---
_id: '47477'
abstract:
- lang: eng
  text: " \t\r\nDiscusses the research paradigm of ‘transferts culturels’ (cultural
    transfers), as established by French C.N.R.S. scholars Michel Espagne and Michael
    Werner in the 1980s and rapidly evolving in the context of French-German research
    after 1989, from the point of view of musicology. Ideological categories like
    ‘nation’ and ‘culture’ are weighed against frames that allow for more precise
    definitions, like local/regional repertoires or culture politics. Likewise, the
    opposed theoretical concepts of ‘reception’ and ‘production’ fundamentally affect
    the conceptualization of the musical ‘work’ entity. Taking cultural transfers
    into account has helped stimulating practice-oriented views of music history that
    no longer consider modifications or adaptations of works only as derivatives or
    even misunderstandings of ‘the original’, but, to the contrary, acknowledge them
    as historical facts and cultural expressions in their own rights. The examples
    of Richard Wagner’s Die Meistersinger von Nürnberg and Eduard Hanslick’s Die moderne
    Oper show how this was already a controversial issue in the 19th century under
    the impression of the international nature of the standard (French) opera repertoire
    of the time. A concluding section points out the possibilities for the coverage
    of culture transfer processes arising from the implementation of the FRBR (Functional
    Requirements for Bibliographic Records) model in bibliographic authority data
    on the ‘work’ level. (Autor)"
author:
- first_name: Andreas
  full_name: Münzmay, Andreas
  id: '61139'
  last_name: Münzmay
  orcid: 0000-0002-8373-4055
citation:
  ama: 'Münzmay A. Kulturtransferforschung und Musikwissenschaft. In: Calella M, Leßmann
    B, eds. <i>Zwischen Transfer und Transformation: Horizonte der Rezeption von Musik</i>.
    Vol 51. Wiener Veröffentlichungen zur Musikwissenschaft. Hollitzer; 2019:175-191.
    doi:<a href="https://doi.org/10.2307/j.ctvt6rjq6.10">10.2307/j.ctvt6rjq6.10</a>'
  apa: 'Münzmay, A. (2019). Kulturtransferforschung und Musikwissenschaft. In M. Calella
    &#38; B. Leßmann (Eds.), <i>Zwischen Transfer und Transformation: Horizonte der
    Rezeption von Musik</i> (Vol. 51, pp. 175–191). Hollitzer. <a href="https://doi.org/10.2307/j.ctvt6rjq6.10">https://doi.org/10.2307/j.ctvt6rjq6.10</a>'
  bibtex: '@inbook{Münzmay_2019, place={Wien}, series={Wiener Veröffentlichungen zur
    Musikwissenschaft}, title={Kulturtransferforschung und Musikwissenschaft}, volume={51},
    DOI={<a href="https://doi.org/10.2307/j.ctvt6rjq6.10">10.2307/j.ctvt6rjq6.10</a>},
    booktitle={Zwischen Transfer und Transformation: Horizonte der Rezeption von Musik},
    publisher={Hollitzer}, author={Münzmay, Andreas}, editor={Calella, Michele and
    Leßmann, Benedikt}, year={2019}, pages={175–191}, collection={Wiener Veröffentlichungen
    zur Musikwissenschaft} }'
  chicago: 'Münzmay, Andreas. “Kulturtransferforschung und Musikwissenschaft.” In
    <i>Zwischen Transfer und Transformation: Horizonte der Rezeption von Musik</i>,
    edited by Michele Calella and Benedikt Leßmann, 51:175–91. Wiener Veröffentlichungen
    zur Musikwissenschaft. Wien: Hollitzer, 2019. <a href="https://doi.org/10.2307/j.ctvt6rjq6.10">https://doi.org/10.2307/j.ctvt6rjq6.10</a>.'
  ieee: 'A. Münzmay, “Kulturtransferforschung und Musikwissenschaft,” in <i>Zwischen
    Transfer und Transformation: Horizonte der Rezeption von Musik</i>, vol. 51, M.
    Calella and B. Leßmann, Eds. Wien: Hollitzer, 2019, pp. 175–191.'
  mla: 'Münzmay, Andreas. “Kulturtransferforschung und Musikwissenschaft.” <i>Zwischen
    Transfer und Transformation: Horizonte der Rezeption von Musik</i>, edited by
    Michele Calella and Benedikt Leßmann, vol. 51, Hollitzer, 2019, pp. 175–91, doi:<a
    href="https://doi.org/10.2307/j.ctvt6rjq6.10">10.2307/j.ctvt6rjq6.10</a>.'
  short: 'A. Münzmay, in: M. Calella, B. Leßmann (Eds.), Zwischen Transfer und Transformation:
    Horizonte der Rezeption von Musik, Hollitzer, Wien, 2019, pp. 175–191.'
date_created: 2023-09-27T07:02:48Z
date_updated: 2024-02-27T12:08:26Z
department:
- _id: '572'
doi: 10.2307/j.ctvt6rjq6.10
editor:
- first_name: Michele
  full_name: Calella, Michele
  last_name: Calella
- first_name: Benedikt
  full_name: Leßmann, Benedikt
  last_name: Leßmann
intvolume: '        51'
language:
- iso: ger
page: 175-191
place: Wien
publication: 'Zwischen Transfer und Transformation: Horizonte der Rezeption von Musik'
publication_identifier:
  isbn:
  - 978-3-99012-778-0
publication_status: published
publisher: Hollitzer
quality_controlled: '1'
series_title: Wiener Veröffentlichungen zur Musikwissenschaft
status: public
title: Kulturtransferforschung und Musikwissenschaft
type: book_chapter
user_id: '61139'
volume: 51
year: '2019'
...