@book{19060,
  abstract     = {{Erscheinungsjahr in Klammern: 2015}},
  editor       = {{Assmann, David-Christopher and Eke, Norbert Otto and Geulen, Eva}},
  pages        = {{308}},
  publisher    = {{Erich Schmidt}},
  title        = {{{Entsorgungsprobleme: Müll in der Literatur}}},
  year         = {{2014}},
}

@book{19063,
  editor       = {{Eke, Norbert Otto and Foit, Lioba and Kaerlein, Timo and Künsemöller, Jörn}},
  pages        = {{292}},
  publisher    = {{Fink}},
  title        = {{{Logiken strukturbildender Prozesse: Automatismen}}},
  year         = {{2014}},
}

@book{19064,
  editor       = {{Eke, Norbert Otto and Füllner, Karin and Vidal, Francesca}},
  pages        = {{205}},
  publisher    = {{Aisthesis}},
  title        = {{{„Zuckererbsen für Jedermann“. Literatur und Utopie. Heine und Bloch heute}}},
  year         = {{2014}},
}

@book{19069,
  editor       = {{Brauerhoch, Annette and Eke, Norbert Otto and Wieser, Renate and Zechner, Anke}},
  pages        = {{337}},
  publisher    = {{Fink}},
  title        = {{{Entautomatisierung}}},
  year         = {{2014}},
}

@book{19070,
  editor       = {{Eke, Norbert Otto and Haß, Ulrike and Kaldrack, Irina}},
  pages        = {{393}},
  publisher    = {{Fink}},
  title        = {{{Bühne. Raumbildende Prozesse im Theater}}},
  year         = {{2014}},
}

@article{1923,
  abstract     = {{How is collective defence by players affected when they face a threat from an intelligent attacker rather than a natural threat? This paper analyses this question using a game-theoretic model. Facing an intelligent attacker has an effect if players move first and visibly set their defence strategies, thereby exposing any players who do not defend, and if the attacker is, moreover, not able to commit to a random attack. Depending on the parameters of the game, the presence of an intelligent attacker either increases the probability that players jointly defend (where such joint defence either does or does not constitute a utilitarian optimum), or decreases the probability that players jointly defend (even though joint defence is a utilitarian optimum).}},
  author       = {{De Jaegher, Kris and Hoyer, Britta}},
  issn         = {{1024-2694}},
  journal      = {{Defence and Peace Economics}},
  number       = {{5}},
  pages        = {{644--664}},
  publisher    = {{Informa UK Limited}},
  title        = {{{Collective action and the common enemy effect}}},
  doi          = {{10.1080/10242694.2014.925676}},
  volume       = {{27}},
  year         = {{2014}},
}

@inbook{19237,
  author       = {{Eke, Norbert Otto}},
  booktitle    = {{Faszinosum ‚Klang‘. Anthropologie – Medialität – kulturelle Praxis}},
  editor       = {{Schmidt, Wolf Gerhard}},
  pages        = {{200--217}},
  publisher    = {{de Gruyter}},
  title        = {{{„Bis an die unerhörte Grenze“ oder: Der Klang des Schmerzes. Vielstimmigkeit in Anne Dudens Schreibkonzept}}},
  year         = {{2014}},
}

@article{19238,
  author       = {{Eke, Norbert Otto}},
  journal      = {{New German Critique}},
  number       = {{No. 3/123}},
  pages        = {{95--112}},
  title        = {{{In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“}}},
  volume       = {{41}},
  year         = {{2014}},
}

@inbook{19239,
  author       = {{Eke, Norbert Otto}},
  booktitle    = {{Logiken strukturbildender Prozesse: Automatismen}},
  editor       = {{Eke, Norbert Otto and Foit, Lioba and Kaerlein, Timo and Künsemöller, Jörn}},
  pages        = {{209--225}},
  publisher    = {{Fink}},
  title        = {{{„Ihr drängt euch zu“. Inszenierungen mnemonischer Automatismen und epiphanischen Erscheinens}}},
  year         = {{2014}},
}

@inbook{19240,
  abstract     = {{Seitenanzahl des Buches: 292}},
  author       = {{Eke, Norbert Otto and Foit, Lioba and Kaerlein, Timo and Künsemöller, Jörn}},
  booktitle    = {{Logiken strukturbildender Prozesse: Automatismen}},
  editor       = {{Eke, Norbert Otto and Foit, Lioba and Kaerlein, Timo and Künsemöller, Jörn}},
  pages        = {{9--15}},
  publisher    = {{Fink}},
  title        = {{{Logiken strukturbildender Prozesse. Automatismen}}},
  year         = {{2014}},
}

@article{19241,
  abstract     = {{Lieu de publication: Paris}},
  author       = {{Eke, Norbert Otto}},
  journal      = {{Revue d’historire de la shoah (La revue du centre de documentation juive contemporaine), Nr. 201: La littérature allemande et la Shoah, 1945-2014}},
  number       = {{Oktober}},
  pages        = {{25--54}},
  title        = {{{La shoah dans la littérature germanophone. Apories de la representation. Passages de Frontières et ponts créateurs de sens les années de l’après-guerre}}},
  year         = {{2014}},
}

