[{"volume":34,"author":[{"first_name":"Merle","id":"555","full_name":"Tönnies, Merle","last_name":"Tönnies"}],"date_created":"2024-01-06T10:24:39Z","date_updated":"2024-03-28T16:48:09Z","doi":" https://doi.org/10.33675/ANGL/2023/3/20","title":"Christine Schwanecke: A Narratology of Drama: Dramatic Storytelling in Theory, History, and Culture from the Renaissance to the Twenty-First Century","issue":"3","publication_status":"published","page":"268-270","intvolume":"        34","citation":{"ieee":"M. Tönnies, “Christine Schwanecke: A Narratology of Drama: Dramatic Storytelling in Theory, History, and Culture from the Renaissance to the Twenty-First Century,” vol. 34, no. 3. pp. 268–270, 2023, doi: <a href=\"https://doi.org/ https://doi.org/10.33675/ANGL/2023/3/20\"> https://doi.org/10.33675/ANGL/2023/3/20</a>.","chicago":"Tönnies, Merle. “Christine Schwanecke: A Narratology of Drama: Dramatic Storytelling in Theory, History, and Culture from the Renaissance to the Twenty-First Century,” 2023. <a href=\"https://doi.org/ https://doi.org/10.33675/ANGL/2023/3/20\">https://doi.org/ https://doi.org/10.33675/ANGL/2023/3/20</a>.","ama":"Tönnies M. Christine Schwanecke: A Narratology of Drama: Dramatic Storytelling in Theory, History, and Culture from the Renaissance to the Twenty-First Century. 2023;34(3):268-270. doi:<a href=\"https://doi.org/ https://doi.org/10.33675/ANGL/2023/3/20\"> https://doi.org/10.33675/ANGL/2023/3/20</a>","apa":"Tönnies, M. (2023). <i>Christine Schwanecke: A Narratology of Drama: Dramatic Storytelling in Theory, History, and Culture from the Renaissance to the Twenty-First Century</i> (Vol. 34, Issue 3, pp. 268–270). <a href=\"https://doi.org/ https://doi.org/10.33675/ANGL/2023/3/20\">https://doi.org/ https://doi.org/10.33675/ANGL/2023/3/20</a>","mla":"Tönnies, Merle. <i>Christine Schwanecke: A Narratology of Drama: Dramatic Storytelling in Theory, History, and Culture from the Renaissance to the Twenty-First Century</i>. no. 3, 2023, pp. 268–70, doi:<a href=\"https://doi.org/ https://doi.org/10.33675/ANGL/2023/3/20\"> https://doi.org/10.33675/ANGL/2023/3/20</a>.","bibtex":"@article{Tönnies_2023, title={Christine Schwanecke: A Narratology of Drama: Dramatic Storytelling in Theory, History, and Culture from the Renaissance to the Twenty-First Century}, volume={34}, DOI={<a href=\"https://doi.org/ https://doi.org/10.33675/ANGL/2023/3/20\"> https://doi.org/10.33675/ANGL/2023/3/20</a>}, number={3}, author={Tönnies, Merle}, year={2023}, pages={268–270} }","short":"M. Tönnies, 34 (2023) 268–270."},"year":"2023","department":[{"_id":"36"},{"_id":"1"},{"_id":"380"}],"user_id":"32277","_id":"50264","language":[{"iso":"eng"}],"type":"review","status":"public"},{"_id":"34453","department":[{"_id":"36"},{"_id":"1"},{"_id":"380"}],"user_id":"32277","series_title":"CDE Studies","language":[{"iso":"eng"}],"type":"book_editor","editor":[{"last_name":"Tönnies","id":"555","full_name":"Tönnies, Merle","first_name":"Merle"},{"full_name":"Voigts, Eckart","last_name":"Voigts","first_name":"Eckart"}],"status":"public","date_updated":"2022-12-15T14:26:07Z","publisher":"Walter deGruyter","volume":32,"date_created":"2022-12-15T14:25:56Z","title":"Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre","publication_status":"published","place":"Berlin","year":"2022","intvolume":"        32","corporate_editor":["The German Society for Contemporary Theatre and Drama in English"],"citation":{"apa":"Tönnies, M., Voigts, E., &#38; The German Society for Contemporary Theatre and Drama in English (Eds.). (2022). <i>Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre</i> (Vol. 32). Walter deGruyter.","bibtex":"@book{Tönnies_Voigts_The German Society for Contemporary Theatre and Drama in English_2022, place={Berlin}, series={CDE Studies}, title={Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre}, volume={32}, publisher={Walter deGruyter}, year={2022}, collection={CDE Studies} }","mla":"Tönnies, Merle, et al., editors. <i>Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre</i>. Walter deGruyter, 2022.","short":"M. Tönnies, E. Voigts, The German Society for Contemporary Theatre and Drama in English, eds., Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre, Walter deGruyter, Berlin, 2022.","ama":"Tönnies M, Voigts E, The German Society for Contemporary Theatre and Drama in English, eds. <i>Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre</i>. Vol 32. Walter deGruyter; 2022.","ieee":"M. Tönnies, E. Voigts, and The German Society for Contemporary Theatre and Drama in English, Eds., <i>Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre</i>, vol. 32. Berlin: Walter deGruyter, 2022.","chicago":"Tönnies, Merle, Eckart Voigts, and The German Society for Contemporary Theatre and Drama in English, eds. <i>Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre</i>. Vol. 32. CDE Studies. Berlin: Walter deGruyter, 2022."}},{"page":" 257-272","intvolume":"        33","citation":{"chicago":"Tönnies, Merle, and Christina Flotmann-Scholz. “Directing Pandemic Attention: Dystopian Corona Narratives and the Nation in British Media and Politics.” <i>Anglistik: International Journal of English Studies</i> 33, no. 2 (2022): 257–72.","ieee":"M. Tönnies and C. Flotmann-Scholz, “Directing Pandemic Attention: Dystopian Corona Narratives and the Nation in British Media and Politics,” <i>Anglistik: International Journal of English Studies</i>, vol. 33, no. 2, pp. 257–272, 2022.","ama":"Tönnies M, Flotmann-Scholz C. Directing Pandemic Attention: Dystopian Corona Narratives and the Nation in British Media and Politics. <i>Anglistik: International Journal of English Studies</i>. 