[{"language":[{"iso":"eng"}],"user_id":"91668","series_title":"Palgrave Studies in Medieval and Early Modern Medicine","department":[{"_id":"519"},{"_id":"856"}],"_id":"64178","status":"public","editor":[{"first_name":"Jil","full_name":"Muller, Jil","last_name":"Muller"}],"type":"book_chapter","publication":"Automata, Cyborgs, and Mutants","doi":"10.1007/978-3-031-93201-4_1","title":"Introduction: Automata, Cyborgs, and Mutants: Eccentric Bodies from Humanism to Transhumanism","date_created":"2026-02-16T12:23:35Z","author":[{"last_name":"Muller","orcid":"0000-0002-4394-7531","id":"91668","full_name":"Muller, Jil","first_name":"Jil"}],"publisher":"Palgrave Macmillan","date_updated":"2026-02-16T12:25:49Z","citation":{"ieee":"J. Muller, “Introduction: Automata, Cyborgs, and Mutants: Eccentric Bodies from Humanism to Transhumanism,” in <i>Automata, Cyborgs, and Mutants</i>, J. Muller, Ed. Cham: Palgrave Macmillan, 2026.","chicago":"Muller, Jil. “Introduction: Automata, Cyborgs, and Mutants: Eccentric Bodies from Humanism to Transhumanism.” In <i>Automata, Cyborgs, and Mutants</i>, edited by Jil Muller. Palgrave Studies in Medieval and Early Modern Medicine. Cham: Palgrave Macmillan, 2026. <a href=\"https://doi.org/10.1007/978-3-031-93201-4_1\">https://doi.org/10.1007/978-3-031-93201-4_1</a>.","ama":"Muller J. Introduction: Automata, Cyborgs, and Mutants: Eccentric Bodies from Humanism to Transhumanism. In: Muller J, ed. <i>Automata, Cyborgs, and Mutants</i>. Palgrave Studies in Medieval and Early Modern Medicine. Palgrave Macmillan; 2026. doi:<a href=\"https://doi.org/10.1007/978-3-031-93201-4_1\">10.1007/978-3-031-93201-4_1</a>","bibtex":"@inbook{Muller_2026, place={Cham}, series={Palgrave Studies in Medieval and Early Modern Medicine}, title={Introduction: Automata, Cyborgs, and Mutants: Eccentric Bodies from Humanism to Transhumanism}, DOI={<a href=\"https://doi.org/10.1007/978-3-031-93201-4_1\">10.1007/978-3-031-93201-4_1</a>}, booktitle={Automata, Cyborgs, and Mutants}, publisher={Palgrave Macmillan}, author={Muller, Jil}, editor={Muller, Jil}, year={2026}, collection={Palgrave Studies in Medieval and Early Modern Medicine} }","mla":"Muller, Jil. “Introduction: Automata, Cyborgs, and Mutants: Eccentric Bodies from Humanism to Transhumanism.” <i>Automata, Cyborgs, and Mutants</i>, edited by Jil Muller, Palgrave Macmillan, 2026, doi:<a href=\"https://doi.org/10.1007/978-3-031-93201-4_1\">10.1007/978-3-031-93201-4_1</a>.","short":"J. Muller, in: J. Muller (Ed.), Automata, Cyborgs, and Mutants, Palgrave Macmillan, Cham, 2026.","apa":"Muller, J. (2026). Introduction: Automata, Cyborgs, and Mutants: Eccentric Bodies from Humanism to Transhumanism. In J. Muller (Ed.), <i>Automata, Cyborgs, and Mutants</i>. Palgrave Macmillan. <a href=\"https://doi.org/10.1007/978-3-031-93201-4_1\">https://doi.org/10.1007/978-3-031-93201-4_1</a>"},"year":"2026","place":"Cham","publication_status":"published"},{"_id":"64179","department":[{"_id":"519"},{"_id":"856"}],"user_id":"91668","series_title":"Palgrave Studies in Medieval and Early Modern Medicine","language":[{"iso":"eng"}],"publication":"Automata, Cyborgs, and Mutants","type":"book_chapter","editor":[{"full_name":"Muller, Jil","last_name":"Muller","first_name":"Jil"}],"status":"public","publisher":"Palgrave Macmillan","date_updated":"2026-02-16T12:25:36Z","date_created":"2026-02-16T12:25:32Z","author":[{"orcid":"0000-0002-4394-7531","last_name":"Muller","full_name":"Muller, Jil","id":"91668","first_name":"Jil"}],"title":"Descartes on Clocks and Automata","doi":"10.1007/978-3-031-93201-4_5","publication_status":"published","year":"2026","place":"Cham","citation":{"ama":"Muller J. Descartes on Clocks and Automata. In: Muller J, ed. <i>Automata, Cyborgs, and Mutants</i>. Palgrave Studies in Medieval and Early Modern Medicine. Palgrave Macmillan; 2026. doi:<a href=\"https://doi.org/10.1007/978-3-031-93201-4_5\">10.1007/978-3-031-93201-4_5</a>","ieee":"J. Muller, “Descartes on Clocks and Automata,” in <i>Automata, Cyborgs, and Mutants</i>, J. Muller, Ed. Cham: Palgrave Macmillan, 2026.","chicago":"Muller, Jil. “Descartes on Clocks and Automata.” In <i>Automata, Cyborgs, and Mutants</i>, edited by Jil Muller. Palgrave Studies in Medieval and Early Modern Medicine. Cham: Palgrave Macmillan, 2026. <a href=\"https://doi.org/10.1007/978-3-031-93201-4_5\">https://doi.org/10.1007/978-3-031-93201-4_5</a>.","apa":"Muller, J. (2026). Descartes on Clocks and Automata. In J. Muller (Ed.), <i>Automata, Cyborgs, and Mutants</i>. Palgrave Macmillan. <a href=\"https://doi.org/10.1007/978-3-031-93201-4_5\">https://doi.org/10.1007/978-3-031-93201-4_5</a>","short":"J. Muller, in: J. Muller (Ed.), Automata, Cyborgs, and Mutants, Palgrave Macmillan, Cham, 2026.","mla":"Muller, Jil. “Descartes on Clocks and Automata.” <i>Automata, Cyborgs, and Mutants</i>, edited by Jil Muller, Palgrave Macmillan, 2026, doi:<a href=\"https://doi.org/10.1007/978-3-031-93201-4_5\">10.1007/978-3-031-93201-4_5</a>.","bibtex":"@inbook{Muller_2026, place={Cham}, series={Palgrave Studies in Medieval and Early Modern Medicine}, title={Descartes on Clocks and Automata}, DOI={<a href=\"https://doi.org/10.1007/978-3-031-93201-4_5\">10.1007/978-3-031-93201-4_5</a>}, booktitle={Automata, Cyborgs, and Mutants}, publisher={Palgrave Macmillan}, author={Muller, Jil}, editor={Muller, Jil}, year={2026}, collection={Palgrave Studies in Medieval and Early Modern Medicine} }"}},{"type":"book_editor","status":"public","editor":[{"first_name":"Jil","orcid":"0000-0002-4394-7531","last_name":"Muller","id":"91668","full_name":"Muller, Jil"}],"user_id":"91668","series_title":"Palgrave Studies in Medieval and Early Modern Medicine","department":[{"_id":"519"},{"_id":"856"}],"_id":"64177","alternative_title":["Eccentric Bodies from Humanism to Transhumanism"],"language":[{"iso":"eng"}],"publication_status":"published","citation":{"short":"J. Muller, ed., Automata, Cyborgs, and Mutants , Palgrave Macmillan, Cham, 2026.","bibtex":"@book{Muller_2026, place={Cham}, series={Palgrave Studies in Medieval and Early Modern Medicine}, title={Automata, Cyborgs, and Mutants }, DOI={<a href=\"https://doi.org/10.1007/978-3-031-93201-4\">10.1007/978-3-031-93201-4</a>}, publisher={Palgrave Macmillan}, year={2026}, collection={Palgrave Studies in Medieval and Early Modern Medicine} }","mla":"Muller, Jil, editor. <i>Automata, Cyborgs, and Mutants </i>. Palgrave Macmillan, 2026, doi:<a href=\"https://doi.org/10.1007/978-3-031-93201-4\">10.1007/978-3-031-93201-4</a>.","apa":"Muller, J. (Ed.). (2026). <i>Automata, Cyborgs, and Mutants </i>. Palgrave Macmillan. <a href=\"https://doi.org/10.1007/978-3-031-93201-4\">https://doi.org/10.1007/978-3-031-93201-4</a>","ama":"Muller J, ed. <i>Automata, Cyborgs, and Mutants </i>. Palgrave Macmillan; 2026. doi:<a href=\"https://doi.org/10.1007/978-3-031-93201-4\">10.1007/978-3-031-93201-4</a>","ieee":"J. Muller, Ed., <i>Automata, Cyborgs, and Mutants </i>. Cham: Palgrave Macmillan, 2026.","chicago":"Muller, Jil, ed. <i>Automata, Cyborgs, and Mutants </i>. Palgrave Studies in Medieval and Early Modern Medicine. Cham: Palgrave Macmillan, 2026. <a href=\"https://doi.org/10.1007/978-3-031-93201-4\">https://doi.org/10.1007/978-3-031-93201-4</a>."