[{"author":[{"id":"14169","first_name":"Thomas","last_name":"Glarner","full_name":"Glarner, Thomas"},{"first_name":"Patrick","last_name":"Hanebrink","full_name":"Hanebrink, Patrick"},{"last_name":"Ebbers","first_name":"Janek","full_name":"Ebbers, Janek","id":"34851"},{"full_name":"Haeb-Umbach, Reinhold","first_name":"Reinhold","last_name":"Haeb-Umbach","id":"242"}],"status":"public","title":"Full Bayesian Hidden Markov Model Variational Autoencoder for Acoustic Unit Discovery","year":"2018","date_updated":"2023-11-22T08:29:22Z","language":[{"iso":"eng"}],"_id":"11907","main_file_link":[{"open_access":"1","url":"https://groups.uni-paderborn.de/nt/pubs/2018/INTERSPEECH_2018_Glarner_Paper.pdf"}],"user_id":"34851","citation":{"mla":"Glarner, Thomas, et al. “Full Bayesian Hidden Markov Model Variational Autoencoder for Acoustic Unit Discovery.” <i>INTERSPEECH 2018, Hyderabad, India</i>, 2018.","bibtex":"@inproceedings{Glarner_Hanebrink_Ebbers_Haeb-Umbach_2018, title={Full Bayesian Hidden Markov Model Variational Autoencoder for Acoustic Unit Discovery}, booktitle={INTERSPEECH 2018, Hyderabad, India}, author={Glarner, Thomas and Hanebrink, Patrick and Ebbers, Janek and Haeb-Umbach, Reinhold}, year={2018} }","ama":"Glarner T, Hanebrink P, Ebbers J, Haeb-Umbach R. Full Bayesian Hidden Markov Model Variational Autoencoder for Acoustic Unit Discovery. In: <i>INTERSPEECH 2018, Hyderabad, India</i>. ; 2018.","ieee":"T. Glarner, P. Hanebrink, J. Ebbers, and R. Haeb-Umbach, “Full Bayesian Hidden Markov Model Variational Autoencoder for Acoustic Unit Discovery,” 2018.","apa":"Glarner, T., Hanebrink, P., Ebbers, J., &#38; Haeb-Umbach, R. (2018). Full Bayesian Hidden Markov Model Variational Autoencoder for Acoustic Unit Discovery. <i>INTERSPEECH 2018, Hyderabad, India</i>.","chicago":"Glarner, Thomas, Patrick Hanebrink, Janek Ebbers, and Reinhold Haeb-Umbach. “Full Bayesian Hidden Markov Model Variational Autoencoder for Acoustic Unit Discovery.” In <i>INTERSPEECH 2018, Hyderabad, India</i>, 2018.","short":"T. Glarner, P. Hanebrink, J. Ebbers, R. Haeb-Umbach, in: INTERSPEECH 2018, Hyderabad, India, 2018."},"publication":"INTERSPEECH 2018, Hyderabad, India","related_material":{"link":[{"description":"Slides","relation":"supplementary_material","url":"https://groups.uni-paderborn.de/nt/pubs/2018/INTERSPEECH_2018_Glarner_Slides.pdf"}]},"quality_controlled":"1","abstract":[{"lang":"eng","text":"The invention of the Variational Autoencoder enables the application of Neural Networks to a wide range of tasks in unsupervised learning, including the field of Acoustic Unit Discovery (AUD). The recently proposed Hidden Markov Model Variational Autoencoder (HMMVAE) allows a joint training of a neural network based feature extractor and a structured prior for the latent space given by a Hidden Markov Model. It has been shown that the HMMVAE significantly outperforms pure GMM-HMM based systems on the AUD task. However, the HMMVAE cannot autonomously infer the number of acoustic units and thus relies on the GMM-HMM system for initialization. This paper introduces the Bayesian Hidden Markov Model Variational Autoencoder (BHMMVAE) which solves these issues by embedding the HMMVAE in a Bayesian framework with a Dirichlet Process Prior for the distribution of the acoustic units, and diagonal or full-covariance Gaussians as emission distributions. Experiments on TIMIT and Xitsonga show that the BHMMVAE is able to autonomously infer a reasonable number of acoustic units, can be initialized without supervision by a GMM-HMM system, achieves computationally efficient stochastic variational inference by using natural gradient descent, and, additionally, improves the AUD performance over the HMMVAE."}],"date_created":"2019-07-12T05:30:34Z","department":[{"_id":"54"}],"oa":"1","type":"conference"},{"extern":"1","abstract":[{"text":"Die Habilitationsschrift des Psychopathologen Wolfgang Blankenburg thematisiert die ‚Grundstörung‘ in symptomarmen Schizophrenien, die das Korrelat zur ‚natürlichen Selbstverständlichkeit‘ des gesunden Lebensvollzugs darstellt. Für die Phänomenologie Husserlscher Provenienz ist diese von besonderer methodischer und inhaltlicher Bedeutung. Mein Beitrag zeigt auf, wie die Problematik der Selbstverständlichkeit als Kernthema von Husserls Phänomenologie gelesen werden kann, vor welche Herausforderungen sie sowohl die Phänomenologie als auch die Psychopathologie und Psychotherapie stellt und wie sich beide Ansätze wechselseitig befruchten können, d. h. wie durch eine Zusammenschau der Disziplinen die Phänomenologie mit anthropologisch-lebensweltlichen und die Psychopathologie und Psychotherapie um existenzielle Aspekten bereichert werden kann.","lang":"ger"}],"publication":"InterCultural Philosophy","department":[{"_id":"14"}],"keyword":["Alltag","Wolfgang Blankenburg","Erkenntnistheorie","Edmund Husserl","Phänomenologie","Psychopathologie","Selbstverständlichkeit","Weltvertrauen"],"type":"journal_article","date_created":"2023-11-22T17:27:30Z","article_type":"original","intvolume":"         1","publication_status":"published","date_updated":"2023-11-22T17:36:03Z","author":[{"id":"100856","last_name":"Philippi","first_name":"Martina","full_name":"Philippi, Martina"}],"year":"2018","title":"Der ‚Verlust der natürlichen Selbstverständlichkeit‘ in Phänomenologie und Psychopathologie","doi":"10.11588/ICP.2018.1.48066","language":[{"iso":"ger"}],"main_file_link":[{"url":"https://journals.ub.uni-heidelberg.de/index.php/icp/article/view/48066/41525","open_access":"1"}],"citation":{"chicago":"Philippi, Martina. “Der ‚Verlust der natürlichen Selbstverständlichkeit‘ in Phänomenologie und Psychopathologie.” <i>InterCultural Philosophy</i> 1 (2018): 58–82. <a href=\"https://doi.org/10.11588/ICP.2018.1.48066\">https://doi.org/10.11588/ICP.2018.1.48066</a>.","short":"M. Philippi, InterCultural Philosophy 1 (2018) 58–82.","apa":"Philippi, M. (2018). Der ‚Verlust der natürlichen Selbstverständlichkeit‘ in Phänomenologie und Psychopathologie. <i>InterCultural Philosophy</i>, <i>1</i>, 58–82. <a href=\"https://doi.org/10.11588/ICP.2018.1.48066\">https://doi.org/10.11588/ICP.2018.1.48066</a>","ieee":"M. Philippi, “Der ‚Verlust der natürlichen Selbstverständlichkeit‘ in Phänomenologie und Psychopathologie,” <i>InterCultural Philosophy</i>, vol. 1, pp. 58–82, 2018, doi: <a href=\"https://doi.org/10.11588/ICP.2018.1.48066\">10.11588/ICP.2018.1.48066</a>.","ama":"Philippi M. Der ‚Verlust der natürlichen Selbstverständlichkeit‘ in Phänomenologie und Psychopathologie. <i>InterCultural Philosophy</i>. 