@article{50872,
  author       = {{Blank, Andreas}},
  journal      = {{Revue Roumaine de Philosophie }},
  number       = {{2}},
  pages        = {{157--176}},
  title        = {{{“Leibniz and the Sixteenth-Century Controversy over Substance Monism.” }}},
  volume       = {{63}},
  year         = {{2019}},
}

@article{50870,
  author       = {{Blank, Andreas and Jalobeanu, Dana}},
  journal      = {{Journal of Early Modern Studies }},
  number       = {{1}},
  pages        = {{1--17}},
  title        = {{{“Common Notions in Early Modern Thought. An Overview” }}},
  volume       = {{8}},
  year         = {{2019}},
}

@article{50871,
  author       = {{Blank, Andreas}},
  journal      = {{Journal of Early Modern Studies}},
  number       = {{1}},
  pages        = {{171--193}},
  title        = {{{“Christian Wolff on Common Notions and Duties of Esteem.” }}},
  volume       = {{8}},
  year         = {{2019}},
}

@inbook{50928,
  author       = {{Blank, Andreas}},
  booktitle    = {{Émilie Du Châtelet und die deutsche Aufklärung. }},
  editor       = {{Hagengruber, Ruth and Hecht, Hartmut}},
  pages        = {{79--98}},
  publisher    = {{Springer}},
  title        = {{{“Metaphilosophie und das Prinzip des Widerspruchs: Leibniz, Wolff und Du Châtelet.” }}},
  year         = {{2019}},
}

@inbook{50925,
  author       = {{Blank, Andreas}},
  booktitle    = {{Leibniz und das Naturrecht. }},
  editor       = {{Basso, Luca}},
  pages        = {{103--118}},
  publisher    = {{Steiner}},
  title        = {{{“Leibniz und Besold über Bündnisrecht und Naturrecht.” }}},
  year         = {{2019}},
}

@article{4996,
  abstract     = {{We analyze the impact of wealth taxes on investment timing decisions under uncertainty and irreversibility by employing a real options model of the Dixit/Pindyck type. Considering that wealth taxes have been (re-)introduced or are under discussion in many countries, investors need decision rules for tax systems with wealth taxation. We integrate different valuation methods for wealth tax purposes, distinguish between broadly and narrowly defined wealth taxes and vary the wealth tax rate to ascertain which wealth tax design is more or less likely to accelerate or delay investment. Our main findings are threefold. First, historical cost valuation reduces the distortive timing effects of wealth taxation compared to fair value accounting. Second, broadening the wealth tax base tends to accelerate investment during high interest rate periods and delay investment during low interest rate periods. Our results predict that wealth taxes with a broad tax base are likely to discourage risky investment in times of near-zero interest rates. These distortive wealth tax base effects, however, can be avoided by granting sufficiently high depreciation deductions for wealth tax purposes. Third, the investment timing effects of wealth tax rate variations are very sensitive to the riskiness of the underlying investment. Moreover, investment timing effects crucially depend upon the depreciation rate for wealth tax purposes. A tax legislator who aims to encourage risk taking should introduce generous depreciation deductions. Our study indicates that if a wealth tax is considered to be politically inevitable, possible harmful investment effects can be mitigated by choosing appropriate valuation methods and parameters.}},
  author       = {{Niemann, Rainer and Sureth-Sloane, Caren}},
  issn         = {{0044-2372}},
  journal      = {{Journal of Business Economics}},
  number       = {{4}},
  pages        = {{385--415}},
  publisher    = {{Springer Nature America, Inc}},
  title        = {{{Investment Timing Effects of Wealth Taxes under Uncertainty and Irreversibility}}},
  doi          = {{10.1007/s11573-018-0918-4}},
  volume       = {{89}},
  year         = {{2019}},
}

@article{50868,
  author       = {{Blank, Andreas}},
  journal      = {{British Journal for the History of Philosophy }},
  number       = {{3}},
  pages        = {{513--534}},
  title        = {{{“Self-Knowledge and Varieties of Human Excellence in the French Moralists.” }}},
  volume       = {{27}},
  year         = {{2019}},
}