},"page":"368","year":"2026","place":"Cham","date_created":"2026-02-16T12:21:15Z","publisher":"Palgrave Macmillan","date_updated":"2026-02-16T12:26:05Z","doi":"10.1007/978-3-031-93201-4","title":"Automata, Cyborgs, and Mutants "},{"publication_status":"published","citation":{"ama":"Ertel E, Lamb J, Münzmay A, et al. Digitalität in der Theaterwissenschaft. Forum der AG ARCHIV mit NFDI4Culture. In: Kolesch D, Lazadzig J, Schrödl J, Seidler L-F, Walch T, Warstatt M, eds. <i>Matters of Urgency – Herausforderungen der Gegenwart in Theater und Wissenschaft</i>. Universities Publishing; 2025. doi:<a href=\"https://doi.org/10.14279/depositonce-22414\">10.14279/depositonce-22414</a>","chicago":"Ertel, Erhart, Jochen Lamb, Andreas Münzmay, Patrick Primavesi, Nora Probst, David  Rittershaus, Martin Jörg Schäfer, and Franziska Voß. “Digitalität in der Theaterwissenschaft. Forum der AG ARCHIV mit NFDI4Culture.” In <i>Matters of Urgency – Herausforderungen der Gegenwart in Theater und Wissenschaft</i>, edited by Doris Kolesch, Jan Lazadzig, Jenny Schrödl, Lisa-Frederike Seidler, Thore Walch, and Matthias Warstatt. Berlin: Universities Publishing, 2025. <a href=\"https://doi.org/10.14279/depositonce-22414\">https://doi.org/10.14279/depositonce-22414</a>.","ieee":"E. Ertel <i>et al.</i>, “Digitalität in der Theaterwissenschaft. Forum der AG ARCHIV mit NFDI4Culture,” in <i>Matters of Urgency – Herausforderungen der Gegenwart in Theater und Wissenschaft</i>, Berlin, 2025, doi: <a href=\"https://doi.org/10.14279/depositonce-22414\">10.14279/depositonce-22414</a>.","bibtex":"@inproceedings{Ertel_Lamb_Münzmay_Primavesi_Probst_Rittershaus_Schäfer_Voß_2025, place={Berlin}, title={Digitalität in der Theaterwissenschaft. Forum der AG ARCHIV mit NFDI4Culture}, DOI={<a href=\"https://doi.org/10.14279/depositonce-22414\">10.14279/depositonce-22414</a>}, booktitle={Matters of Urgency – Herausforderungen der Gegenwart in Theater und Wissenschaft}, publisher={Universities Publishing}, author={Ertel, Erhart and Lamb, Jochen and Münzmay, Andreas and Primavesi, Patrick and Probst, Nora and Rittershaus, David  and Schäfer, Martin Jörg and Voß, Franziska}, editor={Kolesch, Doris and Lazadzig, Jan and Schrödl, Jenny and Seidler, Lisa-Frederike and Walch, Thore and Warstatt, Matthias}, year={2025} }","mla":"Ertel, Erhart, et al. “Digitalität in der Theaterwissenschaft. Forum der AG ARCHIV mit NFDI4Culture.” <i>Matters of Urgency – Herausforderungen der Gegenwart in Theater und Wissenschaft</i>, edited by Doris Kolesch et al., Universities Publishing, 2025, doi:<a href=\"https://doi.org/10.14279/depositonce-22414\">10.14279/depositonce-22414</a>.","short":"E. Ertel, J. Lamb, A. Münzmay, P. Primavesi, N. Probst, D. Rittershaus, M.J. Schäfer, F. Voß, in: D. Kolesch, J. Lazadzig, J. Schrödl, L.-F. Seidler, T. Walch, M. Warstatt (Eds.), Matters of Urgency – Herausforderungen der Gegenwart in Theater und Wissenschaft, Universities Publishing, Berlin, 2025.","apa":"Ertel, E., Lamb, J., Münzmay, A., Primavesi, P., Probst, N., Rittershaus, D., Schäfer, M. J., &#38; Voß, F. (2025). Digitalität in der Theaterwissenschaft. Forum der AG ARCHIV mit NFDI4Culture. In D. Kolesch, J. Lazadzig, J. Schrödl, L.-F. Seidler, T. Walch, &#38; M. Warstatt (Eds.), <i>Matters of Urgency – Herausforderungen der Gegenwart in Theater und Wissenschaft</i>. Universities Publishing. <a href=\"https://doi.org/10.14279/depositonce-22414\">https://doi.org/10.14279/depositonce-22414</a>"},"year":"2025","place":"Berlin","author":[{"first_name":"Erhart","full_name":"Ertel, Erhart","last_name":"Ertel"},{"last_name":"Lamb","full_name":"Lamb, Jochen","first_name":"Jochen"},{"orcid":"0000-0002-8373-4055","last_name":"Münzmay","full_name":"Münzmay, Andreas","id":"61139","first_name":"Andreas"},{"first_name":"Patrick","last_name":"Primavesi","full_name":"Primavesi, Patrick"},{"last_name":"Probst","full_name":"Probst, Nora","first_name":"Nora"},{"first_name":"David ","last_name":"Rittershaus","full_name":"Rittershaus, David "},{"full_name":"Schäfer, Martin Jörg","last_name":"Schäfer","first_name":"Martin Jörg"},{"first_name":"Franziska","full_name":"Voß, Franziska","last_name":"Voß"}],"date_created":"2025-02-27T11:42:21Z","publisher":"Universities Publishing","oa":"1","date_updated":"2025-04-07T09:03:35Z","doi":"10.14279/depositonce-22414","conference":{"location":"Berlin","end_date":"09-2024","start_date":"09-2024","name":"15. Kongress der Gesellschaft für Theaterwissenschaft"},"main_file_link":[{"open_access":"1","url":"https://depositonce.tu-berlin.de/bitstreams/afcda3d1-b2a0-4b8b-ba39-27d7858b2347/download"}],"title":"Digitalität in der Theaterwissenschaft. Forum der AG ARCHIV mit NFDI4Culture","publication":"Matters of Urgency – Herausforderungen der Gegenwart in Theater und Wissenschaft","type":"conference","status":"public","editor":[{"first_name":"Doris","last_name":"Kolesch","full_name":"Kolesch, Doris"},{"last_name":"Lazadzig","full_name":"Lazadzig, Jan","first_name":"Jan"},{"first_name":"Jenny","last_name":"Schrödl","full_name":"Schrödl, Jenny"},{"last_name":"Seidler","full_name":"Seidler, Lisa-Frederike","first_name":"Lisa-Frederike"},{"full_name":"Walch, Thore","last_name":"Walch","first_name":"Thore"},{"first_name":"Matthias","last_name":"Warstatt","full_name":"Warstatt, Matthias"}],"department":[{"_id":"856"},{"_id":"615"}],"user_id":"61139","_id":"58867","project":[{"name":"NFDI4Culture: NFDI4Culture – Konsortium für Forschungsdaten materieller und immaterieller Kulturgüter","_id":"745","grant_number":"(DFG) – 441958017"}],"language":[{"iso":"ger"}]},{"language":[{"iso":"ger"}],"department":[{"_id":"233"},{"_id":"856"}],"user_id":"72268","_id":"59745","status":"public","editor":[{"last_name":"Fahrholz","full_name":"Fahrholz, Merle","first_name":"Merle"}],"publication":"her:voice. Komponistinnenfestival 2024","type":"book_chapter","title":"„The folk songs of America“ und „complex female characters on stage“: Musikgeschichtliche Wendepunkte in den Komponistinnenbiografien von Florence Price and Mizzy Mazzoli","author":[{"first_name":"Antje","id":"72268","full_name":"Tumat, Antje","orcid":"0009-0002-9132-0925","last_name":"Tumat"}],"date_created":"2025-04-30T17:23:04Z","date_updated":"2025-04-30T17:27:26Z","publisher":"Hollitzer","corporate_editor":["Melanie Unseld"],"page":"103-109","citation":{"bibtex":"@inbook{Tumat_2025, place={Wien}, title={„The folk songs of America“ und „complex female characters on stage“: Musikgeschichtliche Wendepunkte in den Komponistinnenbiografien von Florence Price and Mizzy Mazzoli}, booktitle={her:voice. Komponistinnenfestival 2024}, publisher={Hollitzer}, author={Tumat, Antje}, editor={Fahrholz, Merle and Melanie Unseld}, year={2025}, pages={103–109} }","mla":"Tumat, Antje. “„The folk songs of America“ und „complex female characters on stage“: Musikgeschichtliche Wendepunkte in den Komponistinnenbiografien von Florence Price and Mizzy Mazzoli.” <i>her:voice. Komponistinnenfestival 2024</i>, edited by Merle Fahrholz and Melanie Unseld, Hollitzer, 2025, pp. 103–09.","short":"A. Tumat, in: M. Fahrholz, Melanie Unseld (Eds.), her:voice. Komponistinnenfestival 2024, Hollitzer, Wien, 2025, pp. 103–109.","apa":"Tumat, A. (2025). „The folk songs of America“ und „complex female characters on stage“: Musikgeschichtliche Wendepunkte in den Komponistinnenbiografien von Florence Price and Mizzy Mazzoli. In M. Fahrholz &#38; Melanie Unseld (Eds.), <i>her:voice. Komponistinnenfestival 2024</i> (pp. 103–109). Hollitzer.","ama":"Tumat A. „The folk songs of America“ und „complex female characters on stage“: Musikgeschichtliche Wendepunkte in den Komponistinnenbiografien von Florence Price and Mizzy Mazzoli. In: Fahrholz M, Melanie Unseld, eds. <i>her:voice. Komponistinnenfestival 2024</i>. Hollitzer; 2025:103-109.","ieee":"A. Tumat, “„The folk songs of America“ und „complex female characters on stage“: Musikgeschichtliche Wendepunkte in den Komponistinnenbiografien von Florence Price and Mizzy Mazzoli,” in <i>her:voice. Komponistinnenfestival 2024</i>, M. Fahrholz and Melanie Unseld, Eds. Wien: Hollitzer, 2025, pp. 103–109.","chicago":"Tumat, Antje. “„The folk songs of America“ und „complex female characters on stage“: Musikgeschichtliche Wendepunkte in den Komponistinnenbiografien von Florence Price and Mizzy Mazzoli.” In <i>her:voice. Komponistinnenfestival 2024</i>, edited by Merle Fahrholz and Melanie Unseld, 103–9. Wien: Hollitzer, 2025."