2018;1:58-82. doi:<a href=\"https://doi.org/10.11588/ICP.2018.1.48066\">10.11588/ICP.2018.1.48066</a>","bibtex":"@article{Philippi_2018, title={Der ‚Verlust der natürlichen Selbstverständlichkeit‘ in Phänomenologie und Psychopathologie}, volume={1}, DOI={<a href=\"https://doi.org/10.11588/ICP.2018.1.48066\">10.11588/ICP.2018.1.48066</a>}, journal={InterCultural Philosophy}, author={Philippi, Martina}, year={2018}, pages={58–82} }","mla":"Philippi, Martina. “Der ‚Verlust der natürlichen Selbstverständlichkeit‘ in Phänomenologie und Psychopathologie.” <i>InterCultural Philosophy</i>, vol. 1, 2018, pp. 58–82, doi:<a href=\"https://doi.org/10.11588/ICP.2018.1.48066\">10.11588/ICP.2018.1.48066</a>."},"oa":"1","status":"public","volume":1,"user_id":"100856","_id":"49130","page":"58-82"},{"doi":"10.17619/UNIPB/1-282","user_id":"22501","main_file_link":[{"open_access":"1","url":"https://doi.org/10.17619/UNIPB/1-282"}],"publisher":"Universitätsbibliothek Paderborn","_id":"47944","language":[{"iso":"eng"}],"date_updated":"2023-10-11T15:50:28Z","title":"In depth Raman analysis of the ferroelectrics KTiOPO4 and LiNbO3: role of domain boundaries and defect","year":"2018","status":"public","author":[{"id":"22501","full_name":"Rüsing, Michael","first_name":"Michael","last_name":"Rüsing","orcid":"0000-0003-4682-4577"}],"type":"dissertation","oa":"1","department":[{"_id":"15"}],"place":"Paderborn","date_created":"2023-10-11T07:35:58Z","abstract":[{"lang":"eng","text":"In the context of ferroelectrics spatially resolved Raman spectroscopy is a powerful tool to investigate stoichiometry, defects or the ferroelectric properties, as well as to visualize domain structures or waveguides. Using Raman spectroscopy for investigations requires a throughout understanding of the spectra and underlying mechanisms. For example, in the context of the common nonlinear materials, lithium niobate and potassium titanyl phosphate, no comprehensive understanding of the Raman spectra of the bulk materials is available, while the underlying mechanism of the domain wall contrast in Raman spectroscopy is not well understood. In this work, questions like these have been addressed in terms of systematic experimental investigations in close cooperation with density functional theory. In particular, it was possible to present a complete assignment of all phonons in the lithium niobate system, which serves as the basis for the understanding of the domain wall spectrum. Here, the domain wall spectrum can be explained with regard to microscopic structural effects, such as strains and electric fields, as well as a macroscopic change of selections rules. Both mechanisms are likewise present in the domain wall spectrum, while being present at different length scales. In the context of potassium titanyl phosphate the first throughout Raman investigations of domain structure, waveguides and periodically poled waveguides are presented. In the context of Rb-exchanged waveguides the change in stoichiometry, but also effects of strain are detected. Here, the Raman analysis provides a method to evaluate these effects."}],"citation":{"apa":"Rüsing, M. (2018). <i>In depth Raman analysis of the ferroelectrics KTiOPO4 and LiNbO3: role of domain boundaries and defect</i>. Universitätsbibliothek Paderborn. <a href=\"https://doi.org/10.17619/UNIPB/1-282\">https://doi.org/10.17619/UNIPB/1-282</a>","ieee":"M. Rüsing, <i>In depth Raman analysis of the ferroelectrics KTiOPO4 and LiNbO3: role of domain boundaries and defect</i>. Paderborn: Universitätsbibliothek Paderborn, 2018.","chicago":"Rüsing, Michael. <i>In Depth Raman Analysis of the Ferroelectrics KTiOPO4 and LiNbO3: Role of Domain Boundaries and Defect</i>. Paderborn: Universitätsbibliothek Paderborn, 2018. <a href=\"https://doi.org/10.17619/UNIPB/1-282\">https://doi.org/10.17619/UNIPB/1-282</a>.","short":"M. Rüsing, In Depth Raman Analysis of the Ferroelectrics KTiOPO4 and LiNbO3: Role of Domain Boundaries and Defect, Universitätsbibliothek Paderborn, Paderborn, 2018.","mla":"Rüsing, Michael. <i>In Depth Raman Analysis of the Ferroelectrics KTiOPO4 and LiNbO3: Role of Domain Boundaries and Defect</i>. Universitätsbibliothek Paderborn, 2018, doi:<a href=\"https://doi.org/10.17619/UNIPB/1-282\">10.17619/UNIPB/1-282</a>.","ama":"Rüsing M. <i>In Depth Raman Analysis of the Ferroelectrics KTiOPO4 and LiNbO3: Role of Domain Boundaries and Defect</i>. Universitätsbibliothek Paderborn; 2018. doi:<a href=\"https://doi.org/10.17619/UNIPB/1-282\">10.17619/UNIPB/1-282</a>","bibtex":"@book{Rüsing_2018, place={Paderborn}, title={In depth Raman analysis of the ferroelectrics KTiOPO4 and LiNbO3: role of domain boundaries and defect}, DOI={<a href=\"https://doi.org/10.17619/UNIPB/1-282\">10.17619/UNIPB/1-282</a>}, publisher={Universitätsbibliothek Paderborn}, author={Rüsing, Michael}, year={2018} }"}},{"date_updated":"2023-10-18T09:07:44Z","author":[{"id":"93839","full_name":"Kilsbach, Sebastian","first_name":"Sebastian","last_name":"Kilsbach"}],"title":"Wortschatzerweiterung in autonomen Erwerbskontexten","status":"public","year":"2018","user_id":"93839","publisher":"Gießener Elektronische Beiträge","_id":"48222","language":[{"iso":"eng"}],"main_file_link":[{"url":"http://geb.uni-giessen.de/geb/volltexte/2018/13821/","open_access":"1"}],"citation":{"bibtex":"@book{Kilsbach_2018, place={Gießen}, title={Wortschatzerweiterung in autonomen Erwerbskontexten}, publisher={Gießener Elektronische Beiträge}, author={Kilsbach, Sebastian}, year={2018} }","ama":"Kilsbach S. <i>Wortschatzerweiterung in Autonomen Erwerbskontexten</i>. Gießener Elektronische Beiträge; 2018.","mla":"Kilsbach, Sebastian. <i>Wortschatzerweiterung in Autonomen Erwerbskontexten</i>. Gießener Elektronische Beiträge, 2018.","chicago":"Kilsbach, Sebastian. <i>Wortschatzerweiterung in Autonomen Erwerbskontexten</i>. Gießen: Gießener Elektronische Beiträge, 2018.","short":"S. Kilsbach, Wortschatzerweiterung in Autonomen Erwerbskontexten, Gießener Elektronische Beiträge, Gießen, 2018.","ieee":"S. Kilsbach, <i>Wortschatzerweiterung in autonomen Erwerbskontexten</i>. Gießen: Gießener Elektronische Beiträge, 2018.","apa":"Kilsbach, S. (2018). <i>Wortschatzerweiterung in autonomen Erwerbskontexten</i>. Gießener Elektronische Beiträge."