{"main_file_link":[{"url":"https://www.degruyter.com/document/doi/10.1515/9783110549812-016/pdf"}],"publication_identifier":{"isbn":["9783110549812"]},"author":[{"last_name":"Betzwieser","full_name":"Betzwieser, Thomas","first_name":"Thomas"},{"orcid":"0000-0002-8373-4055","id":"61139","first_name":"Andreas","full_name":"Münzmay, Andreas","last_name":"Münzmay"}],"publication_status":"published","doi":"10.1515/9783110549812-016","date_created":"2023-09-27T07:05:48Z","department":[{"_id":"572"}],"date_updated":"2024-02-19T11:07:15Z","place":"Berlin","related_material":{"record":[{"id":"47475","relation":"contains","status":"public"}]},"title":"Textedition vs. Librettoedition: das Beispiel OPERA","user_id":"61139","year":"2017","status":"public","_id":"47483","type":"book_chapter","publisher":"De Gruyter","citation":{"short":"T. Betzwieser, A. Münzmay, in: T. Betzwieser, N. Dubowy, A. Münzmay (Eds.), Perspektiven der Edition musikdramatischer Texte, De Gruyter, Berlin, 2017, pp. 254–274.","ama":"Betzwieser T, Münzmay A. Textedition vs. Librettoedition: das Beispiel OPERA. In: Betzwieser T, Dubowy N, Münzmay A, eds. <i>Perspektiven der Edition musikdramatischer Texte</i>. De Gruyter; 2017:254-274. doi:<a href=\"https://doi.org/10.1515/9783110549812-016\">10.1515/9783110549812-016</a>","bibtex":"@inbook{Betzwieser_Münzmay_2017, place={Berlin}, title={Textedition vs. Librettoedition: das Beispiel OPERA}, DOI={<a href=\"https://doi.org/10.1515/9783110549812-016\">10.1515/9783110549812-016</a>}, booktitle={Perspektiven der Edition musikdramatischer Texte}, publisher={De Gruyter}, author={Betzwieser, Thomas and Münzmay, Andreas}, editor={Betzwieser, Thomas  and Dubowy, Norbert and Münzmay, Andreas }, year={2017}, pages={254–274} }","ieee":"T. Betzwieser and A. Münzmay, “Textedition vs. Librettoedition: das Beispiel OPERA,” in <i>Perspektiven der Edition musikdramatischer Texte</i>, T. Betzwieser, N. Dubowy, and A. Münzmay, Eds. Berlin: De Gruyter, 2017, pp. 254–274.","mla":"Betzwieser, Thomas, and Andreas Münzmay. “Textedition vs. Librettoedition: das Beispiel OPERA.” <i>Perspektiven der Edition musikdramatischer Texte</i>, edited by Thomas  Betzwieser et al., De Gruyter, 2017, pp. 254–74, doi:<a href=\"https://doi.org/10.1515/9783110549812-016\">10.1515/9783110549812-016</a>.","chicago":"Betzwieser, Thomas, and Andreas Münzmay. “Textedition vs. Librettoedition: das Beispiel OPERA.” In <i>Perspektiven der Edition musikdramatischer Texte</i>, edited by Thomas  Betzwieser, Norbert Dubowy, and Andreas  Münzmay, 254–74. Berlin: De Gruyter, 2017. <a href=\"https://doi.org/10.1515/9783110549812-016\">https://doi.org/10.1515/9783110549812-016</a>.","apa":"Betzwieser, T., &#38; Münzmay, A. (2017). Textedition vs. Librettoedition: das Beispiel OPERA. In T. Betzwieser, N. Dubowy, &#38; A. Münzmay (Eds.), <i>Perspektiven der Edition musikdramatischer Texte</i> (pp. 254–274). De Gruyter. <a href=\"https://doi.org/10.1515/9783110549812-016\">https://doi.org/10.1515/9783110549812-016</a>"},"language":[{"iso":"ger"}],"page":"254-274","quality_controlled":"1","publication":"Perspektiven der Edition musikdramatischer Texte","editor":[{"first_name":"Thomas ","last_name":"Betzwieser","full_name":"Betzwieser, Thomas "},{"first_name":"Norbert","full_name":"Dubowy, Norbert","last_name":"Dubowy"},{"first_name":"Andreas ","last_name":"Münzmay","full_name":"Münzmay, Andreas "}]}