2022;33(2):257-272.","apa":"Tönnies, M., &#38; Flotmann-Scholz, C. (2022). Directing Pandemic Attention: Dystopian Corona Narratives and the Nation in British Media and Politics. <i>Anglistik: International Journal of English Studies</i>, <i>33</i>(2), 257–272.","mla":"Tönnies, Merle, and Christina Flotmann-Scholz. “Directing Pandemic Attention: Dystopian Corona Narratives and the Nation in British Media and Politics.” <i>Anglistik: International Journal of English Studies</i>, vol. 33, no. 2, 2022, pp. 257–72.","bibtex":"@article{Tönnies_Flotmann-Scholz_2022, title={Directing Pandemic Attention: Dystopian Corona Narratives and the Nation in British Media and Politics}, volume={33}, number={2}, journal={Anglistik: International Journal of English Studies}, author={Tönnies, Merle and Flotmann-Scholz, Christina}, year={2022}, pages={257–272} }","short":"M. Tönnies, C. Flotmann-Scholz, Anglistik: International Journal of English Studies 33 (2022) 257–272."},"year":"2022","issue":"2","publication_status":"published","title":"Directing Pandemic Attention: Dystopian Corona Narratives and the Nation in British Media and Politics","volume":33,"author":[{"first_name":"Merle","id":"555","full_name":"Tönnies, Merle","last_name":"Tönnies"},{"first_name":"Christina","id":"8736","full_name":"Flotmann-Scholz, Christina","last_name":"Flotmann-Scholz"}],"date_created":"2022-12-15T14:22:20Z","date_updated":"2022-12-15T14:22:25Z","status":"public","publication":"Anglistik: International Journal of English Studies","type":"journal_article","language":[{"iso":"eng"}],"department":[{"_id":"36"},{"_id":"1"},{"_id":"380"}],"user_id":"32277","_id":"34452"},{"citation":{"chicago":"Tönnies, Merle, and Eckart Voigts. “Anger, Anxiety and Hope: The Complicit Realities and Engaged/Ing Communities of Contemporary Briitsh Dys/Utopian Theatre.” <i>Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (CDE Studies)</i> 32 (2022).","ieee":"M. Tönnies and E. Voigts, “Anger, Anxiety and Hope: The Complicit Realities and Engaged/ing Communities of Contemporary Briitsh Dys/Utopian Theatre,” <i>Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (CDE Studies)</i>, vol. 32, 2022.","ama":"Tönnies M, Voigts E. Anger, Anxiety and Hope: The Complicit Realities and Engaged/ing Communities of Contemporary Briitsh Dys/Utopian Theatre. <i>Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (CDE Studies)</i>. 2022;32.","bibtex":"@article{Tönnies_Voigts_2022, title={Anger, Anxiety and Hope: The Complicit Realities and Engaged/ing Communities of Contemporary Briitsh Dys/Utopian Theatre}, volume={32}, journal={Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (CDE Studies)}, publisher={Walter deGruyter}, author={Tönnies, Merle and Voigts, Eckart}, year={2022} }","short":"M. Tönnies, E. Voigts, Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (CDE Studies) 32 (2022).","mla":"Tönnies, Merle, and Eckart Voigts. “Anger, Anxiety and Hope: The Complicit Realities and Engaged/Ing Communities of Contemporary Briitsh Dys/Utopian Theatre.” <i>Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (CDE Studies)</i>, vol. 32, Walter deGruyter, 2022.","apa":"Tönnies, M., &#38; Voigts, E. (2022). Anger, Anxiety and Hope: The Complicit Realities and Engaged/ing Communities of Contemporary Briitsh Dys/Utopian Theatre. <i>Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (CDE Studies)</i>, <i>32</i>."},"intvolume":"        32","year":"2022","title":"Anger, Anxiety and Hope: The Complicit Realities and Engaged/ing Communities of Contemporary Briitsh Dys/Utopian Theatre","date_created":"2022-12-15T14:29:24Z","author":[{"last_name":"Tönnies","full_name":"Tönnies, Merle","id":"555","first_name":"Merle"},{"full_name":"Voigts, Eckart","last_name":"Voigts","first_name":"Eckart"}],"volume":32,"publisher":"Walter deGruyter","date_updated":"2022-12-15T14:29:30Z","status":"public","type":"journal_article","publication":"Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre (CDE Studies)","language":[{"iso":"eng"}],"user_id":"32277","department":[{"_id":"36"},{"_id":"1"},{"_id":"380"}],"_id":"34454"},{"language":[{"iso":"eng"}],"_id":"24539","department":[{"_id":"36"},{"_id":"1"},{"_id":"380"}],"user_id":"32277","editor":[{"last_name":"Jacobi","full_name":"Jacobi, Philip","first_name":"Philip"},{"last_name":"Pankratz","full_name":"Pankratz, Anette","first_name":"Anette"}],"status":"public","publication":"Mentalities and Materialities: Essays in Honour of Jürgen Kamm","type":"book_chapter","title":"Constructions of a National Threat: Contextualising the Rhetorical Management of the COVID-19 Pandemic in Britain","publisher":"Königshausen & Neumann","date_updated":"2022-01-06T06:56:27Z","date_created":"2021-09-16T05:51:08Z","author":[{"last_name":"Tönnies","id":"555","full_name":"Tönnies, Merle","first_name":"Merle"}],"place":"Würzburg","year":"2021","page":"149-163","citation":{"ama":"Tönnies M. Constructions of a National Threat: Contextualising the Rhetorical Management of the COVID-19 Pandemic in Britain. In: Jacobi P, Pankratz A, eds. <i>Mentalities and Materialities: Essays in Honour of Jürgen Kamm</i>. Königshausen &#38; Neumann; 2021:149-163.","chicago":"Tönnies, Merle. “Constructions of a National Threat: Contextualising the Rhetorical Management of the COVID-19 Pandemic in Britain.” In <i>Mentalities and Materialities: Essays in Honour of Jürgen Kamm</i>, edited by Philip Jacobi and Anette Pankratz, 149–63. Würzburg: Königshausen &#38; Neumann, 2021.","ieee":"M. Tönnies, “Constructions of a National Threat: Contextualising the Rhetorical Management of the COVID-19 Pandemic in Britain,” in <i>Mentalities and Materialities: Essays in Honour of Jürgen Kamm</i>, P. Jacobi and A. Pankratz, Eds. Würzburg: Königshausen &#38; Neumann, 2021, pp. 149–163.","apa":"Tönnies, M. (2021). Constructions