[{"type":"journal_article","publication":"Paderborner Beiträge 2024. die hochschullehre - Themenheft 2025","status":"public","abstract":[{"lang":"ger","text":"Auslandsaufenthalte von Studierenden sind im Fach Musikwissenschaft an der Universität Paderborn eher eine Ausnahme. Das hat unterschiedliche Gründe, unter anderem die nicht vorhandene curriculare Verankerung. Dabei belegen diverse Untersuchungen, dass solche Aufenthalte den interkulturellen Kompetenzerwerb und damit Fähigkeiten fördern, die unabhängig vom Fach in einer globalisierten Welt immer größere Relevanz im Berufsleben einnehmen. Im Projekt wurde ein hybrides internationales Kooperationsseminar entwickelt und durchgeführt sowie in Bezug auf den Erwerb dieser wichtigen Schlüsselqualifikation evaluiert. Die Auswertung der unter anderem durch Fragebögen erhobenen Entwicklung konnte deutlich die positiven Auswirkungen eines hybriden Kooperationsseminars auf interkulturelle Kompetenzen, die Auseinandersetzung mit verschiedensten Aspekten einer anderen Kultur, darunter Geschichte, Politik, (Post-)Kolonialismus und den eigenen Privilegien aufzeigen. Zudem lassen sich aus der Evaluation weitere Ideen für rein digitale Formate ableiten. "},{"lang":"eng","text":"Stays abroad by musicology students at the Paderborn University are the exception rather than the\r\nrule. There are various reasons for this, including the fact that they are not part of the curriculum.\r\nHowever, various studies have shown that such stays support the acquisition of intercultural skills\r\nwhich are becoming increasingly relevant in professional life in a globalised world, regardless of the\r\nsubject. The project developed, implemented, and evaluated a hybrid international cooperation semi-\r\nnar regarding the acquisition of this important key qualification. The evaluation of the course of the\r\nseminar, based among other things on questionnaires, clearly showed the positive effects of a hybrid\r\ncooperation seminar on intercultural competences, the examination of different aspects of another\r\nculture, including history, politics, (post-)colonialism and one's own privileges. In addition, the eval-\r\nuation can be used to derive further ideas for purely digital formats."}],"user_id":"93940","department":[{"_id":"233"}],"_id":"58917","language":[{"iso":"ger"}],"keyword":["interkulturelle Kompetenz","interkulturelle Sensitivität","Musikwissenschaft","digitale Lehre","hybride Lehre","intercultural competence","intercultural sensitivity","musicology","digital education","hybrid education"],"issue":"17","publication_status":"published","publication_identifier":{"unknown":["2199-8825"]},"citation":{"ieee":"L. Adler, “Interkulturelle Kompetenzen in der Musikwissenschaft. Potenziale hybrider Kooperationsseminare,” <i>Paderborner Beiträge 2024. die hochschullehre - Themenheft 2025</i>, vol. 11, no. 17, pp. 218–231, 2025, doi: <a href=\"https://doi.org/10.3278/HSL2459W\">10.3278/HSL2459W</a>.","chicago":"Adler, Luise. “Interkulturelle Kompetenzen in der Musikwissenschaft. Potenziale hybrider Kooperationsseminare.” <i>Paderborner Beiträge 2024. die hochschullehre - Themenheft 2025</i> 11, no. 17 (2025): 218–31. <a href=\"https://doi.org/10.3278/HSL2459W\">https://doi.org/10.3278/HSL2459W</a>.","ama":"Adler L. Interkulturelle Kompetenzen in der Musikwissenschaft. Potenziale hybrider Kooperationsseminare. <i>Paderborner Beiträge 2024 die hochschullehre - Themenheft 2025</i>. 