@article{60213, author = {{Ballweg, Sandra}}, journal = {{Zeitschrift für Interaktionsforschung in DaFZ}}, number = {{1}}, pages = {{29--53}}, title = {{{"Was heißt das, Mama?" Die Familie als Ort von Sprachaneignung und mehrsprachigen Praktiken am Beispiel einer türkisch-deutsch-sprachigen Familie}}}, doi = {{https://doi.org/10.17192/ziaf.2024.4.1.8672}}, volume = {{4}}, year = {{2024}}, } @article{57914, author = {{Ballweg, Sandra}}, journal = {{Zeitschrift für Interaktionsforschung in DaFZ}}, number = {{1}}, pages = {{29--53}}, title = {{{ "Was heißt das, Mama?" Die Familie als Ort von Sprachaneignung und mehrsprachigen Praktiken am Beispiel einer türkisch-deutsch-sprachigen Familie}}}, doi = {{10.17192/ZIAF.2024.4.1.8672}}, volume = {{4}}, year = {{2024}}, } @misc{59554, author = {{Dube, Alexandra and Jäger, Christina and Knöpfel, Eckehardt and Wüllner, Sabrina}}, publisher = {{Freie und Hansestadt Hamburg. Behörde für Schule und Berufsbildung}}, title = {{{Bildungsplan Stadtteilschule. Jahrgangsstufen 5-11. Pädagogik}}}, year = {{2024}}, } @article{61788, abstract = {{Abstract Industrial x-ray computed tomography (CT) systems with high geometric flexibility are increasingly utilized for large-scale measurement objects or challenging measurement tasks. To maintain high accuracy when deviating from the established circular scan trajectory, trajectory calibration methods using multi-sphere reference objects with known marker positions are commonly employed. These multi-sphere objects can either be scanned together with the measurement object (online trajectory calibration) or in a separate scan (offline trajectory calibration). While offline calibration increases machine time, it generally results in higher scan quality. However, a sufficient pose repeatability is necessary to ensure comparable or even superior accuracy to online calibration. In this contribution, we present a straightforward procedure to compare both types of trajectory calibration in a way that the differences of the results can directly be traced back to the influence of the pose repeatability. The multi-sphere reference object is not only used for trajectory calibration, but simultaneously as a measurement object for repeated measurements. The methodology is tested on both a twin robotic CT system and a conventional CT system that is additionally equipped with a hexapod manipulator for adaptive object tilting. Results showed, independent from the type of trajectory calibration, systematic measurement errors in the order of 10−5–10−4 of measured sphere distances and sphericity values below 50 μ m . For sphere distances, random errors were increased by a factor of 5 due to the offline trajectory calibration, but were still low ( < 1 μ m ) in comparison to systematic errors and the spread of different measurement features. Overall, both investigated systems demonstrated sufficient positioning repeatability for offline trajectory calibration. The method is in general also applicable to any other types of manipulator systems used for CT devices. It provides a workflow for the decision which type of trajectory calibration is preferable for a given CT system.}}, author = {{Butzhammer, Lorenz and Handke, Niklas and Wittl, Simon and Herl, Gabriel and Hausotte, Tino}}, issn = {{0957-0233}}, journal = {{Measurement Science and Technology}}, number = {{2}}, publisher = {{IOP Publishing}}, title = {{{Direct assessment of the influence of pose repeatability on the accuracy of dimensional measurements for computed tomography systems with high degrees of freedom}}}, doi = {{10.1088/1361-6501/ada05a}}, volume = {{36}}, year = {{2024}}, } @inproceedings{56840, author = {{Schmitt, Martin}}, keywords = {{Digitalisierung, Digitalgeschichte, Umweltgeschichte, Anthropozän, Computer, Rechenzentrum, Digital History}}, title = {{{Digitalisierung und Umwelt – eine verflochtene Digitalgeschichte der Gegenwart im Angesicht des Klimawandels}}}, year = {{2024}}, } @inbook{52511, abstract = {{Sind „soziale Medien“ überhaupt ein Thema für die Geschichtswissenschaft? Ja, denn die längere Geschichte der Digitalisierung, in der die „sozialen Medien“ einzuordnen sind, zählt bereits über 80 Jahre. Konrad Zuse und andere Ingenieure entwickelten