of a National Threat: Contextualising the Rhetorical Management of the COVID-19 Pandemic in Britain. In P. Jacobi &#38; A. Pankratz (Eds.), <i>Mentalities and Materialities: Essays in Honour of Jürgen Kamm</i> (pp. 149–163). Königshausen &#38; Neumann.","short":"M. Tönnies, in: P. Jacobi, A. Pankratz (Eds.), Mentalities and Materialities: Essays in Honour of Jürgen Kamm, Königshausen &#38; Neumann, Würzburg, 2021, pp. 149–163.","mla":"Tönnies, Merle. “Constructions of a National Threat: Contextualising the Rhetorical Management of the COVID-19 Pandemic in Britain.” <i>Mentalities and Materialities: Essays in Honour of Jürgen Kamm</i>, edited by Philip Jacobi and Anette Pankratz, Königshausen &#38; Neumann, 2021, pp. 149–63.","bibtex":"@inbook{Tönnies_2021, place={Würzburg}, title={Constructions of a National Threat: Contextualising the Rhetorical Management of the COVID-19 Pandemic in Britain}, booktitle={Mentalities and Materialities: Essays in Honour of Jürgen Kamm}, publisher={Königshausen &#38; Neumann}, author={Tönnies, Merle}, editor={Jacobi, Philip and Pankratz, Anette}, year={2021}, pages={149–163} }"},"publication_status":"published"},{"date_updated":"2022-01-06T06:55:17Z","publisher":"Harrassowitz","date_created":"2021-04-30T03:43:24Z","volume":"21 ","title":"Gattung und Geschlecht: Konventionen und Transformationen eines Paradigmas","publication_status":"published","year":"2021","citation":{"apa":"Tönnies, M., &#38; Schlieper, H. (Eds.). (2021). <i>Gattung und Geschlecht: Konventionen und Transformationen eines Paradigmas</i> (Vol. 21). Harrassowitz.","short":"M. Tönnies, H. Schlieper, eds., Gattung Und Geschlecht: Konventionen Und Transformationen Eines Paradigmas, Harrassowitz, 2021.","bibtex":"@book{Tönnies_Schlieper_2021, series={culturae}, title={Gattung und Geschlecht: Konventionen und Transformationen eines Paradigmas}, volume={21}, publisher={Harrassowitz}, year={2021}, collection={culturae} }","mla":"Tönnies, Merle, and Hendrick Schlieper, editors. <i>Gattung Und Geschlecht: Konventionen Und Transformationen Eines Paradigmas</i>. Vol. 21, Harrassowitz, 2021.","chicago":"Tönnies, Merle, and Hendrick Schlieper, eds. <i>Gattung Und Geschlecht: Konventionen Und Transformationen Eines Paradigmas</i>. Vol. 21. Culturae. Harrassowitz, 2021.","ieee":"M. Tönnies and H. Schlieper, Eds., <i>Gattung und Geschlecht: Konventionen und Transformationen eines Paradigmas</i>, vol. 21. Harrassowitz, 2021.","ama":"Tönnies M, Schlieper H, eds. <i>Gattung Und Geschlecht: Konventionen Und Transformationen Eines Paradigmas</i>. Vol 21. Harrassowitz; 2021."},"_id":"21825","series_title":"culturae","user_id":"32277","department":[{"_id":"36"},{"_id":"1"},{"_id":"380"}],"language":[{"iso":"eng"}],"type":"book_editor","editor":[{"first_name":"Merle","full_name":"Tönnies, Merle","id":"555","last_name":"Tönnies"},{"first_name":"Hendrick","full_name":"Schlieper, Hendrick","last_name":"Schlieper"}],"status":"public"},{"editor":[{"full_name":"Tönnies, Merle","last_name":"Tönnies","first_name":"Merle"},{"full_name":"Schlieper, Hendrick","last_name":"Schlieper","first_name":"Hendrick"}],"status":"public","publication":"Gattung und Geschlecht: Konventionen und Transformationen eines Paradigmas","type":"book_chapter","language":[{"iso":"eng"}],"_id":"21826","department":[{"_id":"36"},{"_id":"1"},{"_id":"380"}],"user_id":"32277","series_title":"culturae","year":"2021","intvolume":"        21","page":"235-263.","citation":{"ama":"Tönnies M. The Black British Bildungsroman: Gender-specific Plot Models? In: Tönnies M, Schlieper H, eds. <i>Gattung Und Geschlecht: Konventionen Und Transformationen Eines Paradigmas</i>. Vol 21. culturae. Harrassowitz; 2021:235-263.","ieee":"M. Tönnies, “The Black British Bildungsroman: Gender-specific Plot Models?,” in <i>Gattung und Geschlecht: Konventionen und Transformationen eines Paradigmas</i>, vol. 21, M. Tönnies and H. Schlieper, Eds. Harrassowitz, 2021, pp. 235-263.","chicago":"Tönnies, Merle. “The Black British Bildungsroman: Gender-Specific Plot Models?” In <i>Gattung Und Geschlecht: Konventionen Und Transformationen Eines Paradigmas</i>, edited by Merle Tönnies and Hendrick Schlieper, 21:235-263. Culturae. Harrassowitz, 2021.","mla":"Tönnies, Merle. “The Black British Bildungsroman: Gender-Specific Plot Models?” <i>Gattung Und Geschlecht: Konventionen Und Transformationen Eines Paradigmas</i>, edited by Merle Tönnies and Hendrick Schlieper, vol. 21, Harrassowitz, 2021, pp. 235-263.","bibtex":"@inbook{Tönnies_2021, series={culturae}, title={The Black British Bildungsroman: Gender-specific Plot Models?}, volume={21}, booktitle={Gattung und Geschlecht: Konventionen und Transformationen eines Paradigmas}, publisher={Harrassowitz}, author={Tönnies, Merle}, editor={Tönnies, Merle and Schlieper, HendrickEditors}, year={2021}, pages={235-263.}, collection={culturae} }","short":"M. Tönnies, in: M. Tönnies, H. Schlieper (Eds.), Gattung Und Geschlecht: Konventionen Und Transformationen Eines Paradigmas, Harrassowitz, 2021, pp. 235-263.","apa":"Tönnies, M. (2021). The Black British Bildungsroman: Gender-specific Plot Models? In M. Tönnies &#38; H. Schlieper (Eds.), <i>Gattung und Geschlecht: Konventionen und Transformationen eines Paradigmas</i> (Vol. 21, pp. 235-263.). Harrassowitz."},"publication_status":"published","title":"The Black British Bildungsroman: Gender-specific Plot Models?","publisher":"Harrassowitz","date_updated":"2022-01-06T06:55:17Z","volume":21,"date_created":"2021-04-30T03:45:04Z","author":[{"last_name":"Tönnies","full_name":"Tönnies, Merle","id":"555","first_name":"Merle"}]},{"date_created":"2022-01-11T15:37:28Z","author":[{"last_name":"Tönnies","id":"555","full_name":"Tönnies, Merle","first_name":"Merle"},{"last_name":"Sierz","full_name":"Sierz, Aleks","first_name":"Aleks"}],"volume":9,"date_updated":"2022-01-11T15:37:49Z","publisher":"DeGruyter","title":"‘Who’s Going to Mobilise Darkness and Silence?’ The Construction of Dystopian Spaces in Contemporary British Drama","issue":"1","publication_status":"published","citation":{"apa":"Tönnies, M., &#38; Sierz, A. (2021). ‘Who’s Going to Mobilise Darkness and Silence?’ The Construction of Dystopian Spaces in Contemporary British Drama. <i>Journal of Contemporary Drama in English</i>, <i>9</i>(1), 20–42.","mla":"Tönnies, Merle, and Aleks Sierz. “‘Who’s Going to Mobilise Darkness and Silence?’ The Construction of Dystopian Spaces in Contemporary British Drama.” <i>Journal of Contemporary Drama in English</i>, vol. 9, no. 1, DeGruyter, 2021, pp. 20–42.","bibtex":"@article{Tönnies_Sierz_2021, title={‘Who’s Going to Mobilise Darkness and Silence?’ The Construction of Dystopian Spaces in Contemporary British Drama}, volume={9}, number={1}, journal={Journal of Contemporary Drama in English}, publisher={DeGruyter}, author={Tönnies, Merle and Sierz, Aleks}, year={2021}, pages={20–42} }","short":"M. Tönnies, A. Sierz, Journal of Contemporary Drama in English 9 (2021) 20–42.","ama":"Tönnies M, Sierz A. ‘Who’s Going to Mobilise Darkness and Silence?’ The Construction of Dystopian Spaces in Contemporary British Drama. <i>Journal of Contemporary Drama in English</i>. 2021;9(1):20-42.","ieee":"M. Tönnies and A. Sierz, “‘Who’s Going to Mobilise Darkness and Silence?’ The Construction of Dystopian Spaces in Contemporary British Drama,” <i>Journal of Contemporary Drama in English</i>, vol. 9, no. 1, pp. 20–42, 2021.","chicago":"Tönnies, Merle, and Aleks Sierz. “‘Who’s Going to Mobilise Darkness and Silence?’ The Construction of Dystopian Spaces in Contemporary British Drama.” <i>Journal of Contemporary Drama in English</i> 9, no. 1 (2021): 20–42."},"intvolume":"         9","page":"20-42","year":"2021","user_id":"32277","department":[{"_id":"36"},{"_id":"1"},{"_id":"380"}],"_id":"29244","language":[{"iso":"eng"}],"type":"journal_article","publication":"Journal of Contemporary Drama in English","status":"public"},{"issue":"2","publication_status":"published","citation":{"ieee":"M. Tönnies and E. Voigts, “Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre,” <i>Journal of Contemporary Drama in English</i>, vol. 8, no. 2, pp. 295–312, 2020.","chicago":"Tönnies, Merle, and Eckart Voigts. “Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre.” <i>Journal of Contemporary Drama in English</i> 8, no. 2 (2020): 295–312.","ama":"Tönnies M, Voigts E. Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre. <i>Journal of Contemporary Drama in English</i>. 2020;8(2):295-312.","bibtex":"@article{Tönnies_Voigts_2020, title={Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre}, volume={8}, number={2}, journal={Journal of Contemporary Drama in English}, publisher={DeGruyter}, author={Tönnies, Merle and Voigts, Eckart}, year={2020}, pages={295–312} }","short":"M. Tönnies, E. Voigts, Journal of Contemporary Drama in English 8 (2020) 295–312.","mla":"Tönnies, Merle, and Eckart Voigts. “Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre.” <i>Journal of Contemporary Drama in English</i>, vol. 8, no. 2, DeGruyter, 2020, pp. 295–312.","apa":"Tönnies, M., &#38; Voigts, E. (2020). Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre. <i>Journal of Contemporary Drama in English</i>, <i>8</i>(2), 295–312."},"intvolume":"         8","page":"295-312","year":"2020","date_created":"2021-04-30T03:33:44Z","author":[{"first_name":"Merle","last_name":"Tönnies","full_name":"Tönnies, Merle","id":"555"},{"first_name":"Eckart","last_name":"Voigts","full_name":"Voigts, Eckart"}],"volume":8,"date_updated":"2022-01-06T06:55:17Z","publisher":"DeGruyter","title":"Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre","type":"journal_article","publication":"Journal of Contemporary Drama in English","status":"public","user_id":"32277","department":[{"_id":"36"},{"_id":"1"},{"_id":"380"}],"_id":"21824","language":[{"iso":"eng"}]},{"page":"303-339","citation":{"apa":"Tönnies, M., &#38; Göhrmann, M. (2020). British Political Rhetoric from World War II to Brexit: A Cultural Studies Approach. In J. Kramer &#38; B. Lenz (Eds.), <i>How to Do Cultural Studies: Ideas, Approaches, Scenarios</i> (pp. 303–339). Würzburg: Königshausen &#38; Neumann.","mla":"Tönnies, Merle, and Matthias Göhrmann. “British Political Rhetoric from World War II to Brexit: A Cultural Studies Approach.” <i>How to Do Cultural Studies: Ideas, Approaches, Scenarios</i>, edited by Jürgen Kramer and Bernd Lenz, Königshausen &#38; Neumann, 2020, pp. 303–39.","bibtex":"@inbook{Tönnies_Göhrmann_2020, place={Würzburg}, title={British Political Rhetoric from World War II to Brexit: A Cultural Studies Approach}, booktitle={How to Do Cultural Studies: Ideas, Approaches, Scenarios}, publisher={Königshausen &#38; Neumann}, author={Tönnies, Merle and Göhrmann, Matthias}, editor={Kramer, Jürgen and Lenz, BerndEditors}, year={2020}, pages={303–339} }","short":"M. Tönnies, M. Göhrmann, in: J. Kramer, B. Lenz (Eds.), How to Do Cultural Studies: Ideas, Approaches, Scenarios, Königshausen &#38; Neumann, Würzburg, 2020, pp. 303–339.","ieee":"M. Tönnies and M. Göhrmann, “British Political Rhetoric from World War II to Brexit: A Cultural Studies Approach,” in <i>How to Do Cultural Studies: Ideas, Approaches, Scenarios</i>, J. Kramer and B. Lenz, Eds. Würzburg: Königshausen &#38; Neumann, 2020, pp. 303–339.","chicago":"Tönnies, Merle, and Matthias Göhrmann. “British Political Rhetoric from World War II to Brexit: A Cultural Studies Approach.” In <i>How to Do Cultural Studies: Ideas, Approaches, Scenarios</i>, edited by Jürgen Kramer and Bernd Lenz, 303–39. Würzburg: Königshausen &#38; Neumann, 2020.","ama":"Tönnies M, Göhrmann M. British Political Rhetoric from World War II to Brexit: A Cultural Studies Approach. In: Kramer J, Lenz B, eds. <i>How to Do Cultural Studies: Ideas, Approaches, Scenarios</i>. Würzburg: Königshausen &#38; Neumann; 2020:303-339."