},"place":"Wien","year":"2025","publication_identifier":{"unknown":["978-3-99094-275-8"]},"publication_status":"published"},{"author":[{"first_name":"Antje","full_name":"Tumat, Antje","id":"72268","orcid":"0009-0002-9132-0925","last_name":"Tumat"}],"volume":21,"date_updated":"2025-05-25T12:16:51Z","publication_status":"published","publication_identifier":{"unknown":["978-3-412-53240-6"]},"citation":{"ama":"Tumat A. Künstlerische Zusammenarbeit zwischen Ehekonvention und Sublimation. Hans Werner Henzes Bühnenschaffen mit Ingeborg Bachmann, W.H. Auden und Chester Kallman. In: Bagge M, Fornoff-Petrowski Ch, Ricke A, Rode-Breymann S, eds. <i>(Wahl-)Verwandtschaften.Gemeinschaftliches kulturelles Handeln</i>. Vol 21. Musik - Kultur - Gender. Böhlau; 2025:209-224.","chicago":"Tumat, Antje. “Künstlerische Zusammenarbeit zwischen Ehekonvention und Sublimation. Hans Werner Henzes Bühnenschaffen mit Ingeborg Bachmann, W.H. Auden und Chester Kallman.” In <i>(Wahl-)Verwandtschaften.Gemeinschaftliches kulturelles Handeln</i>, edited by Maren Bagge, CHristine Fornoff-Petrowski, Anna Ricke, and Susanne Rode-Breymann, 21:209–24. Musik - Kultur - Gender. Köln: Böhlau, 2025.","ieee":"A. Tumat, “Künstlerische Zusammenarbeit zwischen Ehekonvention und Sublimation. Hans Werner Henzes Bühnenschaffen mit Ingeborg Bachmann, W.H. Auden und Chester Kallman,” in <i>(Wahl-)Verwandtschaften.Gemeinschaftliches kulturelles Handeln</i>, vol. 21, M. Bagge, Ch. Fornoff-Petrowski, A. Ricke, and S. Rode-Breymann, Eds. Köln: Böhlau, 2025, pp. 209–224.","short":"A. Tumat, in: M. Bagge, Ch. Fornoff-Petrowski, A. Ricke, S. Rode-Breymann (Eds.), (Wahl-)Verwandtschaften.Gemeinschaftliches kulturelles Handeln, Böhlau, Köln, 2025, pp. 209–224.","mla":"Tumat, Antje. “Künstlerische Zusammenarbeit zwischen Ehekonvention und Sublimation. Hans Werner Henzes Bühnenschaffen mit Ingeborg Bachmann, W.H. Auden und Chester Kallman.” <i>(Wahl-)Verwandtschaften.Gemeinschaftliches kulturelles Handeln</i>, edited by Maren Bagge et al., vol. 21, Böhlau, 2025, pp. 209–24.","bibtex":"@inbook{Tumat_2025, place={Köln}, series={Musik - Kultur - Gender}, title={Künstlerische Zusammenarbeit zwischen Ehekonvention und Sublimation. Hans Werner Henzes Bühnenschaffen mit Ingeborg Bachmann, W.H. Auden und Chester Kallman}, volume={21}, booktitle={(Wahl-)Verwandtschaften.Gemeinschaftliches kulturelles Handeln}, publisher={Böhlau}, author={Tumat, Antje}, editor={Bagge, Maren and Fornoff-Petrowski, CHristine and Ricke, Anna and Rode-Breymann, Susanne}, year={2025}, pages={209–224}, collection={Musik - Kultur - Gender} }","apa":"Tumat, A. (2025). Künstlerische Zusammenarbeit zwischen Ehekonvention und Sublimation. Hans Werner Henzes Bühnenschaffen mit Ingeborg Bachmann, W.H. Auden und Chester Kallman. In M. Bagge, Ch. Fornoff-Petrowski, A. Ricke, &#38; S. Rode-Breymann (Eds.), <i>(Wahl-)Verwandtschaften.Gemeinschaftliches kulturelles Handeln</i> (Vol. 21, pp. 209–224). Böhlau."},"intvolume":"        21","page":"209-224","place":"Köln","user_id":"72268","series_title":"Musik - Kultur - Gender","department":[{"_id":"233"},{"_id":"856"}],"_id":"60034","type":"book_chapter","status":"public","editor":[{"full_name":"Bagge, Maren","last_name":"Bagge","first_name":"Maren"},{"first_name":"CHristine","full_name":"Fornoff-Petrowski, CHristine","last_name":"Fornoff-Petrowski"},{"first_name":"Anna","full_name":"Ricke, Anna","last_name":"Ricke"},{"first_name":"Susanne","last_name":"Rode-Breymann","full_name":"Rode-Breymann, Susanne"}],"date_created":"2025-05-25T12:16:30Z","publisher":"Böhlau","title":"Künstlerische Zusammenarbeit zwischen Ehekonvention und Sublimation. Hans Werner Henzes Bühnenschaffen mit Ingeborg Bachmann, W.H. Auden und Chester Kallman","year":"2025","language":[{"iso":"ger"}],"publication":"(Wahl-)Verwandtschaften.Gemeinschaftliches kulturelles Handeln","abstract":[{"lang":"eng","text":"A preference for music theatre works is characteristic of Hans Werner Henze's oeuvre, as is his close collaboration with famous 20th-century authors, who wrote the libretti for his music theatre works. This paper explores the artistic collaborations of Hans Werner Henze and Ingeborg Bachmann on the one hand and Henze, Chester Kallman and W.H. Auden on the other in the context of their joint operatic work, surviving correspondence and poetological essays. This is set against the backdrop of how personal relationships can influence collaboration in the performing arts. In both cases, the letters and biographical writings of the aforementioned working groups, read from a gender perspective and with regard to creativity, forms of relationship and artistic collaboration, point to a tension between potential and desired personal relationships, the confrontation with marriage as a conventional social framework and artistic collaboration as a long-term connection."}]},{"editor":[{"orcid":"0000-0002-4394-7531","last_name":"Muller","id":"91668","full_name":"Muller, Jil","first_name":"Jil"}],"status":"public","type":"book_editor","file_date_updated":"2025-09-18T12:41:48Z","_id":"61364","series_title":"EcoTechGender","user_id":"91668","department":[{"_id":"519"},{"_id":"856"}],"place":"Berlin","citation":{"ieee":"J. Muller, Ed., <i>Women and their Body</i>. Berlin: De Gruyter Brill, 2025.","chicago":"Muller, Jil, ed. <i>Women and Their Body</i>. EcoTechGender. Berlin: De Gruyter Brill, 2025. <a href=\"https://doi.org/10.1515/9783111396934\">https://doi.org/10.1515/9783111396934</a>.","ama":"Muller J, ed. <i>Women and Their Body</i>. De Gruyter Brill; 2025. doi:<a href=\"https://doi.org/10.1515/9783111396934\">10.1515/9783111396934</a>","apa":"Muller, J. (Ed.). (2025). <i>Women and their Body</i>. De Gruyter Brill. <a href=\"https://doi.org/10.1515/9783111396934\">https://doi.org/10.1515/9783111396934</a>","mla":"Muller, Jil, editor. <i>Women and Their Body</i>. De Gruyter Brill, 2025, doi:<a href=\"https://doi.org/10.1515/9783111396934\">10.1515/9783111396934</a>.","short":"J. Muller, ed., Women and Their Body, De Gruyter Brill, Berlin, 2025.","bibtex":"@book{Muller_2025, place={Berlin}, series={EcoTechGender}, title={Women and their Body}, DOI={<a href=\"https://doi.org/10.1515/9783111396934\">10.1515/9783111396934</a>}, publisher={De Gruyter Brill}, year={2025}, collection={EcoTechGender} }"},"page":"360","publication_status":"published","publication_identifier":{"isbn":["9783111396125"]},"has_accepted_license":"1","related_material":{"link":[{"url":"https://www.degruyterbrill.com/document/doi/10.1515/9783111396934/html#overview","relation":"confirmation"}]},"doi":"10.1515/9783111396934","date_updated":"2026-01-23T07:09:19Z","abstract":[{"lang":"eng","text":"Women’s rights over their own bodies is one of the most pressing issues, esp. as women still seem to have fewer rights over their bodies than men. International authors from philosophy, literature, art, architecture, and gender studies address the topic from a variety of perspectives, reaching beyond classical feminism, and beyond the labels of \"motherhood\" and \"sex.\" The contributions are grouped into five sections – Body Experiences, History, Technology and Arts, Feminism and Phenomenology, and Beauty. Papers address a multitude of areas, ranging from beauty practices and Ukrainian women refugees in the context of the Russia-Ukraine war, feminist phenomenology and socio-structural critique, female specific neuropathology, the discourse of the Victorian women’s menstruation to \"motherhood\" in gender studies and feminist new materialisms. The book provides not only a comprehensive overview over the current state of research, but will also inspire further discussions. A separate bibliography listing relevant titles for readers new to the topics and for advanced researchers rounds out the volume."