@article{51168,
  abstract     = {{Speaking of a ‚Golden Age‘ or a Siglo de Oro while referring to Spanish History, Culture and Literature transforms an ancient myth into a historiographical concept, which seems rather problematical, even contradictory and at the same time, seen in a wider European context, exceptional. Nevertheless, the Siglo de Oro is still being used as a key term in contemporary academic works ‒ inside and outside Spain ‒ on the Early Modern period, but also as a highly controversial idea in political and ideological debates, especially on behalf of what may or may not be Spanish identity. This article seeks to give a brief overview of the discussions that try to define the Siglo de oro-concept and present the literary canon as well as the ideological implications linked to it.  Starting in the aftermath of the epoch itself, that means the 18th century, it focuses on the convergence of political and esthetical discussions that oppose the ‘Two Spains’ during the 20th century on behalf of how to choose and interpret their ‘classics’. Finally, it tries to give a (necessarily incomplete) view on the actual situation, where the Golden Age myth still interferes not only in literary, but also socio-political debates. }},
  author       = {{Schreckenberg, Stefan}},
  journal      = {{Literaturwissenschaftliches Jahrbuch }},
  pages        = {{255--279}},
  title        = {{{Das ›Goldene Zeitalter‹ im modernen Spanien. Zur Wirkmächtigkeit und Problematik eines kulturellen und literarischen Kanons}}},
  volume       = {{60}},
  year         = {{2019}},
}

@article{34868,
  author       = {{Meyer-Hamme, Johannes and Wosnitza, Christopher}},
  journal      = {{Special Edition History Education Research Journal}},
  number       = {{1}},
  pages        = {{88--102}},
  title        = {{{Student Essays expressing forms of historical thinking. Annotations regarding a quantitative and dually qualitative analysis of 1100 papers for the “Geschichtswettbewerb des Bundespräsidenten”}}},
  volume       = {{16}},
  year         = {{2019}},
}

@article{34867,
  author       = {{Meyer-Hamme, Johannes and Hinz, Felix  and Grindel, Susanne and Bernhard, Roland}},
  journal      = {{Eckert. Dossiers }},
  pages        = {{12--34}},
  title        = {{{Historical myth: a definition from the perspective of history education research}}},
  volume       = {{4}},
  year         = {{2019}},
}

@inbook{49922,
  abstract     = {{Das Libretto der allegorischen Festoper 'Bathmendi' (Die Glückseligkeit), mit der 1798 das neue Dessauer Hoftheater eröffnet wurde, stammte von dem Dessauer Hofmeister und Jugendfreund Goethes Ernst Wolfgang Behrisch, die Musik von dem neuen Intendanten Karl August Freiherr von Lichtenstein, die aufsehenerregenden Bühnenbilder von dem aus Mannheim engagierten Bühnenmaler Giulio Quaglio. Das Aufführungsdatum in der kältesten Jahreszeit war durch den Geburtstag des Erbprinzen am 27. Dezember 1798, an dessen Vorabend die Aufführung stattfinden sollte, vorgegeben. Nicht nur dieses Detail verweist auf die stark höfisch-repräsentative Ausrichtung der Opernaufführung. Auch das Sujet wird in dem Beitrag von Andreas Münzmay als ein ein typisch feudalistisches gedeutet, durch das dem Bürger klar gemacht werden sollte, "keine falschen Aufstiegsambitionen zu entwickeln", und das von einer "Verbürgerlichung höfischer Elementen", wie sie der Kulturförderung des Fürsten Franz allenthalben attestiert worden ist, weit entfernt gewesen sei. Mit Paul Beckus sieht Münzmay hier eher eine "Tendenz des anhalt-dessauischen Hofes zur Partizipation an der allgemeinen, auf die Vergrößerung des Hofstaates gerichteten Entwicklung im Alten Reich". Die genuin-höfische, staatstragende Funktion der Dessauer Festoper scheint Lichtenstein in späteren Neufassungen für Leipzig und Wien, wo er ab Ende 1800 als Kapellmeister und künstlerishcer Leiter der Hofoper wirkte, eher abgeschwächt zu haben. (Wolfgang Hirschmann und Adrian La Salvia im Vorwort zu dem Band.)}},
  author       = {{Münzmay, Andreas}},
  booktitle    = {{ Musik im Dessau-Wörlitzer Gartenreich}},
  editor       = {{Hirschmann, Wolfgang and La Salvia, Adrian}},
  pages        = {{163 -- 175}},
  publisher    = {{Mitteldeutscher Verlag}},
  title        = {{{Auf der Suche nach dem Glück. Zu Karl August von Lichtensteins moralischer Dessauer Festoper Bathmendi (1798/99) und ihrer Neuperspektivierung in der Folgezeit}}},
  year         = {{2019}},
}

