[{"date_created":"2024-12-04T16:21:00Z","department":[{"_id":"233"},{"_id":"856"}],"type":"journal_article","citation":{"ieee":"A. Tumat, “Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis,” <i>Wagner-Spektrum</i>, vol. 2, pp. 71–83, 2024.","mla":"Tumat, Antje. “Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis.” <i>Wagner-Spektrum</i>, vol. 2, Königshausen und Neumann, 2024, pp. 71–83.","apa":"Tumat, A. (2024). Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis. <i>Wagner-Spektrum</i>, <i>2</i>, 71–83.","bibtex":"@article{Tumat_2024, title={Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis}, volume={2}, journal={Wagner-Spektrum}, publisher={Königshausen und Neumann}, author={Tumat, Antje}, year={2024}, pages={71–83} }","chicago":"Tumat, Antje. “Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis.” <i>Wagner-Spektrum</i> 2 (2024): 71–83.","ama":"Tumat A. Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis. <i>Wagner-Spektrum</i>. 2024;2:71-83.","short":"A. Tumat, Wagner-Spektrum 2 (2024) 71–83."},"publication":"Wagner-Spektrum","abstract":[{"lang":"eng","text":"Richard Wagner is considered a prominent critic of incidental music, as he called for the abolition of randomly inserted music between acts in plays. However, he greatly appreciated music composed especially for a play, such as Beethoven's music for Goethe's Egmont. In the early 1830s, he himself wrote several pieces of music for plays that have not been fully preserved. The text analyses Wagner's theatre music aesthetics in the context of contemporary aesthetics and theatre practice and provides a general overview of the music that has been handed down. His surviving theatre overtures show a high level of musical sophistication in the early engagement with symphonic music, as well as an effort to shape instrumental music according to dramatic content. They point to role models such as Beethoven and Mendelssohn. A more practical theatrical view of Wagner's theatrical music could open up new perspectives for his theatrical music and insights into the theatrical practice of the time."}],"_id":"57579","publisher":"Königshausen und Neumann","language":[{"iso":"ger"}],"page":"71-83","volume":2,"user_id":"72268","publication_identifier":{"isbn":["978-3-8260-8902-2"]},"author":[{"id":"72268","first_name":"Antje","last_name":"Tumat","full_name":"Tumat, Antje"}],"year":"2024","status":"public","title":"Wagners frühe Schauspielmusiken – Ästhetik und Theaterpraxis","intvolume":"         2","date_updated":"2025-02-08T16:17:08Z","publication_status":"published"},{"type":"journal_article","department":[{"_id":"233"},{"_id":"856"}],"oa":"1","date_created":"2024-10-01T16:07:36Z","publication":"Takte. Das Bärenreiter-Magazin","citation":{"mla":"Tumat, Antje. “Kunst kommt von Verantworten. Zum 100. Geburtstag Giselher Klebes.” <i>Takte. Das Bärenreiter-Magazin</i>, vol. 2, 2024, pp. 14–15.","apa":"Tumat, A. (2024). Kunst kommt von Verantworten. Zum 100. Geburtstag Giselher Klebes. <i>Takte. Das Bärenreiter-Magazin</i>, <i>2</i>, 14–15.","ieee":"A. Tumat, “Kunst kommt von Verantworten. Zum 100. Geburtstag Giselher Klebes,” <i>Takte. Das Bärenreiter-Magazin</i>, vol. 2, pp. 14–15, 2024.","chicago":"Tumat, Antje. “Kunst kommt von Verantworten. Zum 100. Geburtstag Giselher Klebes.” <i>Takte. Das Bärenreiter-Magazin</i> 2 (2024): 14–15.","ama":"Tumat A. Kunst kommt von Verantworten. Zum 100. Geburtstag Giselher Klebes. <i>Takte Das Bärenreiter-Magazin</i>. 2024;2:14-15.","short":"A. Tumat, Takte. Das Bärenreiter-Magazin 2 (2024) 14–15.","bibtex":"@article{Tumat_2024, title={Kunst kommt von Verantworten. Zum 100. Geburtstag Giselher Klebes}, volume={2}, journal={Takte. Das Bärenreiter-Magazin}, author={Tumat, Antje}, year={2024}, pages={14–15} }"},"user_id":"72268","volume":2,"page":"14-15","main_file_link":[{"url":"https://www.takte-online.de/fileadmin/takte/takte_2-2024_Internet.pdf","open_access":"1"}],"language":[{"iso":"ger"}],"_id":"56307","publication_status":"published","date_updated":"2025-02-08T16:17:26Z","intvolume":"         2","status":"public","year":"2024","title":"Kunst kommt von Verantworten. Zum 100. Geburtstag Giselher Klebes","author":[{"full_name":"Tumat, Antje","last_name":"Tumat","first_name":"Antje","id":"72268"}]},{"department":[{"_id":"233"},{"_id":"856"},{"_id":"615"}],"type":"conference","date_created":"2024-06-28T18:17:53Z","abstract":[{"text":"The OPEN Edirom project is developing a digital edition of incidental music for Goethe’s play Faust, representing an innovative initiative within the realm of music philology and MEI/TEI edition. Embracing the \"data first\" principle, OPEN Edirom prioritizes making its content openly accessible, thereby enabling diverse potential uses for researchers and performers. Our aim involves presenting the scholarly text and music edition in its entirety, incorporating its various forms of data, i.e. music, texts, source images, metadata, and annotations, all displayed with Edirom software.\r\nThe piece we edit in this project is Goethe’s renowned play Faust I, as adapted by Carl Seydelmann, along with the corresponding music composed by Peter Joseph von Lindpaintner for the Court Theatre in Stuttgart. The work premiered in 1832.