@misc{50264,
  author       = {{Tönnies, Merle}},
  number       = {{3}},
  pages        = {{268--270}},
  title        = {{{Christine Schwanecke: A Narratology of Drama: Dramatic Storytelling in Theory, History, and Culture from the Renaissance to the Twenty-First Century}}},
  doi          = {{ https://doi.org/10.33675/ANGL/2023/3/20}},
  volume       = {{34}},
  year         = {{2023}},
}

@book{34453,
  editor       = {{Tönnies, Merle and Voigts, Eckart}},
  publisher    = {{Walter deGruyter}},
  title        = {{{Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre}}},
  volume       = {{32}},
  year         = {{2022}},
}

@article{34452,
  author       = {{Tönnies, Merle and Flotmann-Scholz, Christina}},
  journal      = {{Anglistik: International Journal of English Studies}},
  number       = {{2}},
  pages        = {{ 257--272}},
  title        = {{{Directing Pandemic Attention: Dystopian Corona Narratives and the Nation in British Media and Politics}}},
  volume       = {{33}},
  year         = {{2022}},
}

@article{34454,
  author       = {{Tönnies, Merle and Voigts, Eckart}},
  journal      = {{Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (CDE Studies)}},
  publisher    = {{Walter deGruyter}},
  title        = {{{Anger, Anxiety and Hope: The Complicit Realities and Engaged/ing Communities of Contemporary Briitsh Dys/Utopian Theatre}}},
  volume       = {{32}},
  year         = {{2022}},
}

@inbook{24539,
  author       = {{Tönnies, Merle}},
  booktitle    = {{Mentalities and Materialities: Essays in Honour of Jürgen Kamm}},
  editor       = {{Jacobi, Philip and Pankratz, Anette}},
  pages        = {{149--163}},
  publisher    = {{Königshausen & Neumann}},
  title        = {{{Constructions of a National Threat: Contextualising the Rhetorical Management of the COVID-19 Pandemic in Britain}}},
  year         = {{2021}},
}

@book{21825,
  editor       = {{Tönnies, Merle and Schlieper, Hendrick}},
  publisher    = {{Harrassowitz}},
  title        = {{{Gattung und Geschlecht: Konventionen und Transformationen eines Paradigmas}}},
  volume       = {{21 }},
  year         = {{2021}},
}

@inbook{21826,
  author       = {{Tönnies, Merle}},
  booktitle    = {{Gattung und Geschlecht: Konventionen und Transformationen eines Paradigmas}},
  editor       = {{Tönnies, Merle and Schlieper, Hendrick}},
  pages        = {{235--263.}},
  publisher    = {{Harrassowitz}},
  title        = {{{The Black British Bildungsroman: Gender-specific Plot Models?}}},
  volume       = {{21}},
  year         = {{2021}},
}

@article{29244,
  author       = {{Tönnies, Merle and Sierz, Aleks}},
  journal      = {{Journal of Contemporary Drama in English}},
  number       = {{1}},
  pages        = {{20--42}},
  publisher    = {{DeGruyter}},
  title        = {{{‘Who’s Going to Mobilise Darkness and Silence?’ The Construction of Dystopian Spaces in Contemporary British Drama}}},
  volume       = {{9}},
  year         = {{2021}},
}

@article{21824,
  author       = {{Tönnies, Merle and Voigts, Eckart}},
  journal      = {{Journal of Contemporary Drama in English}},
  number       = {{2}},
  pages        = {{295--312}},
  publisher    = {{DeGruyter}},
  title        = {{{Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre}}},
  volume       = {{8}},
  year         = {{2020}},
}

@inbook{17058,
  author       = {{Tönnies, Merle and Göhrmann, Matthias}},
  booktitle    = {{How to Do Cultural Studies: Ideas, Approaches, Scenarios}},
  editor       = {{Kramer, Jürgen and Lenz, Bernd}},
  pages        = {{303--339}},
  publisher    = {{Königshausen & Neumann}},
  title        = {{{British Political Rhetoric from World War II to Brexit: A Cultural Studies Approach}}},
  year         = {{2020}},
}

