@article{53856,
  abstract     = {{This  research  article examines  the  transformation  of  pop-punk  from  bands  to  solo  artists and  how  the  genre  regained  popularity  due  to  new  popular  personalities  and  the  transmedia engagement  in  social  media  and  with  established  media.  Through  a  three-pronged  approach,  this studyadopts phenomenological, theoretical, and empirical perspectives to understand the transition and regained popularity fully. The phenomenological angle delves into the case studies of musicians, revealing  key  factors  behind  the  shift   to  solo  artists  in  pop-punk.  Theoretical  explanations contextualize  the  phenomenon  within  broader  cultural  frameworks,  considering  industry  and transmedia dynamics, audience preferences, and technological advancements. Empirical evidence, including  statistical  data  from  socialmedia  profiles,  quantifies  the  impact  of  the  shift.This  study contributes   to   a   comprehensive   understanding   of   pop-punk's   transformation,   offering   an exploration of its past, present, and future within the ever-evolving music industries and transmedia landscapes}},
  author       = {{Ruth, Nicolas and Jacke, Christoph}},
  issn         = {{ISSN 2205-5258}},
  journal      = {{Persona Studies}},
  keywords     = {{Pop-punk, Popular Musical Personas, Solo Artists, SocialMedia, Transmedia, TikTok}},
  number       = {{1}},
  pages        = {{99--110}},
  publisher    = {{OJS/PKP}},
  title        = {{{“I Guess this is Growing Up” Analysis of Pop-Punk’s Regained Popularity and Its Shift From Bands to Personas.}}},
  volume       = {{10}},
  year         = {{2024}},
}

@article{53854,
  abstract     = {{The phenomenon of stars and celebrities in media cultures – and especially in popular music
cultures – seems to be omnipresent. At the same time, there is an astounding lack of analysis and
research on these media personalities and personas, and international celebrity studies only recently
a developing new field. Similarly, these kinds of observations are still very rare especially in German
sociology as well as communication, media, culture and popular music studies. In this article, I
therefore want to concentrate on the foundations of studying stars and celebrities within the
attention economies by undertaking a theoretical transmedia-cultural framing of media personas
and suggesting a typology. This ensuing typology of stars, anti-stars, and anti-star stars – especially
within popular music cultures – demonstrates how stars and celebrities and their quantities and
qualities of success and peer-group specific values coming form programs of (media and music)
culture can serve as persona-seismographs of socio-cultural change between tradition and
innovation}},
  author       = {{Jacke, Christoph}},
  issn         = {{ISSN 2205-5258}},
  journal      = {{Persona Studies}},
  keywords     = {{Stars, Celebrities, Popular Music, Transmedia Culture, Personas}},
  number       = {{1}},
  pages        = {{56--73}},
  publisher    = {{OJS/PKP}},
  title        = {{{Stars, Anti-Stars, Anti-Star-Stars. Transmedia Texts and Contexts of Popular Music and Media. Some Theoretical Assumptions.}}},
  volume       = {{10}},
  year         = {{2024}},
}

@misc{55147,
  author       = {{Jacke, Christoph}},
  booktitle    = {{Medien & Zeit. Kommunikation in Vergangenheit und Gegenwart.}},
  keywords     = {{Retromania Futuromania Popmusik Erinnerung Geschichte Transnationalität Elektronische Musik}},
  number       = {{1}},
  pages        = {{48--53}},
  publisher    = {{Arbeistkreis für historische Kommunikationsforschung}},
  title        = {{{Bodo Mrozek (2019/2021/2023): Jugend Pop Kultur. Eine transnationale Geschichte. Suhrkamp; Simon Reynolds (2023): Futuromania. Elektronische Träume von der Zukunft. Ventil.}}},
  volume       = {{39}},
  year         = {{2024}},
}

@article{56838,
  author       = {{Flath, Beate and Jacke, Christoph}},
  issn         = {{07224591}},
  journal      = {{Kulturpolitische Mitteilungen}},
  keywords     = {{Festivals, Popmusik, Kultur, Forschung, Livemusik}},
  number       = {{3}},
  pages        = {{60--61}},
  publisher    = {{Kulturpolitische Gesellschaft Berlin}},
  title        = {{{Feste feiern - aber nachhaltig! Transdisziplinäre Festival Studies in aktuellen kultur- und gesellschaftspolitischen Kontexten.}}},
  volume       = {{186}},
  year         = {{2024}},
}

