[{"title":"In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“","user_id":"14932","volume":41,"date_created":"2020-09-10T06:55:07Z","status":"public","publication":"New German Critique","department":[{"_id":"465"}],"author":[{"id":"104","last_name":"Eke","full_name":"Eke, Norbert Otto","first_name":"Norbert Otto"}],"issue":"No. 3/123","_id":"19238","date_updated":"2022-01-06T06:54:00Z","intvolume":" 41","page":"95-112","type":"journal_article","citation":{"ieee":"N. O. Eke, “In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“,” New German Critique, vol. 41, no. No. 3/123, pp. 95–112, 2014.","short":"N.O. Eke, New German Critique 41 (2014) 95–112.","mla":"Eke, Norbert Otto. “In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“.” New German Critique, vol. 41, no. No. 3/123, 2014, pp. 95–112.","bibtex":"@article{Eke_2014, title={In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“}, volume={41}, number={No. 3/123}, journal={New German Critique}, author={Eke, Norbert Otto}, year={2014}, pages={95–112} }","chicago":"Eke, Norbert Otto. “In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“.” New German Critique 41, no. No. 3/123 (2014): 95–112.","ama":"Eke NO. In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“. New German Critique. 2014;41(No. 3/123):95-112.","apa":"Eke, N. O. (2014). In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“. New German Critique, 41(No. 3/123), 95–112."},"year":"2014","language":[{"iso":"eng"}]}]