\r\nThis paper delves into the concept of music edition as open data publication and delineates its advantages over analog and hybrid editions in terms of reusability and alignment with the FAIR principles. It also addresses the challenges encountered in data preparation, both specific to incidental music and in general data processing. Furthermore, we propose solutions and recommendations for similar projects based on our insights.","lang":"eng"}],"publication":"Proceedings of the 11th International Conference on Digital Libraries for Musicology","doi":"10.1145/3660570.3660582","language":[{"iso":"eng"}],"main_file_link":[{"url":"https://dl.acm.org/doi/pdf/10.1145/3660570.3660582","open_access":"1"}],"date_updated":"2025-09-02T09:11:50Z","publication_status":"published","author":[{"last_name":"Frömmel","first_name":"Lena","orcid":"0009-0009-6539-7081","full_name":"Frömmel, Lena","id":"86796"},{"first_name":"Tobias","last_name":"Bachmann","full_name":"Bachmann, Tobias"},{"full_name":"Plaksin, Anna Viktoria Katrin","orcid":"0000-0002-9969-0608","first_name":"Anna Viktoria Katrin","last_name":"Plaksin","id":"102981"},{"id":"61139","full_name":"Münzmay, Andreas","orcid":"0000-0002-8373-4055","last_name":"Münzmay","first_name":"Andreas"}],"title":"Open Edirom: From hybrid music edition to open data publication","year":"2024","oa":"1","project":[{"name":"KIO: KreativInstitut.OWL","_id":"1048"},{"name":"OPEN Edirom","_id":"1064"}],"quality_controlled":"1","citation":{"bibtex":"@inproceedings{Frömmel_Bachmann_Plaksin_Münzmay_2024, title={Open Edirom: From hybrid music edition to open data publication}, DOI={<a href=\"https://doi.org/10.1145/3660570.3660582\">10.1145/3660570.3660582</a>}, booktitle={Proceedings of the 11th International Conference on Digital Libraries for Musicology}, publisher={ACM}, author={Frömmel, Lena and Bachmann, Tobias and Plaksin, Anna Viktoria Katrin and Münzmay, Andreas}, year={2024} }","ama":"Frömmel L, Bachmann T, Plaksin AVK, Münzmay A. Open Edirom: From hybrid music edition to open data publication. In: <i>Proceedings of the 11th International Conference on Digital Libraries for Musicology</i>. ACM; 2024. doi:<a href=\"https://doi.org/10.1145/3660570.3660582\">10.1145/3660570.3660582</a>","mla":"Frömmel, Lena, et al. “Open Edirom: From Hybrid Music Edition to Open Data Publication.” <i>Proceedings of the 11th International Conference on Digital Libraries for Musicology</i>, ACM, 2024, doi:<a href=\"https://doi.org/10.1145/3660570.3660582\">10.1145/3660570.3660582</a>.","chicago":"Frömmel, Lena, Tobias Bachmann, Anna Viktoria Katrin Plaksin, and Andreas Münzmay. “Open Edirom: From Hybrid Music Edition to Open Data Publication.” In <i>Proceedings of the 11th International Conference on Digital Libraries for Musicology</i>. ACM, 2024. <a href=\"https://doi.org/10.1145/3660570.3660582\">https://doi.org/10.1145/3660570.3660582</a>.","short":"L. Frömmel, T. Bachmann, A.V.K. Plaksin, A. Münzmay, in: Proceedings of the 11th International Conference on Digital Libraries for Musicology, ACM, 2024.","ieee":"L. Frömmel, T. Bachmann, A. V. K. Plaksin, and A. Münzmay, “Open Edirom: From hybrid music edition to open data publication,” 2024, doi: <a href=\"https://doi.org/10.1145/3660570.3660582\">10.1145/3660570.3660582</a>.","apa":"Frömmel, L., Bachmann, T., Plaksin, A. V. K., &#38; Münzmay, A. (2024). Open Edirom: From hybrid music edition to open data publication. <i>Proceedings of the 11th International Conference on Digital Libraries for Musicology</i>. <a href=\"https://doi.org/10.1145/3660570.3660582\">https://doi.org/10.1145/3660570.3660582</a>"},"user_id":"61139","_id":"54925","publisher":"ACM","status":"public"},{"type":"conference","department":[{"_id":"36"},{"_id":"233"},{"_id":"870"},{"_id":"615"},{"_id":"856"}],"date_created":"2025-02-10T14:12:16Z","project":[{"_id":"1614","name":"Digitale Interpretationsedition: Prototypischer Forschungsprozess und Modelledition"}],"citation":{"chicago":"Berndt, Axel, and Andreas Münzmay. “Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze,” 2024.","short":"A. Berndt, A. Münzmay, in: 2024.","ieee":"A. Berndt and A. Münzmay, “Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze,” presented at the Edition von Filmmusik: Herausforderungen der Multimedialität, Frankfurt am Main, 2024.","apa":"Berndt, A., &#38; Münzmay, A. (2024). <i>Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze</i>. Edition von Filmmusik: Herausforderungen der Multimedialität, Frankfurt am Main.","bibtex":"@inproceedings{Berndt_Münzmay_2024, title={Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze}, author={Berndt, Axel and Münzmay, Andreas}, year={2024} }","ama":"Berndt A, Münzmay A. Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze. In: ; 2024.","mla":"Berndt, Axel, and Andreas Münzmay. <i>Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze</i>. 2024."},"user_id":"61139","language":[{"iso":"ger"}],"_id":"58554","date_updated":"2026-03-18T17:28:32Z","status":"public","year":"2024","title":"Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze","conference":{"location":"Frankfurt am Main","start_date":"2024-11-22","name":"Edition von Filmmusik: Herausforderungen der Multimedialität","end_date":"2024-1123"},"author":[{"first_name":"Axel","last_name":"Berndt","full_name":"Berndt, Axel","id":"55565"},{"id":"61139","full_name":"Münzmay, Andreas","last_name":"Münzmay","orcid":"0000-0002-8373-4055","first_name":"Andreas"}]},{"publisher":"RADAR4Culture","_id":"56269","doi":"10.22000/uupxmgkq94r0jpsk","user_id":"61139","author":[{"full_name":"Bachmann, Tobias","last_name":"Bachmann","first_name":"Tobias","id":"100930"},{"id":"86796","last_name":"Frömmel","orcid":"0009-0009-6539-7081","first_name":"Lena","full_name":"Frömmel, Lena"},{"id":"61139","orcid":"0000-0002-8373-4055","first_name":"Andreas","last_name":"Münzmay","full_name":"Münzmay, Andreas"}],"year":"2024","status":"public","title":" OPEN FAUST Preview (dataset)","date_updated":"2026-03-18T17:26:54Z","date_created":"2024-09-27T15:01:39Z","department":[{"_id":"233"},{"_id":"856"},{"_id":"36"},{"_id":"572"}],"type":"research_data","citation":{"ama":"Bachmann T, Frömmel L, Münzmay A. <i> OPEN FAUST Preview (Dataset)</i>. RADAR4Culture; 2024. doi:<a href=\"https://doi.org/10.22000/uupxmgkq94r0jpsk\">10.22000/uupxmgkq94r0jpsk</a>","bibtex":"@book{Bachmann_Frömmel_Münzmay_2024, title={ OPEN FAUST Preview (dataset)}, DOI={<a href=\"https://doi.org/10.22000/uupxmgkq94r0jpsk\">10.22000/uupxmgkq94r0jpsk</a>}, publisher={RADAR4Culture}, author={Bachmann, Tobias and Frömmel, Lena and Münzmay, Andreas}, year={2024} }","mla":"Bachmann, Tobias, et al. <i> OPEN FAUST Preview (Dataset)</i>. RADAR4Culture, 2024, doi:<a href=\"https://doi.org/10.22000/uupxmgkq94r0jpsk\">10.22000/uupxmgkq94r0jpsk</a>.","chicago":"Bachmann, Tobias, Lena Frömmel, and Andreas Münzmay. <i> OPEN FAUST Preview (Dataset)</i>. RADAR4Culture, 2024. <a href=\"https://doi.org/10.22000/uupxmgkq94r0jpsk\">https://doi.org/10.22000/uupxmgkq94r0jpsk</a>.","short":"T. Bachmann, L. Frömmel, A. Münzmay,  OPEN FAUST Preview (Dataset), RADAR4Culture, 2024.","apa":"Bachmann, T., Frömmel, L., &#38; Münzmay, A. (2024). <i> OPEN FAUST Preview (dataset)</i>. RADAR4Culture. <a href=\"https://doi.org/10.22000/uupxmgkq94r0jpsk\">https://doi.org/10.22000/uupxmgkq94r0jpsk</a>","ieee":"T. Bachmann, L. Frömmel, and A. Münzmay, <i> OPEN FAUST Preview (dataset)</i>. RADAR4Culture, 2024."