---
_id: '49719'
author:
- first_name: Jarmila
  full_name: Mildorf, Jarmila
  id: '356'
  last_name: Mildorf
citation:
  ama: 'Mildorf J. Reflections on Music in Fiction: Rose Tremain’s Music and Silence
    (1999), Julian Barnes’s The Noise of Time (2016) and Roger Scruton’s Perictione
    in Colophon (2000). <i>Anglia</i>. 2023;141(4):554-580.'
  apa: 'Mildorf, J. (2023). Reflections on Music in Fiction: Rose Tremain’s Music
    and Silence (1999), Julian Barnes’s The Noise of Time (2016) and Roger Scruton’s
    Perictione in Colophon (2000). <i>Anglia</i>, <i>141</i>(4), 554–580.'
  bibtex: '@article{Mildorf_2023, title={Reflections on Music in Fiction: Rose Tremain’s
    Music and Silence (1999), Julian Barnes’s The Noise of Time (2016) and Roger Scruton’s
    Perictione in Colophon (2000)}, volume={141}, number={4}, journal={Anglia}, author={Mildorf,
    Jarmila}, year={2023}, pages={554–580} }'
  chicago: 'Mildorf, Jarmila. “Reflections on Music in Fiction: Rose Tremain’s Music
    and Silence (1999), Julian Barnes’s The Noise of Time (2016) and Roger Scruton’s
    Perictione in Colophon (2000).” <i>Anglia</i> 141, no. 4 (2023): 554–80.'
  ieee: 'J. Mildorf, “Reflections on Music in Fiction: Rose Tremain’s Music and Silence
    (1999), Julian Barnes’s The Noise of Time (2016) and Roger Scruton’s Perictione
    in Colophon (2000),” <i>Anglia</i>, vol. 141, no. 4, pp. 554–580, 2023.'
  mla: 'Mildorf, Jarmila. “Reflections on Music in Fiction: Rose Tremain’s Music and
    Silence (1999), Julian Barnes’s The Noise of Time (2016) and Roger Scruton’s Perictione
    in Colophon (2000).” <i>Anglia</i>, vol. 141, no. 4, 2023, pp. 554–80.'
  short: J. Mildorf, Anglia 141 (2023) 554–580.
date_created: 2023-12-17T15:08:42Z
date_updated: 2023-12-17T15:28:33Z
department:
- _id: '1'
intvolume: '       141'
issue: '4'
language:
- iso: eng
page: 554-580
publication: Anglia
publication_identifier:
  issn:
  - 0340-5222
publication_status: published
quality_controlled: '1'
status: public
title: 'Reflections on Music in Fiction: Rose Tremain’s Music and Silence (1999),
  Julian Barnes’s The Noise of Time (2016) and Roger Scruton’s Perictione in Colophon
  (2000)'
type: journal_article
user_id: '356'
volume: 141
year: '2023'
...
---
_id: '49717'
citation:
  ama: Haekel R, Butter S, Mildorf J, eds. <i>Abstract Reflection in Contemporary
    Fiction</i>. Vol 141.; 2023:489-580.
  apa: Abstract Reflection in Contemporary Fiction. (2023). In R. Haekel, S. Butter,
    &#38; J. Mildorf (Eds.), <i>Anglia</i> (Vol. 141, Issue 4, pp. 489–580).
  bibtex: '@book{Haekel_Butter_Mildorf_2023, title={Abstract Reflection in Contemporary
    Fiction}, volume={141}, number={4}, journal={Anglia}, year={2023}, pages={489–580}
    }'
  chicago: Haekel, Ralf, Stella Butter, and Jarmila Mildorf, eds. <i>Abstract Reflection
    in Contemporary Fiction</i>. <i>Anglia</i>. Vol. 141, 2023.
  ieee: R. Haekel, S. Butter, and J. Mildorf, Eds., <i>Abstract Reflection in Contemporary
    Fiction</i>, vol. 141, no. 4. 2023, pp. 489–580.
  mla: Haekel, Ralf, et al., editors. “Abstract Reflection in Contemporary Fiction.”
