[{"user_id":"73564","editor":[{"full_name":"Schulze, Hendrik ","last_name":"Schulze","first_name":"Hendrik "}],"page":"39-50","_id":"41713","publisher":"Brepols ","language":[{"iso":"eng"}],"series_title":"Historical Performance Practice","date_updated":"2023-02-05T11:27:47Z","title":"Performance Sources: Incidental Music on the Nineteenth-Century German Stage","status":"public","year":"2015","author":[{"id":"72268","full_name":"Tumat, Antje","first_name":"Antje","last_name":"Tumat"}],"publication_identifier":{"isbn":["978-2503540740"]},"type":"book_chapter","department":[{"_id":"601"}],"place":"Turnhout","date_created":"2023-02-05T11:27:36Z","publication":"Musical Text as Ritual Object","citation":{"mla":"Tumat, Antje. “Performance Sources: Incidental Music on the Nineteenth-Century German Stage.” <i>Musical Text as Ritual Object</i>, edited by Hendrik  Schulze, Brepols , 2015, pp. 39–50.","bibtex":"@inbook{Tumat_2015, place={Turnhout}, series={Historical Performance Practice}, title={Performance Sources: Incidental Music on the Nineteenth-Century German Stage}, booktitle={Musical Text as Ritual Object}, publisher={Brepols }, author={Tumat, Antje}, editor={Schulze, Hendrik }, year={2015}, pages={39–50}, collection={Historical Performance Practice} }","ama":"Tumat A. Performance Sources: Incidental Music on the Nineteenth-Century German Stage. In: Schulze H, ed. <i>Musical Text as Ritual Object</i>. Historical Performance Practice. Brepols ; 2015:39-50.","ieee":"A. Tumat, “Performance Sources: Incidental Music on the Nineteenth-Century German Stage,” in <i>Musical Text as Ritual Object</i>, H. Schulze, Ed. Turnhout: Brepols , 2015, pp. 39–50.","apa":"Tumat, A. (2015). Performance Sources: Incidental Music on the Nineteenth-Century German Stage. In H. Schulze (Ed.), <i>Musical Text as Ritual Object</i> (pp. 39–50). Brepols .","short":"A. Tumat, in: H. Schulze (Ed.), Musical Text as Ritual Object, Brepols , Turnhout, 2015, pp. 39–50.","chicago":"Tumat, Antje. “Performance Sources: Incidental Music on the Nineteenth-Century German Stage.” In <i>Musical Text as Ritual Object</i>, edited by Hendrik  Schulze, 39–50. Historical Performance Practice. Turnhout: Brepols , 2015."}}]