[{"type":"journal_article","status":"public","_id":"47478","project":[{"name":"Digitale Interpretationsedition: Prototypischer Forschungsprozess und Modelledition","_id":"1614"}],"department":[{"_id":"572"},{"_id":"856"},{"_id":"615"}],"user_id":"61139","publication_identifier":{"issn":["0931-3079","1865-9446"]},"publication_status":"published","intvolume":"        33","page":"10-30","citation":{"apa":"Münzmay, A., &#38; Siegert, C. (2019). Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten. <i>Editio: Internationales Jahrbuch für Editionswissenschaft</i>, <i>33</i>(1), 10–30. <a href=\"https://doi.org/10.1515/editio-2019-0002\">https://doi.org/10.1515/editio-2019-0002</a>","short":"A. Münzmay, C. Siegert, Editio: Internationales Jahrbuch für Editionswissenschaft 33 (2019) 10–30.","bibtex":"@article{Münzmay_Siegert_2019, title={Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten}, volume={33}, DOI={<a href=\"https://doi.org/10.1515/editio-2019-0002\">10.1515/editio-2019-0002</a>}, number={1}, journal={Editio: Internationales Jahrbuch für Editionswissenschaft}, publisher={Walter de Gruyter GmbH}, author={Münzmay, Andreas and Siegert, Christine}, year={2019}, pages={10–30} }","mla":"Münzmay, Andreas, and Christine Siegert. “Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten.” <i>Editio: Internationales Jahrbuch für Editionswissenschaft</i>, vol. 33, no. 1, Walter de Gruyter GmbH, 2019, pp. 10–30, doi:<a href=\"https://doi.org/10.1515/editio-2019-0002\">10.1515/editio-2019-0002</a>.","chicago":"Münzmay, Andreas, and Christine Siegert. “Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten.” <i>Editio: Internationales Jahrbuch für Editionswissenschaft</i> 33, no. 1 (2019): 10–30. <a href=\"https://doi.org/10.1515/editio-2019-0002\">https://doi.org/10.1515/editio-2019-0002</a>.","ieee":"A. Münzmay and C. Siegert, “Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten,” <i>Editio: Internationales Jahrbuch für Editionswissenschaft</i>, vol. 33, no. 1, pp. 10–30, 2019, doi: <a href=\"https://doi.org/10.1515/editio-2019-0002\">10.1515/editio-2019-0002</a>.","ama":"Münzmay A, Siegert C. Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten. <i>Editio: Internationales Jahrbuch für Editionswissenschaft</i>. 2019;33(1):10-30. doi:<a href=\"https://doi.org/10.1515/editio-2019-0002\">10.1515/editio-2019-0002</a>"},"date_updated":"2025-11-15T13:56:03Z","volume":33,"author":[{"id":"61139","full_name":"Münzmay, Andreas","last_name":"Münzmay","orcid":"0000-0002-8373-4055","first_name":"Andreas"},{"last_name":"Siegert","full_name":"Siegert, Christine","first_name":"Christine"}],"doi":"10.1515/editio-2019-0002","main_file_link":[{"url":"https://doi.org/10.1515/editio-2019-0002"}],"publication":"Editio: Internationales Jahrbuch für Editionswissenschaft","abstract":[{"lang":"eng","text":"The article discusses possibilities and specific problems of including audio material in the realm of scholarly music editions. From this perspective, the authors propose to include the sounding manifestation of music both into the notion of the musical ‚work‘ and of the musical ‚text‘. The outcome of this thought experiment which considers music as performative art, Beethoven’s and other classical composers’ own wider notions of musical works as musical practice, phonographic recordings as text, different types of music as different types of data, programmed concordances as specific feature of digital editions, and musical interpreters as authors of musical interpretations is a theoretical model that for the first time makes record productions the object of scholarly critical edition."