seit 1941 die ersten Digitalcomputer, Unternehmer*innen, Wissenschaftler*innen und Staatenlenker*innen setzten diese seit den 1950er Jahren für ihre Zwecke ein, die Zivilgesellschaft adaptierte sie in den darauffolgenden Dekaden – all das prägte die sozio-digitale Landschaft der späteren „sozialen Medien“. Als unmittelbar „nach dem Boom“ etwa um 1970 zahlreiche Industriegesellschaften einen strukturellen Wandel in Wirtschaft, Gesellschaft und Politik durchlebten, war eine Antwort darauf die vermehrte Digitalisierung und Vernetzung. Daraus entwickelte sich die 1990er Jahre als markante Dekade von World Wide Web, Google und Chatdiensten. Die Entwicklung der „sozialen Medien“ ist also unter anderem in eine ökonomische und gesellschaftliche Entwicklung der Aufmerksamkeitsökonomie und in die längeren Veränderungen von Wirtschafts- und Gesellschaftsordnungen der Ausdifferenzierung und partiellen Individualisierung seit den 1960er Jahren einzuordnen. Dadurch lässt sich besser verstehen, welche Prämissen ihnen zugrunde lagen, welche Möglichkeitsräume und Probleme sich daraus ergaben und warum sie die heutige Öffentlichkeit in einer bestimmten Art und Weise dominieren – ohne sie jedoch zu determinieren.}}, author = {{Schmitt, Martin}}, booktitle = {{Soziale Medien – wie sie wurden, was sie sind }}, keywords = {{Digitalgeschichte, Soziale Medien, Technikgeschichte, World Wide Web, Digitalisierung}}, publisher = {{Bundeszentrale für politische Bildung}}, title = {{{Die Vorgeschichte der „sozialen Medien“. Über die Träume digitaler Vergemeinschaftung und freier Kommunikation}}}, year = {{2024}}, } @inbook{62230, abstract = {{Algorithms have risen to become one, if not the central technology for producing, circulating, and evaluating knowledge in multiple societal arenas. In this book, scholars from the social sciences, humanities, and computer science argue that this shift has, and will continue to have, profound implications for how knowledge is produced and what and whose knowledge is valued and deemed valid. To attend to this fundamental change, the authors propose the concept of algorithmic regimes and demonstrate how they transform the epistemological, methodological, and political foundations of knowledge production, sensemaking, and decision-making in contemporary societies. Across sixteen chapters, the volume offers a diverse collection of contributions along three perspectives on algorithmic regimes: the methods necessary to research and design algorithmic regimes, the ways in which algorithmic regimes reconfigure sociotechnical interactions, and the politics engrained in algorithmic regimes.}}, author = {{Kinder-Kurlanda, Katharina and Fahimi, Miriam}}, booktitle = {{Algorithmic Regimes. Methods, Interactions, and Politics.}}, editor = {{Jarke, Juliane and Prietl, Bianca and Egbert, Simon and Boeva, Yana and Heuer, Hendrik and Arnold, Maike}}, isbn = {{978-94-6372-848-5}}, pages = {{309–330}}, publisher = {{Amsterdam University Press}}, title = {{{Making Algorithms Fair: Ethnographic Insights from Machine Learning Interventions}}}, year = {{2024}}, } @article{63217, abstract = {{We demonstrate a high-dimensional mode-sorter for single photons based on a multi-output quantum pulse gate, which we can program to switch between different temporal-mode encodings including pulse modes, frequency bins, time bins, and their superpositions. This device can facilitate practical realizations of quantum information applications such as high-dimensional quantum key distribution and thus enables secure communication with enhanced information capacity. We characterize the mode-sorter through a detector tomography in 3 and 5 dimensions and find a fidelity up to 0.958 ± 0.030 at the single-photon level.}}, author = {{Serino, Laura Maria and Eigner, Christof and Brecht, Benjamin and Silberhorn, Christine}}, issn = {{1094-4087}}, journal = {{Optics Express}}, number = {{3}}, publisher = {{Optica Publishing Group}}, title = {{{Programmable time-frequency mode-sorting of single photons with a multi-output quantum pulse gate}}}, doi = {{10.1364/oe.544206}}, volume = {{33}}, year = {{2024}}, } @misc{64977, author = {{Mersch, Katharina Ulrike}}, booktitle = {{Deutsches Archiv für Erforschung des Mittelalters}}, number = {{2}}, pages = {{722}}, title = {{{Brown, Warren: Beyond the Monastery Walls. 