}],"file":[{"content_type":"application/pdf","relation":"main_file","success":1,"creator":"jmuller2","date_created":"2025-09-18T12:41:48Z","date_updated":"2025-09-18T12:41:48Z","file_id":"61365","file_name":"Preview Introduction Women and their body.pdf","access_level":"closed","file_size":218436}],"ddc":["100"],"language":[{"iso":"eng"}],"year":"2025","title":"Women and their Body","publisher":"De Gruyter Brill","date_created":"2025-09-18T12:43:28Z"},{"publication":"Women and Their Body","type":"book_chapter","status":"public","department":[{"_id":"519"},{"_id":"856"}],"user_id":"91668","_id":"63711","language":[{"iso":"eng"}],"publication_identifier":{"isbn":["9783111396125","9783111396934","9783111397313"]},"publication_status":"published","citation":{"ama":"Muller J. 1 1Introduction Women and Their Body: Breaking the Silence. In: <i>Women and Their Body</i>. De Gruyter; 2025. doi:<a href=\"https://doi.org/10.1515/9783111396934-002\">10.1515/9783111396934-002</a>","chicago":"Muller, Jil. “1 1Introduction Women and Their Body: Breaking the Silence.” In <i>Women and Their Body</i>. De Gruyter, 2025. <a href=\"https://doi.org/10.1515/9783111396934-002\">https://doi.org/10.1515/9783111396934-002</a>.","ieee":"J. Muller, “1 1Introduction Women and Their Body: Breaking the Silence,” in <i>Women and Their Body</i>, De Gruyter, 2025.","apa":"Muller, J. (2025). 1 1Introduction Women and Their Body: Breaking the Silence. In <i>Women and Their Body</i>. De Gruyter. <a href=\"https://doi.org/10.1515/9783111396934-002\">https://doi.org/10.1515/9783111396934-002</a>","short":"J. Muller, in: Women and Their Body, De Gruyter, 2025.","bibtex":"@inbook{Muller_2025, title={1 1Introduction Women and Their Body: Breaking the Silence}, DOI={<a href=\"https://doi.org/10.1515/9783111396934-002\">10.1515/9783111396934-002</a>}, booktitle={Women and Their Body}, publisher={De Gruyter}, author={Muller, Jil}, year={2025} }","mla":"Muller, Jil. “1 1Introduction Women and Their Body: Breaking the Silence.” <i>Women and Their Body</i>, De Gruyter, 2025, doi:<a href=\"https://doi.org/10.1515/9783111396934-002\">10.1515/9783111396934-002</a>."},"year":"2025","date_created":"2026-01-23T07:07:36Z","author":[{"full_name":"Muller, Jil","last_name":"Muller","first_name":"Jil"}],"date_updated":"2026-01-23T07:08:31Z","publisher":"De Gruyter","doi":"10.1515/9783111396934-002","title":"1 1Introduction Women and Their Body: Breaking the Silence"},{"year":"2025","quality_controlled":"1","title":"Vernetzte Musikquellen des 19. Jahrhunderts. Überlegungen zum Zusammenspiel wissenschaftlicher Editionen mit RISM am Beispiel des Stuttgarter Faust 1832","date_created":"2025-05-14T16:39:32Z","publisher":"musiconn.publish","abstract":[{"lang":"eng","text":"This article explores the challenges and opportunities of documenting and cataloguing 19th-century music sources in Germany, using the 1832 Stuttgart production of Goethe’s Faust with music by Peter Joseph von Lindpaintner as a case study. The main focus lies on the potential interplay between (digital) critical music editions and RISM as complementary approaches to source documentation. While RISM has traditionally concentrated on pre-1800 sources, the vast and complex landscape of 19th-century music-theatrical materials—especially handwritten performance materials, but also printed sources—calls for new collaborative strategies. Drawing on the Faust edition within the OPEN Edirom project, which publishes data in open, structured formats (TEI and MEI) and makes them accessible via the RADAR4Culture repository and the Culture Knowledge Graph, the article argues for closer integration between editorial projects and RISM through stable identifiers and Linked Open Data principles. Editorial descriptions do not compete with RISM records but meaningfully extend them, and vice versa. The case study illustrates how editorial source descriptions and full-text editions could enhance the informational scope and augment the reach of RISM, and how RISM could serve as a basis for more granular, interconnected, and FAIR-compliant musicological research infrastructures. The article proposes RISM as a central access point for distributed research data and outlines the simple yet effective steps researchers can take to enhance discoverability and interoperability: namely, by using (or if necessary, creating) RISM IDs and by publishing data with persistent Digital Object Identifiers (DOIs)."},{"lang":"ger","text":"Dieser Beitrag thematisiert aktuelle Herausforderungen und Chancen bei der digitalen Dokumentation und Katalogisierung musikalischer Quellen des 19. Jahrhunderts in Deutschland. Im Zentrum stehen die Potenziale eines verstärkten Zusammenspiels von (digitalen) historisch-kritischen Editionen und RISM als komplementäre Ansätze der Quellenerschließung. Während RISM sich traditionell auf Quellen vor 1800 konzentriert hat, erfordert die weitverzweigte und komplexe Quellenlage im Bereich der Musiktheatermaterialien des 19. Jahrhunderts – insbesondere handschriftlicher Aufführungsmaterialien, aber auch Drucke – neue Kooperationsstrategien. Als Fallbeispiel dient die digitale historisch-kritische Edition der Faust-Produktion von 1832 am Stuttgarter Hoftheater mit Musik von Peter Joseph von Lindpaintner. Im Rahmen des OPEN-Edirom-Projekts wurden sämtliche Editionsdaten als Forschungsdaten in offenen, strukturierten Formaten (TEI und MEI) über das Repositorium RADAR4Culture sowie den Culture Knowledge Graph zugänglich gemacht. Davon ausgehend plädiert der Beitrag für eine künftig systematische, enge Verzahnung von Editionsprojekten und RISM durch Linked-Open-Data-Strategien. Denn editorische Quellenbeschreibungen stehen nicht in Konkurrenz zu RISM-Daten, sondern ergänzen diese sinnvoll – und umgekehrt. Die Fallstudie zeigt, wie editorische Quellenbeschreibungen und editorische Volltexte den Informationsgehalt und die Reichweite von RISM durch Verlinkungen erweitern könnten und wie umgekehrt RISM-Quellendatensätze zum Dreh- und Angelpunkt vernetzter und mit den FAIR-Prinzipien konformer musikwissenschaftlicher Forschungsdaten werden könnten. RISM wird als zentraler Zugangspunkt für verteilte Forschungsdaten vorgeschlagen, wobei einfache, aber effektive Maßnahmen zur Verbesserung von Auffindbarkeit und Interoperabilität skizziert werden, insbesondere die konsequente Nutzung (oder bei Bedarf Erstellung) von RISM-IDs sowie die Veröffentlichung von Forschungsdaten mit persistenten Identifikatoren (DOIs)."}],"publication":"Musikquellen des 19. Jahrhunderts in Deutschland. Herausforderungen und Chancen","language":[{"iso":"ger"}],"citation":{"apa":"Frömmel, L., &#38; Münzmay, A. (2025). Vernetzte Musikquellen des 19. Jahrhunderts. Überlegungen zum Zusammenspiel wissenschaftlicher Editionen mit RISM am Beispiel des Stuttgarter Faust 1832. In N. Schwindt (Ed.), <i>Musikquellen des 19. Jahrhunderts in Deutschland. Herausforderungen und Chancen</i> (pp. 153–178). musiconn.publish. <a href=\"https://doi.org/10.25366/2025.45\">https://doi.org/10.25366/2025.45</a>","bibtex":"@inbook{Frömmel_Münzmay_2025, place={Dresden}, title={Vernetzte Musikquellen des 19. Jahrhunderts. Überlegungen zum Zusammenspiel wissenschaftlicher Editionen mit RISM am Beispiel des Stuttgarter Faust 1832}, DOI={<a href=\"https://doi.org/10.25366/2025.45\">10.25366/2025.45</a>}, booktitle={Musikquellen des 19. Jahrhunderts in Deutschland. Herausforderungen und Chancen}, publisher={musiconn.publish}, author={Frömmel, Lena and Münzmay, Andreas}, editor={Schwindt, Nicole}, year={2025}, pages={153–178} }","short":"L. Frömmel, A. Münzmay, in: N. Schwindt (Ed.), Musikquellen des 19. Jahrhunderts in Deutschland. Herausforderungen und Chancen, musiconn.publish, Dresden, 2025, pp. 153–178.","mla":"Frömmel, Lena, and Andreas Münzmay. “Vernetzte Musikquellen des 19. Jahrhunderts. Überlegungen zum Zusammenspiel wissenschaftlicher Editionen mit RISM am Beispiel des Stuttgarter Faust 1832.” <i>Musikquellen des 19. Jahrhunderts in Deutschland. Herausforderungen und Chancen</i>, edited by Nicole