The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance
M. Tönnies, J. Brüning, A. Sand, Zeitschrift Für Anglistik Und Amerikanistik 64 (2016) 301–320.
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Journal Article
| Published
| English
Author
Tönnies, MerleLibreCat;
Brüning, Joana;
Sand, Andrea
Department
Publishing Year
Journal Title
Zeitschrift für Anglistik und Amerikanistik
Volume
64
Issue
3
Page
301-320
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Cite this
Tönnies M, Brüning J, Sand A. The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance. Zeitschrift für Anglistik und Amerikanistik. 2016;64(3):301-320.
Tönnies, M., Brüning, J., & Sand, A. (2016). The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance. Zeitschrift Für Anglistik Und Amerikanistik, 64(3), 301–320.
@article{Tönnies_Brüning_Sand_2016, title={The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance}, volume={64}, number={3}, journal={Zeitschrift für Anglistik und Amerikanistik}, author={Tönnies, Merle and Brüning, Joana and Sand, Andrea}, year={2016}, pages={301–320} }
Tönnies, Merle, Joana Brüning, and Andrea Sand. “The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance.” Zeitschrift Für Anglistik Und Amerikanistik 64, no. 3 (2016): 301–20.
M. Tönnies, J. Brüning, and A. Sand, “The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance,” Zeitschrift für Anglistik und Amerikanistik, vol. 64, no. 3, pp. 301–320, 2016.
Tönnies, Merle, et al. “The Duality of Page and Stage: Constructing Lyrical Voices in Contemporary British Poetry Written for Performance.” Zeitschrift Für Anglistik Und Amerikanistik, vol. 64, no. 3, 2016, pp. 301–20.
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