},"project":[{"name":"KIO: KreativInstitut.OWL","_id":"1048"},{"name":"OPEN Edirom","_id":"1064"}],"abstract":[{"lang":"eng","text":"Peter Joseph von Lindpaintner: Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann. Historical-Critical Digital Edition by Tobias Bachmann, Lena Frömmel and Andreas Münzmay. The dataset, consisting of TEI and MEI files, is the historical-critical digital edition. The data structure allows for visualization via EDIROM ONLINE. "}],"related_material":{"link":[{"relation":"contains","url":"https://open-faust.zenmem.de/index.html"}]}},{"date_created":"2025-02-10T14:11:50Z","place":"Hannover, Germany","department":[{"_id":"36"},{"_id":"233"},{"_id":"870"},{"_id":"615"},{"_id":"856"}],"type":"conference","citation":{"ieee":"A. Berndt, A. Münzmay, and F. Bömcke-Vollmer, “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition,” 2024.","mla":"Berndt, Axel, et al. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition.” <i>{DAGA 2024 – 50. Jahrestagung Für Akustik}</i>, 2024.","apa":"Berndt, A., Münzmay, A., &#38; Bömcke-Vollmer, F. (2024). Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition. <i>{DAGA 2024 – 50. Jahrestagung Für Akustik}</i>.","bibtex":"@inproceedings{Berndt_Münzmay_Bömcke-Vollmer_2024, place={Hannover, Germany}, title={Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition}, booktitle={{DAGA 2024 – 50. Jahrestagung für Akustik}}, author={Berndt, Axel and Münzmay, Andreas and Bömcke-Vollmer, Frithjof}, year={2024} }","chicago":"Berndt, Axel, Andreas Münzmay, and Frithjof Bömcke-Vollmer. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition.” In <i>{DAGA 2024 – 50. Jahrestagung Für Akustik}</i>. Hannover, Germany, 2024.","ama":"Berndt A, Münzmay A, Bömcke-Vollmer F. Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition. In: <i>{DAGA 2024 – 50. Jahrestagung Für Akustik}</i>. ; 2024.","short":"A. Berndt, A. Münzmay, F. Bömcke-Vollmer, in: {DAGA 2024 – 50. Jahrestagung Für Akustik}, Hannover, Germany, 2024."},"publication":"{DAGA 2024 – 50. Jahrestagung für Akustik}","project":[{"_id":"1614","name":"Digitale Interpretationsedition: Prototypischer Forschungsprozess und Modelledition"}],"language":[{"iso":"eng"}],"_id":"58551","user_id":"61139","author":[{"full_name":"Berndt, Axel","last_name":"Berndt","first_name":"Axel","id":"55565"},{"id":"61139","full_name":"Münzmay, Andreas","first_name":"Andreas","last_name":"Münzmay","orcid":"0000-0002-8373-4055"},{"id":"124535","full_name":"Bömcke-Vollmer, Frithjof","first_name":"Frithjof","last_name":"Bömcke-Vollmer"}],"title":"Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition","year":"2024","status":"public","date_updated":"2026-03-18T17:23:44Z"},{"page":"27-71","_id":"58131","language":[{"iso":"eng"}],"series_title":"Music and Religions in the 21st century","publisher":"Textum","user_id":"72268","editor":[{"first_name":"Dominik","last_name":"Höink","full_name":"Höink, Dominik"}],"year":"2024","status":"public","title":"Weltethos and wunderzaichen: Religion in the Music of the Western Avant-garde","publication_identifier":{"unknown":["978-3-8288-4979-2"]},"author":[{"id":"72268","first_name":"Antje","last_name":"Tumat","orcid":"0009-0002-9132-0925","full_name":"Tumat, Antje"}],"corporate_editor":["Andreas Meyer"],"date_updated":"2026-04-18T14:10:57Z","publication_status":"published","place":"Baden-Baden","date_created":"2025-01-09T13:58:45Z","type":"conference","department":[{"_id":"233"},{"_id":"856"}],"citation":{"ieee":"A. Tumat, “Weltethos and wunderzaichen: Religion in the Music of the Western Avant-garde.” Textum, Baden-Baden, pp. 27–71, 2024.","mla":"Tumat, Antje. <i>Weltethos and Wunderzaichen: Religion in the Music of the Western Avant-Garde</i>. Edited by Dominik Höink and Andreas Meyer, Textum, 2024, pp. 27–71.","apa":"Tumat, A. (2024). <i>Weltethos and wunderzaichen: Religion in the Music of the Western Avant-garde</i> (D. Höink &#38; Andreas Meyer, Eds.; pp. 27–71). Textum.","bibtex":"@article{Tumat_2024, place={Baden-Baden}, series={Music and Religions in the 21st century}, title={Weltethos and wunderzaichen: Religion in the Music of the Western Avant-garde}, publisher={Textum}, author={Tumat, Antje}, editor={Höink, Dominik and Andreas Meyer}, year={2024}, pages={27–71}, collection={Music and Religions in the 21st century} }","chicago":"Tumat, Antje. “Weltethos and Wunderzaichen: Religion in the Music of the Western Avant-Garde.” Edited by Dominik Höink and Andreas Meyer. Music and Religions in the 21st Century. Baden-Baden: Textum, 2024.","short":"A. Tumat, (2024) 27–71.","ama":"Tumat A. Weltethos and wunderzaichen: Religion in the Music of the Western Avant-garde. Höink D, Andreas Meyer, eds. Published online 2024:27-71."}},{"date_updated":"2026-06-03T13:00:31Z","status":"public","year":"2024","title":"Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology","author":[{"id":"55565","full_name":"Berndt, Axel","last_name":"Berndt","first_name":"Axel"},{"full_name":"Bömcke-Vollmer, Frithjof","last_name":"Bömcke-Vollmer","first_name":"Frithjof","id":"124535"},{"orcid":"0000-0002-8373-4055","first_name":"Andreas","last_name":"Münzmay","full_name":"Münzmay, Andreas","id":"61139"}],"user_id":"55565","language":[{"iso":"eng"}],"_id":"58552","project":[{"_id":"1614","name":"Digitale Interpretationsedition: Prototypischer Forschungsprozess und Modelledition"}],"publication":"{Diskografentag: International Conference on Recorded Music}","citation":{"ieee":"A. Berndt, F. Bömcke-Vollmer, and A. Münzmay, “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology,” 2024.","apa":"Berndt, A., Bömcke-Vollmer, F., &#38; Münzmay, A. (2024). Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology. <i>{Diskografentag: International Conference on Recorded Music}</i>.","chicago":"Berndt, Axel, Frithjof Bömcke-Vollmer, and Andreas Münzmay. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and Its Potential for Ethnomusicology.” In <i>{Diskografentag: International Conference on Recorded Music}</i>. Guildford, Surrey, England, 2024.","short":"A. Berndt, F. Bömcke-Vollmer, A. Münzmay, in: {Diskografentag: International Conference on Recorded Music}, Guildford, Surrey, England, 2024.","mla":"Berndt, Axel, et al. “Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and Its Potential for Ethnomusicology.” <i>{Diskografentag: International Conference on Recorded Music}</i>, 2024.","bibtex":"@inproceedings{Berndt_Bömcke-Vollmer_Münzmay_2024, place={Guildford, Surrey, England}, title={Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology}, booktitle={{Diskografentag: International Conference on Recorded Music}}, author={Berndt, Axel and Bömcke-Vollmer, Frithjof and Münzmay, Andreas}, year={2024} }","ama":"Berndt A, Bömcke-Vollmer F, Münzmay A. Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition and its Potential for Ethnomusicology. In: <i>{Diskografentag: International Conference on Recorded Music}</i>. ; 2024."},"type":"conference","department":[{"_id":"36"},{"_id":"233"},{"_id":"870"},{"_id":"615"},{"_id":"856"}],"place":"Guildford, Surrey, England","date_created":"2025-02-10T14:11:58Z"},{"doi":"10.17613/XN3G-VS35","user_id":"90722","editor":[{"first_name":"David M.","last_name":"Weigl","full_name":"Weigl, David M."}],"language":[{"iso":"eng"}],"_id":"50289","date_updated":"2024-02-28T09:19:43Z","status":"public","year":"2023","title":"»Play it again, Sam« – Levels of Complexity in Encoding Performance Personnel","conference":{"end_date":"2022-05-22","start_date":"2022-05-19","name":" Music Encoding Conference","location":"Dalhousie University, Nova Scotia, Canada"},"author":[{"first_name":"Benjamin W.","last_name":"Bohl","full_name":"Bohl, Benjamin W."},{"id":"90722","full_name":"Ried, Dennis","last_name":"Ried","orcid":"https://orcid.org/0000-0001-5545-2088","first_name":"Dennis"}],"type":"conference","department":[{"_id":"233"},{"_id":"856"}],"date_created":"2024-01-08T09:56:13Z","project":[{"name":"Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk","_id":"738","grant_number":"459602398"}],"publication":"Music Encoding Conference Proceedings 2022","citation":{"bibtex":"@inproceedings{Bohl_Ried_2023, title={»Play it again, Sam« – Levels of Complexity in Encoding Performance Personnel}, DOI={<a href=\"https://doi.org/10.17613/XN3G-VS35\">10.17613/XN3G-VS35</a>}, booktitle={Music Encoding Conference Proceedings 2022}, author={Bohl, Benjamin W. and Ried, Dennis}, editor={Weigl, David M.}, year={2023} }","ama":"Bohl BW, Ried D. »Play it again, Sam« – Levels of Complexity in Encoding Performance Personnel. In: Weigl DM, ed. <i>Music Encoding Conference Proceedings 2022</i>. ; 2023. doi:<a href=\"https://doi.org/10.17613/XN3G-VS35\">10.17613/XN3G-VS35</a>","mla":"Bohl, Benjamin W., and Dennis Ried. “»Play It Again, Sam« – Levels of Complexity in Encoding Performance Personnel.” <i>Music Encoding Conference Proceedings 2022</i>, edited by David M. Weigl, 2023, doi:<a href=\"https://doi.org/10.17613/XN3G-VS35\">10.17613/XN3G-VS35</a>.","chicago":"Bohl, Benjamin W., and Dennis Ried. “»Play It Again, Sam« – Levels of Complexity in Encoding Performance Personnel.” In <i>Music Encoding Conference Proceedings 2022</i>, edited by David M. Weigl, 2023. <a href=\"https://doi.org/10.17613/XN3G-VS35\">https://doi.org/10.17613/XN3G-VS35</a>.","short":"B.W. Bohl, D. Ried, in: D.M. Weigl (Ed.), Music Encoding Conference Proceedings 2022, 2023.","ieee":"B. W. Bohl and D. Ried, “»Play it again, Sam« – Levels of Complexity in Encoding Performance Personnel,” in <i>Music Encoding Conference Proceedings 2022</i>, Dalhousie University, Nova Scotia, Canada, 2023, doi: <a href=\"https://doi.org/10.17613/XN3G-VS35\">10.17613/XN3G-VS35</a>.","apa":"Bohl, B. W., &#38; Ried, D. (2023). »Play it again, Sam« – Levels of Complexity in Encoding Performance Personnel. In D. M. Weigl (Ed.), <i>Music Encoding Conference Proceedings 2022</i>. <a href=\"https://doi.org/10.17613/XN3G-VS35\">https://doi.org/10.17613/XN3G-VS35</a>"}},{"title":"HenDi-ODD v2.0.0","status":"public","year":"2023","author":[{"full_name":"Ried, Dennis","last_name":"Ried","first_name":"Dennis","orcid":"https://orcid.org/0000-0001-5545-2088","id":"90722"},{"full_name":"Capelle, Irmlind","last_name":"Capelle","first_name":"Irmlind"},{"first_name":"Elena","last_name":"Minetti","full_name":"Minetti, Elena","id":"90723"}],"date_updated":"2024-02-28T09:40:14Z","_id":"51684","publisher":"Henze-Digital","doi":"10.5281/ZENODO.10391194","user_id":"90722","citation":{"bibtex":"@book{Ried_Capelle_Minetti_2023, title={HenDi-ODD v2.0.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.10391194\">10.5281/ZENODO.10391194</a>}, publisher={Henze-Digital}, author={Ried, Dennis and Capelle, Irmlind and Minetti, Elena}, year={2023} }","short":"D. Ried, I. Capelle, E. Minetti, HenDi-ODD v2.0.0, Henze-Digital, 2023.","ama":"Ried D, Capelle I, Minetti E. <i>HenDi-ODD v2.0.0</i>. Henze-Digital; 2023. doi:<a href=\"https://doi.org/10.5281/ZENODO.10391194\">10.5281/ZENODO.10391194</a>","chicago":"Ried, Dennis, Irmlind Capelle, and Elena Minetti. <i>HenDi-ODD v2.0.0</i>. Henze-Digital, 2023. <a href=\"https://doi.org/10.5281/ZENODO.10391194\">https://doi.org/10.5281/ZENODO.10391194</a>.","ieee":"D. Ried, I. Capelle, and E. Minetti, <i>HenDi-ODD v2.0.0</i>. Henze-Digital, 2023.","apa":"Ried, D., Capelle, I., &#38; Minetti, E. (2023). <i>HenDi-ODD v2.0.0</i>. Henze-Digital. <a href=\"https://doi.org/10.5281/ZENODO.10391194\">https://doi.org/10.5281/ZENODO.10391194</a>","mla":"Ried, Dennis, et al. <i>HenDi-ODD v2.0.0</i>. Henze-Digital, 2023, doi:<a href=\"https://doi.org/10.5281/ZENODO.10391194\">10.5281/ZENODO.10391194</a>."