2025;11(17):218-231. doi:<a href=\"https://doi.org/10.3278/HSL2459W\">10.3278/HSL2459W</a>","short":"L. Adler, Paderborner Beiträge 2024. die hochschullehre - Themenheft 2025 11 (2025) 218–231.","bibtex":"@article{Adler_2025, title={Interkulturelle Kompetenzen in der Musikwissenschaft. Potenziale hybrider Kooperationsseminare}, volume={11}, DOI={<a href=\"https://doi.org/10.3278/HSL2459W\">10.3278/HSL2459W</a>}, number={17}, journal={Paderborner Beiträge 2024. die hochschullehre - Themenheft 2025}, publisher={Nerea Vöing, Diana Bücker}, author={Adler, Luise}, year={2025}, pages={218–231} }","mla":"Adler, Luise. “Interkulturelle Kompetenzen in der Musikwissenschaft. Potenziale hybrider Kooperationsseminare.” <i>Paderborner Beiträge 2024. die hochschullehre - Themenheft 2025</i>, vol. 11, no. 17, Nerea Vöing, Diana Bücker, 2025, pp. 218–31, doi:<a href=\"https://doi.org/10.3278/HSL2459W\">10.3278/HSL2459W</a>.","apa":"Adler, L. (2025). Interkulturelle Kompetenzen in der Musikwissenschaft. Potenziale hybrider Kooperationsseminare. <i>Paderborner Beiträge 2024. die hochschullehre - Themenheft 2025</i>, <i>11</i>(17), 218–231. <a href=\"https://doi.org/10.3278/HSL2459W\">https://doi.org/10.3278/HSL2459W</a>"},"page":"218 - 231","intvolume":"        11","year":"2025","author":[{"first_name":"Luise","full_name":"Adler, Luise","id":"93940","last_name":"Adler","orcid":"0009-0002-0150-2638"}],"date_created":"2025-03-05T13:12:01Z","volume":11,"publisher":"Nerea Vöing, Diana Bücker","date_updated":"2025-03-05T13:13:01Z","oa":"1","main_file_link":[{"open_access":"1","url":"https://www.wbv.de/shop/Paderborner-Beitraege-2024-HSLT2404W"}],"doi":"10.3278/HSL2459W","title":"Interkulturelle Kompetenzen in der Musikwissenschaft. Potenziale hybrider Kooperationsseminare"},{"editor":[{"first_name":"Dominik","last_name":"Höink","full_name":"Höink, Dominik"},{"first_name":"Meyer","full_name":"Andreas, Meyer","last_name":"Andreas"}],"status":"public","type":"book_chapter","_id":"58363","user_id":"93940","series_title":"Musik und Religion","department":[{"_id":"233"}],"place":"Baden-Baden","citation":{"ama":"Adler L. Searching for Traces of the Work of the Holy Spirit: Interview with Mark Andre. In: Höink D, Andreas M, eds. <i>Music and Religions in the 21st Century</i>. Vol 1. Musik und Religion. Tectum; 2024:73-82. doi:<a href=\"https://doi.org/10.5771/9783828851214 \">10.5771/9783828851214 </a>","ieee":"L. Adler, “Searching for Traces of the Work of the Holy Spirit: Interview with Mark Andre,” in <i>Music and Religions in the 21st Century</i>, vol. 1, D. Höink and M. Andreas, Eds. Baden-Baden: Tectum, 2024, pp. 73–82.","chicago":"Adler, Luise. “Searching for Traces of the Work of the Holy Spirit: Interview with Mark Andre.” In <i>Music and Religions in the 21st Century</i>, edited by Dominik Höink and Meyer Andreas, 1:73–82. Musik Und Religion. Baden-Baden: Tectum, 2024. <a href=\"https://doi.org/10.5771/9783828851214 \">https://doi.org/10.5771/9783828851214 </a>.","mla":"Adler, Luise. “Searching for Traces of the Work of the Holy Spirit: Interview with Mark Andre.” <i>Music and Religions in the 21st Century</i>, edited by Dominik Höink and Meyer Andreas, vol. 1, Tectum, 2024, pp. 73–82, doi:<a href=\"https://doi.org/10.5771/9783828851214 \">10.5771/9783828851214 </a>.","bibtex":"@inbook{Adler_2024, place={Baden-Baden}, series={Musik und Religion}, title={Searching for Traces of the Work of the Holy Spirit: Interview with Mark Andre}, volume={1}, DOI={<a href=\"https://doi.org/10.5771/9783828851214 \">10.5771/9783828851214 </a>}, booktitle={Music and Religions in the 21st Century}, publisher={Tectum}, author={Adler, Luise}, editor={Höink, Dominik and Andreas, Meyer}, year={2024}, pages={73–82}, collection={Musik und Religion} }","short":"L. Adler, in: D. Höink, M. Andreas (Eds.), Music and Religions in the 21st Century, Tectum, Baden-Baden, 