},"oa":"1","type":"dissertation","date_created":"2023-10-17T13:17:45Z","place":"Gießen"},{"date_created":"2019-07-12T05:29:14Z","department":[{"_id":"54"}],"oa":"1","type":"conference","citation":{"ieee":"J. Schmalenstroeer and R. Haeb-Umbach, “Efficient Sampling Rate Offset Compensation - An Overlap-Save Based Approach,” 2018.","apa":"Schmalenstroeer, J., &#38; Haeb-Umbach, R. (2018). Efficient Sampling Rate Offset Compensation - An Overlap-Save Based Approach. <i>26th European Signal Processing Conference (EUSIPCO 2018)</i>.","short":"J. Schmalenstroeer, R. Haeb-Umbach, in: 26th European Signal Processing Conference (EUSIPCO 2018), 2018.","chicago":"Schmalenstroeer, Joerg, and Reinhold Haeb-Umbach. “Efficient Sampling Rate Offset Compensation - An Overlap-Save Based Approach.” In <i>26th European Signal Processing Conference (EUSIPCO 2018)</i>, 2018.","mla":"Schmalenstroeer, Joerg, and Reinhold Haeb-Umbach. “Efficient Sampling Rate Offset Compensation - An Overlap-Save Based Approach.” <i>26th European Signal Processing Conference (EUSIPCO 2018)</i>, 2018.","bibtex":"@inproceedings{Schmalenstroeer_Haeb-Umbach_2018, title={Efficient Sampling Rate Offset Compensation - An Overlap-Save Based Approach}, booktitle={26th European Signal Processing Conference (EUSIPCO 2018)}, author={Schmalenstroeer, Joerg and Haeb-Umbach, Reinhold}, year={2018} }","ama":"Schmalenstroeer J, Haeb-Umbach R. Efficient Sampling Rate Offset Compensation - An Overlap-Save Based Approach. In: <i>26th European Signal Processing Conference (EUSIPCO 2018)</i>. ; 2018."},"publication":"26th European Signal Processing Conference (EUSIPCO 2018)","quality_controlled":"1","abstract":[{"lang":"eng","text":"Distributed sensor data acquisition usually encompasses data sampling by the individual devices, where each of them has its own oscillator driving the local sampling process, resulting in slightly different sampling rates at the individual sensor nodes. Nevertheless, for certain downstream signal processing tasks it is important to compensate even for small sampling rate offsets. Aligning the sampling rates of oscillators which differ only by a few parts-per-million, is, however, challenging and quite different from traditional multirate signal processing tasks. In this paper we propose to transfer a precise but computationally demanding time domain approach, inspired by the Nyquist-Shannon sampling theorem, to an efficient frequency domain implementation. To this end a buffer control is employed which compensates for sampling offsets which are multiples of the sampling period, while a digital filter, realized by the wellknown Overlap-Save method, handles the fractional part of the sampling phase offset. With experiments on artificially misaligned data we investigate the parametrization, the efficiency, and the induced distortions of the proposed resampling method. It is shown that a favorable compromise between residual distortion and computational complexity is achieved, compared to other sampling rate offset compensation techniques."}],"language":[{"iso":"eng"}],"_id":"11838","main_file_link":[{"url":"https://groups.uni-paderborn.de/nt/pubs/2018/Eusipco_2018_Schmalenstroeer_Paper.pdf","open_access":"1"}],"user_id":"460","author":[{"full_name":"Schmalenstroeer, Joerg","first_name":"Joerg","last_name":"Schmalenstroeer","id":"460"},{"id":"242","first_name":"Reinhold","last_name":"Haeb-Umbach","full_name":"Haeb-Umbach, Reinhold"}],"year":"2018","status":"public","title":"Efficient Sampling Rate Offset Compensation - An Overlap-Save Based Approach","date_updated":"2023-10-26T08:12:33Z"},{"date_created":"2019-07-12T05:29:58Z","type":"conference","department":[{"_id":"54"}],"oa":"1","publication":"Proc. CHiME 2018 Workshop on Speech Processing in Everyday Environments, Hyderabad, India","citation":{"short":"M. Kitza, W. Michel, C. Boeddeker, J. Heitkaemper, T. Menne, R. Schlüter, H. Ney, J. Schmalenstroeer, L. Drude, J. Heymann, R. Haeb-Umbach, in: Proc. CHiME 2018 Workshop on Speech Processing in Everyday Environments, Hyderabad, India, 2018.","chicago":"Kitza, Markus, Wilfried Michel, Christoph Boeddeker, Jens Heitkaemper, Tobias Menne, Ralf Schlüter, Hermann Ney, et al. “The RWTH/UPB System Combination for the CHiME 2018 Workshop.” In <i>Proc. CHiME 2018 Workshop on Speech Processing in Everyday Environments, Hyderabad, India</i>, 2018.","ieee":"M. Kitza <i>et al.</i>, “The RWTH/UPB System Combination for the CHiME 2018 Workshop,” 2018.","apa":"Kitza, M., Michel, W., Boeddeker, C., Heitkaemper, J., Menne, T., Schlüter, R., Ney, H., Schmalenstroeer, J., Drude, L., Heymann, J., &#38; Haeb-Umbach, R. (2018). The RWTH/UPB System Combination for the CHiME 2018 Workshop. <i>Proc. CHiME 2018 Workshop on Speech Processing in Everyday Environments, Hyderabad, India</i>.","bibtex":"@inproceedings{Kitza_Michel_Boeddeker_Heitkaemper_Menne_Schlüter_Ney_Schmalenstroeer_Drude_Heymann_et al._2018, title={The RWTH/UPB System Combination for the CHiME 2018 Workshop}, booktitle={Proc. CHiME 2018 Workshop on Speech Processing in Everyday Environments, Hyderabad, India}, author={Kitza, Markus and Michel, Wilfried and Boeddeker, Christoph and Heitkaemper, Jens and Menne, Tobias and Schlüter, Ralf and Ney, Hermann and Schmalenstroeer, Joerg and Drude, Lukas and Heymann, Jahn and et al.}, year={2018} }","ama":"Kitza M, Michel W, Boeddeker C, et al. The RWTH/UPB System Combination for the CHiME 2018 Workshop. In: <i>Proc. CHiME 2018 Workshop on Speech Processing in Everyday Environments, Hyderabad, India</i>. ; 2018.","mla":"Kitza, Markus, et al. “The RWTH/UPB System Combination for the CHiME 2018 Workshop.” <i>Proc. CHiME 2018 Workshop on Speech Processing in Everyday Environments, Hyderabad, India</i>, 2018."