@article{17057,
  author       = {{Tönnies, Merle and Henneböhl, Dennis}},
  journal      = {{Journal for the Study of British Cultures}},
  number       = {{2}},
  pages        = {{181--193}},
  title        = {{{Negotiating Images of (Un-)Belonging and (Divided) Communities: Ali Smith's Seasonal Quartet as a Counter-Narrative to Brexit}}},
  volume       = {{26}},
  year         = {{2019}},
}

@inbook{9694,
  author       = {{Tönnies, Merle and Lienen, Anna}},
  booktitle    = {{Resistance and the City. Negotiating Urban Identities: Race, Class, Gender}},
  editor       = {{Ehland, Christoph and Fischer, Pascal}},
  pages        = {{66--82}},
  publisher    = {{Brill}},
  title        = {{{Changing Uses of the City in Contemporary Black British Novels}}},
  volume       = {{28}},
  year         = {{2018}},
}

@article{9692,
  author       = {{Tönnies, Merle}},
  journal      = {{Journal of Contemporary Drama in English}},
  number       = {{1}},
  pages        = {{156--172}},
  title        = {{{The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias}}},
  volume       = {{5}},
  year         = {{2017}},
}

@inbook{9693,
  author       = {{Tönnies, Merle}},
  booktitle    = {{Finance, Terror, and Science on Stage. Current Public Concerns in 21st-Century British Drama}},
  editor       = {{Frank, Kerstin and Lusin, Caroline}},
  pages        = {{19--39}},
  publisher    = {{Narr Francke Attempto}},
  title        = {{{Still/Again 'Political'? New Approaches to Questioning Power in Mike Bartlett's 13 (2011)}}},
  volume       = {{82}},
  year         = {{2017}},
}

@misc{9696,
  author       = {{Tönnies, Merle}},
  booktitle    = {{Anglistik. International Journal of English Studies}},
  number       = {{1}},
  pages        = {{175--177}},
  title        = {{{Pope, G.: Reading London's Suburbs}}},
  volume       = {{28}},
  year         = {{2017}},
}

@article{13875,
  author       = {{Tönnies, Merle}},
  journal      = {{Storyworlds: A Journal of Narrative Studies}},
  number       = {{1-2}},
  pages        = {{95--120}},
  title        = {{{The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power}}},
  volume       = {{9}},
  year         = {{2017}},
}

@proceedings{9688,
  editor       = {{Tönnies, Merle and Ehland, Christoph and Mindt, Ilka}},
  location     = {{Paderborn}},
  publisher    = {{WVT}},
  title        = {{{Anglistentag 2015 Paderborn: Proceedings}}},
  year         = {{2016}},
}

@inbook{9689,
  author       = {{Tönnies, Merle}},
  booktitle    = {{Religion und Kultur}},
  editor       = {{von Stosch, Klaus and Hofmann, Michael and Schmitz, Sabine}},
  pages        = {{81--96}},
  publisher    = {{transcript}},
  title        = {{{Religion im zeitgenössischen britischen Drama}}},
  year         = {{2016}},
}

@article{9690,
  author       = {{Tönnies, Merle}},
  journal      = {{Anglistik. International Journal of English Studies}},
  number       = {{1}},
  pages        = {{113--124}},
  title        = {{{The Use of Comic Effects in Memoirs of British Asian Adolescence: Twenty-First Century Writers Looking Back at the 1970s and 1980s}}},
  volume       = {{27}},
  year         = {{2016}},
}

@article{9691,
  author       = {{Tönnies, Merle and Brüning, Joana and Sand, Andrea}},
  journal      = {{Zeitschrift für Anglistik und Amerikanistik}},
  number       = {{3}},
  pages        = {{301--320}},
  title        = {{{The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance}}},
  volume       = {{64}},
  year         = {{2016}},
}