},"project":[{"_id":"738","grant_number":"459602398","name":"Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk"}],"date_created":"2024-02-21T10:26:01Z","type":"research_data","department":[{"_id":"233"},{"_id":"856"}]},{"date_created":"2024-02-21T10:20:25Z","department":[{"_id":"233"},{"_id":"856"}],"type":"research_data","citation":{"ama":"Ried D. <i>HenDi-WebApp v1.0.0</i>. Henze-Digital; 2023. doi:<a href=\"https://doi.org/10.5281/ZENODO.8304639\">10.5281/ZENODO.8304639</a>","short":"D. Ried, HenDi-WebApp v1.0.0, Henze-Digital, 2023.","chicago":"Ried, Dennis. <i>HenDi-WebApp v1.0.0</i>. Henze-Digital, 2023. <a href=\"https://doi.org/10.5281/ZENODO.8304639\">https://doi.org/10.5281/ZENODO.8304639</a>.","bibtex":"@book{Ried_2023, title={HenDi-WebApp v1.0.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.8304639\">10.5281/ZENODO.8304639</a>}, publisher={Henze-Digital}, author={Ried, Dennis}, year={2023} }","apa":"Ried, D. (2023). <i>HenDi-WebApp v1.0.0</i>. Henze-Digital. <a href=\"https://doi.org/10.5281/ZENODO.8304639\">https://doi.org/10.5281/ZENODO.8304639</a>","mla":"Ried, Dennis. <i>HenDi-WebApp v1.0.0</i>. Henze-Digital, 2023, doi:<a href=\"https://doi.org/10.5281/ZENODO.8304639\">10.5281/ZENODO.8304639</a>.","ieee":"D. Ried, <i>HenDi-WebApp v1.0.0</i>. 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Henze-Digital; 2023. doi:<a href=\"https://doi.org/10.5281/ZENODO.8304804\">10.5281/ZENODO.8304804</a>","bibtex":"@book{Ried_Capelle_Minetti_2023, title={HenDi-ODD v1.0.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.8304804\">10.5281/ZENODO.8304804</a>}, publisher={Henze-Digital}, author={Ried, Dennis and Capelle, Irmlind and Minetti, Elena}, year={2023} }","apa":"Ried, D., Capelle, I., &#38; Minetti, E. (2023). <i>HenDi-ODD v1.0.0</i>. Henze-Digital. <a href=\"https://doi.org/10.5281/ZENODO.8304804\">https://doi.org/10.5281/ZENODO.8304804</a>","ieee":"D. Ried, I. Capelle, and E. Minetti, <i>HenDi-ODD v1.0.0</i>. Henze-Digital, 2023.","short":"D. Ried, I. Capelle, E. Minetti, HenDi-ODD v1.0.0, Henze-Digital, 2023.","chicago":"Ried, Dennis, Irmlind Capelle, and Elena Minetti. <i>HenDi-ODD v1.0.0</i>. 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(2023). <i>HenDi-WebApp v2.0.0</i>. Henze-Digital. <a href=\"https://doi.org/10.5281/ZENODO.10390049\">https://doi.org/10.5281/ZENODO.10390049</a>","ieee":"D. Ried, <i>HenDi-WebApp v2.0.0</i>. Henze-Digital, 2023.","short":"D. Ried, HenDi-WebApp v2.0.0, Henze-Digital, 2023.","chicago":"Ried, Dennis. <i>HenDi-WebApp v2.0.0</i>. Henze-Digital, 2023. <a href=\"https://doi.org/10.5281/ZENODO.10390049\">https://doi.org/10.5281/ZENODO.10390049</a>.","mla":"Ried, Dennis. <i>HenDi-WebApp v2.0.0</i>. Henze-Digital, 2023, doi:<a href=\"https://doi.org/10.5281/ZENODO.10390049\">10.5281/ZENODO.10390049</a>.","ama":"Ried D. <i>HenDi-WebApp v2.0.0</i>. Henze-Digital; 2023. doi:<a href=\"https://doi.org/10.5281/ZENODO.10390049\">10.5281/ZENODO.10390049</a>","bibtex":"@book{Ried_2023, title={HenDi-WebApp v2.0.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.10390049\">10.5281/ZENODO.10390049</a>}, publisher={Henze-Digital}, author={Ried, Dennis}, year={2023} }"}},{"type":"research_data","department":[{"_id":"233"},{"_id":"856"}],"date_created":"2024-02-21T10:11:47Z","abstract":[{"lang":"eng","text":"This is the data set of the project Henze-Digital. It contains project specific authority files (e.g., persons, organizations, places) and editions (e.g., letters, documents)."}],"project":[{"name":"Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk","grant_number":"459602398","_id":"738"}],"citation":{"bibtex":"@book{Capelle_Minetti_Ried_Tumat_2023, title={HenDi-Data (data package) v2.0.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.10391419\">10.5281/ZENODO.10391419</a>}, publisher={Henze-Digital}, author={Capelle, Irmlind and Minetti, Elena and Ried, Dennis and Tumat, Antje}, year={2023} }","ama":"Capelle I, Minetti E, Ried D, Tumat A. <i>HenDi-Data (Data Package) v2.0.0</i>. Henze-Digital; 2023. doi:<a href=\"https://doi.org/10.5281/ZENODO.10391419\">10.5281/ZENODO.10391419</a>","mla":"Capelle, Irmlind, et al. <i>HenDi-Data (Data Package) v2.0.0</i>. Henze-Digital, 2023, doi:<a href=\"https://doi.org/10.5281/ZENODO.10391419\">10.5281/ZENODO.10391419</a>.","short":"I. Capelle, E. Minetti, D. Ried, A. 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Henze-Digital. <a href=\"https://doi.org/10.5281/ZENODO.10391419\">https://doi.org/10.5281/ZENODO.10391419</a>"},"doi":"10.5281/ZENODO.10391419","user_id":"90722","_id":"51678","publisher":"Henze-Digital","date_updated":"2024-03-20T11:32:31Z","year":"2023","status":"public","title":"HenDi-Data (data package) v2.0.0","author":[{"id":"21488","last_name":"Capelle","first_name":"Irmlind","full_name":"Capelle, Irmlind"},{"last_name":"Minetti","first_name":"Elena","full_name":"Minetti, Elena","id":"90723"},{"full_name":"Ried, Dennis","orcid":"https://orcid.org/0000-0001-5545-2088","last_name":"Ried","first_name":"Dennis","id":"90722"},{"id":"72268","first_name":"Antje","last_name":"Tumat","full_name":"Tumat, Antje"}]},{"user_id":"90722","doi":"10.5281/ZENODO.8304688","_id":"51679","publisher":"Henze-Digital","date_updated":"2024-03-20T11:32:25Z","year":"2023","status":"public","title":"HenDi-Data (data package) v1.0.0","author":[{"last_name":"Capelle","first_name":"Irmlind","full_name":"Capelle, Irmlind","id":"21488"},{"id":"90723","last_name":"Minetti","first_name":"Elena","full_name":"Minetti, Elena"},{"full_name":"Ried, Dennis","orcid":"https://orcid.org/0000-0001-5545-2088","last_name":"Ried","first_name":"Dennis","id":"90722"},{"id":"72268","first_name":"Antje","last_name":"Tumat","full_name":"Tumat, Antje"}],"type":"research_data","department":[{"_id":"233"},{"_id":"856"}],"date_created":"2024-02-21T10:18:09Z","abstract":[{"lang":"eng","text":"This is the data set of the project Henze-Digital. It contains project specific authority files (e.g., persons, organizations, places) and editions (e.g., letters, documents)."}],"project":[{"name":"Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk","grant_number":"459602398","_id":"738"}],"citation":{"bibtex":"@book{Capelle_Minetti_Ried_Tumat_2023, title={HenDi-Data (data package) v1.0.