2024, pp. 73–82.","apa":"Adler, L. (2024). Searching for Traces of the Work of the Holy Spirit: Interview with Mark Andre. In D. Höink &#38; M. Andreas (Eds.), <i>Music and Religions in the 21st Century</i> (Vol. 1, pp. 73–82). Tectum. <a href=\"https://doi.org/10.5771/9783828851214 \">https://doi.org/10.5771/9783828851214 </a>"},"page":"73 - 82","intvolume":"         1","publication_status":"published","publication_identifier":{"isbn":["978-3-8288-4979-2"],"eisbn":["978-3-8288-5121-4"]},"doi":"10.5771/9783828851214 ","date_updated":"2025-01-27T09:33:11Z","author":[{"first_name":"Luise","orcid":"0009-0002-0150-2638","last_name":"Adler","id":"93940","full_name":"Adler, Luise"}],"volume":1,"publication":"Music and Religions in the 21st Century","language":[{"iso":"eng"}],"year":"2024","title":"Searching for Traces of the Work of the Holy Spirit: Interview with Mark Andre","publisher":"Tectum","date_created":"2025-01-27T08:34:09Z"},{"publication":"Musikwissenschaftliche und musikalische „Schulen“. Strukturen, Analyse, Dynamiken. 33. Internationales Online-DVSM Nachwuchssymposium","type":"book_chapter","status":"public","editor":[{"first_name":"Flavia","full_name":"Hennig, Flavia","last_name":"Hennig"},{"first_name":"Willert","last_name":"Elizaveta","full_name":"Elizaveta, Willert"}],"department":[{"_id":"233"}],"user_id":"93940","_id":"56822","language":[{"iso":"eng"}],"page":"35 - 49","citation":{"ama":"Adler L. Die „Darmstädter Avantgarde“ und die „Postmoderne\". Tradition und Fortschritt in der Musik nach 1945. In: Hennig F, Elizaveta W, eds. <i>Musikwissenschaftliche Und Musikalische „Schulen“. Strukturen, Analyse, Dynamiken. 33. Internationales Online-DVSM Nachwuchssymposium</i>. musiconn.publish; 2024:35-49. doi:<a href=\"https://doi.org/10.25366/2024.92\">10.25366/2024.92</a>","ieee":"L. Adler, “Die „Darmstädter Avantgarde“ und die „Postmoderne\". Tradition und Fortschritt in der Musik nach 1945,” in <i>Musikwissenschaftliche und musikalische „Schulen“. Strukturen, Analyse, Dynamiken. 33. Internationales Online-DVSM Nachwuchssymposium</i>, F. Hennig and W. Elizaveta, Eds. musiconn.publish, 2024, pp. 35–49.","chicago":"Adler, Luise. “Die „Darmstädter Avantgarde“ Und Die „Postmoderne\". Tradition Und Fortschritt in Der Musik Nach 1945.” In <i>Musikwissenschaftliche Und Musikalische „Schulen“. Strukturen, Analyse, Dynamiken. 33. Internationales Online-DVSM Nachwuchssymposium</i>, edited by Flavia Hennig and Willert Elizaveta, 35–49. musiconn.publish, 2024. <a href=\"https://doi.org/10.25366/2024.92\">https://doi.org/10.25366/2024.92</a>.","apa":"Adler, L. (2024). Die „Darmstädter Avantgarde“ und die „Postmoderne\". Tradition und Fortschritt in der Musik nach 1945. In F. Hennig &#38; W. Elizaveta (Eds.), <i>Musikwissenschaftliche und musikalische „Schulen“. Strukturen, Analyse, Dynamiken. 33. Internationales Online-DVSM Nachwuchssymposium</i> (pp. 35–49). musiconn.publish. <a href=\"https://doi.org/10.25366/2024.92\">https://doi.org/10.25366/2024.92</a>","short":"L. Adler, in: F. Hennig, W. Elizaveta (Eds.), Musikwissenschaftliche Und Musikalische „Schulen“. Strukturen, Analyse, Dynamiken. 33. Internationales Online-DVSM Nachwuchssymposium, musiconn.publish, 2024, pp. 35–49.","bibtex":"@inbook{Adler_2024, title={Die „Darmstädter Avantgarde“ und die „Postmoderne\". Tradition und Fortschritt in der Musik nach 1945}, DOI={<a href=\"https://doi.org/10.25366/2024.92\">10.25366/2024.92</a>}, booktitle={Musikwissenschaftliche und musikalische „Schulen“. Strukturen, Analyse, Dynamiken. 