{"issue":"3","publication":"DIE TONKUNST","user_id":"439","_id":"27466","citation":{"ieee":"B. Bohl, J. Kepper, and D. Röwenstrunk, “Perspektiven Digitaler Musikeditionen aus der Sicht des Edirom-Projekts,” <i>DIE TONKUNST</i>, vol. 5, no. 3, pp. 270–276, 2011.","mla":"Bohl, Benjamin, et al. “Perspektiven Digitaler Musikeditionen Aus Der Sicht Des Edirom-Projekts.” <i>DIE TONKUNST</i>, vol. 5, no. 3, 2011, pp. 270–76.","ama":"Bohl B, Kepper J, Röwenstrunk D. Perspektiven Digitaler Musikeditionen aus der Sicht des Edirom-Projekts. <i>DIE TONKUNST</i>. 2011;5(3):270-276.","bibtex":"@article{Bohl_Kepper_Röwenstrunk_2011, title={Perspektiven Digitaler Musikeditionen aus der Sicht des Edirom-Projekts}, volume={5}, number={3}, journal={DIE TONKUNST}, author={Bohl, Benjamin and Kepper, Johannes and Röwenstrunk, Daniel}, year={2011}, pages={270–276} }","short":"B. Bohl, J. Kepper, D. Röwenstrunk, DIE TONKUNST 5 (2011) 270–276.","chicago":"Bohl, Benjamin, Johannes Kepper, and Daniel Röwenstrunk. “Perspektiven Digitaler Musikeditionen Aus Der Sicht Des Edirom-Projekts.” <i>DIE TONKUNST</i> 5, no. 3 (2011): 270–76.","apa":"Bohl, B., Kepper, J., &#38; Röwenstrunk, D. (2011). Perspektiven Digitaler Musikeditionen aus der Sicht des Edirom-Projekts. <i>DIE TONKUNST</i>, <i>5</i>(3), 270–276."},"title":"Perspektiven Digitaler Musikeditionen aus der Sicht des Edirom-Projekts","page":"270-276","year":"2011","date_created":"2021-11-15T13:46:12Z","date_updated":"2022-01-06T06:57:39Z","intvolume":"         5","volume":5,"type":"journal_article","department":[{"_id":"233"}],"author":[{"first_name":"Benjamin","last_name":"Bohl","full_name":"Bohl, Benjamin"},{"first_name":"Johannes","full_name":"Kepper, Johannes","last_name":"Kepper"},{"first_name":"Daniel","last_name":"Röwenstrunk","full_name":"Röwenstrunk, Daniel"}],"status":"public","language":[{"iso":"eng"}]}