@article{19242,
  abstract     = {{Lieu de publication: Paris}},
  author       = {{Eke, Norbert Otto}},
  journal      = {{Revue d’historire de la shoah (La revue du centre de documentation juive contemporaine), Nr. 201: La littérature allemande et la Shoah, 1945-2014}},
  number       = {{Oktober}},
  pages        = {{183--211}},
  title        = {{{La Shoah dans la littérature de la RDA}}},
  year         = {{2014}},
}

@inbook{19243,
  author       = {{Eke, Norbert Otto}},
  booktitle    = {{Schreiben nach Kleist. Literarische, mediale und theoretische Transkriptionen}},
  editor       = {{Fleig, Anne and Moser, Christian and Schneider, Helmut J.}},
  pages        = {{219--236}},
  publisher    = {{Rombach}},
  title        = {{{Müller/Kleist oder: Kleist nachschreiben}}},
  year         = {{2014}},
}

@inbook{19244,
  author       = {{Eke, Norbert Otto and Füllner, Karin and Vidal, Francesca}},
  booktitle    = {{„Zuckererbsen für Jedermann“. Literatur und Utopie. Heine und Bloch heute}},
  editor       = {{Eke, Norbert Otto and Füllner, Karin and Vidal, Francesca}},
  pages        = {{7--13}},
  publisher    = {{Aisthesis}},
  title        = {{{Literatur und Utopie. Heine und Bloch heute}}},
  year         = {{2014}},
}

@inbook{19245,
  author       = {{Eke, Norbert Otto}},
  booktitle    = {{„Zuckererbsen für Jedermann“. Literatur und Utopie. Heine und Bloch heute}},
  editor       = {{Eke, Norbert Otto and Füllner, Karin and Vidal, Francesca}},
  pages        = {{45--62}},
  publisher    = {{Aisthesis}},
  title        = {{{„Die römische Kurie hat den großen Priester nicht verstanden“. Hugues-Félicité-Robert de Lamennais und das Kommen des irdischen Gottesreichs}}},
  year         = {{2014}},
}

@inbook{19246,
  author       = {{Eke, Norbert Otto}},
  booktitle    = {{Das ungeliebte Frühwerk. Richard Wagners Oper „Das Liebesverbot“}},
  editor       = {{Lütteken, Laurenz}},
  pages        = {{45--72}},
  publisher    = {{Königshausen & Neumann}},
  title        = {{{„Besser als die Engländer haben die Deutschen den Shakspear begriffen.“ Shakespeare im Vormärz und Richard Wagners Oper „Das Liebesverbot oder Die Novize von Palermo“ (1836)}}},
  volume       = {{12}},
  year         = {{2014}},
}

@inbook{19247,
  author       = {{Eke, Norbert Otto and Brauerhoch, Annette and Wieser, Renate and Zechner, Anke}},
  booktitle    = {{Entautomatisierung}},
  editor       = {{Brauerhoch, Annette and Eke, Norbert Otto and Wieser, Renate and Zechner, Anke}},
  pages        = {{9--16}},
  publisher    = {{Fink}},
  title        = {{{Entautomatisierung. Zur Einleitung}}},
  year         = {{2014}},
}

@inbook{19248,
  author       = {{Eke, Norbert Otto}},
  booktitle    = {{Entautomatisierung}},
  editor       = {{Brauerhoch, Annette and Eke, Norbert Otto and Wieser, Renate and Zechner, Anke}},
  pages        = {{265--279}},
  publisher    = {{Fink}},
  title        = {{{„Was ist. Spielen wir weiter?“ Praktiken der Entautomatisierung im Theater Heiner Müllers}}},
  year         = {{2014}},
}

@inbook{19249,
  author       = {{Eke, Norbert Otto}},
  booktitle    = {{Der Nationalsozialismus und die Shoah in der deutschsprachigen Gegenwartsliteratur}},
  editor       = {{Fischer, Torben and Hammermeister, Philipp and Kramer, Sven}},
  pages        = {{27--49}},
  publisher    = {{Rodopi}},
  title        = {{{„Was ist wahr? Woher haben Sie denn Ihre Bilder?“ Shoah-Erinnerungen in neueren Theater-Texten (Robert Menasse, Werner Fritsch, Robert Schindel, Mieczysław Weinberg)}}},
  year         = {{2014}},
}

@inbook{19250,
  author       = {{Eke, Norbert Otto}},
  booktitle    = {{Bühne. Raumbildende Prozesse im Theater}},
  editor       = {{Eke, Norbert Otto and Haß, Ulrike and Kaldrack, Irina}},
  pages        = {{29--46}},
  publisher    = {{Fink}},
  title        = {{{Bühne als Wahrnehmungsraum. Stimme, Klang und Präsenz}}},
  year         = {{2014}},
}