    <i>Anglia</i>, vol. 141, no. 4, 2023, pp. 489–580.
  short: R. Haekel, S. Butter, J. Mildorf, eds., Abstract Reflection in Contemporary
    Fiction, 2023.
date_created: 2023-12-17T14:56:14Z
date_updated: 2024-07-03T18:25:33Z
department:
- _id: '1'
editor:
- first_name: Ralf
  full_name: Haekel, Ralf
  last_name: Haekel
- first_name: Stella
  full_name: Butter, Stella
  last_name: Butter
- first_name: Jarmila
  full_name: Mildorf, Jarmila
  id: '356'
  last_name: Mildorf
intvolume: '       141'
issue: '4'
language:
- iso: eng
page: 489-580
publication: Anglia
publication_identifier:
  issn:
  - 0340-5222
publication_status: published
quality_controlled: '1'
status: public
title: Abstract Reflection in Contemporary Fiction
type: journal_editor
user_id: '356'
volume: 141
year: '2023'
...
---
_id: '49718'
author:
- first_name: Ralf
  full_name: Haekel, Ralf
  last_name: Haekel
- first_name: Stella
  full_name: Butter, Stella
  last_name: Butter
- first_name: Jarmila
  full_name: Mildorf, Jarmila
  id: '356'
  last_name: Mildorf
citation:
  ama: 'Haekel R, Butter S, Mildorf J. Introduction: Abstract Reflection in Contemporary
    Fiction. <i>Anglia</i>. 2023;141(4):489-496.'
  apa: 'Haekel, R., Butter, S., &#38; Mildorf, J. (2023). Introduction: Abstract Reflection
    in Contemporary Fiction. <i>Anglia</i>, <i>141</i>(4), 489–496.'
  bibtex: '@article{Haekel_Butter_Mildorf_2023, title={Introduction: Abstract Reflection
    in Contemporary Fiction}, volume={141}, number={4}, journal={Anglia}, author={Haekel,
    Ralf and Butter, Stella and Mildorf, Jarmila}, year={2023}, pages={489–496} }'
  chicago: 'Haekel, Ralf, Stella Butter, and Jarmila Mildorf. “Introduction: Abstract
    Reflection in Contemporary Fiction.” <i>Anglia</i> 141, no. 4 (2023): 489–96.'
  ieee: 'R. Haekel, S. Butter, and J. Mildorf, “Introduction: Abstract Reflection
    in Contemporary Fiction,” <i>Anglia</i>, vol. 141, no. 4, pp. 489–496, 2023.'
  mla: 'Haekel, Ralf, et al. “Introduction: Abstract Reflection in Contemporary Fiction.”
    <i>Anglia</i>, vol. 141, no. 4, 2023, pp. 489–96.'
  short: R. Haekel, S. Butter, J. Mildorf, Anglia 141 (2023) 489–496.
date_created: 2023-12-17T15:06:27Z
date_updated: 2024-07-03T18:41:21Z
department:
- _id: '1'
intvolume: '       141'
issue: '4'
language:
- iso: eng
page: 489-496
publication: Anglia
publication_identifier:
  issn:
  - 0340-5222
publication_status: published
quality_controlled: '1'
status: public
title: 'Introduction: Abstract Reflection in Contemporary Fiction'
type: journal_article
user_id: '356'
volume: 141
year: '2023'
...