},"quality_controlled":"1","abstract":[{"text":"This paper describes the systems for the single-array track and the multiple-array track of the 5th CHiME Challenge. The final system is a combination of multiple systems, using Confusion Network Combination (CNC). The different systems presented here are utilizing different front-ends and training sets for a Bidirectional Long Short-Term Memory (BLSTM) Acoustic Model (AM). The front-end was replaced by enhancements provided by Paderborn University [1]. The back-end has been implemented using RASR [2] and RETURNN [3]. Additionally, a system combination including the hypothesis word graphs from the system of the submission [1] has been performed, which results in the final best system.","lang":"eng"}],"main_file_link":[{"open_access":"1","url":"https://groups.uni-paderborn.de/nt/pubs/2018/INTERSPEECH_2018_Heitkaemper_RWTH_Paper.pdf"}],"language":[{"iso":"eng"}],"_id":"11876","user_id":"460","status":"public","title":"The RWTH/UPB System Combination for the CHiME 2018 Workshop","year":"2018","author":[{"full_name":"Kitza, Markus","last_name":"Kitza","first_name":"Markus"},{"last_name":"Michel","first_name":"Wilfried","full_name":"Michel, Wilfried"},{"full_name":"Boeddeker, Christoph","first_name":"Christoph","last_name":"Boeddeker","id":"40767"},{"full_name":"Heitkaemper, Jens","last_name":"Heitkaemper","first_name":"Jens","id":"27643"},{"full_name":"Menne, Tobias","last_name":"Menne","first_name":"Tobias"},{"last_name":"Schlüter","first_name":"Ralf","full_name":"Schlüter, Ralf"},{"full_name":"Ney, Hermann","last_name":"Ney","first_name":"Hermann"},{"id":"460","last_name":"Schmalenstroeer","first_name":"Joerg","full_name":"Schmalenstroeer, Joerg"},{"full_name":"Drude, Lukas","first_name":"Lukas","last_name":"Drude","id":"11213"},{"id":"9168","full_name":"Heymann, Jahn","last_name":"Heymann","first_name":"Jahn"},{"id":"242","full_name":"Haeb-Umbach, Reinhold","last_name":"Haeb-Umbach","first_name":"Reinhold"}],"date_updated":"2023-10-26T08:12:14Z"},{"language":[{"iso":"eng"}],"_id":"11836","main_file_link":[{"url":"https://groups.uni-paderborn.de/nt/pubs/2018/ITG_2018_Ebbers_Paper.pdf","open_access":"1"}],"user_id":"460","author":[{"full_name":"Ebbers, Janek","first_name":"Janek","last_name":"Ebbers","id":"34851"},{"last_name":"Heitkaemper","first_name":"Jens","full_name":"Heitkaemper, Jens","id":"27643"},{"id":"460","full_name":"Schmalenstroeer, Joerg","first_name":"Joerg","last_name":"Schmalenstroeer"},{"last_name":"Haeb-Umbach","first_name":"Reinhold","full_name":"Haeb-Umbach, Reinhold","id":"242"}],"title":"Benchmarking Neural Network Architectures for Acoustic Sensor Networks","status":"public","year":"2018","date_updated":"2023-10-26T08:12:40Z","date_created":"2019-07-12T05:29:11Z","oa":"1","department":[{"_id":"54"}],"type":"conference","citation":{"mla":"Ebbers, Janek, et al. “Benchmarking Neural Network Architectures for Acoustic Sensor Networks.” <i>ITG 2018, Oldenburg, Germany</i>, 2018.","ama":"Ebbers J, Heitkaemper J, Schmalenstroeer J, Haeb-Umbach R. Benchmarking Neural Network Architectures for Acoustic Sensor Networks. In: <i>ITG 2018, Oldenburg, Germany</i>. ; 2018.","bibtex":"@inproceedings{Ebbers_Heitkaemper_Schmalenstroeer_Haeb-Umbach_2018, title={Benchmarking Neural Network Architectures for Acoustic Sensor Networks}, booktitle={ITG 2018, Oldenburg, Germany}, author={Ebbers, Janek and Heitkaemper, Jens and Schmalenstroeer, Joerg and Haeb-Umbach, Reinhold}, year={2018} }","apa":"Ebbers, J., Heitkaemper, J., Schmalenstroeer, J., &#38; Haeb-Umbach, R. (2018). Benchmarking Neural Network Architectures for Acoustic Sensor Networks. <i>ITG 2018, Oldenburg, Germany</i>.","ieee":"J. Ebbers, J. Heitkaemper, J. Schmalenstroeer, and R. Haeb-Umbach, “Benchmarking Neural Network Architectures for Acoustic Sensor Networks,” 2018.","chicago":"Ebbers, Janek, Jens Heitkaemper, Joerg Schmalenstroeer, and Reinhold Haeb-Umbach. “Benchmarking Neural Network Architectures for Acoustic Sensor Networks.” In <i>ITG 2018, Oldenburg, Germany</i>, 2018.","short":"J. Ebbers, J. Heitkaemper, J. Schmalenstroeer, R. Haeb-Umbach, in: ITG 2018, Oldenburg, Germany, 2018."},"publication":"ITG 2018, Oldenburg, Germany","related_material":{"link":[{"description":"Poster","relation":"supplementary_material","url":"https://groups.uni-paderborn.de/nt/pubs/2018/ITG_2018_Ebbers_Poster.pdf"}]},"quality_controlled":"1","abstract":[{"lang":"eng","text":"Due to their distributed nature wireless acoustic sensor networks offer great potential for improved signal acquisition, processing and classification for applications such as monitoring and surveillance, home automation, or hands-free telecommunication. To reduce the communication demand with a central server and to raise the privacy level it is desirable to perform processing at node level. The limited processing and memory capabilities on a sensor node, however, stand in contrast to the compute and memory intensive deep learning algorithms used in modern speech and audio processing. In this work, we perform benchmarking of commonly used convolutional and recurrent neural network architectures on a Raspberry Pi based acoustic sensor node. We show that it is possible to run medium-sized neural network topologies used for speech enhancement and speech recognition in real time. For acoustic event recognition, where predictions in a lower temporal resolution are sufficient, it is even possible to run current state-of-the-art deep convolutional models with a real-time-factor of 0:11."}]},{"date_created":"2019-07-12T05:29:15Z","type":"conference","oa":"1","department":[{"_id":"54"}],"publication":"ITG 2018, Oldenburg, Germany","citation":{"bibtex":"@inproceedings{Schmalenstroeer_Haeb-Umbach_2018, title={Insights into the Interplay of Sampling Rate Offsets and MVDR Beamforming}, booktitle={ITG 2018, Oldenburg, Germany}, author={Schmalenstroeer, Joerg and Haeb-Umbach, Reinhold}, year={2018} }","ama":"Schmalenstroeer J, Haeb-Umbach R. Insights into the Interplay of Sampling Rate Offsets and MVDR Beamforming. In: <i>ITG 2018, Oldenburg, Germany</i>. ; 2018.","mla":"Schmalenstroeer, Joerg, and Reinhold Haeb-Umbach. “Insights into the Interplay of Sampling Rate Offsets and MVDR Beamforming.” <i>ITG 2018, Oldenburg, Germany</i>, 2018.","chicago":"Schmalenstroeer, Joerg, and Reinhold Haeb-Umbach. “Insights into the Interplay of Sampling Rate Offsets and MVDR Beamforming.” In <i>ITG 2018, Oldenburg, Germany</i>, 2018.","short":"J. Schmalenstroeer, R. Haeb-Umbach, in: ITG 2018, Oldenburg, Germany, 2018.","ieee":"J. Schmalenstroeer and R. Haeb-Umbach, “Insights into the Interplay of Sampling Rate Offsets and MVDR Beamforming,” 2018.","apa":"Schmalenstroeer, J., &#38; Haeb-Umbach, R. (2018). Insights into the Interplay of Sampling Rate Offsets and MVDR Beamforming. <i>ITG 2018, Oldenburg, Germany</i>."