33. Internationales Online-DVSM Nachwuchssymposium}, publisher={musiconn.publish}, author={Adler, Luise}, editor={Hennig, Flavia and Elizaveta, Willert}, year={2024}, pages={35–49} }","mla":"Adler, Luise. “Die „Darmstädter Avantgarde“ Und Die „Postmoderne\". Tradition Und Fortschritt in Der Musik Nach 1945.” <i>Musikwissenschaftliche Und Musikalische „Schulen“. Strukturen, Analyse, Dynamiken. 33. Internationales Online-DVSM Nachwuchssymposium</i>, edited by Flavia Hennig and Willert Elizaveta, musiconn.publish, 2024, pp. 35–49, doi:<a href=\"https://doi.org/10.25366/2024.92\">10.25366/2024.92</a>."},"year":"2024","author":[{"orcid":"0009-0002-0150-2638","last_name":"Adler","id":"93940","full_name":"Adler, Luise","first_name":"Luise"}],"date_created":"2024-10-30T11:14:24Z","oa":"1","publisher":"musiconn.publish","date_updated":"2025-01-27T08:42:03Z","doi":"10.25366/2024.92","main_file_link":[{"url":"https://musiconn.qucosa.de/landing-page/?tx_dlf[id]=https%3A%2F%2Fmusiconn.qucosa.de%2Fapi%2Fqucosa%253A93917%2Fmets","open_access":"1"}],"title":"Die „Darmstädter Avantgarde“ und die „Postmoderne\". Tradition und Fortschritt in der Musik nach 1945"},{"status":"public","publication":"Loccumer Pelikan. Religionspädagogisches Magazin für Schule und Gemeinde des Religionspädagogischen Instituts Loccum","type":"journal_article","language":[{"iso":"ger"}],"article_type":"original","department":[{"_id":"233"}],"user_id":"93940","_id":"52325","page":"9 - 13","intvolume":"         4","citation":{"apa":"Adler, L., &#38; Tumat, A. (2023). Kirche und Musiktheater. Ein ambivalentes Verhältnis in Schlaglichtern. <i>Loccumer Pelikan. Religionspädagogisches Magazin für Schule und Gemeinde des Religionspädagogischen Instituts Loccum</i>, <i>4</i>, 9–13.","short":"L. Adler, A. Tumat, Loccumer Pelikan. Religionspädagogisches Magazin für Schule und Gemeinde des Religionspädagogischen Instituts Loccum 4 (2023) 9–13.","bibtex":"@article{Adler_Tumat_2023, title={Kirche und Musiktheater. Ein ambivalentes Verhältnis in Schlaglichtern}, volume={4}, journal={Loccumer Pelikan. Religionspädagogisches Magazin für Schule und Gemeinde des Religionspädagogischen Instituts Loccum}, author={Adler, Luise and Tumat, Antje}, year={2023}, pages={9–13} }","mla":"Adler, Luise, and Antje Tumat. “Kirche und Musiktheater. Ein ambivalentes Verhältnis in Schlaglichtern.” <i>Loccumer Pelikan. Religionspädagogisches Magazin für Schule und Gemeinde des Religionspädagogischen Instituts Loccum</i>, vol. 4, 2023, pp. 9–13.","ama":"Adler L, Tumat A. Kirche und Musiktheater. Ein ambivalentes Verhältnis in Schlaglichtern. <i>Loccumer Pelikan Religionspädagogisches Magazin für Schule und Gemeinde des Religionspädagogischen Instituts Loccum</i>. 2023;4:9-13.","chicago":"Adler, Luise, and Antje Tumat. “Kirche und Musiktheater. Ein ambivalentes Verhältnis in Schlaglichtern.” <i>Loccumer Pelikan. Religionspädagogisches Magazin für Schule und Gemeinde des Religionspädagogischen Instituts Loccum</i> 4 (2023): 9–13.","ieee":"L. Adler and A. Tumat, “Kirche und Musiktheater. Ein ambivalentes Verhältnis in Schlaglichtern,” <i>Loccumer Pelikan. Religionspädagogisches Magazin für Schule und Gemeinde des Religionspädagogischen Instituts Loccum</i>, vol. 4, pp. 9–13, 2023."},"year":"2023","main_file_link":[{"open_access":"1","url":"https://online.fliphtml5.com/osgpp/jrpp/#p=1"}],"title":"Kirche und Musiktheater. Ein ambivalentes Verhältnis in Schlaglichtern","volume":4,"date_created":"2024-03-06T08:34:19Z","author":[{"full_name":"Adler, Luise","id":"93940","last_name":"Adler","first_name":"Luise"},{"id":"72268","full_name":"Tumat, Antje","last_name":"Tumat","first_name":"Antje"}],"date_updated":"2024-03-18T10:13:54Z","oa":"1"},{"title":"Helmut Lachenmann and Karlheinz Stockhausen: String quartets between avant-garde