---
_id: '29354'
author:
- first_name: Jarmila
  full_name: Mildorf, Jarmila
  id: '356'
  last_name: Mildorf
citation:
  ama: 'Mildorf J. ‘Ja, ja, so schön klingt das Schreckliche’: An Audionarratological
    Analysis of Andreas Ammer and FM Einheit’s Lost & Found: Das Paradies. In:
    Arteel I, Bernaerts L, Bluijs S, Verhulst P, eds. <i>Tuning in to the Neo-Avantgarde:
    Experimental Radio Plays in the Postwar Period</i>. 1st ed. Manchester University
    Press; 2021:128-149.'
  apa: 'Mildorf, J. (2021). ‘Ja, ja, so schön klingt das Schreckliche’: An Audionarratological
    Analysis of Andreas Ammer and FM Einheit’s Lost &#38; Found: Das Paradies. In
    I. Arteel, L. Bernaerts, S. Bluijs, &#38; P. Verhulst (Eds.), <i>Tuning in to
    the Neo-Avantgarde: Experimental Radio Plays in the Postwar Period</i> (1st ed.,
    pp. 128–149). Manchester University Press.'
  bibtex: '@inbook{Mildorf_2021, place={Manchester}, edition={1}, title={‘Ja, ja,
    so schön klingt das Schreckliche’: An Audionarratological Analysis of Andreas
    Ammer and FM Einheit’s Lost &#38; Found: Das Paradies}, booktitle={Tuning in to
    the Neo-Avantgarde: Experimental Radio Plays in the Postwar Period}, publisher={Manchester
    University Press}, author={Mildorf, Jarmila}, editor={Arteel, Inge and Bernaerts,
    Lars and Bluijs, Siebe  and Verhulst, Pim}, year={2021}, pages={128–149} }'
  chicago: 'Mildorf, Jarmila. “‘Ja, Ja, so Schön Klingt Das Schreckliche’: An Audionarratological
    Analysis of Andreas Ammer and FM Einheit’s Lost &#38; Found: Das Paradies.” In
    <i>Tuning in to the Neo-Avantgarde: Experimental Radio Plays in the Postwar Period</i>,
    edited by Inge Arteel, Lars Bernaerts, Siebe  Bluijs, and Pim Verhulst, 1st ed.,
    128–49. Manchester: Manchester University Press, 2021.'
  ieee: 'J. Mildorf, “‘Ja, ja, so schön klingt das Schreckliche’: An Audionarratological
    Analysis of Andreas Ammer and FM Einheit’s Lost &#38; Found: Das Paradies,” in
    <i>Tuning in to the Neo-Avantgarde: Experimental Radio Plays in the Postwar Period</i>,
    1st ed., I. Arteel, L. Bernaerts, S. Bluijs, and P. Verhulst, Eds. Manchester:
    Manchester University Press, 2021, pp. 128–149.'
  mla: 'Mildorf, Jarmila. “‘Ja, Ja, so Schön Klingt Das Schreckliche’: An Audionarratological
    Analysis of Andreas Ammer and FM Einheit’s Lost &#38; Found: Das Paradies.” <i>Tuning
    in to the Neo-Avantgarde: Experimental Radio Plays in the Postwar Period</i>,
    edited by Inge Arteel et al., 1st ed., Manchester University Press, 2021, pp.
    128–49.'
  short: 'J. Mildorf, in: I. Arteel, L. Bernaerts, S. Bluijs, P. Verhulst (Eds.),
    Tuning in to the Neo-Avantgarde: Experimental Radio Plays in the Postwar Period,
    1st ed., Manchester University Press, Manchester, 2021, pp. 128–149.'
date_created: 2022-01-16T11:19:47Z
date_updated: 2024-07-03T18:20:18Z
department:
- _id: '1'
edition: '1'
editor:
- first_name: Inge
  full_name: Arteel, Inge
  last_name: Arteel
- first_name: Lars
  full_name: Bernaerts, Lars
  last_name: Bernaerts
- first_name: 'Siebe '
  full_name: 'Bluijs, Siebe '
  last_name: Bluijs
- first_name: Pim
  full_name: Verhulst, Pim
  last_name: Verhulst
language:
- iso: eng
page: 128-149
place: Manchester
publication: 'Tuning in to the Neo-Avantgarde: Experimental Radio Plays in the Postwar
  Period'
publication_identifier:
  isbn:
  - 978-1-5261-5571-9
publication_status: published
publisher: Manchester University Press
quality_controlled: '1'
status: public
title: '‘Ja, ja, so schön klingt das Schreckliche’: An Audionarratological Analysis
  of Andreas Ammer and FM Einheit’s Lost & Found: Das Paradies'
type: book_chapter
user_id: '356'
year: '2021'
...