Schwindt, musiconn.publish, 2025, pp. 153–78, doi:<a href=\"https://doi.org/10.25366/2025.45\">10.25366/2025.45</a>.","ieee":"L. Frömmel and A. Münzmay, “Vernetzte Musikquellen des 19. Jahrhunderts. Überlegungen zum Zusammenspiel wissenschaftlicher Editionen mit RISM am Beispiel des Stuttgarter Faust 1832,” in <i>Musikquellen des 19. Jahrhunderts in Deutschland. Herausforderungen und Chancen</i>, N. Schwindt, Ed. Dresden: musiconn.publish, 2025, pp. 153–178.","chicago":"Frömmel, Lena, and Andreas Münzmay. “Vernetzte Musikquellen des 19. Jahrhunderts. Überlegungen zum Zusammenspiel wissenschaftlicher Editionen mit RISM am Beispiel des Stuttgarter Faust 1832.” In <i>Musikquellen des 19. Jahrhunderts in Deutschland. Herausforderungen und Chancen</i>, edited by Nicole Schwindt, 153–78. Dresden: musiconn.publish, 2025. <a href=\"https://doi.org/10.25366/2025.45\">https://doi.org/10.25366/2025.45</a>.","ama":"Frömmel L, Münzmay A. Vernetzte Musikquellen des 19. Jahrhunderts. Überlegungen zum Zusammenspiel wissenschaftlicher Editionen mit RISM am Beispiel des Stuttgarter Faust 1832. In: Schwindt N, ed. <i>Musikquellen des 19. Jahrhunderts in Deutschland. Herausforderungen und Chancen</i>. musiconn.publish; 2025:153-178. doi:<a href=\"https://doi.org/10.25366/2025.45\">10.25366/2025.45</a>"},"page":"153-178","place":"Dresden","publication_status":"published","main_file_link":[{"open_access":"1","url":"https://doi.org/10.25366/2025.45"}],"doi":"10.25366/2025.45","author":[{"orcid":"0009-0009-6539-7081","last_name":"Frömmel","id":"86796","full_name":"Frömmel, Lena","first_name":"Lena"},{"full_name":"Münzmay, Andreas","id":"61139","orcid":"0000-0002-8373-4055","last_name":"Münzmay","first_name":"Andreas"}],"date_updated":"2025-09-02T09:07:55Z","oa":"1","status":"public","editor":[{"first_name":"Nicole","last_name":"Schwindt","full_name":"Schwindt, Nicole"}],"type":"book_chapter","user_id":"61139","department":[{"_id":"233"},{"_id":"856"},{"_id":"615"}],"project":[{"name":"OPEN Edirom","_id":"1064"},{"_id":"1048","name":"KIO: KreativInstitut.OWL"}],"_id":"59903"},{"status":"public","editor":[{"first_name":"Andreas","id":"61139","full_name":"Münzmay, Andreas","last_name":"Münzmay","orcid":"0000-0002-8373-4055"},{"first_name":"Lena","orcid":"0009-0009-6539-7081","last_name":"Frömmel","full_name":"Frömmel, Lena","id":"86796"},{"last_name":"Bachmann","full_name":"Bachmann, Tobias","first_name":"Tobias"},{"id":"72268","full_name":"Tumat, Antje","last_name":"Tumat","orcid":"0009-0002-9132-0925","first_name":"Antje"}],"abstract":[{"text":"The present OPEN Edirom digital edition of Goethe’s Faust presents the literary and musical text of the work as it was possibly performed at its premiere (Friday, March 2, 1832) and consecutive performances under the direction and participation of Carl Seydelmann (directing the production and playing the role of Mephistopheles) and Peter Joseph von Lindpainter in the Stuttgart Hoftheater in 1832 (March 11, May 28, October 12) and 1833 (May 14, December 27), in accordance with the surviving sources, i.e., the original theatre material preserved in the Württemberg State Library in Stuttgart (D-Sl). This material constitutes a nearly complete autograph source package consisting of text adaptation (an autograph by Seydelmann incorporated into a copy of the print edition published by Cotta in Tübingen in 1830) and corresponding music (two volumes with autograph scores by Lindpaintner).","lang":"eng"}],"type":"book_editor","language":[{"iso":"ger"}],"alternative_title":["OPEN Edirom Modellprojekt am KreativInstitut.OWL in Kooperation mit der Akademie der Wissenschaften und der Literatur Mainz und der Goethe-Universität Frankfurt am Main (OPERA-Projekt), mit dem Zentrum Musik – Edition – Medien (ZenMEM) und NFDI4Culture"],"department":[{"_id":"233"},{"_id":"856"},{"_id":"36"},{"_id":"615"}],"user_id":"61139","_id":"59079","project":[{"name":"OPEN Edirom","_id":"1064"}],"citation":{"ieee":"A. Münzmay, L. Frömmel, T. Bachmann, and A. Tumat, Eds., <i>Peter Joseph von Lindpaintner, Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann (1832)</i>. Online: ZenMEM, 2025.","chicago":"Münzmay, Andreas, Lena Frömmel, Tobias Bachmann, and Antje Tumat, eds. <i>Peter Joseph von Lindpaintner, Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann (1832)</i>. Online: ZenMEM, 2025.","ama":"Münzmay A, Frömmel L, Bachmann T, Tumat A, eds. <i>Peter Joseph von Lindpaintner, Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann (1832)</i>. ZenMEM; 2025.","mla":"Münzmay, Andreas, et al., editors. <i>Peter Joseph von Lindpaintner, Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann (1832)</i>. ZenMEM, 2025.","bibtex":"@book{Münzmay_Frömmel_Bachmann_Tumat_2025, place={Online}, title={Peter Joseph von Lindpaintner, Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann (1832)}, publisher={ZenMEM}, year={2025} }","short":"A. Münzmay, L. Frömmel, T. Bachmann, A. Tumat, eds., Peter Joseph von Lindpaintner, Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann (1832), ZenMEM, Online, 2025.","apa":"Münzmay, A., Frömmel, L., Bachmann, T., &#38; Tumat, A. (Eds.). (2025). <i>Peter Joseph von Lindpaintner, Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann (1832)</i>. ZenMEM."},"year":"2025","place":"Online","related_material":{"link":[{"relation":"research_data","url":"10.22000/uupxmgkq94r0jpsk "},{"url":"https://git.uni-paderborn.de/kio/open-faust/","relation":"research_data"}],"record":[{"relation":"research_paper","id":"54922","status":"returned"}]},"publication_status":"published","main_file_link":[{"open_access":"1","url":"https://open-faust.zenmem.de/index.html"}],"title":"Peter Joseph von Lindpaintner, Ouverture, Entreacte, Chöre und Lieder zu Goethes Faust nach der szenischen Einrichtung von Carl Seydelmann (1832)","date_created":"2025-03-21T12:16:10Z","date_updated":"2025-09-02T09:10:20Z","publisher":"ZenMEM","oa":"1"},{"language":[{"iso":"ger"}],"_id":"61999","project":[{"_id":"743","name":"Beethovens Werkstatt - Genetische Textkritik und Digitale Musikedition"}],"department":[{"_id":"233"},{"_id":"856"},{"_id":"615"}],"user_id":"61139","status":"public","type":"preprint","title":"Beethovens Eigenbearbeitungen und digitale Heuristik. Erkundungen mit den synoptischen Doppeleditionen und Analysewerkzeugen des Projekts Beethovens Werkstatt","main_file_link":[{"url":"https://doi.org/10.5281/zenodo.17440482","open_access":"1"}],"oa":"1","date_updated":"2025-10-30T17:52:27Z","date_created":"2025-10-25T08:45:53Z","author":[{"orcid":"0000-0002-8373-4055","last_name":"Münzmay","id":"61139","full_name":"Münzmay, Andreas","first_name":"Andreas"}],"year":"2025","page":"24","citation":{"bibtex":"@article{Münzmay, title={Beethovens Eigenbearbeitungen und digitale Heuristik. Erkundungen mit den synoptischen Doppeleditionen und Analysewerkzeugen des Projekts Beethovens Werkstatt}, author={Münzmay, Andreas} }","short":"A. Münzmay, (n.d.).","mla":"Münzmay, Andreas. <i>Beethovens Eigenbearbeitungen und digitale Heuristik. Erkundungen mit den synoptischen Doppeleditionen und Analysewerkzeugen des Projekts Beethovens Werkstatt</i>.","apa":"Münzmay, A. (n.d.). <i>Beethovens Eigenbearbeitungen und digitale Heuristik. Erkundungen mit den synoptischen Doppeleditionen und Analysewerkzeugen des Projekts Beethovens Werkstatt</i>.","ama":"Münzmay A. Beethovens Eigenbearbeitungen und digitale Heuristik. Erkundungen mit den synoptischen Doppeleditionen und Analysewerkzeugen des Projekts Beethovens Werkstatt.","chicago":"Münzmay, Andreas. “Beethovens Eigenbearbeitungen und digitale Heuristik. Erkundungen mit den synoptischen Doppeleditionen und Analysewerkzeugen des Projekts Beethovens Werkstatt,” n.d.","ieee":"A. Münzmay, “Beethovens Eigenbearbeitungen und digitale Heuristik. Erkundungen mit den synoptischen Doppeleditionen und Analysewerkzeugen des Projekts Beethovens Werkstatt.” ."