}],"keyword":["Musikedition","Interpretatsionsforschung","Clifford Curzon"],"language":[{"iso":"ger"}],"quality_controlled":"1","issue":"1","year":"2019","publisher":"Walter de Gruyter GmbH","date_created":"2023-09-27T07:03:16Z","title":"Phonographischer Text, Interpretation und Aufführungsmaterial als kritisch edierbarer Sachzusammenhang. Ein Beitrag zur Theorie der Edition von Klangdokumenten"},{"intvolume":"        29","page":"85 - 102","citation":{"ieee":"J. Droese and A. Münzmay, “Pfade im editorischen Netz. Überlegungen zur Pragmatik des editorischen Hyperlinks am Beispiel der Comédie en vaudevilles Annette et Lubin (1762),” <i>Editio. Internationales Jahrbuch für Editionswissenschaft</i>, vol. 29, pp. 85–102, 2015, doi: <a href=\"https://doi.org/10.1515/editio-2015-007\">10.1515/editio-2015-007</a>.","chicago":"Droese, Janine, and Andreas Münzmay. “Pfade im editorischen Netz. Überlegungen zur Pragmatik des editorischen Hyperlinks am Beispiel der Comédie en vaudevilles Annette et Lubin (1762).” <i>Editio. Internationales Jahrbuch für Editionswissenschaft</i> 29 (2015): 85–102. <a href=\"https://doi.org/10.1515/editio-2015-007\">https://doi.org/10.1515/editio-2015-007</a>.","ama":"Droese J, Münzmay A. Pfade im editorischen Netz. Überlegungen zur Pragmatik des editorischen Hyperlinks am Beispiel der Comédie en vaudevilles Annette et Lubin (1762). <i>Editio Internationales Jahrbuch für Editionswissenschaft</i>. 2015;29:85-102. doi:<a href=\"https://doi.org/10.1515/editio-2015-007\">10.1515/editio-2015-007</a>","apa":"Droese, J., &#38; Münzmay, A. (2015). Pfade im editorischen Netz. Überlegungen zur Pragmatik des editorischen Hyperlinks am Beispiel der Comédie en vaudevilles Annette et Lubin (1762). <i>Editio. Internationales Jahrbuch für Editionswissenschaft</i>, <i>29</i>, 85–102. <a href=\"https://doi.org/10.1515/editio-2015-007\">https://doi.org/10.1515/editio-2015-007</a>","short":"J. Droese, A. Münzmay, Editio. Internationales Jahrbuch für Editionswissenschaft 29 (2015) 85–102.","mla":"Droese, Janine, and Andreas Münzmay. “Pfade im editorischen Netz. Überlegungen zur Pragmatik des editorischen Hyperlinks am Beispiel der Comédie en vaudevilles Annette et Lubin (1762).” <i>Editio. Internationales Jahrbuch für Editionswissenschaft</i>, vol. 29, de Gruyter, 2015, pp. 85–102, doi:<a href=\"https://doi.org/10.1515/editio-2015-007\">10.1515/editio-2015-007</a>.","bibtex":"@article{Droese_Münzmay_2015, title={Pfade im editorischen Netz. Überlegungen zur Pragmatik des editorischen Hyperlinks am Beispiel der Comédie en vaudevilles Annette et Lubin (1762)}, volume={29}, DOI={<a href=\"https://doi.org/10.1515/editio-2015-007\">10.1515/editio-2015-007</a>}, journal={Editio. Internationales Jahrbuch für Editionswissenschaft}, publisher={de Gruyter}, author={Droese, Janine and Münzmay, Andreas}, year={2015}, pages={85–102} }"},"publication_identifier":{"issn":["1865-9446","0931-3079"]},"publication_status":"published","doi":"10.1515/editio-2015-007","main_file_link":[{"url":"https://doi.org/10.1515/editio-2015-007"}],"date_updated":"2024-02-19T08:52:02Z","volume":29,"author":[{"last_name":"Droese","full_name":"Droese, Janine","first_name":"Janine"},{"last_name":"Münzmay","orcid":"0000-0002-8373-4055","id":"61139","full_name":"Münzmay, Andreas","first_name":"Andreas"}],"status":"public","type":"journal_article","article_type":"original","extern":"1","_id":"47485","department":[{"_id":"233"},{"_id":"572"},{"_id":"856"}],"user_id":"61139","year":"2015","quality_controlled":"1","title":"Pfade im editorischen Netz. Überlegungen zur Pragmatik des editorischen Hyperlinks am Beispiel der Comédie en vaudevilles Annette et Lubin (1762)","publisher":"de Gruyter","date_created":"2023-09-27T07:07:01Z","abstract":[{"text":"In creating a Hybrid Edition of Justine Favart’s and Adolphe Blaise’s Annette et Lubin, a ‹comédie en vaudevilles› that premiered in Paris at the Comédie-Italienne in early 1762, for the OPERA series, the authors explore new ways of editing opera by means of XML/Edirom technology. In the light of Patrick Sahle’s account of edition as hypertext (chapter „Edition als Hypertext“ in Digitale Editionsformen, 2013), the paper focusses on the ‹timbre› indications inherent to the literary text, proposes an understanding of the ‹timbres› that is quite close to what we know as hyperlinks in the age of hypertext, and discusses, from a firmly pragmatic standpoint, the editors’ handling of what one might regard as abundance of hyperlinks.