@inbook{49926,
  abstract     = {{Improvisation als zentrale künstlerische Kulturtechnik des früheren 19. Jahrhunderts – Das Quellenproblem als methodische Herausforderung – Zur Theorie des Fantasierens zwischen Geniekult und trainierbarer Virtuosität – Freie Fantasien und Themen-Aufgaben als strategische Mittel, oder: Wie Liszt nicht zum ,neuen Beethoven‘, aber zur ,Reinkarnation Mozarts‘ wurde – Überraschungsprogrammpunkt und Themen für die ,Masse‘: Zur Freien Fantasie bei Liszt ab der Mitte der 1830er Jahre – ,Anspruch des Moments‘ vs. ,Reinheit der Kunst‘}},
  author       = {{Münzmay, Andreas}},
  booktitle    = {{Sprache und Theatralität des Virtuosen | Franz Liszt | Langage et mise en scène de la virtuosité}},
  editor       = {{Betzwieser, Thomas and Mauksch, Sarah and Schneider, Markus}},
  pages        = {{119--139}},
  publisher    = {{Königshausen und Neumann}},
  title        = {{{Franz Liszt und die ‚Freie Fantasie‘: Zur Politik der pianistischen Konzertimprovisation}}},
  year         = {{2019}},
}

@book{18524,
  editor       = {{Tophinke, Doris}},
  publisher    = {{Friedrich Verlag}},
  title        = {{{Dialekte heute}}},
  year         = {{2019}},
}

@inbook{47477,
  abstract     = {{ 	
Discusses the research paradigm of ‘transferts culturels’ (cultural transfers), as established by French C.N.R.S. scholars Michel Espagne and Michael Werner in the 1980s and rapidly evolving in the context of French-German research after 1989, from the point of view of musicology. Ideological categories like ‘nation’ and ‘culture’ are weighed against frames that allow for more precise definitions, like local/regional repertoires or culture politics. Likewise, the opposed theoretical concepts of ‘reception’ and ‘production’ fundamentally affect the conceptualization of the musical ‘work’ entity. Taking cultural transfers into account has helped stimulating practice-oriented views of music history that no longer consider modifications or adaptations of works only as derivatives or even misunderstandings of ‘the original’, but, to the contrary, acknowledge them as historical facts and cultural expressions in their own rights. The examples of Richard Wagner’s Die Meistersinger von Nürnberg and Eduard Hanslick’s Die moderne Oper show how this was already a controversial issue in the 19th century under the impression of the international nature of the standard (French) opera repertoire of the time. A concluding section points out the possibilities for the coverage of culture transfer processes arising from the implementation of the FRBR (Functional Requirements for Bibliographic Records) model in bibliographic authority data on the ‘work’ level. (Autor)}},
  author       = {{Münzmay, Andreas}},
  booktitle    = {{Zwischen Transfer und Transformation: Horizonte der Rezeption von Musik}},
  editor       = {{Calella, Michele and Leßmann, Benedikt}},
  isbn         = {{978-3-99012-778-0}},
  pages        = {{175--191}},
  publisher    = {{Hollitzer}},
  title        = {{{Kulturtransferforschung und Musikwissenschaft}}},
  doi          = {{10.2307/j.ctvt6rjq6.10}},
  volume       = {{51}},
  year         = {{2019}},
}

@article{47581,
  abstract     = {{<jats:p>The chemical industry has to deal with increasing uncertainties regarding the boundary conditions of their production processes. On the one hand, uncertainties affect the availability, quality, and prizes of raw material and energy. On the other hand, the demand side is affected by increasing volatilities in product demand and increasing requirements for product variety. These changing boundary conditions lead to higher needs for flexibility in production processes of the chemical industry. Within this article technical solutions for an enhancement of different forms of flexibility are presented for production concepts and apparatus concepts, respectively. The latter focuses on unit operations for the separation of gas–liquid mixtures. This includes a review regarding transformable, modular production processes and a classification of their field of application. Additionally, concepts for named unit operations on different scales are presented and discussed. The presented concepts are also classified with respect to the different types of flexibility.</jats:p>}},
  author       = {{Riese, Julia and Lier, Stefan and Paul, Sarah and Grünewald, Marcus}},
  issn         = {{2305-7084}},
  journal      = {{ChemEngineering}},
  keywords     = {{General Energy, General Engineering, General Chemical Engineering}},
  number       = {{2}},
  publisher    = {{MDPI AG}},
  title        = {{{Flexibility Options for Absorption and Distillation to Adapt to Raw Material Supply and Product Demand Uncertainties: A Review}}},
  doi          = {{10.3390/chemengineering3020044}},
  volume       = {{3}},
  year         = {{2019}},
}