@misc{55196,
  author       = {{Jacke, Christoph}},
  booktitle    = {{Musiktheorie. Zeitschrift für Musikwissenschaft.}},
  issn         = {{0177-4182}},
  keywords     = {{Popmusik, Gender, Schlager, Frauen, Image, Deutschland}},
  number       = {{2}},
  pages        = {{181--185}},
  publisher    = {{Laaber}},
  title        = {{{Marina Forell (2023): Atemlos zum Erfolg. Gender, Frauenbild und Entwicklungstendenzen im deutschen Schlager.}}},
  volume       = {{39}},
  year         = {{2024}},
}

@inproceedings{55660,
  author       = {{Jacke, Christoph}},
  keywords     = {{Popmusic, culture, politics, Förderung, Forschung}},
  location     = {{Cologne}},
  title        = {{{"Heute Disco, morgen Umsturz, übermorgen Landpartie" - Kurze Anmerkungen zu Pop-Gipfeln.}}},
  year         = {{2024}},
}

@inbook{55717,
  author       = {{Jacke, Christoph and Kirschlager, Nils}},
  booktitle    = {{Literaturpop. Zur pop- und rockmusikalischen Rezeption literarischer Texte.}},
  editor       = {{Eggers, Michael}},
  isbn         = {{9783968219493}},
  pages        = {{197--226}},
  publisher    = {{Rombach Wissenschaft/Nomos}},
  title        = {{{Anti-Künste, Künste und das ganze Dazwischen: Nick Cave als prominente Figur der Popmusikkulturen}}},
  year         = {{2024}},
}

@inbook{55197,
  author       = {{Jacke, Christoph}},
  booktitle    = {{Hits & Storys. 20 Jahre rock'n'popmuseum.}},
  isbn         = {{978-3-96664-811-0}},
  keywords     = {{Zukunft, Popmusik, Medien, Technik, Genre, Wandel, Kulturen, Museum, Geschichte, Popular Music Studies}},
  pages        = {{294--295}},
  publisher    = {{Heel}},
  title        = {{{Zukunftspop - Popzukunft. Kurze Anmerkungen zu Konstanten der Popmusikkulturen.}}},
  year         = {{2024}},
}

@article{64858,
  abstract     = {{<jats:p>Simulation models are used to design extruders in the polymer processing industry. This eliminates the need for prototypes and reduces development time for extruders and, in particular, extrusion screws. These programs simulate, among other process parameters, the temperature and pressure curves in the extruder. At present, it is not possible to predict the resulting melt quality from these results. This paper presents a simulation model for predicting the melt quality in the extrusion process. Previous work has shown correlations between material and thermal homogeneity and the screw performance index. As a result, the screw performance index can be used as a target value for the model to be developed. The results of the simulations were used as input variables, and with the help of artificial intelligence—more precisely, machine learning—a linear regression model was built. Finally, the correlation between the process parameters and the melt quality was determined, and the quality of the model was evaluated.</jats:p>}},
  author       = {{Trienens, Dorte and Schöppner, Volker and Krause, Peter and Bäck, Thomas and Tsi-Nda Lontsi, Seraphin and Budde, Finn}},
  issn         = {{2073-4360}},
  journal      = {{Polymers}},
  number       = {{9}},
  publisher    = {{MDPI AG}},
  title        = {{{Method Development for the Prediction of Melt Quality in the Extrusion Process}}},
  doi          = {{10.3390/polym16091197}},
  volume       = {{16}},
  year         = {{2024}},
}

@inproceedings{54247,
  author       = {{Berndt, Axel and Mauro, Dario A.}},
  booktitle    = {{Proceedings of the Sound and Music Computing Conference (SMC) 2024}},
  publisher    = {{Sound and Music Computing Network / Universidade do Porto}},
  title        = {{{Arpeggiatorum: An audio controllable MIDI arpeggiator}}},
  year         = {{2024}},
}

@misc{57094,
  author       = {{Kruse, Stephan and Scheytt, J. Christoph}},
  title        = {{{Elektrooptische PLL}}},
  year         = {{2024}},
}