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.8304688\">10.5281/ZENODO.8304688</a>}, publisher={Henze-Digital}, author={Capelle, Irmlind and Minetti, Elena and Ried, Dennis and Tumat, Antje}, year={2023} }","ama":"Capelle I, Minetti E, Ried D, Tumat A. <i>HenDi-Data (Data Package) v1.0.0</i>. Henze-Digital; 2023. doi:<a href=\"https://doi.org/10.5281/ZENODO.8304688\">10.5281/ZENODO.8304688</a>","mla":"Capelle, Irmlind, et al. <i>HenDi-Data (Data Package) v1.0.0</i>. Henze-Digital, 2023, doi:<a href=\"https://doi.org/10.5281/ZENODO.8304688\">10.5281/ZENODO.8304688</a>.","short":"I. Capelle, E. Minetti, D. Ried, A. Tumat, HenDi-Data (Data Package) v1.0.0, Henze-Digital, 2023.","chicago":"Capelle, Irmlind, Elena Minetti, Dennis Ried, and Antje Tumat. <i>HenDi-Data (Data Package) v1.0.0</i>. Henze-Digital, 2023. <a href=\"https://doi.org/10.5281/ZENODO.8304688\">https://doi.org/10.5281/ZENODO.8304688</a>.","ieee":"I. Capelle, E. Minetti, D. Ried, and A. Tumat, <i>HenDi-Data (data package) v1.0.0</i>. Henze-Digital, 2023.","apa":"Capelle, I., Minetti, E., Ried, D., &#38; Tumat, A. (2023). <i>HenDi-Data (data package) v1.0.0</i>. Henze-Digital. <a href=\"https://doi.org/10.5281/ZENODO.8304688\">https://doi.org/10.5281/ZENODO.8304688</a>"}},{"author":[{"id":"1684","full_name":"Kepper, Johannes","orcid":"0000-0003-4891-260X","last_name":"Kepper","first_name":"Johannes"},{"full_name":"Münzmay, Andreas","orcid":"0000-0002-8373-4055","last_name":"Münzmay","first_name":"Andreas","id":"61139"}],"conference":{"start_date":"2023-03-13","name":"DHd2023: Open Humanities, Open Culture","end_date":"2023-03-17"},"year":"2023","status":"public","title":"Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale","publication_status":"published","date_updated":"2025-03-21T11:58:02Z","language":[{"iso":"ger"}],"_id":"47487","main_file_link":[{"open_access":"1","url":"https://doi.org/10.5281/zenodo.7715387"}],"user_id":"61139","doi":"10.5281/ZENODO.7715387","citation":{"short":"J. Kepper, A. Münzmay, in: DHd2023: Open Humanities, Open Culture, 2023.","chicago":"Kepper, Johannes, and Andreas Münzmay. “Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale.” In <i>DHd2023: Open Humanities, Open Culture</i>, 2023. <a href=\"https://doi.org/10.5281/ZENODO.7715387\">https://doi.org/10.5281/ZENODO.7715387</a>.","apa":"Kepper, J., &#38; Münzmay, A. (2023). Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale. <i>DHd2023: Open Humanities, Open Culture</i>. DHd2023: Open Humanities, Open Culture. <a href=\"https://doi.org/10.5281/ZENODO.7715387\">https://doi.org/10.5281/ZENODO.7715387</a>","ieee":"J. Kepper and A. Münzmay, “Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale,” presented at the DHd2023: Open Humanities, Open Culture, 2023, doi: <a href=\"https://doi.org/10.5281/ZENODO.7715387\">10.5281/ZENODO.7715387</a>.","ama":"Kepper J, Münzmay A. Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale. In: <i>DHd2023: Open Humanities, Open Culture</i>. ; 2023. doi:<a href=\"https://doi.org/10.5281/ZENODO.7715387\">10.5281/ZENODO.7715387</a>","bibtex":"@inproceedings{Kepper_Münzmay_2023, title={Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.7715387\">10.5281/ZENODO.7715387</a>}, booktitle={DHd2023: Open Humanities, Open Culture}, author={Kepper, Johannes and Münzmay, Andreas}, year={2023} }","mla":"Kepper, Johannes, and Andreas Münzmay. “Open Data in musikphilologischen Projekten: Herausforderungen, Strategien, Potenziale.” <i>DHd2023: Open Humanities, Open Culture</i>, 2023, doi:<a href=\"https://doi.org/10.5281/ZENODO.7715387\">10.5281/ZENODO.7715387</a>."},"publication":"DHd2023: Open Humanities, Open Culture","project":[{"name":"Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition","_id":"743"},{"grant_number":"(DFG) – 441958017","_id":"745","name":"NFDI4Culture: NFDI4Culture – Konsortium für Forschungsdaten materieller und immaterieller Kulturgüter"},{"_id":"1064","name":"OPEN Edirom"}],"date_created":"2023-09-27T07:08:23Z","department":[{"_id":"572"},{"_id":"856"},{"_id":"615"}],"oa":"1","type":"conference_abstract"},{"place":"Methoden Softwaregestützter Interpretationsforschung, Online-Workshop des Netzwerks Softwaregestützte Interpretationsforschung, 8.–9. Juni 2023","date_created":"2023-09-25T10:44:06Z","oa":"1","department":[{"_id":"856"}],"type":"misc","citation":{"ama":"Münzmay A, Berndt A. <i>Was Ist Eine Interpretationsedition?</i> Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen”; 2023.","bibtex":"@book{Münzmay_Berndt_2023, place={Methoden Softwaregestützter Interpretationsforschung, Online-Workshop des Netzwerks Softwaregestützte Interpretationsforschung, 8.–9. Juni 2023}, title={Was ist eine Interpretationsedition?}, publisher={Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen”}, author={Münzmay, Andreas and Berndt, Axel}, year={2023} }","mla":"Münzmay, Andreas, and Axel Berndt. <i>Was Ist Eine Interpretationsedition?</i> Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen,” 2023.","short":"A. Münzmay, A. Berndt, Was Ist Eine Interpretationsedition?, Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen,” Methoden Softwaregestützter Interpretationsforschung, Online-Workshop des Netzwerks Softwaregestützte Interpretationsforschung, 8.–9. Juni 2023, 2023.","chicago":"Münzmay, Andreas, and Axel Berndt. <i>Was Ist Eine Interpretationsedition?</i> Methoden Softwaregestützter Interpretationsforschung, Online-Workshop des Netzwerks Softwaregestützte Interpretationsforschung, 8.–9. Juni 2023: Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen,” 2023.","apa":"Münzmay, A., &#38; Berndt, A. (2023). <i>Was ist eine Interpretationsedition?</i> Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen.”","ieee":"A. Münzmay and A. Berndt, <i>Was ist eine Interpretationsedition?</i> Methoden Softwaregestützter Interpretationsforschung, Online-Workshop des Netzwerks Softwaregestützte Interpretationsforschung, 8.–9. Juni 2023: Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen,” 2023."