},"place":"Würzburg","year":"2020","publication_status":"published","title":"British Political Rhetoric from World War II to Brexit: A Cultural Studies Approach","date_created":"2020-05-25T06:40:19Z","author":[{"id":"555","full_name":"Tönnies, Merle","last_name":"Tönnies","first_name":"Merle"},{"full_name":"Göhrmann, Matthias","last_name":"Göhrmann","first_name":"Matthias"}],"date_updated":"2022-01-06T06:53:03Z","publisher":"Königshausen & Neumann","status":"public","editor":[{"last_name":"Kramer","full_name":"Kramer, Jürgen","first_name":"Jürgen"},{"first_name":"Bernd","last_name":"Lenz","full_name":"Lenz, Bernd"}],"publication":"How to Do Cultural Studies: Ideas, Approaches, Scenarios","type":"book_chapter","language":[{"iso":"eng"}],"user_id":"555","_id":"17058"},{"publication_status":"published","issue":"2","year":"2019","citation":{"ieee":"M. Tönnies and D. Henneböhl, “Negotiating Images of (Un-)Belonging and (Divided) Communities: Ali Smith’s Seasonal Quartet as a Counter-Narrative to Brexit,” <i>Journal for the Study of British Cultures</i>, vol. 26, no. 2, pp. 181–193, 2019.","chicago":"Tönnies, Merle, and Dennis Henneböhl. “Negotiating Images of (Un-)Belonging and (Divided) Communities: Ali Smith’s Seasonal Quartet as a Counter-Narrative to Brexit.” <i>Journal for the Study of British Cultures</i> 26, no. 2 (2019): 181–93.","ama":"Tönnies M, Henneböhl D. Negotiating Images of (Un-)Belonging and (Divided) Communities: Ali Smith’s Seasonal Quartet as a Counter-Narrative to Brexit. <i>Journal for the Study of British Cultures</i>. 2019;26(2):181-193.","short":"M. Tönnies, D. Henneböhl, Journal for the Study of British Cultures 26 (2019) 181–193.","bibtex":"@article{Tönnies_Henneböhl_2019, title={Negotiating Images of (Un-)Belonging and (Divided) Communities: Ali Smith’s Seasonal Quartet as a Counter-Narrative to Brexit}, volume={26}, number={2}, journal={Journal for the Study of British Cultures}, author={Tönnies, Merle and Henneböhl, Dennis}, year={2019}, pages={181–193} }","mla":"Tönnies, Merle, and Dennis Henneböhl. “Negotiating Images of (Un-)Belonging and (Divided) Communities: Ali Smith’s Seasonal Quartet as a Counter-Narrative to Brexit.” <i>Journal for the Study of British Cultures</i>, vol. 26, no. 2, 2019, pp. 181–93.","apa":"Tönnies, M., &#38; Henneböhl, D. (2019). Negotiating Images of (Un-)Belonging and (Divided) Communities: Ali Smith’s Seasonal Quartet as a Counter-Narrative to Brexit. <i>Journal for the Study of British Cultures</i>, <i>26</i>(2), 181–193."},"page":"181-193","intvolume":"        26","date_updated":"2022-01-06T06:53:03Z","author":[{"last_name":"Tönnies","full_name":"Tönnies, Merle","id":"555","first_name":"Merle"},{"last_name":"Henneböhl","full_name":"Henneböhl, Dennis","first_name":"Dennis"}],"date_created":"2020-05-25T06:36:17Z","volume":26,"title":"Negotiating Images of (Un-)Belonging and (Divided) Communities: Ali Smith's Seasonal Quartet as a Counter-Narrative to Brexit","type":"journal_article","publication":"Journal for the Study of British Cultures","status":"public","_id":"17057","user_id":"555","language":[{"iso":"eng"}]},{"title":"Changing Uses of the City in Contemporary Black British Novels","author":[{"first_name":"Merle","id":"555","full_name":"Tönnies, Merle","last_name":"Tönnies"},{"full_name":"Lienen, Anna","last_name":"Lienen","first_name":"Anna"}],"date_created":"2019-05-08T06:57:02Z","volume":28,"date_updated":"2022-01-06T07:04:18Z","publisher":"Brill","citation":{"apa":"Tönnies, M., &#38; Lienen, A. (2018). Changing Uses of the City in Contemporary Black British Novels. In C. Ehland &#38; P. Fischer (Eds.), <i>Resistance and the City. Negotiating Urban Identities: Race, Class, Gender</i> (Vol. 28, pp. 66–82). Leiden: Brill.","bibtex":"@inbook{Tönnies_Lienen_2018, place={Leiden}, series={Spatial Practices }, title={Changing Uses of the City in Contemporary Black British Novels}, volume={28}, booktitle={Resistance and the City. Negotiating Urban Identities: Race, Class, Gender}, publisher={Brill}, author={Tönnies, Merle and Lienen, Anna}, editor={Ehland, Christoph and Fischer, PascalEditors}, year={2018}, pages={66–82}, collection={Spatial Practices } }","mla":"Tönnies, Merle, and Anna Lienen. “Changing Uses of the City in Contemporary Black British Novels.” <i>Resistance and the City. Negotiating Urban Identities: Race, Class, Gender</i>, edited by Christoph Ehland and Pascal Fischer, vol. 28, Brill, 2018, pp. 66–82.","short":"M. Tönnies, A. Lienen, in: C. Ehland, P. Fischer (Eds.), Resistance and the City. Negotiating Urban Identities: Race, Class, Gender, Brill, Leiden, 2018, pp. 66–82.","ama":"Tönnies M, Lienen A. Changing Uses of the City in Contemporary Black British Novels. In: Ehland C, Fischer P, eds. <i>Resistance and the City. Negotiating Urban Identities: Race, Class, Gender</i>. Vol 28. Spatial Practices . Leiden: Brill; 2018:66-82.","ieee":"M. Tönnies and A. Lienen, “Changing Uses of the City in Contemporary Black British Novels,” in <i>Resistance and the City. Negotiating Urban Identities: Race, Class, Gender</i>, vol. 28, C. Ehland and P. Fischer, Eds. Leiden: Brill, 2018, pp. 66–82.","chicago":"Tönnies, Merle, and Anna Lienen. “Changing Uses of the City in Contemporary Black British Novels.” In <i>Resistance and the City. Negotiating Urban Identities: Race, Class, Gender</i>, edited by Christoph Ehland and Pascal Fischer, 28:66–82. Spatial Practices . Leiden: Brill, 2018."