2023, xiv, 385 S.: Illustrationen, Karten. - ISBN 978-1-108-47958-5}}}, volume = {{80}}, year = {{2024}}, } @inproceedings{58554, author = {{Berndt, Axel and Münzmay, Andreas}}, location = {{Frankfurt am Main}}, title = {{{Digitale Interpretationsedition und Filmmusikedition als multimodale Schwestern – Gemeinsame Herausforderungen und Lösungsansätze}}}, year = {{2024}}, } @inproceedings{58551, author = {{Berndt, Axel and Münzmay, Andreas and Bömcke-Vollmer, Frithjof}}, booktitle = {{{DAGA 2024 – 50. Jahrestagung für Akustik}}}, title = {{{Multi-Modal Data Networks in Music: Thoughts on a Digital Performance Edition}}}, year = {{2024}}, } @article{60689, author = {{Weiss Lucas, C and Kochs, S and Jost, J and Loução, R and Kocher, M and Goldbrunner, R and Wiewrodt, D and Jonas, Kristina}}, journal = {{Frontiers in. Psychology}}, title = {{{ Digital participation of brain tumour patients in the assessment and treatment of communication disorders}}}, doi = {{https://doi.org/10.3389/fpsyg.2023.1287747 }}, volume = {{14}}, year = {{2024}}, } @article{60688, author = {{Jonas, Kristina and Jaecks, P and Frieg, H}}, journal = {{Frontiers in. Psychology}}, title = {{{Editorial: Digital participation and communication disorders across the lifespan}}}, doi = {{https://doi.org/10.3389/fpsyg.2024.1417994 }}, volume = {{15}}, year = {{2024}}, } @misc{33938, author = {{Famula, Marta}}, booktitle = {{Jahrbuch Forum Vormärz Forschung 2022. [in Vorbereitung]}}, publisher = {{Aisthesis}}, title = {{{Antonia Villinger: Dramen der Schwangerschaft. Friedrich Hebbels „Judith“, „Maria Magdalena“ und „Genoveva“. Baden-Baden: Ergon 2021}}}, year = {{2023}}, } @inbook{46561, author = {{Schuster, Britt-Marie}}, booktitle = {{Kommunikative Praktiken im Nationalsozialismus}}, editor = {{Markewitz, Friedrich and Scholl, Stefan and Schubert, Katrin and Wilk, Nicole M.}}, isbn = {{9783847116127}}, keywords = {{Kommunikationsgeschichte}}, pages = {{143–171}}, publisher = {{V&R unipress}}, title = {{{»Das dankst du deinem Führer« – Adressierungspraktiken in der Widerstandskommunikation gegen den Nationalsozialismus}}}, doi = {{10.14220/9783737016124}}, volume = {{3}}, year = {{2023}}, } @book{48043, editor = {{Schuster, Britt-Marie and Markewitz, Friedrich and Wilk, Nicole M.}}, title = {{{Widerstandshandeln. Sprachliche Praktiken des Sich-Widersetzens zwischen 1933 und 1945}}}, volume = {{4}}, year = {{2023}}, } @inproceedings{47626, author = {{Rüther, Moritz Johannes and Klippstein, Sven Helge and Schmid, Hans-Joachim}}, booktitle = {{PARTEC International Congress on Particle Technology - Book of Abstracts}}, isbn = {{ 978-3-18-990139-9}}, issn = {{0083-5560}}, location = {{Nürnberg}}, pages = {{172 -- 176}}, publisher = {{VDI Verlag GmbH}}, title = {{{Correlation between SLS-Powder processability and particle properties }}}, year = {{2023}}, } @inbook{48218, author = {{Wallmeier, Nadine and Wich-Reif, Claudia}}, booktitle = {{Historische (Morpho-)Syntax des Deutschen}}, editor = {{Hetjens, Dominik and Lasch, Alexander and Roth, Kerstin}}, pages = {{35--53}}, title = {{{Vergleichskonstruktionen im Mittelniederdeutschen}}}, volume = {{14}}, year = {{2023}}, } @inbook{48529, author = {{Hubner-Benz, Sylvia and Frese, Michael}}, booktitle = {{Handbook of Organizational Creativity}}, isbn = {{9780323918411}}, publisher = {{Elsevier}}, title = {{{Creativity in entrepreneurship: Dancing between nothing and structure}}}, doi = {{10.1016/b978-0-323-91841-1.00024-5}}, year = {{2023}}, } @inbook{48938, abstract = {{Als größte Überblicksschau von regionalen Künstler:innen in Niedersachsen und Bremen gehört die Herbstausstellung des Kunstvereins Hannover seit ihrer ersten Ausgabe im Jahr 1907 zu den wichtigsten Ausstellungen im Land. Auch in ihrer 90. Ausgabe setzt die traditionelle Herbstausstellung den Fokus auf die lebendige hiesige Kunstszene.}}, author = {{Schulze, Max}}, booktitle = {{Handbuch zur 90. Herbstausstellung des Kunstvereins Hannover}}, isbn = {{978-3-934421-32-5}}, keywords = {{Kunst, Jury, Jahresausstellung, Manfred de la Motte, Marcel Duchamp}}, pages = {{13--16}}, title = {{{Juryarbeit}}}, year = {{2023}}, }