},"project":[{"_id":"1614","name":"Digitale Interpretationsedition: Prototypischer Forschungsprozess und Modelledition"},{"_id":"1048","name":"KreativInstitut.OWL"}],"_id":"47318","publisher":"Videomitschnitt, veröffentlicht im Youtube-Kanal “musikschafftwissen”","language":[{"iso":"eng"}],"main_file_link":[{"url":"https://youtu.be/NUTflfuIWlw ","open_access":"1"}],"user_id":"61139","author":[{"orcid":"0000-0002-8373-4055","first_name":"Andreas","last_name":"Münzmay","full_name":"Münzmay, Andreas","id":"61139"},{"first_name":"Axel","last_name":"Berndt","full_name":"Berndt, Axel","id":"55565"}],"year":"2023","status":"public","title":"Was ist eine Interpretationsedition?","date_updated":"2025-09-03T18:25:44Z"},{"date_updated":"2024-02-28T09:20:25Z","year":"2022","title":"METAdata and metaDATA","status":"public","author":[{"last_name":"Ried","orcid":"https://orcid.org/0000-0001-5545-2088","first_name":"Dennis","full_name":"Ried, Dennis","id":"90722"},{"full_name":"Gubsch, Clemens","last_name":"Gubsch","first_name":"Clemens"}],"conference":{"end_date":"2021-07-22","location":"University of Alicante","name":"Music Encoding Conference 2021","start_date":"2021-07-19"},"user_id":"90722","doi":"10.17613/50T9-Z881","editor":[{"last_name":"Münnich","first_name":"Stefan","full_name":"Münnich, Stefan"},{"full_name":"Rizo, David","first_name":"David","last_name":"Rizo"}],"_id":"46582","language":[{"iso":"eng"}],"quality_controlled":"1","abstract":[{"text":"Metadata are a very broad and extremely differentiated subject and ranges from rudimentary catalog data to deeply indexed scientific catalogs (e.g., catalogs of works). In this paper, the concept of metadata in the context of MEI is first examined, before two examples are used to show that metadata are more than just rudimentary descriptions. These examples are also intended to illustrate the extent to which metadata are encoded in the field of music philology and thus represent an attempt to create a little more awareness for the work of the Metadata and Cataloging Interest Group of MEI. The examples deal on the one hand with the encoding of performance resources and on the other hand with watermarks. In both cases, the possibilities of metadata encoding with MEI version 4 are exhausted and it is discussed which steps are useful and necessary to create an even deeper, machine-readable structure so that these sub-fields of the MEI metadata can also be used for larger scientific purposes such as analyses.","lang":"eng"}],"project":[{"name":"Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk","_id":"738","grant_number":"459602398"}],"citation":{"ama":"Ried D, Gubsch C. METAdata and metaDATA. In: Münnich S, Rizo D, eds. ; 2022. doi:<a href=\"https://doi.org/10.17613/50T9-Z881\">10.17613/50T9-Z881</a>","bibtex":"@inproceedings{Ried_Gubsch_2022, title={METAdata and metaDATA}, DOI={<a href=\"https://doi.org/10.17613/50T9-Z881\">10.17613/50T9-Z881</a>}, author={Ried, Dennis and Gubsch, Clemens}, editor={Münnich, Stefan and Rizo, David}, year={2022} }","mla":"Ried, Dennis, and Clemens Gubsch. <i>METAdata and MetaDATA</i>. Edited by Stefan Münnich and David Rizo, 2022, doi:<a href=\"https://doi.org/10.17613/50T9-Z881\">10.17613/50T9-Z881</a>.","chicago":"Ried, Dennis, and Clemens Gubsch. “METAdata and MetaDATA.” edited by Stefan Münnich and David Rizo, 2022. <a href=\"https://doi.org/10.17613/50T9-Z881\">https://doi.org/10.17613/50T9-Z881</a>.","short":"D. Ried, C. Gubsch, in: S. Münnich, D. Rizo (Eds.), 2022.","apa":"Ried, D., &#38; Gubsch, C. (2022). <i>METAdata and metaDATA</i> (S. Münnich &#38; D. Rizo, Eds.). <a href=\"https://doi.org/10.17613/50T9-Z881\">https://doi.org/10.17613/50T9-Z881</a>","ieee":"D. Ried and C. Gubsch, “METAdata and metaDATA,” University of Alicante, 2022, doi: <a href=\"https://doi.org/10.17613/50T9-Z881\">10.17613/50T9-Z881</a>."},"type":"conference","department":[{"_id":"233"},{"_id":"856"}],"date_created":"2023-08-21T06:27:14Z"},{"status":"public","publisher":"Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold","_id":"48045","editor":[{"full_name":"Münzmay, Andreas","last_name":"Münzmay","first_name":"Andreas","orcid":"0000-0002-8373-4055","id":"61139"},{"full_name":"Aquavella-RauchJ, Stefanie","first_name":"Stefanie","last_name":"Aquavella-RauchJ"},{"full_name":"Veit, Joachim","last_name":"Veit","first_name":"Joachim"}],"volume":3,"user_id":"61139","citation":{"mla":"Münzmay, Andreas, et al., editors. <i>Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation</i>. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020, doi:<a href=\"https://doi.org/10.25366/2020.87\">10.25366/2020.87</a>.","ama":"Münzmay A, Aquavella-RauchJ S, Veit J, eds. <i>Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation</i>. Vol 3. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold; 2020. doi:<a href=\"https://doi.org/10.25366/2020.87\">10.25366/2020.87</a>","bibtex":"@book{Münzmay_Aquavella-RauchJ_Veit_2020, place={Detmold}, series={Musikwissenschaft: Aktuelle Perspektiven. Bericht über die Jahrestagung der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold}, title={Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation}, volume={3}, DOI={<a href=\"https://doi.org/10.25366/2020.87\">10.25366/2020.87</a>}, publisher={Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold}, year={2020}, collection={Musikwissenschaft: Aktuelle Perspektiven. Bericht über die Jahrestagung der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold} }","apa":"Münzmay, A., Aquavella-RauchJ, S., &#38; Veit, J. (Eds.). (2020). <i>Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation</i> (Vol. 3). Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold. <a href=\"https://doi.org/10.25366/2020.87\">https://doi.org/10.25366/2020.87</a>","ieee":"A. Münzmay, S. Aquavella-RauchJ, and J. Veit, Eds., <i>Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation</i>, vol. 3. Detmold: Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020.","chicago":"Münzmay, Andreas, Stefanie Aquavella-RauchJ, and Joachim Veit, eds. <i>Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation</i>. Vol. 3. Musikwissenschaft: Aktuelle Perspektiven. Bericht über die Jahrestagung der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold. Detmold: Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. <a href=\"https://doi.org/10.25366/2020.87\">https://doi.org/10.25366/2020.87</a>.","short":"A. Münzmay, S. Aquavella-RauchJ, J. Veit, eds., Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation, Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, Detmold, 2020."