '2021'
...