{"page":"95-112","date_updated":"2022-01-06T06:54:00Z","intvolume":"        41","citation":{"short":"N.O. Eke, New German Critique 41 (2014) 95–112.","ama":"Eke NO. In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“. <i>New German Critique</i>. 2014;41(No. 3/123):95-112.","apa":"Eke, N. O. (2014). In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“. <i>New German Critique</i>, <i>41</i>(No. 3/123), 95–112.","mla":"Eke, Norbert Otto. “In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“.” <i>New German Critique</i>, vol. 41, no. No. 3/123, 2014, pp. 95–112.","chicago":"Eke, Norbert Otto. “In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“.” <i>New German Critique</i> 41, no. No. 3/123 (2014): 95–112.","ieee":"N. O. Eke, “In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“,” <i>New German Critique</i>, vol. 41, no. No. 3/123, pp. 95–112, 2014.","bibtex":"@article{Eke_2014, title={In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“}, volume={41}, number={No. 3/123}, journal={New German Critique}, author={Eke, Norbert Otto}, year={2014}, pages={95–112} }"},"year":"2014","language":[{"iso":"eng"}],"volume":41,"status":"public","issue":"No. 3/123","_id":"19238","title":"In the Image: The Transformation of Cinematic Shoah Representations in Michael Glawogger’s „Kill Daddy Good Night“","department":[{"_id":"465"}],"author":[{"full_name":"Eke, Norbert Otto","last_name":"Eke","id":"104","first_name":"Norbert Otto"}],"type":"journal_article","publication":"New German Critique","date_created":"2020-09-10T06:55:07Z","user_id":"14932"}