},"page":"66-82","intvolume":"        28","place":"Leiden","year":"2018","publication_status":"published","language":[{"iso":"eng"}],"user_id":"32277","series_title":"Spatial Practices ","department":[{"_id":"36"},{"_id":"1"},{"_id":"380"}],"_id":"9694","status":"public","editor":[{"last_name":"Ehland","full_name":"Ehland, Christoph","first_name":"Christoph"},{"full_name":"Fischer, Pascal","last_name":"Fischer","first_name":"Pascal"}],"type":"book_chapter","publication":"Resistance and the City. Negotiating Urban Identities: Race, Class, Gender"},{"status":"public","publication":"Journal of Contemporary Drama in English","type":"journal_article","language":[{"iso":"eng"}],"department":[{"_id":"36"},{"_id":"1"},{"_id":"380"}],"user_id":"32277","_id":"9692","intvolume":"         5","page":"156-172","citation":{"chicago":"Tönnies, Merle. “The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias.” <i>Journal of Contemporary Drama in English</i> 5, no. 1 (2017): 156–72.","ieee":"M. Tönnies, “The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias,” <i>Journal of Contemporary Drama in English</i>, vol. 5, no. 1, pp. 156–172, 2017.","ama":"Tönnies M. The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias. <i>Journal of Contemporary Drama in English</i>. 2017;5(1):156-172.","apa":"Tönnies, M. (2017). The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias. <i>Journal of Contemporary Drama in English</i>, <i>5</i>(1), 156–172.","short":"M. Tönnies, Journal of Contemporary Drama in English 5 (2017) 156–172.","bibtex":"@article{Tönnies_2017, title={The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias}, volume={5}, number={1}, journal={Journal of Contemporary Drama in English}, author={Tönnies, Merle}, year={2017}, pages={156–172} }","mla":"Tönnies, Merle. “The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias.” <i>Journal of Contemporary Drama in English</i>, vol. 5, no. 1, 2017, pp. 156–72."},"year":"2017","issue":"1","publication_status":"published","title":"The Immobility of Power in British Political Theatre after 2000: Absurdist Dystopias","volume":5,"author":[{"full_name":"Tönnies, Merle","id":"555","last_name":"Tönnies","first_name":"Merle"}],"date_created":"2019-05-08T06:51:16Z","date_updated":"2022-01-06T07:04:18Z"},{"publication_status":"published","intvolume":"        82","page":"19-39","citation":{"ama":"Tönnies M. Still/Again “Political”? New Approaches to Questioning Power in Mike Bartlett’s 13 (2011). In: Frank K, Lusin C, eds. <i>Finance, Terror, and Science on Stage. Current Public Concerns in 21st-Century British Drama</i>. Vol 82. Mannerheimer Beiträge zur Literatur- und Kulturwissenschaft. Tübingen: Narr Francke Attempto; 2017:19-39.","ieee":"M. Tönnies, “Still/Again ‘Political’? New Approaches to Questioning Power in Mike Bartlett’s 13 (2011),” in <i>Finance, Terror, and Science on Stage. Current Public Concerns in 21st-Century British Drama</i>, vol. 82, K. Frank and C. Lusin, Eds. Tübingen: Narr Francke Attempto, 2017, pp. 19–39.","chicago":"Tönnies, Merle. “Still/Again ‘Political’? New Approaches to Questioning Power in Mike Bartlett’s 13 (2011).” In <i>Finance, Terror, and Science on Stage. Current Public Concerns in 21st-Century British Drama</i>, edited by Kerstin Frank and Caroline Lusin, 82:19–39. Mannerheimer Beiträge Zur Literatur- Und Kulturwissenschaft. Tübingen: Narr Francke Attempto, 2017.","apa":"Tönnies, M. (2017). Still/Again “Political”? New Approaches to Questioning Power in Mike Bartlett’s 13 (2011). In K. Frank &#38; C. Lusin (Eds.), <i>Finance, Terror, and Science on Stage. Current Public Concerns in 21st-Century British Drama</i> (Vol. 82, pp. 19–39). Tübingen: Narr Francke Attempto.","short":"M. Tönnies, in: K. Frank, C. Lusin (Eds.), Finance, Terror, and Science on Stage. Current Public Concerns in 21st-Century British Drama, Narr Francke Attempto, Tübingen, 2017, pp. 19–39.","bibtex":"@inbook{Tönnies_2017, place={Tübingen}, series={Mannerheimer Beiträge zur Literatur- und Kulturwissenschaft}, title={Still/Again “Political”? New Approaches to Questioning Power in Mike Bartlett’s 13 (2011)}, volume={82}, booktitle={Finance, Terror, and Science on Stage. Current Public Concerns in 21st-Century British Drama}, publisher={Narr Francke Attempto}, author={Tönnies, Merle}, editor={Frank, Kerstin and Lusin, CarolineEditors}, year={2017}, pages={19–39}, collection={Mannerheimer Beiträge zur Literatur- und Kulturwissenschaft} }","mla":"Tönnies, Merle. “Still/Again ‘Political’? New Approaches to Questioning Power in Mike Bartlett’s 13 (2011).” <i>Finance, Terror, and Science on Stage. Current Public Concerns in 21st-Century British Drama</i>, edited by Kerstin Frank and Caroline Lusin, vol. 82, Narr Francke Attempto, 2017, pp. 19–39."