},"publication_status":"inpress"},{"_id":"62127","department":[{"_id":"233"},{"_id":"856"}],"user_id":"72268","keyword":["Hans Werner Henze","Privatbibliothek","Neue Musik"],"language":[{"iso":"eng"}],"publication":"Musik, Netzwerke, Selbstzeugnisse. Aktuelle Forschung zu Hans Werner Henze","type":"book_chapter","abstract":[{"lang":"ger","text":"Henzes Privatbibliothek aus seinem Besitz in La Leprara bei Marino südlich von Rom, in dem er fast fünfzig Jahre seines Lebens verbracht und viele seiner großen Werke geschrieben hat, wurde nach dem Verkauf des Anwesens der Bibliothek des Musikwissenschaftlichen Seminars der Universität Paderborn/Hochschule für Musik Detmold per Schenkung als Sondersammlung übergeben. Die Privatbibliothek ist nunmehr vollständig inventarisiert und somit der Öffentlichkeit zugänglich gemacht. Der Text beschreibt in einer ersten Bestandsaufnahme den Charakter und die Schwerpunkte dieser Sammlung und stellt erste Forschungsfragen an den Bestand: Er fragt etwa nach den Erkenntnissen, die sich aus den über 600 handschriftlichen Widmungen in Büchern und über 150 Widmungen in Noten im Hinblick auf Henzes persönliches Netzwerk und seine Biografie ergeben und wertet einige Widmungskonvolute aus.\r\nAbstract (EN)\r\n    Henze's personal library, which belonged to him in La Leprara near Marino south of Rome, where he spent almost fifty years of his life and wrote many of his important works, was donated to the library of the Musicology Seminar of the University of Paderborn/Detmold University of Music as a collection after the sale of the estate. The private library has now been completely catalogued and is thus accessible to the public. The text provides an initial overview of the character and focus of this collection and poses research questions about the holdings: For example, it asks what insights can be gained from the more than 600 handwritten dedications in books and over 150 dedications in sheet music with regard to Henze's personal network and his biography, and evaluates some of the collections of dedications."},{"text":"Henze's personal library, which belonged to him in La Leprara near Marino south of Rome, where he spent almost fifty years of his life and wrote many of his important works, was donated to the library of the Musicology Seminar of the University of Paderborn/Detmold University of Music as a collection after the sale of the estate. The private library has now been completely catalogued and is thus accessible to the public. The text provides an initial overview of the character and focus of this collection and poses research questions about the holdings: For example, it asks what insights can be gained from the more than 600 handwritten dedications in books and over 150 dedications in sheet music with regard to Henze's personal network and his biography, and evaluates some of the collections of dedications.","lang":"eng"}],"editor":[{"first_name":"Antje","full_name":"Tumat, Antje","last_name":"Tumat"},{"last_name":"Minetti","full_name":"Minetti, Elena","first_name":"Elena"},{"first_name":"Dennis","full_name":"Ried, Dennis","last_name":"Ried"},{"full_name":"Capelle, Irmlind","last_name":"Capelle","first_name":"Irmlind"}],"status":"public","date_updated":"2025-11-07T11:25:31Z","publisher":"musiconn.publish","oa":"1","date_created":"2025-11-07T11:20:22Z","author":[{"last_name":"Tumat","orcid":"0009-0002-9132-0925","full_name":"Tumat, Antje","id":"72268","first_name":"Antje"}],"title":"„Ein Komponistenleben des 20. Jahrhunderts“. Erste Bestandsaufnahme und Forschungsfragen zu Hans Werner Henzes Privatbibliothek als Sondersammlung","doi":"10.25366/2025.158","main_file_link":[{"open_access":"1","url":"https://nbn-resolving.org/urn:nbn:de:bsz:14-qucosa2-983725"}],"publication_status":"published","year":"2025","page":"23-40","citation":{"chicago":"Tumat, Antje. “„Ein Komponistenleben Des 20. Jahrhunderts“. Erste Bestandsaufnahme Und Forschungsfragen Zu Hans Werner Henzes Privatbibliothek Als Sondersammlung.” In <i>Musik, Netzwerke, Selbstzeugnisse. Aktuelle Forschung Zu Hans Werner Henze</i>, edited by Antje Tumat, Elena Minetti, Dennis Ried, and Irmlind Capelle, 23–40. musiconn.publish, 2025. <a href=\"https://doi.org/10.25366/2025.158\">https://doi.org/10.25366/2025.158</a>.","ieee":"A. Tumat, “„Ein Komponistenleben des 20. Jahrhunderts“. Erste Bestandsaufnahme und Forschungsfragen zu Hans Werner Henzes Privatbibliothek als Sondersammlung,” in <i>Musik, Netzwerke, Selbstzeugnisse. Aktuelle Forschung zu Hans Werner Henze</i>, A. Tumat, E. Minetti, D. Ried, and I. Capelle, Eds. musiconn.publish, 2025, pp. 23–40.","ama":"Tumat A. „Ein Komponistenleben des 20. Jahrhunderts“. Erste Bestandsaufnahme und Forschungsfragen zu Hans Werner Henzes Privatbibliothek als Sondersammlung. In: Tumat A, Minetti E, Ried D, Capelle I, eds. <i>Musik, Netzwerke, Selbstzeugnisse. Aktuelle Forschung Zu Hans Werner Henze</i>. musiconn.publish; 2025:23-40. doi:<a href=\"https://doi.org/10.25366/2025.158\">10.25366/2025.158</a>","apa":"Tumat, A. (2025). „Ein Komponistenleben des 20. Jahrhunderts“. Erste Bestandsaufnahme und Forschungsfragen zu Hans Werner Henzes Privatbibliothek als Sondersammlung. In A. Tumat, E. Minetti, D. Ried, &#38; I. Capelle (Eds.), <i>Musik, Netzwerke, Selbstzeugnisse. Aktuelle Forschung zu Hans Werner Henze</i> (pp. 23–40). musiconn.publish. <a href=\"https://doi.org/10.25366/2025.158\">https://doi.org/10.25366/2025.158</a>","bibtex":"@inbook{Tumat_2025, title={„Ein Komponistenleben des 20. Jahrhunderts“. Erste Bestandsaufnahme und Forschungsfragen zu Hans Werner Henzes Privatbibliothek als Sondersammlung}, DOI={<a href=\"https://doi.org/10.25366/2025.158\">10.25366/2025.158</a>}, booktitle={Musik, Netzwerke, Selbstzeugnisse. Aktuelle Forschung zu Hans Werner Henze}, publisher={musiconn.publish}, author={Tumat, Antje}, editor={Tumat, Antje and Minetti, Elena and Ried, Dennis and Capelle, Irmlind}, year={2025}, pages={23–40} }","short":"A. Tumat, in: A. Tumat, E. Minetti, D. Ried, I. Capelle (Eds.), Musik, Netzwerke, Selbstzeugnisse. Aktuelle Forschung Zu Hans Werner Henze, musiconn.publish, 2025, pp. 23–40.","mla":"Tumat, Antje. “„Ein Komponistenleben Des 20. Jahrhunderts“. Erste Bestandsaufnahme Und Forschungsfragen Zu Hans Werner Henzes Privatbibliothek Als Sondersammlung.” <i>Musik, Netzwerke, Selbstzeugnisse. Aktuelle Forschung Zu Hans Werner Henze</i>, edited by Antje Tumat et al., musiconn.publish, 2025, pp. 23–40, doi:<a href=\"https://doi.org/10.25366/2025.158\">10.25366/2025.158</a>."}},{"date_created":"2025-11-03T18:58:21Z","oa":"1","date_updated":"2025-11-07T11:27:19Z","main_file_link":[{"open_access":"1","url":"10.25366/2025.156"}],"doi":"10.25366/2025.156","title":"Musik, Netzwerke, Selbstzeugnisse. Aktuelle Forschung zu Hans Werner Henze","related_material":{"link":[{"url":"https://musiconn.qucosa.de/","relation":"confirmation"}]},"publication_status":"published","citation":{"ama":"Tumat A, Minetti E, Ried D, Capelle I, eds. <i>Musik, Netzwerke, Selbstzeugnisse. Aktuelle Forschung Zu Hans Werner Henze</i>.; 2025. doi:<a href=\"https://doi.org/10.25366/2025.156\">10.25366/2025.156</a>","ieee":"A. Tumat, E. Minetti, D. Ried, and I. Capelle, Eds., <i>Musik, Netzwerke, Selbstzeugnisse. Aktuelle Forschung zu Hans Werner Henze</i>. 2025.","chicago":"Tumat, Antje, Elena Minetti, Dennis Ried, and Irmlind Capelle, eds. <i>Musik, Netzwerke, Selbstzeugnisse. Aktuelle Forschung Zu Hans Werner Henze</i>, 2025. <a href=\"https://doi.org/10.25366/2025.156\">https://doi.org/10.25366/2025.156</a>.","short":"A. Tumat, E. Minetti, D. Ried, I. Capelle, eds., Musik, Netzwerke, Selbstzeugnisse. Aktuelle Forschung Zu Hans Werner Henze, 2025.","bibtex":"@book{Tumat_Minetti_Ried_Capelle_2025, title={Musik, Netzwerke, Selbstzeugnisse. Aktuelle Forschung zu Hans Werner Henze}, DOI={<a href=\"https://doi.org/10.25366/2025.156\">10.25366/2025.156</a>}, year={2025} }","mla":"Tumat, Antje, et al., editors. <i>Musik, Netzwerke, Selbstzeugnisse. Aktuelle Forschung Zu Hans Werner Henze</i>. 