},"quality_controlled":"1","abstract":[{"lang":"eng","text":"It has been experimentally verified that sampling rate offsets (SROs) between the input channels of an acoustic beamformer have a detrimental effect on the achievable SNR gains. In this paper we derive an analytic model to study the impact of SRO on the estimation of the spatial noise covariance matrix used in MVDR beamforming. It is shown that a perfect compensation of the SRO is impossible if the noise covariance matrix is estimated by time averaging, even if the SRO is perfectly known. The SRO should therefore be compensated for prior to beamformer coefficient estimation. We present a novel scheme where SRO compensation and beamforming closely interact, saving some computational effort compared to separate SRO adjustment followed by acoustic beamforming."}],"main_file_link":[{"url":"https://groups.uni-paderborn.de/nt/pubs/2018/ITG_2018_Schmalenstroeer_Paper.pdf","open_access":"1"}],"_id":"11839","language":[{"iso":"eng"}],"user_id":"460","year":"2018","status":"public","title":"Insights into the Interplay of Sampling Rate Offsets and MVDR Beamforming","author":[{"full_name":"Schmalenstroeer, Joerg","first_name":"Joerg","last_name":"Schmalenstroeer","id":"460"},{"full_name":"Haeb-Umbach, Reinhold","first_name":"Reinhold","last_name":"Haeb-Umbach","id":"242"}],"date_updated":"2023-10-26T08:12:22Z"},{"oa":"1","type":"journal_article","date_created":"2023-01-13T07:36:33Z","file":[{"creator":"breuers","date_created":"2023-01-13T07:35:50Z","relation":"main_file","date_updated":"2023-01-13T07:35:50Z","file_name":"1 Mächte der Zukunft.pdf","file_size":9469078,"access_level":"open_access","file_id":"36511","content_type":"application/pdf"}],"extern":"1","citation":{"apa":"Taschl-Erber, A. 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Hoffmann, Konzeption von fachmathematischen Schnittstellenmodulen für Lehramtsstudierende am Beispiel ausgewählter Themen der höheren Analysis., 2018.","chicago":"Hoffmann, Max. <i>Konzeption von fachmathematischen Schnittstellenmodulen für Lehramtsstudierende am Beispiel ausgewählter Themen der höheren Analysis.</i> Vol. 18–06. khdm-Report, 2018.","ieee":"M. Hoffmann, <i>Konzeption von fachmathematischen Schnittstellenmodulen für Lehramtsstudierende am Beispiel ausgewählter Themen der höheren Analysis.</i>, vol. 18–06. 2018.","apa":"Hoffmann, M. (2018). <i>Konzeption von fachmathematischen Schnittstellenmodulen für Lehramtsstudierende am Beispiel ausgewählter Themen der höheren Analysis.</i> (Vols. 18–06)."},"supervisor":[{"last_name":"Biehler","first_name":"Rolf","full_name":"Biehler, Rolf"},{"id":"220","full_name":"Hilgert, Joachim","first_name":"Joachim","last_name":"Hilgert"}]},{"publication":"Bild und Bewegung im Musiktheater. Interdisziplinäre Studien im Umfeld der Grand Opéra / Image and Movement in Music Theatre. Interdisciplinary Studies around Grand Opéra","abstract":[{"lang":"ger","text":"Wie versetzen Eugène Scribe und Giacomo Meyerbeer den Chor auf der Opernbühne in Bewegung – in innere Bewegung, und ebenso in äußere –, so dass diese Bewegung spontan und ›realistisch‹ erscheint? Ausgehend von einigen allgemeinen Thesen zur Musikdramaturgie Scribe’scher Grands opéras will die vorliegende Lektüre von Libretti, Partituren und livrets de mise en scène einige Schlaglichter auf prominente Momente der Gruppen- und Chordramaturgie in Les Huguenots und Le Prophète werfen. Stärker als bislang üblich soll dabei auch die zentrale Rolle der Librettistik herausgestellt werden, die insbesondere im Bereich der Exposition und dramaturgischen Führung der Nebenrollen entscheidende Voraussetzungen schafft. Zudem soll die gängige Lesart, wonach Meyerbeers Chordramaturgie im Kern eine Dramaturgie der ›Massen‹ sei, differenziert und in bestimmter Hinsicht auch relativiert werden. Die Ensemble- und Chordramaturgien in Les Huguenots und Le Prophéte können gleichermaßen als Beispiele der eingangs umrissenen Scribe’schen dramaturgischen Grundtechnik gelesen werden, die darauf beruht, die Verständnisgrundlagen der Stücke vollständig und lückenlos im Inneren der Stücke selbst zu vermitteln. (Es gibt nichts, was man schon vorher über Hugenotten oder Anabaptisten wissen müsste, um die Intrigen von Les Huguenots bzw. Le Prophète in allen Details zu verstehen.) Die Verfahren einer ›realistischen‹ Chordramaturgie mithilfe einer Vielzahl librettistisch bereitgestellter Nebenrollen, die als ›Chor-Individuen‹ selbst die ›Massen‹-Chöre gleichsam als maximierte Ensembles konfigurieren und dadurch von Innen heraus plausibilisieren, haben genau in diesem Zusammenhang in beiden Werken eine tragende Funktion: Gerade diese beiden Werke setzen eine Dynamik der ›Massen‹ nicht etwa einfach als Zeitphänomene und allgemeine Erfahrung voraus, sondern lassen im Gegenteil mit großer (musik)dramaturgischer Präzision das Wirken von ›Massen‹ als Folge des Handelns von lauter Individuen erscheinen."}],"file":[{"creator":"muenzmay","date_created":"2024-01-13T12:34:15Z","relation":"main_file","date_updated":"2024-01-13T12:34:15Z","file_name":"HKB9_198-220_Muenzmay.pdf","file_size":316520,"access_level":"closed","file_id":"50484","success":1,"content_type":"application/pdf"}],"date_created":"2023-12-20T14:17:09Z","type":"book_chapter","department":[{"_id":"233"},{"_id":"572"}],"year":"2018","title":"Chor-Individuen. Anmerkungen zur ‚realistisch‘ bewegten Chordramaturgie in Les Huguenots und Le Prophète","author":[{"id":"61139","orcid":"0000-0002-8373-4055","first_name":"Andreas","last_name":"Münzmay","full_name":"Münzmay, Andreas"}],"publication_identifier":{"isbn":["978-3-931264-89-5"]},"publication_status":"published","date_updated":"2024-02-19T10:55:42Z","intvolume":"         9","main_file_link":[{"url":"https://www.hkb-interpretation.ch/fileadmin/user_upload/documents/Publikationen/Bd.9/HKB9_198-220_Muenzmay.pdf","open_access":"1"}],"language":[{"iso":"ger"}],"series_title":"Musikforschung der Hochschule der Künste Bern ","file_date_updated":"2024-01-13T12:34:15Z","citation":{"short":"A. Münzmay, in: R. Brotbeck, L. Moeckli, A. Schaffer, S. Schroedter, D. Allenbach (Eds.), Bild und Bewegung im Musiktheater. Interdisziplinäre Studien im Umfeld der Grand Opéra / Image and Movement in Music Theatre. Interdisciplinary Studies around Grand Opéra, Argus, Schliengen, 2018, pp. 198–220.","chicago":"Münzmay, Andreas. “Chor-Individuen. Anmerkungen zur ‚realistisch‘ bewegten Chordramaturgie in Les Huguenots und Le Prophète.” In <i>Bild und Bewegung im Musiktheater. Interdisziplinäre Studien im Umfeld der Grand Opéra / Image and Movement in Music Theatre. Interdisciplinary Studies around Grand Opéra</i>, edited by Roman  Brotbeck, Laura Moeckli, Anette Schaffer, Stephanie Schroedter, and Daniel Allenbach, 9:198–220. Musikforschung der Hochschule der Künste Bern . Schliengen: Argus, 2018.","ieee":"A. Münzmay, “Chor-Individuen. Anmerkungen zur ‚realistisch‘ bewegten Chordramaturgie in Les Huguenots und Le Prophète,” in <i>Bild und Bewegung im Musiktheater. Interdisziplinäre Studien im Umfeld der Grand Opéra / Image and Movement in Music Theatre. Interdisciplinary Studies around Grand Opéra</i>, vol. 9, R. Brotbeck, L. Moeckli, A. Schaffer, S. Schroedter, and D. Allenbach, Eds. Schliengen: Argus, 2018, pp. 198–220.","apa":"Münzmay, A. (2018). Chor-Individuen. Anmerkungen zur ‚realistisch‘ bewegten Chordramaturgie in Les Huguenots und Le Prophète. In R. Brotbeck, L. Moeckli, A. Schaffer, S. Schroedter, &#38; D. Allenbach (Eds.), <i>Bild und Bewegung im Musiktheater. Interdisziplinäre Studien im Umfeld der Grand Opéra / Image and Movement in Music Theatre. Interdisciplinary Studies around Grand Opéra</i> (Vol. 9, pp. 198–220). Argus.","bibtex":"@inbook{Münzmay_2018, place={Schliengen}, series={Musikforschung der Hochschule der Künste Bern }, title={Chor-Individuen. Anmerkungen zur ‚realistisch‘ bewegten Chordramaturgie in Les Huguenots und Le Prophète}, volume={9}, booktitle={Bild und Bewegung im Musiktheater. Interdisziplinäre Studien im Umfeld der Grand Opéra / Image and Movement in Music Theatre. Interdisciplinary Studies around Grand Opéra}, publisher={Argus}, author={Münzmay, Andreas}, editor={Brotbeck, Roman  and Moeckli, Laura and Schaffer, Anette and Schroedter, Stephanie and Allenbach, Daniel}, year={2018}, pages={198–220}, collection={Musikforschung der Hochschule der Künste Bern } }","ama":"Münzmay A. Chor-Individuen. Anmerkungen zur ‚realistisch‘ bewegten Chordramaturgie in Les Huguenots und Le Prophète. In: Brotbeck R, Moeckli L, Schaffer A, Schroedter S, Allenbach D, eds. <i>Bild und Bewegung im Musiktheater. Interdisziplinäre Studien im Umfeld der Grand Opéra / Image and Movement in Music Theatre. Interdisciplinary Studies around Grand Opéra</i>. Vol 9. Musikforschung der Hochschule der Künste Bern . Argus; 2018:198-220.","mla":"Münzmay, Andreas. “Chor-Individuen. Anmerkungen zur ‚realistisch‘ bewegten Chordramaturgie in Les Huguenots und Le Prophète.” <i>Bild und Bewegung im Musiktheater. Interdisziplinäre Studien im Umfeld der Grand Opéra / Image and Movement in Music Theatre. Interdisciplinary Studies around Grand Opéra</i>, edited by Roman  Brotbeck et al., vol. 9, Argus, 2018, pp. 198–220."},"quality_controlled":"1","place":"Schliengen","oa":"1","status":"public","page":"198 - 220","_id":"49932","publisher":"Argus","user_id":"61139","ddc":["780"],"volume":9,"editor":[{"full_name":"Brotbeck, Roman ","last_name":"Brotbeck","first_name":"Roman "},{"full_name":"Moeckli, Laura","last_name":"Moeckli","first_name":"Laura"},{"full_name":"Schaffer, Anette","last_name":"Schaffer","first_name":"Anette"},{"first_name":"Stephanie","last_name":"Schroedter","full_name":"Schroedter, Stephanie"},{"full_name":"Allenbach, Daniel","last_name":"Allenbach","first_name":"Daniel"}]},{"status":"public","user_id":"61139","volume":65,"page":"101-104","publisher":"Klostermann","_id":"47481","quality_controlled":"1","citation":{"bibtex":"@article{Münzmay_2018, title={Der FID Musikwissenschaft (Musiconn) in Lehre und Forschung. Kommentar aus Nutzer-Perspektive}, volume={65}, DOI={<a href=\"https://doi.org/10.3196/1864295018652390\">10.3196/1864295018652390</a>}, number={2–3}, journal={Zeitschrift für Bibliothekswesen und Bibliographie (ZfBB)}, publisher={Klostermann}, author={Münzmay, Andreas}, year={2018}, pages={101–104} }","ama":"Münzmay A. Der FID Musikwissenschaft (Musiconn) in Lehre und Forschung. Kommentar aus Nutzer-Perspektive. <i>Zeitschrift für Bibliothekswesen und Bibliographie (ZfBB)</i>. 2018;65(2-3):101-104. doi:<a href=\"https://doi.org/10.3196/1864295018652390\">10.3196/1864295018652390</a>","mla":"Münzmay, Andreas. “Der FID Musikwissenschaft (Musiconn) in Lehre und Forschung. Kommentar aus Nutzer-Perspektive.” <i>Zeitschrift für Bibliothekswesen und Bibliographie (ZfBB)</i>, vol. 65, no. 2–3, Klostermann, 2018, pp. 101–04, doi:<a href=\"https://doi.org/10.3196/1864295018652390\">10.3196/1864295018652390</a>.","short":"A. Münzmay, Zeitschrift für Bibliothekswesen und Bibliographie (ZfBB) 65 (2018) 101–104.","chicago":"Münzmay, Andreas. “Der FID Musikwissenschaft (Musiconn) in Lehre und Forschung. Kommentar aus Nutzer-Perspektive.” <i>Zeitschrift für Bibliothekswesen und Bibliographie (ZfBB)</i> 65, no. 2–3 (2018): 101–4. <a href=\"https://doi.org/10.3196/1864295018652390\">https://doi.org/10.3196/1864295018652390</a>.","ieee":"A. Münzmay, “Der FID Musikwissenschaft (Musiconn) in Lehre und Forschung. Kommentar aus Nutzer-Perspektive,” <i>Zeitschrift für Bibliothekswesen und Bibliographie (ZfBB)</i>, vol. 65, no. 2–3, pp. 101–104, 2018, doi: <a href=\"https://doi.org/10.3196/1864295018652390\">10.3196/1864295018652390</a>.","apa":"Münzmay, A. (2018). Der FID Musikwissenschaft (Musiconn) in Lehre und Forschung. Kommentar aus Nutzer-Perspektive. <i>Zeitschrift für Bibliothekswesen und Bibliographie (ZfBB)</i>, <i>65</i>(2–3), 101–104. <a href=\"https://doi.org/10.3196/1864295018652390\">https://doi.org/10.3196/1864295018652390</a>"},"oa":"1","publication_status":"published","date_updated":"2024-02-19T10:56:46Z","intvolume":"        65","title":"Der FID Musikwissenschaft (Musiconn) in Lehre und Forschung. Kommentar aus