@article{32169, abstract = {{Ziel dieses Beitrags ist, Vygotskijs Konzeption von Schreiben durch eine genaue Lektüre seiner Texte herauszuarbeiten. Es zeigen sich mit einer entwicklungspsychologischen Herangehensweise zum einen und dem Begriff des schriftlichen Sprechens im Kontext von innerem und äußerem Sprechen zum anderen zwei wesentliche Interessens- und Arbeitsgebiete Vygotskijs im Hinblick auf Schreiben. Dem folgend arbeitet dieser Beitrag zunächst die Überlegungen Vygotskijs zu ontogenetischen Aspekten des Schreibens heraus. Darüber hinaus wird dargestellt, in welcher Beziehung bei Vygotskij „schriftliches Sprechen“ zu den Konzepten des inneren und des äußeren Sprechens steht. Es ergibt sich ein Bild von Schreiben als gleichermaßen kognitivem wie kommunikativem Vorgang. Auf diesen Gedanken Vygotskijs bauen abschließend Überlegungen auf, die Wege für mögliche Weiterentwicklungen von Vygotskijs Konzeption von Schreiben weisen.}}, author = {{Karsten, Andrea}}, journal = {{Tätigkeitstheorie – Journal für tätigkeitstheoretische Forschung in Deutschland (Activity Theory – Journal of Activity-Theoretical Research in Germany) }}, pages = {{21 -- 50}}, title = {{{Konzeption von Schreiben}}}, volume = {{1}}, year = {{2010}}, } @misc{34997, author = {{Süßmann, Johannes}}, booktitle = {{Neue deutsche Biographie, Bd. 24}}, editor = {{Wissenschaften, Historische Kommission bei der Bayerischen Akademie der}}, isbn = {{978-3-428-11205-0}}, pages = {{499 f}}, publisher = {{Duncker & Humblot}}, title = {{{[Art.] Sleidanus, Johann}}}, year = {{2010}}, } @article{6090, abstract = {{Comments on an article by Jan Theeuwes (see record [rid]2010-20897-002[/rid]). Theeuwes summarizes an impressive number of studies demonstrating interference by irrelevant visual singletons in computer experiments with humans. Theeuwes assumes that this salience-driven capture of attention is fast and occurs within 150 ms since singleton onset, during the feed-forward phase of visual processing. In contrast to Theeuwes, we think that top–down contingent capture is the rule and explains initial and fast attention capture effects in the first feed-forward phase of visual processing. During a later phase and under some conditions exogenous capture of attention possibly follows. At the same time, we propose that the evidence presented by Theeuwes fails to support exogenous orienting because it fails to exclude a top–down contingent capture explanation. We present our arguments in two sections. One major source of evidence for top–down controlled attentional capture during the feed-forward}}, author = {{Ansorge, Ulrich and Horstmann, Gernot and Scharlau, Ingrid}}, issn = {{0001-6918}}, journal = {{Acta Psychologica}}, keywords = {{visual selection, attention, information, visual field, brain, Attention, Humans, Models, Psychological, Visual Perception, Volition, Brain, Visual Field, Visual Perception, Visual Attention, Information}}, number = {{2}}, pages = {{123 -- 126}}, title = {{{Top–down contingent attentional capture during feed-forward visual processing.}}}, volume = {{135}}, year = {{2010}}, } @article{6083, abstract = {{How fast can information of a first target (T1) in a rapid serial visual presentation be used for top-down allocation of attention in time? A valid cue about the temporal position of a second target (T2) was integrated into T1. The data show that 100 ms after T1 onset, T2 was identified better than without cue, raising the conditional T2 performance. T1 apparently triggers a facilitative effect of attention, known from other paradigms such as peripheral cueing. (PsycINFO Database Record (c) 2016 APA, all rights reserved)}}, author = {{Hilkenmeier, Frederic and Scharlau, Ingrid}}, issn = {{0954-1446}}, journal = {{European Journal of Cognitive Psychology}}, keywords = {{temporal attention, attentional blink paradigm, first target information, top-down allocation, rapid serial visual presentation, Stimulus Presentation Methods, Visual Stimulation, Visual Attention}}, number = {{8}}, pages = {{1222 -- 1234}}, title = {{{Rapid allocation of temporal attention in the attentional blink paradigm.