{"user_id":"439","date_created":"2021-11-15T13:46:12Z","department":[{"_id":"233"}],"publication":"DIE TONKUNST","status":"public","intvolume":" 5","type":"journal_article","_id":"27466","citation":{"ama":"Bohl B, Kepper J, Röwenstrunk D. Perspektiven Digitaler Musikeditionen aus der Sicht des Edirom-Projekts. DIE TONKUNST. 2011;5(3):270-276.","apa":"Bohl, B., Kepper, J., & Röwenstrunk, D. (2011). Perspektiven Digitaler Musikeditionen aus der Sicht des Edirom-Projekts. DIE TONKUNST, 5(3), 270–276.","short":"B. Bohl, J. Kepper, D. Röwenstrunk, DIE TONKUNST 5 (2011) 270–276.","mla":"Bohl, Benjamin, et al. “Perspektiven Digitaler Musikeditionen Aus Der Sicht Des Edirom-Projekts.” DIE TONKUNST, vol. 5, no. 3, 2011, pp. 270–76.","ieee":"B. Bohl, J. Kepper, and D. Röwenstrunk, “Perspektiven Digitaler Musikeditionen aus der Sicht des Edirom-Projekts,” DIE TONKUNST, vol. 5, no. 3, pp. 270–276, 2011.","bibtex":"@article{Bohl_Kepper_Röwenstrunk_2011, title={Perspektiven Digitaler Musikeditionen aus der Sicht des Edirom-Projekts}, volume={5}, number={3}, journal={DIE TONKUNST}, author={Bohl, Benjamin and Kepper, Johannes and Röwenstrunk, Daniel}, year={2011}, pages={270–276} }","chicago":"Bohl, Benjamin, Johannes Kepper, and Daniel Röwenstrunk. “Perspektiven Digitaler Musikeditionen Aus Der Sicht Des Edirom-Projekts.” DIE TONKUNST 5, no. 3 (2011): 270–76."},"page":"270-276","author":[{"last_name":"Bohl","first_name":"Benjamin","full_name":"Bohl, Benjamin"},{"last_name":"Kepper","first_name":"Johannes","full_name":"Kepper, Johannes"},{"last_name":"Röwenstrunk","first_name":"Daniel","full_name":"Röwenstrunk, Daniel"}],"volume":5,"date_updated":"2022-01-06T06:57:39Z","year":"2011","language":[{"iso":"eng"}],"title":"Perspektiven Digitaler Musikeditionen aus der Sicht des Edirom-Projekts","issue":"3"}