Nutzer-Perspektive","year":"2018","publication_identifier":{"issn":["0044-2380","1864-2950"]},"author":[{"first_name":"Andreas","last_name":"Münzmay","orcid":"0000-0002-8373-4055","full_name":"Münzmay, Andreas","id":"61139"}],"doi":"10.3196/1864295018652390","main_file_link":[{"url":"https://zs.thulb.uni-jena.de/servlets/MCRFileNodeServlet/jportal_derivate_00264273/j18-h2-3-kom-3.pdf","open_access":"1"}],"language":[{"iso":"ger"}],"publication":"Zeitschrift für Bibliothekswesen und Bibliographie (ZfBB)","issue":"2-3","type":"journal_article","keyword":["Library and Information Sciences"],"department":[{"_id":"233"},{"_id":"572"},{"_id":"856"},{"_id":"615"}],"date_created":"2023-09-27T07:04:45Z"},{"year":"2018","title":"Virtualitäten der Opéra comique und XML-Kode als ‚Teleskop‘","author":[{"full_name":"Münzmay, Andreas","orcid":"0000-0002-8373-4055","last_name":"Münzmay","first_name":"Andreas","id":"61139"}],"date_updated":"2024-02-19T11:03:40Z","publication_status":"published","main_file_link":[{"url":"http://d-nb.info/1169346448/34 ","open_access":"1"}],"series_title":"Beitragsarchiv des Internationalen Kongresses der Gesellschaft für Musikforschung, Mainz 2016 – ‚Wege der Musikwissenschaft‘","language":[{"iso":"ger"}],"doi":"urn:nbn:de:101:1-2018101811433555555600","publication":"Symposiumsbericht ‚Virtualitäten des Barock. Deleuze und musikalische Analyse‘","abstract":[{"text":"Die französische Opéra comique in ihrer Umbruchphase nach 1750 kann im Sinne Gilles Deleuzes als idealtypisch ›barock‹ begriffen werden. Die vermeintlich simplen musikalischen Oberflächen, auf die Analyse in den unzähligen Opéras comiques des 18. Jahrhunderts immer dann trifft, wenn Melodiezitate im Spiel sind, sind dabei integraler Teil eines komplexen wissenskulturellen Systems. Können die Begriffe der »Falte« und der »Virtualität« eine poststrukturalistisch inspirierte Analyse befördern, die an das Hypertextualitätskonzept, wie es Gérard Genette 1982 mit Palimpsestes: La littérature au second degré so griffig systematisiert hat, anschließt, aber auch darüber hinaus geht? Um diese Frage soll es im ersten Teil des vorliegenden Versuchs gehen. Im zweiten Teil soll überlegt werden, auf welche spezifische Weise XML-Codierung (als Kernverfahren digitaler Edition) und analytische Erkenntnismöglichkeiten interagieren. Anlass und Materialbasis für einen solchen Ausblick auf digitale Editionsmethoden soll die 2016 erschienene digitale Edition des Werks Annette et Lubin von Justine Favart sein, die in etwa sechsjähriger Arbeit im Frankfurter Akademienprojekt OPERA – Spektrum des europäischen Musiktheaters. Historisch-kritische Hybridausgaben erarbeitet werden konnte.","lang":"ger"}],"file":[{"date_created":"2024-02-01T12:43:28Z","creator":"muenzmay","file_id":"51115","success":1,"content_type":"application/pdf","file_name":"III9_Muenzmay.pdf","access_level":"closed","file_size":10732301,"relation":"main_file","date_updated":"2024-02-01T12:43:28Z"}],"date_created":"2023-12-20T14:10:25Z","type":"book_chapter","department":[{"_id":"572"},{"_id":"856"}],"status":"public","has_accepted_license":"1","publisher":"Schott Campus","_id":"49928","ddc":["780"],"user_id":"61139","editor":[{"full_name":"Petersen, Birger","first_name":"Birger","last_name":"Petersen"}],"file_date_updated":"2024-02-01T12:43:28Z","citation":{"short":"A. Münzmay, in: B. Petersen (Ed.), Symposiumsbericht ‚Virtualitäten des Barock. Deleuze und musikalische Analyse‘, Schott Campus, Mainz, 2018.","chicago":"Münzmay, Andreas. “Virtualitäten der Opéra comique und XML-Kode als ‚Teleskop‘.” In <i>Symposiumsbericht ‚Virtualitäten des Barock. Deleuze und musikalische Analyse‘</i>, edited by Birger Petersen. Beitragsarchiv des Internationalen Kongresses der Gesellschaft für Musikforschung, Mainz 2016 – ‚Wege der Musikwissenschaft‘. Mainz: Schott Campus, 2018. <a href=\"https://doi.org/urn:nbn:de:101:1-2018101811433555555600\">https://doi.org/urn:nbn:de:101:1-2018101811433555555600</a>.","apa":"Münzmay, A. (2018). Virtualitäten der Opéra comique und XML-Kode als ‚Teleskop‘. In B. Petersen (Ed.), <i>Symposiumsbericht ‚Virtualitäten des Barock. Deleuze und musikalische Analyse‘</i>. Schott Campus. <a href=\"https://doi.org/urn:nbn:de:101:1-2018101811433555555600\">https://doi.org/urn:nbn:de:101:1-2018101811433555555600</a>","ieee":"A. Münzmay, “Virtualitäten der Opéra comique und XML-Kode als ‚Teleskop‘,” in <i>Symposiumsbericht ‚Virtualitäten des Barock. Deleuze und musikalische Analyse‘</i>, B. Petersen, Ed. Mainz: Schott Campus, 2018.","ama":"Münzmay A. Virtualitäten der Opéra comique und XML-Kode als ‚Teleskop‘. In: Petersen B, ed. <i>Symposiumsbericht ‚Virtualitäten des Barock. Deleuze und musikalische Analyse‘</i>. Beitragsarchiv des Internationalen Kongresses der Gesellschaft für Musikforschung, Mainz 2016 – ‚Wege der Musikwissenschaft‘. Schott Campus; 2018. doi:<a href=\"https://doi.org/urn:nbn:de:101:1-2018101811433555555600\">urn:nbn:de:101:1-2018101811433555555600</a>","bibtex":"@inbook{Münzmay_2018, place={Mainz}, series={Beitragsarchiv des Internationalen Kongresses der Gesellschaft für Musikforschung, Mainz 2016 – ‚Wege der Musikwissenschaft‘}, title={Virtualitäten der Opéra comique und XML-Kode als ‚Teleskop‘}, DOI={<a href=\"https://doi.org/urn:nbn:de:101:1-2018101811433555555600\">urn:nbn:de:101:1-2018101811433555555600</a>}, booktitle={Symposiumsbericht ‚Virtualitäten des Barock. Deleuze und musikalische Analyse‘}, publisher={Schott Campus}, author={Münzmay, Andreas}, editor={Petersen, Birger}, year={2018}, collection={Beitragsarchiv des Internationalen Kongresses der Gesellschaft für Musikforschung, Mainz 2016 – ‚Wege der Musikwissenschaft‘} }","mla":"Münzmay, Andreas. “Virtualitäten der Opéra comique und XML-Kode als ‚Teleskop‘.” <i>Symposiumsbericht ‚Virtualitäten des Barock. Deleuze und musikalische Analyse‘</i>, edited by Birger Petersen, Schott Campus, 2018, doi:<a href=\"https://doi.org/urn:nbn:de:101:1-2018101811433555555600\">urn:nbn:de:101:1-2018101811433555555600</a>."