{"citation":{"ieee":"A. Münzmay, “Musical Representations of the Seraglio in Eugène Scribe’s Vaudeville L’ours et le pacha and in its Adaptions in Nineteenth-Century European Theatre,” in <i>Images of the Harem in Literature and Theatre</i>, vol. 3, M. Hüttler, E. M. N. Kugler, and H. E. Weidinger, Eds. Wien: Hollitzer, 2015, pp. 427–454.","bibtex":"@inbook{Münzmay_2015, place={Wien}, series={Ottoman Empire and European Theatre}, title={Musical Representations of the Seraglio in Eugène Scribe’s Vaudeville L’ours et le pacha and in its Adaptions in Nineteenth-Century European Theatre}, volume={3}, booktitle={Images of the Harem in Literature and Theatre}, publisher={Hollitzer}, author={Münzmay, Andreas}, editor={Hüttler, Michael and M. N. Kugler, Emily and Weidinger, Hans Ernst}, year={2015}, pages={427–454}, collection={Ottoman Empire and European Theatre} }","ama":"Münzmay A. Musical Representations of the Seraglio in Eugène Scribe’s Vaudeville L’ours et le pacha and in its Adaptions in Nineteenth-Century European Theatre. In: Hüttler M, M. N. Kugler E, Weidinger HE, eds. <i>Images of the Harem in Literature and Theatre</i>. Vol 3. Ottoman Empire and European Theatre. Hollitzer; 2015:427-454.","short":"A. Münzmay, in: M. Hüttler, E. M. N. Kugler, H.E. Weidinger (Eds.), Images of the Harem in Literature and Theatre, Hollitzer, Wien, 2015, pp. 427–454.","apa":"Münzmay, A. (2015). Musical Representations of the Seraglio in Eugène Scribe’s Vaudeville L’ours et le pacha and in its Adaptions in Nineteenth-Century European Theatre. In M. Hüttler, E. M. N. Kugler, &#38; H. E. Weidinger (Eds.), <i>Images of the Harem in Literature and Theatre</i> (Vol. 3, pp. 427–454). Hollitzer.","chicago":"Münzmay, Andreas. “Musical Representations of the Seraglio in Eugène Scribe’s Vaudeville L’ours et Le Pacha and in Its Adaptions in Nineteenth-Century European Theatre.” In <i>Images of the Harem in Literature and Theatre</i>, edited by Michael Hüttler, Emily M. N. Kugler, and Hans Ernst Weidinger, 3:427–54. Ottoman Empire and European Theatre. Wien: Hollitzer, 2015.","mla":"Münzmay, Andreas. “Musical Representations of the Seraglio in Eugène Scribe’s Vaudeville L’ours et Le Pacha and in Its Adaptions in Nineteenth-Century European Theatre.” <i>Images of the Harem in Literature and Theatre</i>, edited by Michael Hüttler et al., vol. 3, Hollitzer, 2015, pp. 427–54."},"volume":3,"publisher":"Hollitzer","type":"book_chapter","department":[{"_id":"572"}],"_id":"49945","status":"public","date_created":"2023-12-20T14:40:14Z","author":[{"first_name":"Andreas","id":"61139","full_name":"Münzmay, Andreas","last_name":"Münzmay","orcid":"0000-0002-8373-4055"}],"year":"2015","user_id":"61139","title":"Musical Representations of the Seraglio in Eugène Scribe’s Vaudeville L’ours et le pacha and in its Adaptions in Nineteenth-Century European Theatre","editor":[{"first_name":"Michael","full_name":"Hüttler, Michael","last_name":"Hüttler"},{"first_name":"Emily","full_name":"M. N. Kugler, Emily","last_name":"M. N. Kugler"},{"last_name":"Weidinger","full_name":"Weidinger, Hans Ernst","first_name":"Hans Ernst"}],"publication":"Images of the Harem in Literature and Theatre","page":"427 - 454","series_title":"Ottoman Empire and European Theatre","intvolume":"         3","language":[{"iso":"eng"}],"place":"Wien","date_updated":"2024-02-19T11:08:29Z"}