\r\nConstructing a historical-critical edition implies, of course, all ‘traditional’ tasks of philological groundwork. But beyond this, today, defining the concept of and programming a vast number of digital links are part of an editor’s core activities: editorially controlled representations of connections inherent to the text, both on the philological, and the historical level.","lang":"eng"}],"publication":"Editio. Internationales Jahrbuch für Editionswissenschaft","keyword":["Musicology"],"language":[{"iso":"ger"}]},{"type":"journal_article","publication":"Internationales Jahrbuch für Editionswissenschaft","status":"public","_id":"47486","user_id":"61139","department":[{"_id":"572"}],"keyword":["Musicology"],"language":[{"iso":"eng"}],"publication_status":"published","publication_identifier":{"issn":["1865-9446","0931-3079"]},"quality_controlled":"1","issue":"1","year":"2014","citation":{"chicago":"Droese, Janine, Norbert Dubowy, Andreas Münzmay, and Janette Seuffert. “Musik – Theater – Text.” <i>Internationales Jahrbuch Für Editionswissenschaft</i> 27, no. 1 (2014). <a href=\"https://doi.org/10.1515/editio-2013-006\">https://doi.org/10.1515/editio-2013-006</a>.","ieee":"J. Droese, N. Dubowy, A. Münzmay, and J. Seuffert, “Musik – Theater – Text,” <i>Internationales Jahrbuch für Editionswissenschaft</i>, vol. 27, no. 1, 2014, doi: <a href=\"https://doi.org/10.1515/editio-2013-006\">10.1515/editio-2013-006</a>.","ama":"Droese J, Dubowy N, Münzmay A, Seuffert J. Musik – Theater – Text. <i>Internationales Jahrbuch für Editionswissenschaft</i>. 2014;27(1). doi:<a href=\"https://doi.org/10.1515/editio-2013-006\">10.1515/editio-2013-006</a>","apa":"Droese, J., Dubowy, N., Münzmay, A., &#38; Seuffert, J. (2014). Musik – Theater – Text. <i>Internationales Jahrbuch Für Editionswissenschaft</i>, <i>27</i>(1). <a href=\"https://doi.org/10.1515/editio-2013-006\">https://doi.org/10.1515/editio-2013-006</a>","mla":"Droese, Janine, et al. “Musik – Theater – Text.” <i>Internationales Jahrbuch Für Editionswissenschaft</i>, vol. 27, no. 1, De Gruyter, 2014, doi:<a href=\"https://doi.org/10.1515/editio-2013-006\">10.1515/editio-2013-006</a>.","bibtex":"@article{Droese_Dubowy_Münzmay_Seuffert_2014, title={Musik – Theater – Text}, volume={27}, DOI={<a href=\"https://doi.org/10.1515/editio-2013-006\">10.1515/editio-2013-006</a>}, number={1}, journal={Internationales Jahrbuch für Editionswissenschaft}, publisher={De Gruyter}, author={Droese, Janine and Dubowy, Norbert and Münzmay, Andreas and Seuffert, Janette}, year={2014} }","short":"J. Droese, N. Dubowy, A. Münzmay, J. Seuffert, Internationales Jahrbuch Für Editionswissenschaft 27 (2014)."},"intvolume":"        27","publisher":"De Gruyter","date_updated":"2024-02-19T11:14:26Z","author":[{"full_name":"Droese, Janine","last_name":"Droese","first_name":"Janine"},{"full_name":"Dubowy, Norbert","last_name":"Dubowy","first_name":"Norbert"},{"full_name":"Münzmay, Andreas","id":"61139","orcid":"0000-0002-8373-4055","last_name":"Münzmay","first_name":"Andreas"},{"first_name":"Janette","last_name":"Seuffert","full_name":"Seuffert, Janette"}],"date_created":"2023-09-27T07:07:28Z","volume":27,"title":"Musik – Theater – Text","doi":"10.1515/editio-2013-006"}]