},"quality_controlled":"1","place":"Detmold","oa":"1","year":"2020","title":"Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation","intvolume":"         3","date_updated":"2024-02-19T10:47:26Z","publication_status":"published","series_title":"Musikwissenschaft: Aktuelle Perspektiven. Bericht über die Jahrestagung der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold","language":[{"iso":"ger"}],"main_file_link":[{"url":"https://doi.org/10.25366/2020.87","open_access":"1"}],"alternative_title":["Beiträge der Symposien zur Digitalen Musikwissenschaft Osnabrück 2018 und Paderborn 2019 im Rahmen der Jahrestagungen der Gesellschaft für Musikforschung, in Verbindung mit der Fachgruppe Digitale Musikwissenschaft"],"doi":"10.25366/2020.87","related_material":{"record":[{"relation":"published_in","id":"46583","status":"public"},{"status":"public","relation":"published_in","id":"47474"}]},"date_created":"2023-10-13T07:33:41Z","department":[{"_id":"233"},{"_id":"572"},{"_id":"856"},{"_id":"615"}],"type":"book_editor"},{"author":[{"orcid":"0000-0002-8373-4055","first_name":"Andreas","last_name":"Münzmay","full_name":"Münzmay, Andreas","id":"61139"},{"first_name":"Stefanie","last_name":"Aquavella-Rauch","full_name":"Aquavella-Rauch, Stefanie"},{"full_name":"Veit, Joachim","first_name":"Joachim","last_name":"Veit"}],"year":"2020","title":"Brückenschläge zwischen Musikwissenschaft und Informatik – Vorbemerkung","intvolume":"         3","publication_status":"published","date_updated":"2024-02-19T10:47:26Z","series_title":"Musikwissenschaft: Aktuelle Perspektiven. Bericht über die Jahrestagung der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold","language":[{"iso":"ger"}],"main_file_link":[{"open_access":"1","url":"https://doi.org/10.25366/2020.88"}],"doi":"10.25366/2020.88","publication":"Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation","related_material":{"record":[{"id":"48045","relation":"contains","status":"public"}]},"date_created":"2023-09-27T07:00:22Z","department":[{"_id":"233"},{"_id":"572"},{"_id":"856"},{"_id":"615"}],"type":"book_chapter","status":"public","publisher":"Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold","_id":"47474","page":"XI-XV","volume":3,"editor":[{"full_name":"Münzmay, Andreas","last_name":"Münzmay","first_name":"Andreas"},{"last_name":"Acquavella-Rauch","first_name":"Stefanie ","full_name":"Acquavella-Rauch, Stefanie "},{"full_name":"Veit, Joachim","first_name":"Joachim","last_name":"Veit"}],"user_id":"61139","citation":{"chicago":"Münzmay, Andreas, Stefanie Aquavella-Rauch, and Joachim Veit. “Brückenschläge zwischen Musikwissenschaft und Informatik – Vorbemerkung.” In <i>Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation</i>, edited by Andreas Münzmay, Stefanie  Acquavella-Rauch, and Joachim Veit, 3:XI–XV. Musikwissenschaft: Aktuelle Perspektiven. Bericht über die Jahrestagung der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold. Detmold: Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. <a href=\"https://doi.org/10.25366/2020.88\">https://doi.org/10.25366/2020.88</a>.","short":"A. Münzmay, S. Aquavella-Rauch, J. Veit, in: A. Münzmay, S. Acquavella-Rauch, J. Veit (Eds.), Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation, Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, Detmold, 2020, p. XI–XV.","apa":"Münzmay, A., Aquavella-Rauch, S., &#38; Veit, J. (2020). Brückenschläge zwischen Musikwissenschaft und Informatik – Vorbemerkung. In A. Münzmay, S. Acquavella-Rauch, &#38; J. Veit (Eds.), <i>Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation</i> (Vol. 3, p. XI–XV). Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold. <a href=\"https://doi.org/10.25366/2020.88\">https://doi.org/10.25366/2020.88</a>","ieee":"A. Münzmay, S. Aquavella-Rauch, and J. Veit, “Brückenschläge zwischen Musikwissenschaft und Informatik – Vorbemerkung,” in <i>Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation</i>, vol. 3, A. Münzmay, S. Acquavella-Rauch, and J. Veit, Eds. Detmold: Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020, p. XI–XV.","ama":"Münzmay A, Aquavella-Rauch S, Veit J. Brückenschläge zwischen Musikwissenschaft und Informatik – Vorbemerkung. In: Münzmay A, Acquavella-Rauch S, Veit J, eds. <i>Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation</i>. Vol 3. Musikwissenschaft: Aktuelle Perspektiven. Bericht über die Jahrestagung der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold; 2020:XI-XV. doi:<a href=\"https://doi.org/10.25366/2020.88\">10.25366/2020.88</a>","bibtex":"@inbook{Münzmay_Aquavella-Rauch_Veit_2020, place={Detmold}, series={Musikwissenschaft: Aktuelle Perspektiven. Bericht über die Jahrestagung der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold}, title={Brückenschläge zwischen Musikwissenschaft und Informatik – Vorbemerkung}, volume={3}, DOI={<a href=\"https://doi.org/10.25366/2020.88\">10.25366/2020.88</a>}, booktitle={Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation}, publisher={Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold}, author={Münzmay, Andreas and Aquavella-Rauch, Stefanie and Veit, Joachim}, editor={Münzmay, Andreas and Acquavella-Rauch, Stefanie  and Veit, Joachim}, year={2020}, pages={XI–XV}, collection={Musikwissenschaft: Aktuelle Perspektiven. Bericht über die Jahrestagung der Gesellschaft für Musikforschung 2019 in Paderborn und Detmold} }","mla":"Münzmay, Andreas, et al. “Brückenschläge zwischen Musikwissenschaft und Informatik – Vorbemerkung.” <i>Brückenschläge zwischen Musikwissenschaft und Informatik. Theoretische und praktische Aspekte der Kooperation</i>, edited by Andreas Münzmay et al., vol. 3, Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020, p. XI–XV, doi:<a href=\"https://doi.org/10.25366/2020.88\">10.25366/2020.88</a>."},"quality_controlled":"1","place":"Detmold","oa":"1"}]