},"place":"Tübingen","year":"2017","volume":82,"date_created":"2019-05-08T06:54:51Z","author":[{"first_name":"Merle","full_name":"Tönnies, Merle","id":"555","last_name":"Tönnies"}],"date_updated":"2022-01-06T07:04:18Z","publisher":"Narr Francke Attempto","title":"Still/Again 'Political'? New Approaches to Questioning Power in Mike Bartlett's 13 (2011)","publication":"Finance, Terror, and Science on Stage. Current Public Concerns in 21st-Century British Drama","type":"book_chapter","status":"public","editor":[{"full_name":"Frank, Kerstin","last_name":"Frank","first_name":"Kerstin"},{"full_name":"Lusin, Caroline","last_name":"Lusin","first_name":"Caroline"}],"department":[{"_id":"36"},{"_id":"1"},{"_id":"380"}],"series_title":"Mannerheimer Beiträge zur Literatur- und Kulturwissenschaft","user_id":"32277","_id":"9693","language":[{"iso":"eng"}]},{"citation":{"short":"M. Tönnies, Anglistik. International Journal of English Studies 28 (2017) 175–177.","bibtex":"@article{Tönnies_2017, title={Pope, G.: Reading London’s Suburbs}, volume={28}, number={1}, journal={Anglistik. International Journal of English Studies}, author={Tönnies, Merle}, year={2017}, pages={175–177} }","mla":"Tönnies, Merle. “Pope, G.: Reading London’s Suburbs.” <i>Anglistik. International Journal of English Studies</i>, vol. 28, no. 1, 2017, pp. 175–77.","apa":"Tönnies, M. (2017). Pope, G.: Reading London’s Suburbs. <i>Anglistik. International Journal of English Studies</i>.","ieee":"M. Tönnies, “Pope, G.: Reading London’s Suburbs,” <i>Anglistik. International Journal of English Studies</i>, vol. 28, no. 1. pp. 175–177, 2017.","chicago":"Tönnies, Merle. “Pope, G.: Reading London’s Suburbs.” <i>Anglistik. International Journal of English Studies</i>, 2017.","ama":"Tönnies M. Pope, G.: Reading London’s Suburbs. <i>Anglistik International Journal of English Studies</i>. 2017;28(1):175-177."},"intvolume":"        28","page":"175-177","year":"2017","issue":"1","publication_status":"published","title":"Pope, G.: Reading London's Suburbs","date_created":"2019-05-08T06:59:19Z","author":[{"id":"555","full_name":"Tönnies, Merle","last_name":"Tönnies","first_name":"Merle"}],"volume":28,"date_updated":"2022-01-06T07:04:18Z","status":"public","type":"review","publication":"Anglistik. International Journal of English Studies","language":[{"iso":"eng"}],"user_id":"32277","department":[{"_id":"36"},{"_id":"1"},{"_id":"380"}],"_id":"9696"},{"year":"2017","page":"95-120","intvolume":"         9","citation":{"chicago":"Tönnies, Merle. “The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power.” <i>Storyworlds: A Journal of Narrative Studies</i> 9, no. 1–2 (2017): 95–120.","ieee":"M. Tönnies, “The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power,” <i>Storyworlds: A Journal of Narrative Studies</i>, vol. 9, no. 1–2, pp. 95–120, 2017.","ama":"Tönnies M. The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power. <i>Storyworlds: A Journal of Narrative Studies</i>. 2017;9(1-2):95-120.","bibtex":"@article{Tönnies_2017, title={The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power}, volume={9}, number={1–2}, journal={Storyworlds: A Journal of Narrative Studies}, author={Tönnies, Merle}, year={2017}, pages={95–120} }","mla":"Tönnies, Merle. “The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power.” <i>Storyworlds: A Journal of Narrative Studies</i>, vol. 9, no. 1–2, 2017, pp. 95–120.","short":"M. Tönnies, Storyworlds: A Journal of Narrative Studies 9 (2017) 95–120.","apa":"Tönnies, M. (2017). The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power. <i>Storyworlds: A Journal of Narrative Studies</i>, <i>9</i>(1–2), 95–120."},"publication_status":"published","issue":"1-2","title":"The Renewal of British Political Theater in the Twenty-First Century: Indirect Narrative Approaches to Ideology and Power","date_updated":"2022-01-06T06:51:46Z","volume":9,"date_created":"2019-10-16T10:41:59Z","author":[{"id":"555","full_name":"Tönnies, Merle","last_name":"Tönnies","first_name":"Merle"}],"status":"public","publication":"Storyworlds: A Journal of Narrative Studies","type":"journal_article","language":[{"iso":"eng"}],"_id":"13875","department":[{"_id":"36"},{"_id":"1"},{"_id":"380"}],"user_id":"32277"},{"_id":"9688","user_id":"14931","department":[{"_id":"36"},{"_id":"1"},{"_id":"380"},{"_id":"384"}],"language":[{"iso":"eng"}],"type":"conference_editor","editor":[{"id":"555","full_name":"Tönnies, Merle","last_name":"Tönnies","first_name":"Merle"},{"first_name":"Christoph","last_name":"Ehland","full_name":"Ehland, Christoph"},{"id":"32079","full_name":"Mindt, Ilka","last_name":"Mindt","first_name":"Ilka"}],"status":"public","publisher":"WVT","date_updated":"2022-01-06T07:04:18Z","date_created":"2019-05-08T06:30:06Z","title":"Anglistentag 2015 Paderborn: Proceedings","conference":{"name":"Anglistentag","location":"Paderborn"},"publication_status":"published","place":"Trier","year":"2016","citation":{"ama":"Tönnies M, Ehland C, Mindt I, eds. <i>Anglistentag 2015 Paderborn: Proceedings</i>. Trier: WVT; 2016.","chicago":"Tönnies, Merle, Christoph Ehland, and Ilka Mindt, eds. <i>Anglistentag 2015 Paderborn: Proceedings</i>. Trier: WVT, 2016.","ieee":"M. Tönnies, C. Ehland, and I. Mindt, Eds., <i>Anglistentag 2015 Paderborn: Proceedings</i>. Trier: WVT, 2016.","short":"M. Tönnies, C. Ehland, I. Mindt, eds., Anglistentag 2015 Paderborn: Proceedings, WVT, Trier, 2016.","bibtex":"@book{Tönnies_Ehland_Mindt_2016, place={Trier}, title={Anglistentag 2015 Paderborn: Proceedings}, publisher={WVT}, year={2016} }","mla":"Tönnies, Merle, et al., editors. <i>Anglistentag 2015 Paderborn: Proceedings</i>. WVT, 2016.","apa":"Tönnies, M., Ehland, C., &#38; Mindt, I. (Eds.). (2016). <i>Anglistentag 2015 Paderborn: Proceedings</i>. Presented at the Anglistentag, Trier: WVT."}},{"publication_status":"published","citation":{"short":"M. Tönnies, in: K. von Stosch, M. Hofmann, S. Schmitz (Eds.), Religion und Kultur, transcript, Bielefeld, 2016, pp. 81–96.","mla":"Tönnies, Merle. “Religion im zeitgenössischen britischen Drama.” <i>Religion und Kultur</i>, edited by Klaus von Stosch et al., transcript, 2016, pp. 81–96.","bibtex":"@inbook{Tönnies_2016, place={Bielefeld}, title={Religion im zeitgenössischen britischen Drama}, booktitle={Religion und Kultur}, publisher={transcript}, author={Tönnies, Merle}, editor={von Stosch, Klaus and Hofmann, Michael and Schmitz, SabineEditors}, year={2016}, pages={81–96} }","apa":"Tönnies, M. (2016). Religion im zeitgenössischen britischen Drama. In K. von Stosch, M. Hofmann, &#38; S. Schmitz (Eds.), <i>Religion und Kultur</i> (pp. 81–96). Bielefeld: transcript.","chicago":"Tönnies, Merle. “Religion im zeitgenössischen britischen Drama.” In <i>Religion und Kultur</i>, edited by Klaus von Stosch, Michael Hofmann, and Sabine Schmitz, 81–96. Bielefeld: transcript, 2016.","ieee":"M. Tönnies, “Religion im zeitgenössischen britischen Drama,” in <i>Religion und Kultur</i>, K. von Stosch, M. Hofmann, and S. Schmitz, Eds. Bielefeld: transcript, 2016, pp. 81–96.","ama":"Tönnies M. Religion im zeitgenössischen britischen Drama. In: von Stosch K, Hofmann M, Schmitz S, eds. <i>Religion und Kultur</i>. Bielefeld: transcript; 2016:81-96."