[{"department":[{"_id":"607"}],"type":"review","date_created":"2024-01-09T12:49:00Z","citation":{"chicago":"Troike, Manuel. “Rezension Zu Dagmar Abfalter Und Rosa Reitsamer (Hg.) (2022) »Music as Labour – Inequalities and Activism in the Past and Present.«.” <i>SAMPLES</i>. Gesellschaft für Popularmusikforschung, 2023.","short":"M. Troike, SAMPLES 21 (2023).","apa":"Troike, M. (2023). Rezension zu Dagmar Abfalter und Rosa Reitsamer (Hg.) (2022) »Music as Labour – Inequalities and Activism in the Past and Present.«. In <i>SAMPLES</i> (Vol. 21). Gesellschaft für Popularmusikforschung.","ieee":"M. Troike, “Rezension zu Dagmar Abfalter und Rosa Reitsamer (Hg.) (2022) »Music as Labour – Inequalities and Activism in the Past and Present.«,” <i>SAMPLES</i>, vol. 21. Gesellschaft für Popularmusikforschung, 2023.","ama":"Troike M. Rezension zu Dagmar Abfalter und Rosa Reitsamer (Hg.) (2022) »Music as Labour – Inequalities and Activism in the Past and Present.«. <i>SAMPLES</i>. 2023;21.","bibtex":"@article{Troike_2023, title={Rezension zu Dagmar Abfalter und Rosa Reitsamer (Hg.) (2022) »Music as Labour – Inequalities and Activism in the Past and Present.«}, volume={21}, journal={SAMPLES}, publisher={Gesellschaft für Popularmusikforschung}, author={Troike, Manuel}, year={2023} }","mla":"Troike, Manuel. “Rezension Zu Dagmar Abfalter Und Rosa Reitsamer (Hg.) (2022) »Music as Labour – Inequalities and Activism in the Past and Present.«.” <i>SAMPLES</i>, vol. 21, Gesellschaft für Popularmusikforschung, 2023."},"publication":"SAMPLES","volume":21,"user_id":"33226","publisher":"Gesellschaft für Popularmusikforschung","_id":"50403","language":[{"iso":"eng"}],"main_file_link":[{"url":"https://gfpm-samples.de/index.php/samples/article/view/310"}],"intvolume":"        21","date_updated":"2024-01-09T12:49:14Z","publication_identifier":{"issn":["1216-8001"]},"author":[{"id":"33226","orcid":"0009-0002-8606-3864","first_name":"Manuel","last_name":"Troike","full_name":"Troike, Manuel"}],"year":"2023","title":"Rezension zu Dagmar Abfalter und Rosa Reitsamer (Hg.) (2022) »Music as Labour – Inequalities and Activism in the Past and Present.«","status":"public"}]