and tradition","conference":{"end_date":"2021-04-18","location":"Online","name":"International Conference, Vlado S. Milošević: Tradition as Inspiration","start_date":"2021-04-16"},"date_updated":"2024-03-06T08:39:43Z","author":[{"first_name":"Luise","id":"93940","full_name":"Adler, Luise","last_name":"Adler"}],"date_created":"2024-03-06T08:39:33Z","place":"Banja Luka","year":"2022","page":"317 - 329","citation":{"apa":"Adler, L. (2022). Helmut Lachenmann and Karlheinz Stockhausen: String quartets between avant-garde and tradition. In G. Grujić &#38; S. Pavlović (Eds.), <i>Vlado S. Milošević: Tradition as Inspiration. Thematic proceedings from the 2021 scientific conference</i> (pp. 317–329).","short":"L. Adler, in: G. Grujić, S. Pavlović (Eds.), Vlado S. Milošević: Tradition as Inspiration. Thematic Proceedings from the 2021 Scientific Conference, Banja Luka, 2022, pp. 317–329.","mla":"Adler, Luise. “Helmut Lachenmann and Karlheinz Stockhausen: String Quartets between Avant-Garde and Tradition.” <i>Vlado S. Milošević: Tradition as Inspiration. Thematic Proceedings from the 2021 Scientific Conference</i>, edited by Gordana Grujić and Saša Pavlović, 2022, pp. 317–29.","bibtex":"@inproceedings{Adler_2022, place={Banja Luka}, title={Helmut Lachenmann and Karlheinz Stockhausen: String quartets between avant-garde and tradition}, booktitle={Vlado S. Milošević: Tradition as Inspiration. Thematic proceedings from the 2021 scientific conference}, author={Adler, Luise}, editor={Grujić, Gordana and Pavlović, Saša}, year={2022}, pages={317–329} }","ieee":"L. Adler, “Helmut Lachenmann and Karlheinz Stockhausen: String quartets between avant-garde and tradition,” in <i>Vlado S. Milošević: Tradition as Inspiration. Thematic proceedings from the 2021 scientific conference</i>, Online, 2022, pp. 317–329.","chicago":"Adler, Luise. “Helmut Lachenmann and Karlheinz Stockhausen: String Quartets between Avant-Garde and Tradition.” In <i>Vlado S. Milošević: Tradition as Inspiration. Thematic Proceedings from the 2021 Scientific Conference</i>, edited by Gordana Grujić and Saša Pavlović, 317–29. Banja Luka, 2022.","ama":"Adler L. Helmut Lachenmann and Karlheinz Stockhausen: String quartets between avant-garde and tradition. In: Grujić G, Pavlović S, eds. <i>Vlado S. Milošević: Tradition as Inspiration. Thematic Proceedings from the 2021 Scientific Conference</i>. ; 2022:317-329."},"publication_identifier":{"isbn":["978-99938-27-37-5"]},"quality_controlled":"1","publication_status":"published","language":[{"iso":"eng"}],"_id":"52326","department":[{"_id":"233"}],"user_id":"93940","abstract":[{"lang":"eng","text":"Helmut Lachenmann and Karlheinz Stockhausen are often regarded as representatives of a negative attitude towards traditions of canonised European art music. In their compositional self-image they strive for renewal and innovative artistic work beyond established models. However, an examination of ego-documents and compositions reveals contradictions within this claim. The essay therefore examines both composers’ concepts of and their self-location within tradition. The aim is to show how a decided departure from historical structural principles as well as latent lines of tradition are effective in two works. Because of the special historical significance of the genre, two string quartets have been selected."}],"editor":[{"last_name":"Grujić","full_name":"Grujić, Gordana","first_name":"Gordana"},{"first_name":"Saša","full_name":"Pavlović, Saša","last_name":"Pavlović"}],"status":"public","publication":"Vlado S. Milošević: Tradition as Inspiration. Thematic proceedings from the 2021 scientific conference","type":"conference"}]