Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama
M. Tönnies, Dramatic Minds. Performance, Cognition, and the Representation of Interiority (2015) 243–260.
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Dramatic Minds. Performance, Cognition, and the Representation of Interiority
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243-260
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Tönnies M. Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama. Dramatic Minds Performance, Cognition, and the Representation of Interiority. 2015:243-260.
Tönnies, M. (2015). Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama. Dramatic Minds. Performance, Cognition, and the Representation of Interiority, 243–260.
@article{Tönnies_2015, title={Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama}, journal={Dramatic Minds. Performance, Cognition, and the Representation of Interiority}, publisher={Peter Lang}, author={Tönnies, Merle}, year={2015}, pages={243–260} }
Tönnies, Merle. “Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama.” Dramatic Minds. Performance, Cognition, and the Representation of Interiority, 2015, 243–60.
M. Tönnies, “Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama,” Dramatic Minds. Performance, Cognition, and the Representation of Interiority, pp. 243–260, 2015.
Tönnies, Merle. “Between Authenticity and Objectification: Narrating the Self in Contemporary British Drama.” Dramatic Minds. Performance, Cognition, and the Representation of Interiority, Peter Lang, 2015, pp. 243–60.
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