---
_id: '23466'
abstract:
- lang: eng
  text: "<jats:title>Abstract</jats:title>\r\n               <jats:p>The term graphic
    novel has increasingly functioned as a catalyst for understanding comic books
    as an emergent literary genre. This article focuses on one specific element within
    this historical process: the claim, made by artists such as Alan Moore, that graphic
    novels are characterized by greater formal complexity, or density, than serial
    comics. These claims are evaluated by combining computational text and image recognition
    of a corpus of 131 graphic narratives with sociological metadata on production
    and circulation. The results show that Moore’s own book-length comics, in particular
    <jats:italic>Watchmen</jats:italic> and <jats:italic>V for Vendetta</jats:italic>,
    rank among the densest graphic narratives in the sample in both their visual and
    textual content. Graphic memoirs, in contrast, only show an increase in textual
    complexity. With Pierre Bourdieu, the article understands complexity as a social
    and aesthetic strategy that aims at increasing the cultural capital of comics
    creators. At the same time, the article contextualizes computational results against
    the background of a changing marketplace for comics, in particular the decline
    of serial comics, the shift towards digital printing, and increased access to
    book distribution. This analysis shows that graphic narratives pursue both literary
    and popular aesthetic strategies, challenging Bourdieu’s account of a clear opposition
    between profit and prestige in cultural production.</jats:p>"
author:
- first_name: Alexander
  full_name: Dunst, Alexander
  last_name: Dunst
- first_name: Rita
  full_name: Hartel, Rita
  id: '14961'
  last_name: Hartel
citation:
  ama: 'Dunst A, Hartel R. Computing Literary Surplus Value: Alan Moore and the Density
    of the Comic Book as Graphic Novel. <i>Anglia</i>. 2021;139(1):195-223. doi:<a
    href="https://doi.org/10.1515/ang-2021-0010">10.1515/ang-2021-0010</a>'
  apa: 'Dunst, A., &#38; Hartel, R. (2021). Computing Literary Surplus Value: Alan
    Moore and the Density of the Comic Book as Graphic Novel. <i>Anglia</i>, <i>139</i>(1),
    195–223. <a href="https://doi.org/10.1515/ang-2021-0010">https://doi.org/10.1515/ang-2021-0010</a>'
  bibtex: '@article{Dunst_Hartel_2021, title={Computing Literary Surplus Value: Alan
    Moore and the Density of the Comic Book as Graphic Novel}, volume={139}, DOI={<a
    href="https://doi.org/10.1515/ang-2021-0010">10.1515/ang-2021-0010</a>}, number={1},
    journal={Anglia}, author={Dunst, Alexander and Hartel, Rita}, year={2021}, pages={195–223}
    }'
  chicago: 'Dunst, Alexander, and Rita Hartel. “Computing Literary Surplus Value:
    Alan Moore and the Density of the Comic Book as Graphic Novel.” <i>Anglia</i>
    139, no. 1 (2021): 195–223. <a href="https://doi.org/10.1515/ang-2021-0010">https://doi.org/10.1515/ang-2021-0010</a>.'
  ieee: 'A. Dunst and R. Hartel, “Computing Literary Surplus Value: Alan Moore and
    the Density of the Comic Book as Graphic Novel,” <i>Anglia</i>, vol. 139, no.
    1, pp. 195–223, 2021.'
  mla: 'Dunst, Alexander, and Rita Hartel. “Computing Literary Surplus Value: Alan
    Moore and the Density of the Comic Book as Graphic Novel.” <i>Anglia</i>, vol.
    139, no. 1, 2021, pp. 195–223, doi:<a href="https://doi.org/10.1515/ang-2021-0010">10.1515/ang-2021-0010</a>.'
  short: A. Dunst, R. Hartel, Anglia 139 (2021) 195–223.
date_created: 2021-08-23T12:32:17Z
date_updated: 2022-01-06T06:55:55Z
department:
- _id: '69'
doi: 10.1515/ang-2021-0010
intvolume: '       139'
issue: '1'
language:
- iso: eng
page: 195-223
publication: Anglia
publication_identifier:
  issn:
  - 1865-8938
  - 0340-5222
publication_status: published
status: public
title: 'Computing Literary Surplus Value: Alan Moore and the Density of the Comic
  Book as Graphic Novel'
type: journal_article
user_id: '14961'
volume: 139
year: '2021'
...