}}}, volume = {{22}}, year = {{2010}}, } @misc{47684, author = {{Postler, Tim}}, keywords = {{Diplomarbeit}}, title = {{{Smart Card basierte Berechnung einer Gruppensignatur als Teil einer biometrischen Authentisierung}}}, year = {{2010}}, } @misc{48823, author = {{Hartung, Olaf}}, booktitle = {{H-Soz-Kult}}, issn = {{2196-5307}}, publisher = {{Clio-online - Historisches Fachinformationssystem e.V.}}, title = {{{Barbara Korte / Sylvia Paletschek (Hrsg.): History Goes Pop. Zur Repräsentation von Geschichte in populären Medien und Genres (= Historische Lebenswelten in populären Wissenskulturen / History in Popular Cultures 1). Bielefeld 2009}}}, year = {{2010}}, } @misc{49023, author = {{Moritz, Tilman}}, booktitle = {{H-Soz-Kult}}, title = {{{O. Auge u. a. (Hgg.): Fürsten an der Zeitenwende zwischen Gruppenbild und Individualität. Formen fürstlicher Selbstdarstellung und ihre Rezeption (1450–1550). Ostfildern 2009}}}, year = {{2010}}, } @misc{49024, author = {{Moritz, Tilman}}, booktitle = {{H-Soz-Kult}}, title = {{{R. Dauser u. a. (Hgg.): Wissen im Netz. Botanik und Pflanzentransfer in Korrespondenznetzen des 18. Jahrhunderts. Berlin 2008}}}, year = {{2010}}, } @article{11892, abstract = {{For an environment to be perceived as being smart, contextual information has to be gathered to adapt the system's behavior and its interface towards the user. Being a rich source of context information speech can be acquired unobtrusively by microphone arrays and then processed to extract information about the user and his environment. In this paper, a system for joint temporal segmentation, speaker localization, and identification is presented, which is supported by face identification from video data obtained from a steerable camera. Special attention is paid to latency aspects and online processing capabilities, as they are important for the application under investigation, namely ambient communication. It describes the vision of terminal-less, session-less and multi-modal telecommunication with remote partners, where the user can move freely within his home while the communication follows him. The speaker diarization serves as a context source, which has been integrated in a service-oriented middleware architecture and provided to the application to select the most appropriate I/O device and to steer the camera towards the speaker during ambient communication.}}, author = {{Schmalenstroeer, Joerg and Haeb-Umbach, Reinhold}}, journal = {{IEEE Journal of Selected Topics in Signal Processing}}, keywords = {{audio streaming, audio visual data streaming, context information speech, face identification, face recognition, image segmentation, middleware, multimodal telecommunication, online diarization, service oriented middleware architecture, sessionless telecommunication, software architecture, speaker identification, speaker localization, speaker recognition, steerable camera, telecommunication computing, temporal segmentation, terminal-less telecommunication, video streaming}}, number = {{5}}, pages = {{845--856}}, title = {{{Online Diarization of Streaming Audio-Visual Data for Smart Environments}}}, doi = {{10.1109/JSTSP.2010.2050519}}, volume = {{4}}, year = {{2010}}, } @article{50559, abstract = {{Dass die Filmgeschichte des frühen Jazz in weiten Teilen noch Forschungsdesiderat geblieben ist, ist insofern erstaunlich, als die performative Komponente – der Auftritt als solcher, aber genauso die mediale Bannung und