{"language":[{"iso":"eng"}],"issue":"No. 3/123","publication":"New German Critique","type":"journal_article","date_updated":"2022-01-06T06:54:00Z","page":"95-112","year":"2014","intvolume":"        41","status":"public","author":[{"first_name":"Norbert Otto","full_name":"Eke, Norbert Otto","id":"104","last_name":"Eke"}],"volume":41,"department":[{"_id":"465"}],"_id":"19238","title":"In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“","date_created":"2020-09-10T06:55:07Z","citation":{"ieee":"N. O. Eke, “In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“,” <i>New German Critique</i>, vol. 41, no. No. 3/123, pp. 95–112, 2014.","ama":"Eke NO. In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“. <i>New German Critique</i>. 2014;41(No. 3/123):95-112.","mla":"Eke, Norbert Otto. “In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“.” <i>New German Critique</i>, vol. 41, no. No. 3/123, 2014, pp. 95–112.","apa":"Eke, N. O. (2014). In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“. <i>New German Critique</i>, <i>41</i>(No. 3/123), 95–112.","bibtex":"@article{Eke_2014, title={In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“}, volume={41}, number={No. 3/123}, journal={New German Critique}, author={Eke, Norbert Otto}, year={2014}, pages={95–112} }","short":"N.O. Eke, New German Critique 41 (2014) 95–112.","chicago":"Eke, Norbert Otto. “In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“.” <i>New German Critique</i> 41, no. No. 3/123 (2014): 95–112."},"user_id":"14932"}