@inbook{57129,
  author       = {{Jagdschian, Larissa Carolin}},
  booktitle    = {{Jella Lepman. Journalistin, Autorin, Gründerin der Internationalen Jugendbibliothek. Eine Wiederentdeckung}},
  editor       = {{von Bassermannn-Jordan, Gabriele  and Fromm, Waldemar and Haug, Christine and Raabe , Christiana}},
  pages        = {{119 – 134 }},
  title        = {{{Internationale Solidaritätsgemeinschaften als Handlungsmodelle in der Exil-Kinder- und Jugendli-teratur am Beispiel von Jella Lepmans „Das Geheimnis vom Kuckuckshof“ (1942)}}},
  year         = {{2024}},
}

@misc{57127,
  author       = {{Jagdschian, Larissa Carolin}},
  title        = {{{Florian Krobb: „Afrikas Zukunft“. Jugend- und Abenteurliteratur in Deutschlands „afrikanischem Jahrhundert“ (1840-1940)}}},
  year         = {{2024}},
}

@inbook{57131,
  author       = {{Jagdschian, Larissa Carolin}},
  booktitle    = {{Begegnungen von Jung und Alt in der Kinder- und Jugendliteratur. Literaturwissenschaftliche und literaturdidaktische Perspektiven}},
  editor       = {{Drogi , Susanne and Naugk , Nadine}},
  pages        = {{45 – 62 }},
  title        = {{{Das Gedächtnis des Bilderbuchs – Postmemoriale Perspektiven auf die Verfolgung im Dritten Reich in intergenerationalen Bilderbüchern}}},
  year         = {{2024}},
}

@inbook{57132,
  author       = {{Jagdschian, Larissa Carolin}},
  booktitle    = {{Politische und Ästhetische Bildung im Deutschunterricht. Kinder- und Jugendmedien aus der Perspektive einer Politischen Literatur- und Mediendidaktik}},
  editor       = {{Josting , Petra  and Freudenberg , Ricarda }},
  pages        = {{199 – 210 }},
  title        = {{{Politische Bildung mit Jugendromanen über Flucht, Rassismus und Solidarität im Deutschunterricht. }}},
  year         = {{2024}},
}

@inbook{57130,
  author       = {{Jagdschian, Larissa Carolin}},
  booktitle    = {{Interkulturalität neu entdecken: fachwissenschaftliche und fachdidaktische Perspektiven auf Kinder- und Jugendliteratur }},
  editor       = {{Mikota , Jana  and Heiser , Ines and Sudermann , Andy }},
  pages        = {{414 – 424 }},
  title        = {{{Julya Rabinowich: Dazwischen: Ich (2016) - Ein Adoleszenzroman über interkulturelle Identitätsprozesse. }}},
  year         = {{2024}},
}

@book{57135,
  author       = {{Jagdschian, Larissa Carolin}},
  publisher    = {{J.B. Metzler }},
  title        = {{{Travelling memories. Deutschsprachige Kinder- und Jugendliteratur über die Flucht während des Na-tionalsozialismus und aus der DDR}}},
  year         = {{2024}},
}

@article{57133,
  author       = {{Jagdschian, Larissa Carolin}},
  journal      = {{kjl&m}},
  pages        = {{3 – 12 }},
  title        = {{{Diachrone Perspektiven auf die deutschsprachige Kinder- und Jugendliteratur über die Verfolgung während des Nationalsozialismus}}},
  year         = {{2024}},
}

@article{57134,
  author       = {{Jagdschian, Larissa Carolin}},
  journal      = {{kjl&m}},
  number       = {{4}},
  pages        = {{17 – 24 }},
  title        = {{{Medizinische Schreibweisen in der enzyklopädischen Literatur für Kinder im 18. und 19. Jahrhundert.}}},
  year         = {{2024}},
}

@article{54758,
  author       = {{Härtel, Kira and Drepper, Laura and Topalovic, Elvira}},
  journal      = {{kjl&m, Texte sichtbar machen. Schrift und Schriftkultur in der Kinder- und Jugendliteratur}},
  pages        = {{53 -- 59}},
  publisher    = {{kopaed}},
  title        = {{{Schriftgestaltung und Schriftästhetik im Bilderbuch. Typographisch-ästhetische Deutungen von Grundschulkindern }}},
  volume       = {{24.4}},
  year         = {{2024}},
}