2025, doi:<a href=\"https://doi.org/10.25366/2025.156\">10.25366/2025.156</a>.","apa":"Tumat, A., Minetti, E., Ried, D., &#38; Capelle, I. (Eds.). (2025). <i>Musik, Netzwerke, Selbstzeugnisse. Aktuelle Forschung zu Hans Werner Henze</i>. <a href=\"https://doi.org/10.25366/2025.156\">https://doi.org/10.25366/2025.156</a>"},"page":"206","year":"2025","user_id":"72268","department":[{"_id":"233"},{"_id":"856"}],"project":[{"name":"Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk","_id":"738"}],"_id":"62056","language":[{"iso":"eng"},{"iso":"ger"}],"type":"book_editor","status":"public","abstract":[{"lang":"ger","text":"Der Sammelband veröffentlicht die Beiträge des internationalen Symposiums zu Hans Werner Henze, das im Dezember 2022 in Detmold stattfand und aktuelle Beiträge zur Henze-Forschung mit unterschiedlichsten inhaltlichen Schwerpunkten wie Filmmusik, Gender Studies oder Musikanalyse versammelt. Nach zwei Aufsätzen zu neuen Henze-Briefausgaben (Irmlind Capelle / Elena Minetti / Dennis Ried / Antje Tumat einerseits und Andreas Hérm Baumgartner / Wolfgang Rathert andererseits) und einem ersten Überblick über Henzes Privatbibliothek als Sondersammlung (Antje Tumat) diskutiert Adrian Kuhl Die Zusammenarbeit Tatjana Gsovskys und Hans Werner Henzes beim Ballett Der Idiot. Zafer Özgen beschäftigt sich anschließend mit Kompositionsstrategien in Henzes frühen Opern, Federica Marsico betrachtet die Figur des Orpheus bei Henze aus Gender-Perspektive und Benedikt Leßmann widmet sich Henzes Filmmusik. Den Abschluss bildet ein Roundtable mit Zeitzeugen, bei dem ehemalige Kolleginnen und Kollegen, Freunde und andere mit Henze verbundene Personen aus ihrer Zusammenarbeit mit Henze berichten. Teilnehmende waren Henzes langjähriger Freund und enger Mitarbeiter in Montepulciano Gastón Fournier-Facio (Rom) und der Regisseur, Geschäftsführer der Henze-Stiftung und letzte Lebensbegleiter Henzes Michael Kerstan (Nürnberg), Simon Obert von der Paul Sacher Stiftung (Basel), dem Aufbewahrungsort der Sammlung Hans Werner Henze, sowie Peter Petersen (Hamburg) als Stellvertreter der frühen musikwissenschaftlichen Henze-Forschung."}],"editor":[{"orcid":"0009-0002-9132-0925","last_name":"Tumat","id":"72268","full_name":"Tumat, Antje","first_name":"Antje"},{"first_name":"Elena","full_name":"Minetti, Elena","last_name":"Minetti"},{"full_name":"Ried, Dennis","last_name":"Ried","first_name":"Dennis"},{"full_name":"Capelle, Irmlind","last_name":"Capelle","first_name":"Irmlind"}]},{"date_created":"2024-02-25T14:09:21Z","author":[{"first_name":"Dennis","last_name":"Ried","orcid":"https://orcid.org/0000-0001-5545-2088","full_name":"Ried, Dennis","id":"90722"}],"publisher":"LibreCat University","date_updated":"2024-02-28T09:39:01Z","doi":"10.5281/ZENODO.10698272","conference":{"start_date":"2024-02-26","name":"Quo vadis DH? DHd 2024","location":"Passau","end_date":"2024-03-01"},"title":"Synergieeffekte zwischen Henze-Digital und der Carl Maria von Weber-Gesamtausgabe durch die bilaterale Weiterentwicklung der WeGA-WebApp","quality_controlled":"1","citation":{"ama":"Ried D. Synergieeffekte zwischen Henze-Digital und der Carl Maria von Weber-Gesamtausgabe durch die bilaterale Weiterentwicklung der WeGA-WebApp. In: LibreCat University; 2024. doi:<a href=\"https://doi.org/10.5281/ZENODO.10698272\">10.5281/ZENODO.10698272</a>","chicago":"Ried, Dennis. “Synergieeffekte Zwischen Henze-Digital Und Der Carl Maria von Weber-Gesamtausgabe Durch Die Bilaterale Weiterentwicklung Der WeGA-WebApp.” LibreCat University, 2024. <a href=\"https://doi.org/10.5281/ZENODO.10698272\">https://doi.org/10.5281/ZENODO.10698272</a>.","ieee":"D. Ried, “Synergieeffekte zwischen Henze-Digital und der Carl Maria von Weber-Gesamtausgabe durch die bilaterale Weiterentwicklung der WeGA-WebApp,” presented at the Quo vadis DH? DHd 2024, Passau, 2024, doi: <a href=\"https://doi.org/10.5281/ZENODO.10698272\">10.5281/ZENODO.10698272</a>.","apa":"Ried, D. (2024). <i>Synergieeffekte zwischen Henze-Digital und der Carl Maria von Weber-Gesamtausgabe durch die bilaterale Weiterentwicklung der WeGA-WebApp</i>. Quo vadis DH? DHd 2024, Passau. <a href=\"https://doi.org/10.5281/ZENODO.10698272\">https://doi.org/10.5281/ZENODO.10698272</a>","short":"D. Ried, in: LibreCat University, 2024.","mla":"Ried, Dennis. <i>Synergieeffekte Zwischen Henze-Digital Und Der Carl Maria von Weber-Gesamtausgabe Durch Die Bilaterale Weiterentwicklung Der WeGA-WebApp</i>. LibreCat University, 2024, doi:<a href=\"https://doi.org/10.5281/ZENODO.10698272\">10.5281/ZENODO.10698272</a>.","bibtex":"@inproceedings{Ried_2024, title={Synergieeffekte zwischen Henze-Digital und der Carl Maria von Weber-Gesamtausgabe durch die bilaterale Weiterentwicklung der WeGA-WebApp}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.10698272\">10.5281/ZENODO.10698272</a>}, publisher={LibreCat University}, author={Ried, Dennis}, year={2024} }"},"year":"2024","department":[{"_id":"233"},{"_id":"856"}],"user_id":"90722","_id":"51840","project":[{"_id":"738","name":"Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk","grant_number":"459602398"}],"language":[{"iso":"eng"}],"type":"conference_abstract","status":"public"},{"intvolume":"        18","page":"50 - 58","citation":{"apa":"Ried, D. (2024). Die Werkdatensätze von Henze-Digital als Ansätze für ein digitales Werkverzeichnis. <i>Die Tonkunst</i>, <i>18</i>(1), 50–58.","short":"D. Ried, Die Tonkunst 18 (2024) 50–58.","mla":"Ried, Dennis. “Die Werkdatensätze von Henze-Digital als Ansätze für ein digitales Werkverzeichnis.” <i>Die Tonkunst</i>, vol. 18, no. 1, 2024, pp. 50–58.","bibtex":"@article{Ried_2024, title={Die Werkdatensätze von Henze-Digital als Ansätze für ein digitales Werkverzeichnis}, volume={18}, number={1}, journal={Die Tonkunst}, author={Ried, Dennis}, year={2024}, pages={50–58} }","ieee":"D. Ried, “Die Werkdatensätze von Henze-Digital als Ansätze für ein digitales Werkverzeichnis,” <i>Die Tonkunst</i>, vol. 18, no. 1, pp. 50–58, 2024.","chicago":"Ried, Dennis. “Die Werkdatensätze von Henze-Digital als Ansätze für ein digitales Werkverzeichnis.” <i>Die Tonkunst</i> 18, no. 1 (2024): 50–58.","ama":"Ried D. Die Werkdatensätze von Henze-Digital als Ansätze für ein digitales Werkverzeichnis. <i>Die Tonkunst</i>. 2024;18(1):50-58."},"year":"2024","issue":"1","publication_identifier":{"unknown":["1863-3536"]},"publication_status":"published","title":"Die Werkdatensätze von Henze-Digital als Ansätze für ein digitales Werkverzeichnis","volume":18,"date_created":"2024-02-21T10:38:58Z","author":[{"orcid":"https://orcid.org/0000-0001-5545-2088","last_name":"Ried","id":"90722","full_name":"Ried, Dennis","first_name":"Dennis"}],"date_updated":"2024-02-28T09:39:08Z","status":"public","publication":"Die Tonkunst","type":"journal_article","language":[{"iso":"ger"}],"department":[{"_id":"233"},{"_id":"856"}],"user_id":"90722","_id":"51686","project":[{"grant_number":"459602398","name":"Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk","_id":"738"}]},{"publisher":"Henze-Digital","date_updated":"2024-02-28T09:39:23Z","date_created":"2024-02-21T10:27:53Z","author":[{"full_name":"Ried, Dennis","id":"90722","orcid":"https://orcid.org/0000-0001-5545-2088","last_name":"Ried","first_name":"Dennis"},{"last_name":"Capelle","full_name":"Capelle, Irmlind","first_name":"Irmlind"},{"first_name":"Elena","full_name":"Minetti, Elena","id":"90723","last_name":"Minetti"}],"title":"HenDi-ODD v3.0.0","doi":"10.5281/ZENODO.10666406","year":"2024","citation":{"short":"D. Ried, I. Capelle, E. Minetti, HenDi-ODD v3.0.0, Henze-Digital, 2024.","bibtex":"@book{Ried_Capelle_Minetti_2024, title={HenDi-ODD v3.0.