@inproceedings{52326,
  abstract     = {{Helmut Lachenmann and Karlheinz Stockhausen are often regarded as representatives of a negative attitude towards traditions of canonised European art music. In their compositional self-image they strive for renewal and innovative artistic work beyond established models. However, an examination of ego-documents and compositions reveals contradictions within this claim. The essay therefore examines both composers’ concepts of and their self-location within tradition. The aim is to show how a decided departure from historical structural principles as well as latent lines of tradition are effective in two works. Because of the special historical significance of the genre, two string quartets have been selected.}},
  author       = {{Adler, Luise}},
  booktitle    = {{Vlado S. Milošević: Tradition as Inspiration. Thematic proceedings from the 2021 scientific conference}},
  editor       = {{Grujić, Gordana and Pavlović, Saša}},
  isbn         = {{978-99938-27-37-5}},
  location     = {{Online}},
  pages        = {{317 -- 329}},
  title        = {{{Helmut Lachenmann and Karlheinz Stockhausen: String quartets between avant-garde and tradition}}},
  year         = {{2022}},
}