{"author":[{"full_name":"Mildorf, Jarmila","last_name":"Mildorf","id":"356","first_name":"Jarmila"}],"publisher":"Manchester University Press","status":"public","place":"Manchester","year":"2021","citation":{"apa":"Mildorf, J. (2021). ‘Ja, ja, so schön klingt das Schreckliche’: An Audionarratological Analysis of Andreas Ammer and FM Einheit’s Lost &#38; Found: Das Paradies. In I. Arteel, L. Bernaerts, S. Bluijs, &#38; P. Verhulst (Eds.), <i>Tuning in to the Neo-Avantgarde: Experimental Radio Plays in the Postwar Period</i> (1st ed., pp. 128–149). Manchester University Press.","mla":"Mildorf, Jarmila. “‘Ja, Ja, so Schön Klingt Das Schreckliche’: An Audionarratological Analysis of Andreas Ammer and FM Einheit’s Lost &#38; Found: Das Paradies.” <i>Tuning in to the Neo-Avantgarde: Experimental Radio Plays in the Postwar Period</i>, edited by Inge Arteel et al., 1st ed., Manchester University Press, 2021, pp. 128–49.","ama":"Mildorf J. ‘Ja, ja, so schön klingt das Schreckliche’: An Audionarratological Analysis of Andreas Ammer and FM Einheit’s Lost &#38; Found: Das Paradies. In: Arteel I, Bernaerts L, Bluijs S, Verhulst P, eds. <i>Tuning in to the Neo-Avantgarde: Experimental Radio Plays in the Postwar Period</i>. 1st ed. Manchester University Press; 2021:128-149.","ieee":"J. Mildorf, “‘Ja, ja, so schön klingt das Schreckliche’: An Audionarratological Analysis of Andreas Ammer and FM Einheit’s Lost &#38; Found: Das Paradies,” in <i>Tuning in to the Neo-Avantgarde: Experimental Radio Plays in the Postwar Period</i>, 1st ed., I. Arteel, L. Bernaerts, S. Bluijs, and P. Verhulst, Eds. Manchester: Manchester University Press, 2021, pp. 128–149.","short":"J. Mildorf, in: I. Arteel, L. Bernaerts, S. Bluijs, P. Verhulst (Eds.), Tuning in to the Neo-Avantgarde: Experimental Radio Plays in the Postwar Period, 1st ed., Manchester University Press, Manchester, 2021, pp. 128–149.","chicago":"Mildorf, Jarmila. “‘Ja, Ja, so Schön Klingt Das Schreckliche’: An Audionarratological Analysis of Andreas Ammer and FM Einheit’s Lost &#38; Found: Das Paradies.” In <i>Tuning in to the Neo-Avantgarde: Experimental Radio Plays in the Postwar Period</i>, edited by Inge Arteel, Lars Bernaerts, Siebe  Bluijs, and Pim Verhulst, 1st ed., 128–49. Manchester: Manchester University Press, 2021.","bibtex":"@inbook{Mildorf_2021, place={Manchester}, edition={1}, title={‘Ja, ja, so schön klingt das Schreckliche’: An Audionarratological Analysis of Andreas Ammer and FM Einheit’s Lost &#38; Found: Das Paradies}, booktitle={Tuning in to the Neo-Avantgarde: Experimental Radio Plays in the Postwar Period}, publisher={Manchester University Press}, author={Mildorf, Jarmila}, editor={Arteel, Inge and Bernaerts, Lars and Bluijs, Siebe  and Verhulst, Pim}, year={2021}, pages={128–149} }"},"user_id":"356","editor":[{"last_name":"Arteel","full_name":"Arteel, Inge","first_name":"Inge"},{"full_name":"Bernaerts, Lars","last_name":"Bernaerts","first_name":"Lars"},{"first_name":"Siebe ","full_name":"Bluijs, Siebe ","last_name":"Bluijs"},{"first_name":"Pim","last_name":"Verhulst","full_name":"Verhulst, Pim"}],"date_created":"2022-01-16T11:19:47Z","department":[{"_id":"1"}],"publication_identifier":{"isbn":["978-1-5261-5571-9"]},"_id":"29354","title":"‘Ja, ja, so schön klingt das Schreckliche’: An Audionarratological Analysis of Andreas Ammer and FM Einheit’s Lost & Found: Das Paradies","edition":"1","publication_status":"published","language":[{"iso":"eng"}],"page":"128-149","publication":"Tuning in to the Neo-Avantgarde: Experimental Radio Plays in the Postwar Period","type":"book_chapter","date_updated":"2022-01-16T11:33:09Z"}