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.10666406\">10.5281/ZENODO.10666406</a>}, publisher={Henze-Digital}, author={Ried, Dennis and Capelle, Irmlind and Minetti, Elena}, year={2024} }","mla":"Ried, Dennis, et al. <i>HenDi-ODD v3.0.0</i>. Henze-Digital, 2024, doi:<a href=\"https://doi.org/10.5281/ZENODO.10666406\">10.5281/ZENODO.10666406</a>.","apa":"Ried, D., Capelle, I., &#38; Minetti, E. (2024). <i>HenDi-ODD v3.0.0</i>. Henze-Digital. <a href=\"https://doi.org/10.5281/ZENODO.10666406\">https://doi.org/10.5281/ZENODO.10666406</a>","ama":"Ried D, Capelle I, Minetti E. <i>HenDi-ODD v3.0.0</i>. Henze-Digital; 2024. doi:<a href=\"https://doi.org/10.5281/ZENODO.10666406\">10.5281/ZENODO.10666406</a>","ieee":"D. Ried, I. Capelle, and E. Minetti, <i>HenDi-ODD v3.0.0</i>. Henze-Digital, 2024.","chicago":"Ried, Dennis, Irmlind Capelle, and Elena Minetti. <i>HenDi-ODD v3.0.0</i>. Henze-Digital, 2024. <a href=\"https://doi.org/10.5281/ZENODO.10666406\">https://doi.org/10.5281/ZENODO.10666406</a>."},"project":[{"_id":"738","name":"Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk","grant_number":"459602398"}],"_id":"51685","user_id":"90722","department":[{"_id":"233"},{"_id":"856"}],"type":"research_data","status":"public"},{"citation":{"apa":"Ried, D. (2024). <i>HenDi-WebApp v3.0.0</i>. Henze-Digital. <a href=\"https://doi.org/10.5281/ZENODO.10666436\">https://doi.org/10.5281/ZENODO.10666436</a>","mla":"Ried, Dennis. <i>HenDi-WebApp v3.0.0</i>. Henze-Digital, 2024, doi:<a href=\"https://doi.org/10.5281/ZENODO.10666436\">10.5281/ZENODO.10666436</a>.","short":"D. Ried, HenDi-WebApp v3.0.0, Henze-Digital, 2024.","bibtex":"@book{Ried_2024, title={HenDi-WebApp v3.0.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.10666436\">10.5281/ZENODO.10666436</a>}, publisher={Henze-Digital}, author={Ried, Dennis}, year={2024} }","ama":"Ried D. <i>HenDi-WebApp v3.0.0</i>. Henze-Digital; 2024. doi:<a href=\"https://doi.org/10.5281/ZENODO.10666436\">10.5281/ZENODO.10666436</a>","ieee":"D. Ried, <i>HenDi-WebApp v3.0.0</i>. Henze-Digital, 2024.","chicago":"Ried, Dennis. <i>HenDi-WebApp v3.0.0</i>. Henze-Digital, 2024. <a href=\"https://doi.org/10.5281/ZENODO.10666436\">https://doi.org/10.5281/ZENODO.10666436</a>."},"year":"2024","date_created":"2024-02-21T10:22:13Z","author":[{"first_name":"Dennis","orcid":"https://orcid.org/0000-0001-5545-2088","last_name":"Ried","id":"90722","full_name":"Ried, Dennis"}],"publisher":"Henze-Digital","date_updated":"2024-02-28T09:39:35Z","doi":"10.5281/ZENODO.10666436","title":"HenDi-WebApp v3.0.0","type":"research_data","status":"public","user_id":"90722","department":[{"_id":"233"},{"_id":"856"}],"project":[{"grant_number":"459602398","name":"Digitale Briefedition: Hans Werner Henzes künstlerisches Netzwerk","_id":"738"}],"_id":"51682"},{"project":[{"name":"WeGA: Carl-Maria-von-Weber-Gesamtausgabe","_id":"735"}],"_id":"51805","user_id":"10856","department":[{"_id":"233"},{"_id":"856"}],"type":"research_data","abstract":[{"text":"WeGA-WebApp release 4.9.0\r\n\r\nMain features\r\n\r\n\r\n\r\n\r\n\r\n\r\n\r\nreplace external Beacon service #451\r\n\r\nupdate csLink to version v2 #450\r\n\r\n\r\nChangelog\r\n\r\nA detailed changelog can be found at https://github.com/Edirom/WeGA-WebApp/wiki/Changelog\r\n\r\nFull Changelog: v4.8.1...v4.9.0\r\n\r\nLicense\r\n\r\nThis work is available under dual license: BSD 2-Clause and Creative Commons Attribution 4.0 International License (CC BY 4.0)\r\n\r\n\r\n ","lang":"eng"}],"status":"public","publisher":"LibreCat University","date_updated":"2024-03-12T15:35:08Z","date_created":"2024-02-23T16:08:20Z","author":[{"full_name":"Stadler, Peter","id":"10856","orcid":"0000-0002-2544-1481","last_name":"Stadler","first_name":"Peter"},{"first_name":"Jakob","last_name":"Schmidt","full_name":"Schmidt, Jakob"},{"full_name":"Zheng, Xianghua","last_name":"Zheng","first_name":"Xianghua"},{"first_name":"Dennis","full_name":"Ried, Dennis","id":"90722","orcid":"https://orcid.org/0000-0001-5545-2088","last_name":"Ried"},{"full_name":"Richts, Kristina","last_name":"Richts","first_name":"Kristina"},{"last_name":"Schreiter","full_name":"Schreiter, Solveig","first_name":"Solveig"},{"first_name":"Charlene","full_name":"Jakob, Charlene","last_name":"Jakob"}],"title":"WeGA-WebApp release 4.9.0","doi":"10.5281/ZENODO.10666485","year":"2024","citation":{"bibtex":"@book{Stadler_Schmidt_Zheng_Ried_Richts_Schreiter_Jakob_2024, title={WeGA-WebApp release 4.9.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.10666485\">10.5281/ZENODO.10666485</a>}, publisher={LibreCat University}, author={Stadler, Peter and Schmidt, Jakob and Zheng, Xianghua and Ried, Dennis and Richts, Kristina and Schreiter, Solveig and Jakob, Charlene}, year={2024} }","short":"P. 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LibreCat University. <a href=\"https://doi.org/10.5281/ZENODO.10604058\">https://doi.org/10.5281/ZENODO.10604058</a>","mla":"Stadler, Peter, et al. <i>Edirom/WeGA-ODD: V4.9.0</i>. LibreCat University, 2024, doi:<a href=\"https://doi.org/10.5281/ZENODO.10604058\">10.5281/ZENODO.10604058</a>.","short":"P. Stadler, A.M. Neubert, S. Schreiter, S. Obert, D. Ried, Edirom/WeGA-ODD: V4.9.0, LibreCat University, 2024.","bibtex":"@book{Stadler_Neubert_Schreiter_Obert_Ried_2024, title={Edirom/WeGA-ODD: v4.9.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.10604058\">10.5281/ZENODO.10604058</a>}, publisher={LibreCat University}, author={Stadler, Peter and Neubert, Anna Maria and Schreiter, Soveig and Obert, Salome and Ried, Dennis}, year={2024} }","ama":"Stadler P, Neubert AM, Schreiter S, Obert S, Ried D. <i>Edirom/WeGA-ODD: V4.9.0</i>. LibreCat University; 2024. doi:<a href=\"https://doi.org/10.5281/ZENODO.10604058\">10.5281/ZENODO.10604058</a>","ieee":"P. Stadler, A. M. Neubert, S. Schreiter, S. Obert, and D. Ried, <i>Edirom/WeGA-ODD: v4.9.0</i>. LibreCat University, 2024.","chicago":"Stadler, Peter, Anna Maria Neubert, Soveig Schreiter, Salome Obert, and Dennis Ried. <i>Edirom/WeGA-ODD: V4.9.0</i>. LibreCat University, 2024. <a href=\"https://doi.org/10.5281/ZENODO.10604058\">https://doi.org/10.5281/ZENODO.10604058</a>."},"year":"2024","user_id":"10856","department":[{"_id":"233"},{"_id":"856"}],"project":[{"name":"WeGA: Carl-Maria-von-Weber-Gesamtausgabe","_id":"735"}],"_id":"52513","status":"public","type":"research_data"},{"status":"public","type":"research_data","project":[{"_id":"735","name":"WeGA: Carl-Maria-von-Weber-Gesamtausgabe"}],"_id":"52512","user_id":"10856","department":[{"_id":"233"},{"_id":"856"}],"year":"2024","citation":{"apa":"Stadler, P. (2024). <i>WeGA data package v4.9.0</i>. LibreCat University. <a href=\"https://doi.org/10.5281/ZENODO.10620019\">https://doi.org/10.5281/ZENODO.10620019</a>","mla":"Stadler, Peter. <i>WeGA Data Package v4.9.0</i>. LibreCat University, 2024, doi:<a href=\"https://doi.org/10.5281/ZENODO.10620019\">10.5281/ZENODO.10620019</a>.","bibtex":"@book{Stadler_2024, title={WeGA data package v4.9.0}, DOI={<a href=\"https://doi.org/10.5281/ZENODO.10620019\">10.5281/ZENODO.10620019</a>}, publisher={LibreCat University}, author={Stadler, Peter}, year={2024} }","short":"P. Stadler, WeGA Data Package v4.9.0, LibreCat University, 2024.","ama":"Stadler P. <i>WeGA Data Package v4.9.0</i>. LibreCat University; 2024. doi:<a href=\"https://doi.org/10.5281/ZENODO.10620019\">10.5281/ZENODO.10620019</a>","chicago":"Stadler, Peter. <i>WeGA Data Package v4.9.0</i>. LibreCat University, 2024. <a href=\"https://doi.org/10.5281/ZENODO.10620019\">https://doi.org/10.5281/ZENODO.10620019</a>.","ieee":"P. Stadler, <i>WeGA data package v4.9.0</i>. LibreCat University, 2024."},"title":"WeGA data package v4.9.0","doi":"10.5281/ZENODO.10620019","publisher":"LibreCat University","date_updated":"2024-03-12T15:36:03Z","date_created":"2024-03-12T15:29:47Z","author":[{"first_name":"Peter","full_name":"Stadler, Peter","id":"10856","last_name":"Stadler","orcid":"0000-0002-2544-1481"}]}]