},"quality_controlled":"1","place":"Mainz","oa":"1"},{"main_file_link":[{"open_access":"1","url":"https://doi.org/10.1515/bfp-2018-0031"}],"language":[{"iso":"ger"}],"doi":"10.1515/bfp-2018-0031","title":"Lesen und Schreiben im digitalen Dickicht. Musikwissenschaft, Digital Humanities und die hybride Musikbibliothek","year":"2018","publication_identifier":{"issn":["1865-7648","0341-4183"]},"author":[{"last_name":"Münzmay","orcid":"0000-0002-8373-4055","first_name":"Andreas","full_name":"Münzmay, Andreas","id":"61139"}],"date_updated":"2024-02-19T11:03:58Z","publication_status":"published","intvolume":"        42","date_created":"2023-09-27T07:04:19Z","type":"journal_article","department":[{"_id":"572"},{"_id":"856"},{"_id":"615"}],"issue":"2","publication":"Bibliothek: Forschung und Praxis","abstract":[{"lang":"ger","text":"Digitalisierung generiert ‚hybride‘ Objekte, die zwar als digitale Datei lesbar und manipulierbar sind, das zugrundeliegende kulturhistorische Objekt jedoch weiterhin ‚enthalten‘. Eine Bibliothek, die Objekte aus ihren Beständen digitalisiert, begründet also eigentlich keine sog. digitale Bibliothek, sondern eine hybride Bibliothek. Im Falle musikalischer Überlieferung ist die Sachlage aufgrund der medienhistorischen Komplexität musikalischer Artefakte besonders unübersichtlich. Verschärft wird die heutige Situation noch durch die Erzeugnisse der Digital Humanities, die keineswegs bloß ‚Informationen‘ sind, sondern ihrerseits komplexe und in der Regel hybride Textgebilde, die häufig komplette digitalisierte Re-Publikationen von Kulturobjekten einbinden, die digital ‚beschriftet‘ und vernetzt werden. Das digitale ‚Dickicht‘ erfordert einen gleichsam genetischen und relationalen Katalog, in dem die konkreten kulturhistorischen Objekte in ihren konkreten Sammlungskontexten – also als Unikate – Ankerfunktion haben.\r\nDer Essay geht zurück auf einen Vortrag bei der AIBM-Jahrestagung, Symposium der AG Musikabteilungen an wissenschaftlichen Bibliotheken, Detmold, 8. September 2016."},{"text":"Digitization produces ‚hybrid‘ objects that are readable as digital data files but at the same time still ‚contain‘ the original cultural-historical object. In this perspective, ‚digital collections‘, ‚digital libraries‘, etc. are in fact hybrid collections, or libraries. For musical artefacts, the range of historical media is especially complex, which again concerns the digital world. Digital Humanities publications also contribute to the complex and confusing situation as they themselves are not only ‚information‘, but as a rule, complex and hybrid textual systems that often contain complete digitized re-publications of cultural objects, providing them with digital ‚inscriptions‘, and interlinking them. So the hybridity of ‚digital libraries‘ increases as soon as Digital Humanities publications are integrated. Therefore, metadata should mirror precisely the hybrid nature of the digitized/digital objects catalogued.","lang":"eng"}],"page":"236-246","_id":"47480","publisher":"De Gruyter","user_id":"61139","volume":42,"status":"public","oa":"1","citation":{"apa":"Münzmay, A. (2018). Lesen und Schreiben im digitalen Dickicht. Musikwissenschaft, Digital Humanities und die hybride Musikbibliothek. <i>Bibliothek: Forschung und Praxis</i>, <i>42</i>(2), 236–246. <a href=\"https://doi.org/10.1515/bfp-2018-0031\">https://doi.org/10.1515/bfp-2018-0031</a>","ieee":"A. Münzmay, “Lesen und Schreiben im digitalen Dickicht. Musikwissenschaft, Digital Humanities und die hybride Musikbibliothek,” <i>Bibliothek: Forschung und Praxis</i>, vol. 42, no. 2, pp. 236–246, 2018, doi: <a href=\"https://doi.org/10.1515/bfp-2018-0031\">10.1515/bfp-2018-0031</a>.","chicago":"Münzmay, Andreas. “Lesen und Schreiben im digitalen Dickicht. Musikwissenschaft, Digital Humanities und die hybride Musikbibliothek.” <i>Bibliothek: Forschung und Praxis</i> 42, no. 2 (2018): 236–46. <a href=\"https://doi.org/10.1515/bfp-2018-0031\">https://doi.org/10.1515/bfp-2018-0031</a>.","short":"A. Münzmay, Bibliothek: Forschung und Praxis 42 (2018) 236–246.","mla":"Münzmay, Andreas. “Lesen und Schreiben im digitalen Dickicht. Musikwissenschaft, Digital Humanities und die hybride Musikbibliothek.” <i>Bibliothek: Forschung und Praxis</i>, vol. 42, no. 2, De Gruyter, 2018, pp. 236–46, doi:<a href=\"https://doi.org/10.1515/bfp-2018-0031\">10.1515/bfp-2018-0031</a>.","ama":"Münzmay A. Lesen und Schreiben im digitalen Dickicht. Musikwissenschaft, Digital Humanities und die hybride Musikbibliothek. <i>Bibliothek: Forschung und Praxis</i>. 2018;42(2):236-246. doi:<a href=\"https://doi.org/10.1515/bfp-2018-0031\">10.1515/bfp-2018-0031</a>","bibtex":"@article{Münzmay_2018, title={Lesen und Schreiben im digitalen Dickicht. Musikwissenschaft, Digital Humanities und die hybride Musikbibliothek}, volume={42}, DOI={<a href=\"https://doi.org/10.1515/bfp-2018-0031\">10.1515/bfp-2018-0031</a>}, number={2}, journal={Bibliothek: Forschung und Praxis}, publisher={De Gruyter}, author={Münzmay, Andreas}, year={2018}, pages={236–246} }"},"quality_controlled":"1"},{"type":"preprint","oa":"1","department":[{"_id":"91"}],"date_created":"2024-02-20T08:22:15Z","citation":{"apa":"Hilgert, J., Hansen, S., &#38; Parthasarathy, A. (2018). <i>Boundary Values of Eigenfunctions on Riemannian Symmetric Spaces</i>.","ieee":"J. Hilgert, S. Hansen, and A. Parthasarathy, “Boundary Values of Eigenfunctions on Riemannian Symmetric Spaces.” 2018.","short":"J. Hilgert, S. Hansen, A. Parthasarathy, (2018).","chicago":"Hilgert, Joachim, S. Hansen, and A. Parthasarathy. “Boundary Values of Eigenfunctions on Riemannian Symmetric Spaces,” 2018.","mla":"Hilgert, Joachim, et al. <i>Boundary Values of Eigenfunctions on Riemannian Symmetric Spaces</i>. 2018.","ama":"Hilgert J, Hansen S, Parthasarathy A. Boundary Values of Eigenfunctions on Riemannian Symmetric Spaces. Published online 2018.","bibtex":"@article{Hilgert_Hansen_Parthasarathy_2018, title={Boundary Values of Eigenfunctions on Riemannian Symmetric Spaces}, author={Hilgert, Joachim and Hansen, S. and Parthasarathy, A.}, year={2018} }"},"user_id":"49063","main_file_link":[{"url":"https://arxiv.org/pdf/1807.07131","open_access":"1"}],"language":[{"iso":"eng"}],"_id":"51523","date_updated":"2024-02-20T08:24:26Z","publication_status":"published","title":"Boundary Values of Eigenfunctions on Riemannian Symmetric Spaces","year":"2018","status":"public","author":[{"full_name":"Hilgert, Joachim","first_name":"Joachim","last_name":"Hilgert","id":"220"},{"first_name":"S.","last_name":"Hansen","full_name":"Hansen, S."},{"full_name":"Parthasarathy, A.","last_name":"Parthasarathy","first_name":"A."}]}]