},"page":"81-96","place":"Bielefeld","year":"2016","date_created":"2019-05-08T06:32:42Z","author":[{"id":"555","full_name":"Tönnies, Merle","last_name":"Tönnies","first_name":"Merle"}],"publisher":"transcript","date_updated":"2022-01-06T07:04:18Z","title":"Religion im zeitgenössischen britischen Drama","type":"book_chapter","publication":"Religion und Kultur","status":"public","editor":[{"last_name":"von Stosch","full_name":"von Stosch, Klaus","first_name":"Klaus"},{"full_name":"Hofmann, Michael","last_name":"Hofmann","first_name":"Michael"},{"full_name":"Schmitz, Sabine","last_name":"Schmitz","first_name":"Sabine"}],"user_id":"32277","department":[{"_id":"36"},{"_id":"1"},{"_id":"380"}],"_id":"9689","language":[{"iso":"ger"}]},{"year":"2016","citation":{"mla":"Tönnies, Merle. “The Use of Comic Effects in Memoirs of British Asian Adolescence: Twenty-First Century Writers Looking Back at the 1970s and 1980s.” <i>Anglistik. International Journal of English Studies</i>, vol. 27, no. 1, 2016, pp. 113–24.","bibtex":"@article{Tönnies_2016, title={The Use of Comic Effects in Memoirs of British Asian Adolescence: Twenty-First Century Writers Looking Back at the 1970s and 1980s}, volume={27}, number={1}, journal={Anglistik. International Journal of English Studies}, author={Tönnies, Merle}, year={2016}, pages={113–124} }","short":"M. Tönnies, Anglistik. International Journal of English Studies 27 (2016) 113–124.","apa":"Tönnies, M. (2016). The Use of Comic Effects in Memoirs of British Asian Adolescence: Twenty-First Century Writers Looking Back at the 1970s and 1980s. <i>Anglistik. International Journal of English Studies</i>, <i>27</i>(1), 113–124.","ieee":"M. Tönnies, “The Use of Comic Effects in Memoirs of British Asian Adolescence: Twenty-First Century Writers Looking Back at the 1970s and 1980s,” <i>Anglistik. International Journal of English Studies</i>, vol. 27, no. 1, pp. 113–124, 2016.","chicago":"Tönnies, Merle. “The Use of Comic Effects in Memoirs of British Asian Adolescence: Twenty-First Century Writers Looking Back at the 1970s and 1980s.” <i>Anglistik. International Journal of English Studies</i> 27, no. 1 (2016): 113–24.","ama":"Tönnies M. The Use of Comic Effects in Memoirs of British Asian Adolescence: Twenty-First Century Writers Looking Back at the 1970s and 1980s. <i>Anglistik International Journal of English Studies</i>. 2016;27(1):113-124."},"intvolume":"        27","page":"113-124","publication_status":"published","issue":"1","title":"The Use of Comic Effects in Memoirs of British Asian Adolescence: Twenty-First Century Writers Looking Back at the 1970s and 1980s","date_updated":"2022-01-06T07:04:18Z","date_created":"2019-05-08T06:33:52Z","author":[{"first_name":"Merle","full_name":"Tönnies, Merle","id":"555","last_name":"Tönnies"}],"volume":27,"status":"public","type":"journal_article","publication":"Anglistik. International Journal of English Studies","language":[{"iso":"eng"}],"_id":"9690","user_id":"32277","department":[{"_id":"36"},{"_id":"1"},{"_id":"380"}]},{"issue":"3","publication_status":"published","citation":{"short":"M. Tönnies, J. Brüning, A. Sand, Zeitschrift Für Anglistik Und Amerikanistik 64 (2016) 301–320.","bibtex":"@article{Tönnies_Brüning_Sand_2016, title={The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance}, volume={64}, number={3}, journal={Zeitschrift für Anglistik und Amerikanistik}, author={Tönnies, Merle and Brüning, Joana and Sand, Andrea}, year={2016}, pages={301–320} }","mla":"Tönnies, Merle, et al. “The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance.” <i>Zeitschrift Für Anglistik Und Amerikanistik</i>, vol. 64, no. 3, 2016, pp. 301–20.","apa":"Tönnies, M., Brüning, J., &#38; Sand, A. (2016). The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance. <i>Zeitschrift Für Anglistik Und Amerikanistik</i>, <i>64</i>(3), 301–320.","chicago":"Tönnies, Merle, Joana Brüning, and Andrea Sand. “The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance.” <i>Zeitschrift Für Anglistik Und Amerikanistik</i> 64, no. 3 (2016): 301–20.","ieee":"M. Tönnies, J. Brüning, and A. Sand, “The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance,” <i>Zeitschrift für Anglistik und Amerikanistik</i>, vol. 64, no. 3, pp. 301–320, 2016.","ama":"Tönnies M, Brüning J, Sand A. The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance. <i>Zeitschrift für Anglistik und Amerikanistik</i>. 2016;64(3):301-320."},"intvolume":"        64","page":"301-320","year":"2016","author":[{"first_name":"Merle","last_name":"Tönnies","full_name":"Tönnies, Merle","id":"555"},{"last_name":"Brüning","full_name":"Brüning, Joana","first_name":"Joana"},{"first_name":"Andrea","full_name":"Sand, Andrea","last_name":"Sand"}],"date_created":"2019-05-08T06:50:02Z","volume":64,"date_updated":"2022-01-06T07:04:18Z","title":"The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance","type":"journal_article","publication":"Zeitschrift für Anglistik und Amerikanistik","status":"public","user_id":"32277","department":[{"_id":"36"},{"_id":"1"},{"_id":"380"}],"_id":"9691","language":[{"iso":"eng"}]}]