Verfügbarmachung des 'unwiederholbaren Moments' - unbestritten als eines der wichtigsten Charakteristika von Jazz gilt. Vorrangiges Medium der Speicherung von Jazzgeschichte sind selbstverständlich die Tonträger. Hinsichtlich der Performance von Jazz - also der körperlichen, Identität vorstellenden oder konstruierenden Präsenz der Musikerin/des Musikers - sind aber gerade Bildmedien und insbesondere Filmkunstwerke aussagekräftige Auskunftgeber (Gabbard 2003). Zu den frühesten tonfilmischen Jazzdokumenten gehören die beiden Jazz-Kurzfilme, die Dudley Murphy im Jahr 1929 für RKO schrieb und drehte: die musical shorts 'St. Louis Blues' mit Bessie Smith (Premiere: New York Ende August 1929) und 'Black and Tan Fantasy' mit Duke Ellington (Premiere: New York 8. Dezember 1929)}}, author = {{Münzmay, Andreas}}, journal = {{Kieler Beiträge zur Filmmusikforschung}}, pages = {{57 -- 79}}, title = {{{Visual Jazz. Performative Mittel afroamerikanischer Identitätsrepräsentation in Dudley Murphys ST. LOUIS BLUES und BLACK AND TAN FANTASY (1929)}}}, doi = {{10.59056/kbzf.2010.4.p52-79 }}, volume = {{4}}, year = {{2010}}, } @misc{18679, author = {{Peckhaus, Volker}}, booktitle = {{zbMATH Open, Zbl. 1181.01029}}, title = {{{Bolzano, Bernard, Philosophische Tagebücher 1803–1810. Erster Teil, hg. v. Jan Berg (Bernard Bolzano-Gesamtausgabe. Reihe II. B.14), Friedrich Frommann Verlag-Günther Holzboog: Stuttgart-Bad Cannstatt 2009}}}, year = {{2010}}, } @misc{18680, author = {{Peckhaus, Volker}}, booktitle = {{zbMATH Open, Zbl. 1181.01030}}, title = {{{Bolzano, Bernard, Philosophische Tagebücher 1803–1810. Zweiter Teil, hg. v. Jan Berg (Bernard Bolzano-Gesamtausgabe. Reihe II. B.15), Friedrich Frommann Verlag-Günther Holzboog: Stuttgart-Bad Cannstatt 2009}}}, year = {{2010}}, } @misc{18678, author = {{Peckhaus, Volker}}, booktitle = {{zbMATH Open, Zbl. 1180.51002}}, title = {{{De Risi, Vincenzo, Geometry and Monadology. Leibniz’s Analysis Situs and Philosophy of Space, Birkhäuser: Basel/Boston/Berlin 2007 (Science Networks. Historical Studies; 33)}}}, year = {{2010}}, } @article{17611, author = {{Peckhaus, Volker}}, journal = {{History and Philosophy of Logic}}, pages = {{1}}, title = {{{Editorial}}}, volume = {{31}}, year = {{2010}}, } @misc{18681, author = {{Peckhaus, Volker}}, booktitle = {{zbMATH Open, Zbl. 1194.03008}}, title = {{{Degen, J.W., “Variations of Frege’s Grundgesetze”, Travaux de logique 18 (2007), 15–31}}}, year = {{2010}}, } @misc{18677, author = {{Peckhaus, Volker}}, booktitle = {{zbMATH Open, Zbl. 1178.03004}}, title = {{{Almog, Joseph, “Frege’s Puzzles”, Journal of Philosophical Logic 37 (2008), 549–574}}}, year = {{2010}}, } @book{55813, author = {{Kepper, Johannes and Roland, Perry D.}}, title = {{{Music Encoding Initiative Tag Library, 2010-05 Release}}}, year = {{2010}}, } @article{36946, author = {{Weber, Jutta}}, journal = {{Poiesis and Praxis. International Journal of Ethics of Science and Technology Assessment 1/2010}}, number = {{1/2010}}, pages = {{17--36}}, title = {{{Making Worlds. Epistemological, Ontological and Political Dimensions of Technoscience}}}, volume = {{Vol. 7}}, year = {{2010}}, } @inbook{36963, author = {{Weber, Jutta}}, booktitle = {{Thinking Machines and the Philosophy of Computer Science: Concepts and Principles}}, editor = {{Vallverdú, Jordi}}, pages = {{206--222}}, publisher = {{IGI Global}}, title = {{{Armchair Warfare ‘on Terrorism’. On Robots, Targeted Assassinations and Strategic Violations of International Law}}}, year = {{2010}}, } @misc{37517, author = {{Weber, Jutta}}, booktitle = {{Enzyklopädie Philosophie Bd. 3}}, editor = {{Sandkühler, Hans-Jörg}}, pages = {{2717u--2721b}}, publisher = {{Felix Meiner Verlag}}, title = {{{Technikwissenschaft / Technowissenschaft}}}, volume = {{3}}, year = {{2010}}, }