@article{47582,
  abstract     = {{<jats:title>Abstract</jats:title><jats:p>Modeling of heat and mass transfer in fixed‐bed reactors for heterogeneously catalyzed gas phase reactions is possible using different methods. Homogeneous and heterogeneous continuum models as well as particle resolved modeling of fixed‐bed reactors show high potential for application. Considering those approaches, advantages and disadvantages as well as underlying assumptions and boundary conditions are discussed. Additionally, methods for experimental validation are presented and discussed focusing on the two‐dimensional homogeneous models.</jats:p>}},
  author       = {{Stegehake, Carolin and Riese, Julia and Grünewald, Marcus}},
  issn         = {{2196-9744}},
  journal      = {{ChemBioEng Reviews}},
  keywords     = {{Industrial and Manufacturing Engineering, Filtration and Separation, Process Chemistry and Technology, Biochemistry, Chemical Engineering (miscellaneous), Bioengineering}},
  number       = {{2}},
  pages        = {{28--44}},
  publisher    = {{Wiley}},
  title        = {{{Modeling and Validating Fixed‐Bed Reactors: A State‐of‐the‐Art Review}}},
  doi          = {{10.1002/cben.201900002}},
  volume       = {{6}},
  year         = {{2019}},
}

@article{15250,
  author       = {{Grabo, Matti and Weber, Daniel and Paul, Andreas and Klaus, Tobias and Bermpohl, Wolfgang and Krauter, Stefan and Kenig, Eugeny}},
  issn         = {{2283-9216}},
  journal      = {{Chemical Engineering Transactions}},
  pages        = {{895--900}},
  title        = {{{Numerical Investigation of the Temperature Distribution in PCM-integrated Solar Modules}}},
  doi          = {{10.3303/CET1976150}},
  year         = {{2019}},
}

@article{42674,
  author       = {{Klowait, Nils}},
  issn         = {{1369-118X}},
  journal      = {{Information, Communication & Society}},
  keywords     = {{Library and Information Sciences, Communication}},
  number       = {{5}},
  pages        = {{605--621}},
  publisher    = {{Informa UK Limited}},
  title        = {{{Interactionism in the age of ubiquitous telecommunication}}},
  doi          = {{10.1080/1369118x.2019.1566487}},
  volume       = {{22}},
  year         = {{2019}},
}

@article{4684,
  abstract     = {{Recent years have seen the emergence of physical products that are digitally networked with other products and with information systems to enable complex business scenarios in manufacturing, mobility, or healthcare. These “smart products”, which enable the co-creation of “smart service” that is based on monitoring, optimization, remote control, and autonomous adaptation of products, profoundly transform service systems into what we call “smart service systems”. In a multi-method study that includes conceptual research and qualitative data from in-depth interviews, we conceptualize “smart service” and “smart service systems” based on using smart products as boundary objects that integrate service consumers’ and service providers’ resources and activities. Smart products allow both actors to retrieve and to analyze aggregated field evidence and to adapt service systems based on contextual data. We discuss the implications that the introduction of smart service systems have for foundational concepts of service science and conclude that smart service systems are characterized by technology-mediated, continuous, and routinized interactions.}},
  author       = {{Beverungen, Daniel and Müller, Oliver and Matzner, Martin and Mendling, Jan and vom Brocke, Jan}},
  issn         = {{14228890}},
  journal      = {{Electronic Markets}},
  keywords     = {{Boundary object, Internet of things, Service science, Smart products, Smart service}},
  pages        = {{7--18}},
  publisher    = {{SpringerNature}},
  title        = {{{Conceptualizing smart service systems}}},
  doi          = {{10.1007/s12525-017-0270-5}},
  volume       = {{29}},
  year         = {{2019}},
}

@misc{46820,
  booktitle    = {{IASPM Journal }},
  editor       = {{Flath, Beate and Behr, Adam and Cloonan, Martin }},
  issn         = {{2079-3871}},
  pages        = {{No.1}},
  publisher    = {{IASPM}},
  title        = {{{Pop music festivals and (cultural) policies}}},
  volume       = {{Vol. 9}},
  year         = {{2019}},
}