@misc{55835,
  abstract     = {{This dataset contains selective MEI encodings of a number of arrangements of Beethoven’s Opp. 91, 92, and 93. These encodings were prepared in the context of the Beethoven in the House project, jointly funded by AHRC and DFG from 2020 to 2023. It is a slight update on v1.0.0 in better organizing the release assets.}},
  author       = {{Rosendahl, Lisa}},
  keywords     = {{BitH, Dataset, Domestic Music Arrangements, Ludwig van Beethoven, MEI, Music Encoding Initiative}},
  publisher    = {{Zenodo}},
  title        = {{{Beethoven in the House: Selective Encodings of Arrangements of Beethoven’s opp. 91, 92, and 93.}}},
  doi          = {{10.5281/ZENODO.7875059}},
  year         = {{2023}},
}

@inproceedings{55833,
  abstract     = {{We present a new multi-layered, conceptual model for associating musical source materials to musicological arguments. We describe our proposal for operationalizing these concepts through a framework for musical annotation which we have implemented using RDF. Briefly stated, this model shows how portions of digitized data in various files and formats can be identified, selected, labelled, and compared.}},
  author       = {{Shibata, Elisabete and Lewis, David and Saccomano, Mark and Kepper, Johannes and Page, Kevin}},
  booktitle    = {{Proceedings of the Music Encoding Conference 2022}},
  editor       = {{Weigl, David and Bain, Jennifer and Ang, Ailynn}},
  keywords     = {{BitH, Linked Data}},
  pages        = {{145–150}},
  title        = {{{A New Conceptual Model for Musical Sources and Musicological Studies}}},
  doi          = {{https://doi.org/10.17613/8p2c-1q77}},
  year         = {{2023}},
}

@inproceedings{55832,
  abstract     = {{Digital musicology research often proceeds by extending and enriching its evidence base as it progresses, rather than starting with a complete corpus of data and metadata, as a consequence of an emergent research need. In this paper, we consider a research workflow which assumes an incremental approach to data gathering and annotation. We describe tooling which implements parts of this workflow, developed to support the study of nineteenth-century music arrangements, and evaluate the applicability of our approach through interviews with musicologists and music editors who have used the tools. We conclude by considering extensions of this approach and the wider implications for digital musicology and music information retrieval.}},
  author       = {{Lewis, David and Shibata, Elisabete and Hankinson, Andrew and Kepper, Johannes and Page, Kevin R. and Rosendahl, Lisa and Saccomano, Mark and Siegert, Christine}},
  keywords     = {{BitH, Linked Data}},
  title        = {{{Supporting Musicological Investigations With Information Retrieval Tools: An Iterative Approach to Data Collection}}},
  doi          = {{10.5281/ZENODO.10265407}},
  year         = {{2023}},
}

@inproceedings{55834,
  abstract     = {{Performance of music in the home was the means by which most works were received before the advent of audio recordings and broadcasts, yet the notation sources that form our primary record of this culture have not been the subject of comprehensive or methodical study. Choices made by arrangers adapting music for domestic consumption – of instrumentation, abbreviation, or simplification – reflect the musical life of the 19th century, and can inform our understanding alongside contemporary accounts such as newspapers, adverts, and diaries. This position paper gives the background, motivation, and proposed approach of research currently being undertaken within the Beethoven in the House project. This will include a study of Steiner editions of Beethoven’s 7th and 8th Symphonies and Wellingtons Sieg, making a detailed comparison between arrangements, systematically identifying a core common to multiple versions, and asking if this reflects the stated values of the publisher. A second survey will look for patterns across a larger sample of lesser-known and poorly catalogued scores, collating emergent indicators of arrangers’ motivations within a narrative of the domestic market – the music industry of its day. Both studies will innovate digital methods which characterise arrangements as music encodings, including ‘sparse’ approaches to notation and annotation.}},
  author       = {{Page, Kevin R. and Kepper, Johannes and Siegert, Christine and Hankinson, Andrew and Lewis, David}},
  booktitle    = {{Music Encoding Conference Proceedings 2021}},
  editor       = {{Münnich, Stefan and Rizo, David}},
  isbn         = {{978-84-13-02173-7}},
  keywords     = {{BitH, mec-proceedings, mec-proceedings-2021}},
  pages        = {{117–123}},
  publisher    = {{Humanities Commons}},
  title        = {{{Beethoven in the House: Digital Studies of Domestic Music Arrangements}}},
  doi          = {{10.17613/389b-xx73}},
  year         = {{2022}},
}

@inproceedings{55830,
  author       = {{Lewis, David and Shibata, Elisabete and Saccomano, Mark and Rosendahl, Lisa and Kepper, Johannes and Hankinson, Andrew and Siegert, Christine and Page, Kevin}},
  booktitle    = {{9th International Conference on Digital Libraries for Musicology}},
  isbn         = {{978-1-4503-9668-4}},
  keywords     = {{BitH}},
  pages        = {{10–18}},
  publisher    = {{ACM}},
  title        = {{{A model for annotating musical versions and arrangements across multiple documents and media}}},
  doi          = {{10.1145/3543882.3543891}},
  year         = {{2022}},
}